Mirah Quotes

Every form of communication is for the purpose of feeling, experiencing, sharing. Everyone has their own intense journey through life, and you don't want to do it all alone. It's really meaningful to be able to share with people. Whether it's your political beliefs, or what goes on for you emotionally, or keeping track of history.

I identify as being an independent artist. I think people often forget that Indie is actually short for independent. For me, the word has a meaning more than what it connotes from an industry standpoint.

Sex is fun to sing about.

You're born and then you're on your own, you start having relationships, you're developing relationships to the world and your wider community, and then disappointing things happen.

I'm doing more deep listening, which is part of the role or job of the songwriter. I think with a lot of songwriting, songs sing themselves to you tonally and also lyrically. And it's not necessarily your own visual memories that are writing the song. It's like there are words that you can catch out there and you have to be able to see and hear them.

Sometimes I joke around that if I weren't a musician, I would be a power lifter. I don't think people expect it from me because I'm little.

I think that there is a purity aesthetic, like "I just make art because I'm an artist and I can't help it. I don't care what the critics say." But different mediums have a different relationship with the public. If you're in a performing medium it's hard not to place some weight on whether or not people come to your shows, or whether or not they're enjoying them.

Writing a song is almost like cheating-writing because you don't have to finish your sentences, you don't have to use any punctuation, no one's going to edit your work. It's so wide open. People just grunt and that's a song. You can kind of do anything.

I think that I have come at it backwards in a way because a lot of what I'm doing as a songwriter is not incredibly intentional. There's a moment that happens which creates the song or the actual idea for a song, and then I'm like, "Oh, it's this kind of song."

I just write about what comes up. Sometimes you're thinking about Palestine, and sometimes you're thinking about sex. People have a lot going on.

You can choose not to be a performing musician. You can choose to just be a recording artist. But then you run into the problem of trying to earn a living and balancing the time that you spend working on your creative efforts to just getting the bills paid. You can go off the grid and live in a cabin and make whatever art you want and also provide all the sustenance you need and not interact with anybody else.

I think some modesty actually serves me by just accepting that I am an instrument. I'm not trying to match up to an ideal as some kind of challenge. It's more like I use the family tree of music and song that I feel has fit me as an encouragement; like it's a bed to rest in rather than a challenge to try to better myself over, to try to.

I don't feel like I have a lot of reference to sexual innuendo on my songs.

I have a hard time really claiming my place as a songwriter or as doing anything of import really because I feel like I'm tooting my own horn in a way.

There is a very palpable difference for me between some of my earlier songs and where my later work has gone. If I were making my dream set list for tonight's show, I'm probably not going to include a whole bunch of stuff from the album that I made when I was 23.

I know that a lot of songwriters write about a break up. It's a really popular topic. I think heartbreak is the number one thing people write about. I could say that's narcissistic somehow because they want everybody to admire how pained they are. But I actually do think there's something beautiful and uplifting about knowing that you're not the only one who is experiencing or has experienced that kind of devastating loss. Everyone's experienced that.

The music goes into people in a totally different way than words. There's air, there's the sound of words, there's touch, there's music. All of those things have a really distinct way of meeting and entering people's bodies and souls. It's the most beautiful part about humans; that we make music.

My identity is mostly as a songwriter and lyricist and singer. I also have a lot of production ideas but I have my own limitations in terms of what instruments I'm actually proficient at and what I can do myself, so I really love working with people on the production end; just really going for it with orchestration and instrumentation and production. That's where I see myself going: maintaining my integrity and abilities as a songwriter, but applying it to different contexts, to where I can put on a huge feathered costume and roll around in the ocean.