Story On The Stage Quotes

Dreams are like drama, they unfold the story on the stage. ~ Debasish Mridha

A few moments after he found himself on the stage amid the garish gas and the dim scenery, acting before the innumerable faces of the void. It surprised him to see that the play which he had known at rehearsals for a disjointed lifeless thing had suddenly assumed a life of its own. It seemed now to play itself, he and his fellow actors aiding it with their parts. When the curtain fell on the last scene he heard the void filled with applause and, through a rift in a side scene, saw the simple body before which he had acted magically deformed, the void of faces breaking at all points and falling asunder into busy groups. ~ James Joyce

There's something about doing theatre in London - it sinks a little bit deeper into your soul as an actor. It's something about the tradition of theatre, about performing on the West End stage. ~ Christian Slater

We're trying to tell a very full story of 'Nashville' and these characters in Nashville, and I'm really hopeful that we're going to be able to do something as innovative as 'American Horror Story' and 'Friday Night Lights.' And I think so far, we're on the right path for that. ~ Connie Britton

I've read up on magic, and I think it sets you free, and it gives you hope. You can explore worlds you didn't know existed. It stretches your imagination, and I like my own imagination to be stretched and also the children I'm telling the story to. It gives you a sense of wonder. ~ Jenny Nimmo

People who think achieving success is a linear A-to-Z process, a straight shot to the top, simply aren't in touch with reality. There are very few bona fide overnight success stories. It just doesn't work that way. Success appears to happen overnight because we all see stories in newspapers and on TV about previously unknown people who have suddenly become famous. But consider a sequoia tree that has been growing for several hundred years. Just because a television crew one day decides to do a story about that tree
doesn't mean it didn't exist before. ~ Donald Trump

Caregivers, like all of us, inevitably reflect their culture's attitude toward children and life. The story goes that when Pearl Buck was a child in China, someone asked how she compared her mother to her Chinese amah. Buck replied, "If I want to have a story read, I go to my mother. But if I fall down and need to be comforted, I go to my amah." Her mother's culture valued teaching and learning, while her amah's placed a greater value on nurture. Even as a child, Buck instinctively knew the difference. ~ David C. Pollock

The odd superstitions touched upon were all prevalent among children and slaves in the West at the period of this story - that is to say, thirty or forty years ago. Although my book is intended mainly for the entertainment of boys and girls, I hope it will not be shunned by men and women on that account, for part of my plan has been to try to pleasantly remind adults of what they once were themselves, and of how they felt and thought and talked, and what queer enterprises they sometimes engaged in. THE AUTHOR. HARTFORD, 1876. CHAPTER I "TOM!" No answer. "TOM!" No answer. "What's gone with that boy, I wonder? You TOM! ~ Mark Twain

Wawashkesh
these apples are
for you,
red on the white
snow,
their cider tang
will find you
in the gray woods.
There is a story
how a snake
offered an apple,
so sweet, so cold,
those bite was
sorrow.

--excerpt from Eric Gadzinski's poem "Wawashkeshgiwis" from The Way North ~ Ron Riekki

Bulahdeen ignored her. I taught literature for nearly forty years. The books I read when I was twenty completely changed when I read them when I was sixty. You know why? Because the endings changed. After you finish a book, the story still goes on in your mind. You can never change the beginning. But you can always change the end. That's what's happening here. ~ Sarah Addison Allen

In movies, you can basically buy the audience into the theater. If you spend enough money on visual effects, even if you are lacking in story and character, you might still pull it off. ~ Doug Liman

Drama and comedy are the polite genres, founded on collectively agreed-upon ideas, perceptions and truths. But life, as subjectively experienced, is not like comedy or drama; it is much more disorganized and grand, intimidating and embarrassing. It is much more like opera and farce. Opera shows how we really feel at our most pained or selfish or exultant, and farce reveals how we receive the world in its raw, unsifted form. Or to put it another way, opera is how we really feel about ourselves. Farce is how we really feel about strangers. And both genres tell the true story of life as it is lived.

The Piano Teacher, neither comedy nor drama, was both opera and farce, with Huppert as both diva and farceuse. Throughout, Huppert believes and gives passionately, and yet stands back, in full awareness. Life is more than we think, bigger but also ridiculous. ~ Mick LaSalle

Unlike most people, Peter didn't look to the future for reassurance; he understood that the only thing certain in life is the past. History repeats itself again and again, and every story has been told before. It seemed to him that life could be terribly unoriginal in that way, and the only manner of certainty
the only way to know what might be ahead
was to look back on what had already happened. ~ Jennifer E. Smith

Most writers have no idea how to make a film. It's a totally different skill set. Nor is it just to translate exactly what's on the page directly on to the screen - because that would be terrible. It would be five hours long, and the structure would be a mess. But the writers know the characters and the story. ~ Gayle Forman

Now, I want to explain something to you guys. I don't have an ending joke, because I don't tell jokes. I tell real-life stories and make them funny. So, I'm not like the average comedian. They have an ending joke; they always holler Peace! I'm out of here, and walk off stage. So, basically, when I get through performing on stage, I just walk off. ~ Bruce Bruce

Many audiences all over the world will answer positively from their own experience that they have seen the face of the invisible through an experience on the stage that transcended their experience in life. They will maintain that Oedipus or Berenice or Hamlet or The Three Sisters performed with beauty and with love fires the spirit and gives them a reminder that daily drabness is not necessarily all. ~ Peter Brook

I had never heard anyone play like Benny Goodman and had never seen anyone like him on the stage. I realize now that what impressed me and stayed with me in memory was - the sounds he made. He played so purely. The music seemed to come from him, not just the instrument he played with such mastery. ~ Marian Seldes

Jacob smiled from ear to ear when he shook the man's hand on stage. The man then handed him a trophy. "Tell the audience about your book."
My little brother confidently walked up to a microphone his height and beamed to the crowd. "I wrote about the person I love the most, my older brother, Noah. We don't live together so I wrote what I imagine he does when we're not together."
"And what is that?" prodded the stout man.
"He's a superhero who saves people in danger, because he saved me and my brother from dying in a fire a couple of years ago. Noah is better than Batman." The crowd chuckled.
"I love you, too, lil' bro." I couldn't help it. To see him standing there, still worshipping me like he did when he was five … it was too much.
Jacob's smile reached a whole new level of excitement. "Noah!" He pointed right to me. "That's Noah. That's my brother, Noah!" Ignoring his foster parents, Jacob flew off the stage and ran down the middle aisle.
Joe lowered his head and Carrie rubbed her eyes. Jacob raced into my arms and the crowd erupted into applause.
"I've missed you, Noah." Jacob's voice broke, bringing tears to my eyes. I couldn't cry. Not in front of Jacob and not in front of Mrs. Collins. I needed to be a man and stay strong.
"I've missed you, too, bro. I'm so proud of you." ~ Katie McGarry

Little story that changed everything." "How so?" Nathan asked. "Well, the story changed the way I looked at change - from losing something to gaining something - and it showed me how to do it. After that, things quickly improved-at work and in my life. "At first I was annoyed with the obvious simplicity of the story because it sounded like something we might have been told in school. "Then I realized I was really annoyed with myself for not seeing the obvious and doing what works when things change. "When I realized the four characters in the story represented the various parts of myself, I decided who I wanted to act like and I changed. "Later, I passed the story on to some people in our company and they passed it on to others, and soon our business did much better, because most of us adapted to change better. And like me, many people said it helped them in their personal lives. "However there were a few people who said they ~ Spencer Johnson

Speak to them as if you were on stage in front of thousands of people. Respond to them with the respect they deserve. They are our future. Guard your tongue. Be brave enough to try harder.
Let's create a childhood that our children won't have to recover from. ~ Brooke Hampton

sometimes, as you ought to remember, you want some conversation, some meat along with the sizzle. Bonnie had the sizzle, but I knew it wasn't going to be enough, even for the summer, when she picked up a copy of East of Eden I had on the nightstand and said she didn't know I was religious." "Religious?" "She figured Eden - so it must be a biblical story. She didn't even know who Steinbeck was." And he could still shake his head over that. "Even an overbite can't make up for that. ~ Nora Roberts

I prefer a story that has the good sense to stay on the page where it belongs.
- Elinor ~ Cornelia Funke

you held my wrists, propped me up, and moved me on your stage;
all my life has been a script and you wrote every page.
you set a backdrop, painted smiles, hid what was within;
come one, come all, and see her now: the doll in human skin! ~ Caroline Kaufman

There is no such thing as hell, of course, but if there was, then the sound track to the screaming, the pitchfork action and the infernal wailing of damned souls would be a looped medley of "show tunes" drawn from the annals of musical theater. The complete oeuvre of Lloyd Webber and Rice would be performed, without breaks, on a stage inside the fiery pit, and an audience of sinners would be forced to watch - and listen - for eternity. The very worst among them, the child molesters and the murderous dictators, would have to perform them. ~ Gail Honeyman

I can remember, I think it was 1967, sitting in the First Unitarian Church in Isla Vista, Santa Barbara, and seeing Phil Levine come out on the little stage. He sat on the edge and said, "You know, sometimes it's hard not to hate my country for the way I feel, at times, but I won't let that happen." And then he read, "They Feed They Lion," this incredibly powerful, incantatory poem that was inspired in part by the burning of Detroit in 1967 and the riots that followed. ~ Sam Hamill

When you're on stage, the audience becomes your other half. It's the ultimate high you can reach as a musician - an incredible feeling. And no matter where I am it's still the same; there's a reason we call music the universal language. ~ Laura Branigan

Hamlet' dwarfs 'Hamilton' - it dwarfs pretty much everything - but there's a revealing similarity between them. Shakespeare's longest play leaves its audience in the dark about some basic and seemingly crucial facts. It's not as if the Bard forgot, in the course of all those words, to tell us whether Hamlet was crazy or only pretending: He wanted us to wonder. He forces us to work on a puzzle that has no definite answer. And this mysteriousness is one reason why we find the play irresistible.

'Hamilton' is riddled with question marks. The first act begins with a question, and so does the second. The entire relationship between Hamilton and Burr is based on a mutual and explicit lack of comprehension: 'I will never understand you,' says Hamilton, and Burr wonders, 'What it is like in his shoes?'

Again and again, Lin distinguishes characters by what they wish they knew. 'What'd I miss?' asks Jefferson in the song that introduces him. 'Would that be enough?' asks Eliza in the song that defines her. 'Why do you write like you're running out of time?' asks everybody in a song that marvels at Hamilton's drive, and all but declares that there's no way to explain it. 'Hamilton', like 'Hamlet', gives an audience the chance to watch a bunch of conspicuously intelligent and well-spoken characters fill the stage with 'words, words, words,' only to discover, again and again, the limits to what they can comprehend. ~ Lin-Manuel Miranda

This, after all, is the literal level on which the incident took place. She asked him to hit her and when he said he didn't want to, she wanted to stop having sex. So why, despite its factual accuracy, does this feel like a dishonest way of narrating what happened? What is the missing element, the excluded part of the story that explains what upset them both? It has something to do with their history, he knows that. Ever since school he has understood his power over her. How she responds to his look or the touch of his hand. The way her face colours, and she goes still as if awaiting some spoken order. His effortless tyranny over someone who seems, to other people, so invulnerable. He has never been able to reconcile himself to the idea of losing this hold over her, like a key to an empty property, left available for future use. In fact he has cultivated it, and he knows he has.
What's left for them, then? There doesn't seem to be a halfway position anymore. Too much has passed between them for that. So it's over, and they're just nothing? What would it even mean, to be nothing to her? He could avoid her, but as soon as he saw her again, even if they only glanced at one another outside a lecture hall, the glance could not contain nothing. He could never really want it to. He has sincerely wanted to die, but he has never sincerely wanted Marianne to forget about him. That's the only part of himself he wants to protect, the part that exists inside her. ~ Sally Rooney

I feel completely fearless when I'm on stage. And also totally fearful. There's the fear that I'm not making a very smart career move sometimes, but there's the stronger belief that these things need to be said. ~ Andy Kindler

One of the best animated films I've seen come out of Disney was the Tarzan movie. I wasn't crazy about the story or the design on Tarzan's face, but the traditional animation was spectacular. ~ Ralph Bakshi

Scientists want full proof under laboratory conditions. And the answer is very simple: When Im put under pressure, I cant perform. Even the phenomenon Im most known for. When Im on stage, Im not under pressure and it happens. In other important places, it happens. But in a laboratory where I really want it to happen, its very hard for me. ~ Uri Geller

In every house, when the curtains are drawn, there's a story going on, and you never get to hear ... You get the public side of things, the happy, smiling, social activities. ~ Peter Jackson

We have to keep our eye on inflation, but so far inflation remains reasonably in check on the global stage. ~ John W. Snow

But I think that this apparent desire to be a victim cloaks an opposing dread: that Americans are in truth profoundly, neurotically terrified of being victims, ever, in any way. This fear is conceivably one reason we initiated the particularly vicious and gratuitous Iraq war―because Americans can't tolerate feeling like victims, even briefly. I think it is the reason that every boob with a hangnail has been clogging the courts and haunting talk shows across the land for the last twenty years, telling his/her "story" and trying to get redress. Whatever the suffering is, it's not to be endured, for God's sake, not felt and never, ever accepted. It's to be triumphed over. And because some things cannot be triumphed over unless they are first accepted and endured, because, indeed, some things cannot be triumphed over at all, the "story" must be told again and again in endless pursuit of a happy ending. To be human is finally to be a loser, for we are all fated to lose our carefully constructed sense of self, our physical strength, our health, our precious dignity, and finally our lives. A refusal to tolerate this reality is a refusal to tolerate life, and art based on the empowering message and positive image is just such a refusal. ~ Mary Gaitskill

James Brown opened at least six of our House of Blues clubs. He always delivered, but he demanded the respect of an emperor. But, come on, he's James Brown ! ... I got to play on stage with him. Did he ever fine me ? (Brown was known to fine players for flubbing notes or steps) - I would have loved to have been fined by James Brown ! ~ Dan Aykroyd

Inside a wool jacket the man had made a pocket for the treasure and from time to time he would jiggle the pocket, just to make sure that it was still there. And when on the train he rode to work he would jiggle it there also, but he would disguise his jiggling of the treasure on the train by devising a distraction. For example, the man would pretend to be profoundly interested in something outside the train, such as the little girl who seemed to be jumping high up on a trampoline, just high enough so that she could spy the man on the train, and in this way he really did become quite interested in what occurred outside the train, although he would still jiggle the treasure, if only out of habit. Also on the train he'd do a crossword puzzle and check his watch by rolling up his sleeve; when he did so he almost fell asleep. Antoine often felt his life to be more tedious with this treasure, because in order not to be overly noticed he had deemed it wise to fall into as much a routine as possible and do everything as casually as possible, and so, as a consequence, despite the fact that he hated his wife and daughter, he didn't leave them, he came home to them every night and he ate the creamed chicken that his wife would prepare for him, he would accept the large, fleshy hand that would push him around while he sat around in his house in an attempt to read or watch the weather, he took out the trash, he got up on time every morning and took a quick, cold shower, he shaved, he acce ~ Justin Dobbs

The myth of purgatory is an allegory, a projection, from the present on to the future. This is why purgatory appeals to the imagination. It is our story. It is where we are now. If we are Christians, if we believe in the risen Jesus as Lord, if we are baptized members of his body, then we are passing right now through the sufferings which form the gateway to life. ~ N. T. Wright

The effect produced by a short story depends almost entirely on its form. ~ Edith Wharton

Structure 19. You worried about structure when you came up with your story! If you did, I'm sorry. You missed some of the most joyous moments in writing. Character and story come first. Before anything. Certainly before all that Act One, Two, and Three crapola. When you're teasing out your story, make lots of notes. Think out loud. Talk to a tape recorder. Make more notes. Fill up oceans of 3x5 cards. Write on yellow legal pads. Write on white legal pads. Scribble on napkins or beer coasters. Write down cool stuff for characters to do that may never find its way into the movie. Make notes and more notes and more notes, but do not trouble yourself with structure. Screw structure. Have fun. Structure is for later. For now, just let your incredibly creative mind run free. Make notes about character and plot and story and funny moments and locations you'd like to visit. Tape record dialogue for your ~ William M. Akers

On a perfect day in your perfect little world (and it's always perfect) there is breakfast time, playtime, lunchtime, nap time, snack time, dinnertime, bath time, story time, and bedtime. There is time for everything when you are the timekeeper. ~ Karen Maezen Miller

There was a young woman named Fleager
Who was terribly, terribly eager
To be all the rage
On the tragedy stage,
Though her talents were pitifully meagre. ~ Edward Gorey

Songwriters I've always been drawn to are people who deal with something of depth in the lyric writing ... I've always been influenced by the folk song, the storytelling tradition in folk music. And so for years I wrote mostly story songs. I still do that, but as I've gone on, it's gotten a little more personal. I used to write mostly in the third person. I write a little more in the first person now. ~ Bruce Hornsby

'Downton Abbey' didn't have the impact it had just because it was a good story about people. It was something about that period and that world that was fascinating to people on a level that wasn't just as an entertainment. ~ Noah Hawley