To Cut A Long Story Short Quotes

To cut a long story short, I'm a writer. ~ Carla H. Krueger

To cut a long story short, coaching by Charlotte and Mr. Giordano was even worse than I'd expected. That was mainly because they were trying to teach me everything at the same time. While I was struggling to learn the steps of the minuet (rigged out in a hooped skirt with cherry-red stripes, not very chic worn with my school uniform blouse, which was the color of mashed potato), I was also supposed to be learning how greatly the political opinions of the Whigs and the Tories differed, how to hold a fan, and the difference between "Your Highness," "Your Royal Highness," "Your Serene Highness," and even "Your Illustrious Highness." After only an hour plus seventeen different ways of opening a fan, I had a splitting headache, and I couldn't tell left from right. My attempt to lighten the atmosphere with a little joke - "Couldn't we stop for a rest? I'm totally, serenely, illustriously exhausted" - went down like a lead balloon.
"This is not funny," said Giordano in nasal tones. "Stupid girl. ~ Kerstin Gier

So, to cut a long story short, they jumped. ~ Laurent Binet

I'll find out who's inside. Wait here and keep alert!' Hallam rasped. He skirted the main path to skulk towards one of the shuttered windows on the building's eastern wall. There was a crack in the wood and he gently inched closer to peer inside.
There was a hearth-fire with a pot bubbling away and a battered table made of a length of wood over two pieces of cut timber. A small ham hung from the rafters, away from the rats and mice. He couldn't see anyone but there was a murmur of voices. Hallam leaned in even closer and a young boy with hair the colour of straw saw the movement to stare. It was Little Jim. Thank God, the child was safe. Snot hung from his nose and he was pale. Hallam put a finger to his lips, but the boy, not even four, did not understand, and just gaped innocently back.
Movement near the window. A man wearing a blue jacket took up a stone bottle and wiped his long flowing moustache afterwards. His hair was shoulder-length, falling unruly over the red collar of his jacket. Tied around his neck was a filthy red neckerchief. A woman moaned and the man grinned with tobacco stained teeth at the sound. Laughter and French voices. The woman whimpered and Little Jim turned to watch unseen figures. His eyes glistened and his bottom lip dropped. The woman began to plead and Hallam instinctively growled.
The Frenchman, hearing the noise, pushed the shutter open and the pistol's cold muzzle pressed against his forehead.
Hallam watched the man's eye ~ David Cook

It is my contention that a really great novel is made with a knife and not a pen. A novelist must have the intestinal fortitude to cut out even the most brilliant passage so long as it doesn't advance the story. ~ Frank Yerby

In the glare, the great and terrible light of this happening, God seems to signal that the story of the rest of us need not end, and that the new light can prove a troubled dawn.
For the rest of us, perhaps. Not for the dead, not for the more than fifty million real dead in the world's worst catastrophe: victors and vanquished, combatants and civilians, people of so many nations, men, women, and children, all cut down. For them there can be no new earthly dawn. Yet thought their bones like in the darkness of the grave, they will not have died in vain, if their remembrance can lead us from the long, long time of war to the time for peace. ~ Herman Wouk

Kevin tried to sleep with a pillow tight over his face, and he nearly suffocated himself. When he tiptoed over to close the door, they were talking in a subdued tone on the narrow couch. Colette's bare legs were curled up on the pillows, her head riding on the camelback motion of his chest. But her eyes were open, and she looked more adrift than comforted. In a tired baritone, Jerry was talking about prison. It was a horror story -- about the echoing screams of young kids and eyeballs cut open with smuggled razor blades, beginning as the usual speech about the hell he'd seen. But somehow it bcame a lonesome country-western love song, about how every long night of his life he had dreamed of a woman like her-- quick-witted and beautiful and tenacious. It was more than Kevin expected from the man. He told her that if he could buy her safe passage out of this life, hers and Kevin's, he would; but it was hard with a teenage son always pressing to know more and a tiring and insatiable young girlfriend who wanted to devour the world. Think of the pressure on him. "You need to know that we're together like this partly because of you. You keep us up and running. I know it and Kevin knows it. I'm not a good person, Colette -- I never claimed to be, I don't want to be, and you can't expect me to be. But look me in the eye and accept me as a snake, and I'll tell you whatever you're waiting to hear: I need you, I want you, I hurt for you, down in the dust, honey, down in the dust of my bo ~ Peter Craig

As a fantasist, I well understand the power of escapism, particularly as relates to romance. But when so many stories aimed at the same audience all trumpet the same message – And Lo! There shall be Two Hot Boys, one of them your Heart's Intended, the other a vain Pretender who is also hot and with whom you shall have guilty makeouts before settling down with your One True Love – I am inclined to stop viewing the situation as benign and start wondering why, for instance, the heroines in these stories are only ever given a powerful, magical destiny of great importance to the entire world so long as fulfilling it requires male protection, guidance and companionship, and which comes to an end just as soon as they settle their inevitable differences with said swain and start kissing.

I mean to invoke is something of the danger of mob rule, only applied to narrative and culture. Viz: that the comparative harmlessness of individuals does not prevent them from causing harm en masse. Take any one story with the structure mentioned above, and by itself, there's no problem. But past a certain point, the numbers begin to tell – and that poses a tricky question. In the case of actual mobs, you'll frequently find a ringleader, or at least a core set of agitators: belligerent louts who stir up feeling well beyond their ability to contain it. In the case of novels, however, things aren't so clear cut. Authors tell the stories they want to tell, and even if a number of them choose ~ Foz Meadows

Dear Julie:
If I didn't feel that there is some good in your story, I wouldn't take the time to write a criticism of it. But there is some good in it, some points that make me feel that if you expend the effort(Look who's talking about expending the effort, I couldn't help thinking) you may well achieve your very worthy ambition.
First of all, you have an ear for cadence. Your sentences flow rather smoothly, and the continuity of your paragraphs is quite good.
Secondly, your imagery is sharp and clear-cut. I could smell that dank, rat-infested attic and I was more than a little in love with your pretty heroine by the time she emerged from her third paragraph. Furthermore, you occasionally achieve poetic effects which are pleasing.
But, my darling niece, your villains have nothing but venom in their souls, and your sympathetic characters are ready to step right off into Paradise without one spot to tarnish their purity. People aren't like that, Julie. Take a look around you.
Again, all your colors, your moods, your nusances, are essentially feminine, and it just doesn't ring true to be told that a man is responsible for them. No, Julie, it will be a long time before you speak and think and feel like an anguished old German musician of eighty! And, after all, what do you know about the problems of musical composition, or the life of an impoverised German laborer such as the landlord in his nineteenth-century environment? And how much do you know about s ~ Irene Hunt

This book contains a story and several other things. The other things might be connected with the story, or they might not; they might be connected to stories that haven't appeared yet. It's not easy to tell.

It's easy to imagine how they might have turned up, though. The world is full of things like that: old postcards, theater programs, leaflets about bomb-proofing your cellar, greeting cards, photograph albums, holiday brochures, instruction booklets for machine tools, maps, catalogs, railway timetables, menu cards from long-gone cruise liners-all kinds of things that once served a real and useful purpose, but have now become cut adrift from the things and the people they relate to.

They might have come from anywhere. They might have come from other worlds. That scribbled-on map, that publisher's catalog-they might have been put down absentmindedly in another universe, and been blown by a chance wind through an open window, to find themselves after many adventures on a market stall in our world. ~ Philip Pullman

For the Wife Beater's Wife

With blue irises her face is blossomed. Blue
Circling to yellow, circling to brown on her cheeks.
The long bone of her jaw untracked
She hides in our kitchen.
He sleeps it off next door.

Her chicken legs tucked under her
She's frantic with lies, animated
Before the swirling smoke.
On her cigarette she leaves red prints, red
Like a cut on the white cup.
Like a skin she pulls her sweater around her.
She's cold,
She brings the cold in with her.

In our kitchen she hides.
He sleeps it off next door, his great
Belly heaving with booze.
Again and again she tells the story
As if the details ever changed,
As if blows to the face were somehow
Different beating to beating.

We reach for her but can't help.
She retreats into her cold love of him
And looks across the table at us
As if across a sea.
Next door he claws out of sleep.
She says she thinks she'll do something
After all, with her hair tonight. ~ Bruce Weigl

By now I was feeling the shame but also defiance. Like here, I'm carrying the banner for all of you who cut off a little piece of cake wanting a big one, who spend a good third of your waking hours feeling bad about your desires, who infect those with whom you work and live with your judgements and pronouncements, you on the program who tally points all day long, every day, let's see, 7 for breakfast, I'm going to need only 3 or 4 for lunch, what the hell can I have for so little, oh, I know, broth and a salad with very little dressing. And broth is good! Yes! So chickeny! That's what we tell ourselves, we who cannot eat air without gaining, we who eat the asparagus longing for the potatoes au gratin, for the fettucine Alfredo, for the pecan pie. And if you're one of those who doesn't, stop right here, you are not invited to the rest of this story. ~ Elizabeth Berg

A gentle breeze rustled through the leaves, bringing with it the scent of fresh-turned earth and lavender blossoms. Amanda drew to the side of the balcony, where she was completely concealed from view. As she leaned against the wall of the house, the rough texture of the red brick gently abraded her bare shoulders.
She had worn a pale blue, corded-silk gown with a low-cut back, and draperies of gauze that crossed over the bodice in an X pattern. The long sleeves of the gown were made of more transparent gauze, while her hands were encased in white gloves. The flash of her bare arms beneath the filmy blue silk made Amanda feel sophisticated and daring. ~ Lisa Kleypas

Every man whose business it is to think knows that he must for part of the day create about himself a pool of silence. But in that helter-skelter which we flatter by the name of civilization, the citizen performs the perilous business of government under the worst possible conditions. A faint recognition of this truth inspires the movement for a shorter work day, for longer vacations, for light, air, order, sunlight and dignity in factories and offices. But if the intellectual quality of our life is to be improved that is only the merest beginning. So long as so many jobs are an endless and, for the worker, an aimless routine, a kind of automatism using one set of muscles in one monotonous pattern, his whole life will tend towards an automatism using one set of muscles in one monotonous pattern, his whole life will tend towards an automatism in which nothing is particularly to be distinguished from anything else unless it is announced with a thunderclap. So long as he is physically imprisoned in crowds by day and even by night his attention will flicker and relax.
It will not hold fast and define clearly where he is the victim of all sorts of pother, in a home which needs to be ventilated of its welter of drudgery, shrieking children, raucous assertions, indigestible food, bad air, and suffocating ornament.
Occasionally perhaps we enter a building which is composed and spacious; we go to a theatre where modern stagecraft has cut away distraction, or go to sea, or ~ Walter Lippmann

The body, the mind, and the spirit don't form a pyramid, they form a circle. Each of them runs into the other two. The body isn't below the mind and the spirit; from the point of view it's between them. if you reside too much in the mind, then you get too abstract and cut off from the world. You long for the spiritual life, but you can't get to it, and you fall into despair. The exercise of the senses frees you from abstraction and opens the way to transcendence. ~ Jane Smiley

I have underlined words and sentences in one of the Bibles that has always been my study Bible, but when I look at those words and sentences now, I can't remember why they were underlined. One day I was rereading a short story by Joanne Greenberg, and I came across a long passage that I had marked off, but as I looked at it, I couldn't remember why. Perhaps I had meant to ask her about it the next time we talked on the phone, but now I have no idea what it could be that I wanted to ask her. My Revised Standard version of the Bible is filled with markings, for I have gone through it word for word with study groups at least four times, and of course, I have used it on various occasions to begin speeches. I know that the underlined passages served some purpose, but here and there are verses that have no special meaning to me. It is almost as if a friend had secretly opened the book and made some markings just to tease me. What was the spirit trying to say to me then that I no longer need to hear? Or, what was I listening for then that I no longer care about? ~ Charles M. Schulz

Out of all my friends, I believe I'm the only kid whose dad made us work to cut rebars; we laid bricks in construction sites and did other real work every summer for minimum wage. Our dad said that it's important in the future that when we tell people to dig a hole, that you personally know how long it will take to dig that hole. ~ Eric Trump

NOVEL, n. A short story padded. A species of composition bearing the same relation to literature that the panorama bears to art. As it is too long to be read at a sitting the impressions made by its successive parts are successively effaced, as in the panorama. Unity, totality of effect, is impossible; for besides the few pages last read all that is carried in mind is the mere plot of what has gone before. To the romance the novel is what photography is to painting. Its distinguishing principle, probability, corresponds to the literal actuality of the photograph and puts it distinctly into the category of reporting; whereas the free wing of the romancer enables him to mount to such altitudes of imagination as he may be fitted to attain; and the first three essentials of the literary art are imagination, imagination and imagination. The art of writing novels, such as it was, is long dead everywhere except in Russia, where it is new. Peace to its ashes - some of which have a large sale. ~ Ambrose Bierce

I'm so sorry," she says, and she's wringing her hands, looking away from me. "I'm so, so sorry."
I notice what she's wearing.
It's a dark-green dress with fitted sleeves; a simple cut made of stretch cotton that clings to the soft curves of her figure. It complements the flecks of green in her eyes in a way I couldn't have anticipated. It's one of the many dresses I chose for her. I thought she might enjoy having something nice after being caged as an animal for so long. And I can't quite explain it, but it gives me a strange sense of pride to see her wearing something I picked out myself.
"I'm sorry," she says for the third time.
I'm again struck by how impossible it is that she's here. In my bedroom. Staring at me without my shirt on. Her hair is so long it falls to the middle of her back; I have to clench my fists against this unbidden need to run my hands through it. She's so beautiful. ~ Tahereh Mafi

Astrid Dane. . . Her long colorless hair was woven back into a braid, and her porcelain skin bled straight into the edges of her tunic. Her entire outfit was fitted to her like armor; the collar of her shirt was high and rigid, guarding her throat, and the tunic itself ran from chin to wrist to waist, less out of a sense of modesty, Kell was sure, than protection. Below a gleaming silver belt, she wore fitted pants that tapered into tall boots (rumor had it that a man once spat at her for refusing to wear a dress; she'd cut off his lips). The only bits of color were the pale blue of her eyes and the greens and reds of the talismans that hung from her neck and wrists and were threaded through her hair. . .
"I smell something sweet," she said. She'd been gazing up at the ceiling. Now her eyes wandered
down and landed on Kell. "Hello, flower boy. ~ V.E Schwab

Uncle Lo sas that it's not a party until there's salsa. It's a party rule, right?' She looks to Jane.
'Well...' Jane muses the idea for too long.
I cut in, 'My dad could also eat five hot sauce packets for brunch and nothing else.'

'Famous ones,' Farrow calls out and our heads turn to him. 'There's no salsa rule for parties. Not normal. ~ Becca Ritchie

Until you get the measure of your own soul, Jim, don't be quick to condemn a priest, or anyone else for that matter. I'm not scolding you, sweetheart," she said hurriedly. "It's just that, until you've been there, you can't know what it's like to hold yourself to promises you made in good faith a long time ago. Do you hang in there, or cut your losses? Soldier on, or admit defeat and try to make the best of things?" She'd looked a little sheepish then and admitted, "You know, I used to be a real hardass about stuff like this. No retreat, no surrender! But now? Jimmy, I honestly don't know if the world would be better or worse if we all held ourselves to the vows of our youth. ~ Mary Doria Russell

Didn't Azmus say Galdran promised the Court our heads on poles after two days?"
"So Debegri swore," Bran said, smiling a little.
"That means we've held out all these weeks despite the enormous odds against us, and word of this has to be reaching the rest of the kingdom. Maybe those eastern Counts will decide to join us--and some of the other grass-backed vacillators as well," I finished stoutly.
Bran grinned. "Maybe so," he said. "And you're right. The higher Shevraeth drives us, the more familiar the territory. If we plan aright, we can lead them on a fine shadow chase and pick them off as they run. Maybe more traps…"
Khesot's lips compressed, and I shivered again. "More traps? You've already put out a dozen. Bran, I really hate those things."
Branaric winced, then he shook his head, his jaw tightening. "This is war. Baron Debegri was the first to start using arrows, despite the Code of War, and now Shevraeth has got us cut off from our own castle--and our supplies. We have to use every weapon to hand, and if that means planting traps for their unwary feet, so be it."
I sighed. "It is so…dishonorable. We have outlawed the use of traps against animals for over a century. And what if the Hill Folk stumble onto one?"
"I told you last week," Bran said, "my first command to those placing the traps is to lay sprigs of stingflower somewhere nearby. The Hill Folk won't miss those. Their noses will warn them to tread lightly long before their eyes w ~ Sherwood Smith

Children should be taught about history not as is usually the case now, that this is the record of long past events, which one ought to know about for some reason or other. But that this is a story from which one may learn not only what has happened, but what may, and probably will, happen again.
Literature and history, these two great branches of human learning, records of human behaviour, human thought, are less and less valued by the young, and by educators, too. Yet from them one may learn how to be a citizen and a human being. We may learn how to look at ourselves and at the society we live in, in that calm, cool, critical and sceptical way which is the only possible stance for a civilized human being, or so have said all the philosophers and the sages.
But all the pressures go the other way, towards learning what is immediately useful, what is functional. More and more the demand is for people to be educated to function in an almost certainly temporary stage of technology. Educated for the short term. ~ Doris Lessing

Far back in the impulses to find this story is a storyteller's belief that at times life takes on the shape of art and that the remembered remnants of these moments are largely what we come to mean by life. The short semihumours comedies we live, our long certain tragedies, and our springtime lyrics and limericks make up most of what we are. they become almost all of what we remember of ourselves. ~ Norman Maclean

John [the father] kept saying, "You have a penis. That means you're a boy." One day, Shannon noticed that her son had been in the bathroom an awfully long time and pushed the door open. "He had a pair of my best, sharpest sewing scissors poised, ready to cut. Penis in the scissors. I said, 'What are you doing?' He said, 'This doesn't belong here. So I'm going to cut it off.' I said, 'You can't do that.' He said, 'Why not?' I said, 'Because if you ever want to have girl parts, they need that to make them.' I pulled that one right out of my ass. He handed me the scissors and said, 'Okay. ~ Andrew Solomon

To make a long story short, Cantorian set theory helps unify and clarify math in the sense that all mathematical entities can now be understood as fundamentally the same kind of thing-a set. ~ David Foster Wallace

A man spent hours watching a butterfly struggling to emerge from its cocoon. It managed to make a small hole, but its body was too large to get through it. After a long struggle, it appeared to be exhausted and remained absolutely still.

The man decided to help the butterfly and, with a pair of scissors, he cut open the cocoon, thus releasing the butterfly. However, the butterfly's body was very small and wrinkled and its wings were all crumpled.

The man continued to watch, hoping that, at any moment, the butterfly would open its wings and fly away. Nothing happened; in fact, the butterfly spent the rest of its brief life dragging around its shrunken body and shrivelled wings, incapable of flight.

What the man – out of kindness and his eagerness to help – had failed to understand was that the tight cocoon and the efforts that the butterfly had to make in order to squeeze out of that tiny hole were Nature's way of training the butterfly and of strengthening its wings.

Sometimes, a little extra effort is precisely what prepares us for the next obstacle to be faced. Anyone who refuses to make that effort, or gets the wrong sort of help, is left unprepared to fight the next battle and never manages to fly off to their destiny. ~ Paulo Coelho

I could use a nice bath down at the river tonight. Guess I'll just have to settle for a spit bath." She smiled good-naturedly and picked up the bucket. "Come on up to the house when you're finished and I'll show you to a room."
As she turned to leave, Rider nonchalantly stretched out his arm and grabbed her belt, pulling her up short. "I could walk you to the swimming hole and stand guard if you like." His grin was devilish.
Willow smiled and pried loose the long fingers on her waist. "I thank you for the offer, but I like my privacy."
"Are you suggesting that I would be like the fox guarding the henhouse?" he teased, wiggling his brows up and down. "Don't forget, we are supposed to be lovers."
"We're only playacting that we're lovers." She laughed and headed torward the door.
His chair tipped over as Rider beat her there and stretched an arm across the doorway to block her passage. "All good plays are well-rehearsed,Willow." His deep baritone was tantalizing in its implication.
Her cheeks pinked and she uttered a nervous little laugh. "Let me through, you big galoot."
Instead,he leaned closer. He smelled of leather,outdoors, and a familiar male scent she now realized was his alone. The heady combination aroused her desire to be closer, to be touched. Warning bells went off.
Willow tried stepping back, but his other arm came up behind her and cut off her retreat. Her hammering heart skipped a beat as his desire-laden eyes touched where ~ Charlotte McPherren

There is only one thing that can guarantee our having a long term ministry - that is the ability to cut ourselves off from all unnecessary hustle and bustle and outside pressure and to unite our spirits with Him, with the Lord who loves us and delights to bless us. ~ Sunday Adelaja

What about you, Mr. Shaw?" she asked. "Are your affections engaged by someone back home?"
He shook his head at once. "I'm afraid that I share McKenna's rather skeptical view of the benefits of marriage."
"I think you will fall in love someday."
"Doubtful. I'm afraid that particular emotion is unknown to me..." Suddenly his voice faded into silence. He set his cup down as he stared off into the distance with sudden alertness.
"Mr. Shaw?" As Aline followed his gaze, she realized what he had seen- Livia, wearing a pastel flower-printed walking dress as she headed to one of the forest trails leading away from the manor. A straw bonnet adorned with a sprig of fresh daisies swung from her fingers as she held it by the ribbons.
Gideon Shaw stood so quickly that his chair threatened to topple backward. "Pardon," he said to Aline, tossing his napkin to the table. "The figment of my imagination has reappeared- and I'm going to catch her."
"Of course," Aline said, struggling not to laugh. "Good luck, Mr. Shaw."
"Thanks." He was gone in a flash, descending one side of the U-shaped stone staircase with the ease of a cat. Once he reached the terraced gardens, he cut across the lawn with long, ground-eating strides, just short of breaking into a run.
Standing to better her view of his progress, Aline couldn't suppress a mocking grin. "Why, Mr. Shaw... I thought there was nothing in life you wanted badly enough to chase after it. ~ Lisa Kleypas

There was something about her fingers. The way they had been crafted. The spaces between them were always calling out to me. Every time I saw them, they moved in a peculiar way and made me feel relaxed. The nails were neither cut short nor were they long. They were perfect. Just the way they are meant to be. It was often that I thought of holding them, caressing them and maybe just touch them. And never stop. ~ Anushka Bhartiya

I've now got myself into the kind of trouble that I have always considered to be quite a possibility for me, though I have usually rated it at about 10:1 against. I shall shortly be pleading guilty to a charge of sexual offences with a young man. The story of how it all came to be found out is a long and fascinating one, which I shall have to make into a short story one day, but haven't the time to tell you now. No doubt I shall emerge from it all a different man, but quite who I've not found out. ~ Alan Turing

Your eyes drooled. I saw them."
He was totally perplexed by this argument. Was he not allowed to speak to anyone? "I'm wearing dark sunglasses. How can you see my eyes?"
"She's jealous, Seth."
He looked at Maahes for an explanation. "Why?"
Lydia broke off into her hand gestures.
"Are you yelling at me, now?"
Maahes laughed. "Oh yeah, kid. She's calling you a lot of names."
That surprised him. "You understand her?"
Maahes gestured back at Lydia in the same language.
For some reason, it angered and hurt him that they'd cut him out of the conversation. "Are you mocking me?"
Lydia flicked her nails at him, then turned and stormed off.
Seth had no idea what he should do. He didn't understand human emotions or relations. Not really. It'd been too long since he had any.
Maahes let out a heavy sigh. "You hurt her feelings, boy. You need to go apologize."
"How did I hurt them?"
"Think about it, Seth. She risked her life to bring you here, to save you from hell, and what do you do the first minute she leaves you alone? You let another woman flirt with you. ~ Sherrilyn Kenyon

Good choice, Polly," she soothes, caressing my long, dark hair.
"You may not have been fucked by a woman before but, if you're a good girl now, then you soon will be ... ~ Felicity Brandon

Hair Growth Want long and luscious hair? We all know how long it can take to grow hair so here is a spell/potion to help quicken up the process. You will need: 1 clove of garlic 1 onion A pair of scissors Directions: On the night of a full moon crush up one garlic clove and one onion until it is of paste like consistency. Cut a small chunk of your hair and cover it in the garlic and onion mixture. Find a willow tree and bury the hair beside it. Each night visualize the moon shining down on the place where you buried your hair. Imagine the piece of hair growing longer and longer. Do the above visualization each night until your hair reaches your desired length. ~ Black Cat Press

As soon as I knew that the bullet had gone clean through my neck I took it for granted that I was done for. I had never heard of a man or an animal getting a bullet through the middle of the neck and surviving it. The blood was dribbling out of the corner of my mouth. 'The artery's gone,' I thought. I wondered how long you last when your carotid artery is cut; not many minutes, presumably. Everything was very blurry. There must have been about two minutes during which I assumed that I was killed. And that too was interesting - I mean it is interesting to know what your thoughts would be at such a time. My first thought, conventionally enough, was for my wife. My second was a violent resentment at having to leave this world which, when all is said and done, suits me so well. I had time to feel very vividly. The stupid mischance infuriated me. The meaninglessness of it! ~ George Orwell

I write about five thousand words a day, when working on a book, about three thousand a day if I'm writing a short story. I take long periods off between projects, when I read a lot, garden, and think about the next book or stories. ~ Eric Brown

Having made films, I know very well that the scope of the average 90- to 120-minute movie is about the same narrative heft as a long short story or a novella. ~ Paul Auster

Um, Bella? You've got a huge cut on your forehead, and it's gushing blood," he informed me.
I clapped my hand over my head. Sure enough, it was wet and sticky. I could smell nothing but the damp moss on my face, and that held off the nausea.
Oh, I'm so sorry, Jacob." I pushed hard against the gash, as if I could force the blood back inside my head.
Why are you apologizing for bleeding?" he wondered as he wrapped a long arm around my waist and and pulled me to my feet. ~ Stephenie Meyer

Chip had been in there for a few very long hours. I had all kinds of awful thoughts about what might have happened to him in there. What if he'd been roughed up? Strip-searched? Who knows what awful things could have happened in a place like that? I saw scary-looking characters come and go as I sat in that cold, concrete lobby, trying to make myself invisible.
Finally, out came Chip.
"Hi, baby. Thanks for bailing me out," he said.
He sounded almost chipper.
"Are you okay?"
"Yeah, yeah! You'll never guess who I saw in there. Alfonzo! Remember the lawn guy who used to work for me? We had a good time catching up."
Only Chip could go to prison and come out talking about all the friends he'd run into there.

I came out and I was like, "Whoa! That was awesome. Jo, I met this guy. He did this thing. You know this old guy that I used to tell you about--he and I used to work together? He's doing great. Well, he's in jail, but things are really good otherwise."
Two of the policemen were also buddies of mine. These guys were literally standing on the other side of these bars going, "Why are you here? What's the deal?" We had this endearing conversation right there, while I was in a jail cell.
I used to live out in the boonies when I was in college, and I had mowed this one guy's grass. So I told him what I was in for. "Long story short, I got these dogs running around." And he was like, "Oh, dude, you'll be fine. I'm sure they'll get you ~ Joanna Gaines

You were a mess but aside from a few evil coughs and dirty little pants and some half-moon cuts on the back of your neck, you recovered quickly enough.
I did not.
I had long, ridiculous purple nails back then. The first thing they did when I got here was tie me down and cut them off.

But it was love just the same Johnny. Believe me. For that, should I be ashamed? For wanting to protect you from the pain of living? From the pain of lovin

Always from loving. Always for loving.
Always.

Perhaps my shame should really come from my failure.
Tears just the same. ~ Mark Z. Danielewski

Hatred is like a long, dark shadow. Not even the person it falls upon knows where it comes from, in most cases. It is like a two-edged sword. When you cut the other person, you cut yourself. The more violently you hack at the other person, the more violently you hack at yourself. It can often be fatal. But it is not easy to dispose of. Please be careful, Mr.Okada. It is very dangerous. Once it has taken root in your heart, hatred is the most difficult think in the world to shake off. ~ Haruki Murakami

The divorce papers remained unopened in the crisp yellow envelope. He had thrown it on his desk without a backward glance. Between his lashes, his dark chocolate eyes burned with fury but there was something else in the depths that she hadn't seen in a long time, passion. ~ Suzan Battah