Rose Art Quotes

For out of it all rose the vague, crude picture of woman as the prey of man. Man was animal, a composite of lust and cruelty, with no aim but that of brutally taking his pleasure: something monstrous, yet to be adored; annihilating, yet to be sought after; something to flee and, at the same time, to entice, with every art at one's disposal. ~ Henry Handel Richardson

The witch-burnings did not take place during the "Dark Ages," as we commonly suppose. They occurred between the fifteenth and eighteenth centuries– precisely during and following the Renaissance, that glorious period when, as we are taught, "men's" minds were being freed from bleakness and superstition. While Michelangelo was sculpting and Shakespeare writing, the witches were burning. The whole secular "Enlightenment," in fact, the male professions of doctor, lawyer, judge, artist, all rose from the ashes of the destroyed women's culture. Renaissance men were celebrating naked female beauty in their art, while women's bodies were being tortured and burned by the hundreds of thousands all around them. ~ Monica Sjoo Barbara Mor

Once, in Thessaly, there was a poet called Simonides. He was commissioned to appear at a banquet, given by a man called Scopas, and recite a lyric in praise of his host. Poets have strange vagaries, and in his lyric Simonides incorporated verses in praise of Castor and Pollux, the Heavenly Twins. Scopas was sulky, and said he would pay only half the fee: 'As for the rest, get it from the Twins.' A little later, a servant came into the hall. He whispered to Simonides; there were two young men outside, asking for him by name. He rose and left the banqueting hall. He looked around for the two young men, but he could see no one. As he turned back, to go and finish his dinner, he heard a terrible noise, of stone splitting and crumbling. He heard the cries of the dying, as the roof of the hall collapsed. Of all the diners, he was the only one left alive. The bodies were so broken and disfigured that the relatives of the dead could not identify them. But Simonides was a remarkable man. Whatever he saw was imprinted on his mind. He led each of the relatives through the ruins; and pointing to the crushed remains, he said, there is your man. In linking the dead to their names, he worked from the seating plan in his head.
It is Cicero who tells us this story. He tells us how, on that day, Simonides invented the art of memory. He remembered the names, the faces, some sour and bloated, some blithe, some bored. He remembered exactly where everyone was sitting, at the moment the roof f ~ Hilary Mantel

Adrian:No, you will listen. For once, you're going to hear somethin that doesn't fit into your neat, compartmentalized world of order and logic and reason. Because this isn't reasonable. If your're terrified, believe me – this scares the hell out of me, too. You asked about Rose? I tried tob e a better person for her – but it was to impress her, to get her to want me. But when I'm arbound you, I want to be better because … well, because it feels right. Because I want to. You make me want to become something greater than myself. I want to excel. You inspire me in every act, every word, every glance. I look at you, and you're like … like light made into flesh. I said it on Halloween and meant every word: you are the most beautiful creature I have ever seen walking this earth. And you don't even know it. You have no clue how beautiful you are or how brightly you shine. And i know, Sage. I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even i fit was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me – and I knew it meant nothing to you. I kept telling myself to stay away altogehter, and then I'd find excuses … like the car … anything to be around you again. Hayden was an asshole, but at least as long as yo ~ Richelle Mead

When she started with the first empty canvas, she didn't know what she was going to paint, she just let her paint brushes glide and they religiously followed the trajectory of her angst; the choice of colours and the strokes, they were all a reflection of what was going through her mind. The reds were the embers within her that refused to die. The blues were the rare instances when she was spent by her grief. The blacks were her moments of absolute weakness, the colour of the bottomless pit within her that she had plunged into, falling through and through.
The brush strokes moved around blank canvases like snakes with fangs of elixir that filled her scars with a deluge of hope and a gale of faith in herself. The colours spoke to her in whispers, narrating their own tale while she poured out hers to them. They allowed her to channel her life through them. They listened. They cared. They laughed. They cried. They reassured her that there was life waiting ahead, staring at her past, urging her forward with eager arms. And Preeti rushed into them with her brush in hand that rose along with her and fell along with her. ~ Faraaz Kazi

I've been fascinated by the world ever since I read 'Kitchen Confidential' by Anthony Bourdain. I've watched 'Top Chef' and watched interviews with chefs on 'Charlie Rose' ... I thought they're really intriguing characters, and they really encapsulate that tension between vision and commerce, art and commerce. ~ Jon Favreau

They had heroes for companions, beautiful youths to
dream of, rose-marble-fingered
Women shed light down the great lines;
But you have invoked the slime in the skull,
The lymph in the vessels. They have shown men Gods
like racial dreams, the woman's desire,
The man's fear, the hawk-faced prophet's; but nothing
Human seems happy at the feet of yours.
Therefore though not forgotten, not loved, in the gray old
years in the evening leaning
Over the gray stones of the tower-top,
You shall be called heartless and blind. ~ Robinson Jeffers

Guardian angels of the home - Rose and soft green
Healing angels - Deep sapphire blue
Angels of maternity and birth - Sky blue
Ceremonial angels - White
Angels of music - White
Nature angels - Apple green
Angels of beauty and art - Yellow ... ~ Geoffrey Hodson

Yes, I hate blown glass art and I happen to live in the blown glass art capital of the world, Seattle, Washington. Being a part of the Seattle artistic community, I often get invited to galleries that are displaying the latest glass sculptures by some amazing new/old/mid-career glass blower. I never go. Abstract art leaves me feeling stupid and bored. Perhaps it's because I grew up inside a tribal culture, on a reservation where every song and dance had specific ownership, specific meaning, and specific historical context. Moreover, every work of art had use - art as tool: art to heal; art to honor, art to grieve. I think of the Spanish word carnal, defined as, 'Of the appetites and passions of the body.' And I think of Gertrude Stein's line, 'Rose is a rose is a rose is a rose.' When asked what that line meant, Stein said, 'The poet could use the name of the thing and the thing was really there.' So when I say drum, the drum is really being pounded in this poem; when I say fancydancer, the fancydancer is really spinning inside this poem; when I say Indian singer, that singer is really wailing inside this poem. But when it comes to abstract art - when it comes to studying an organically shaped giant piece of multi-colored glass - I end up thinking, 'That looks like my kidney. Anybody's kidney, really. And frankly, there can be no kidney-shaped art more beautiful - more useful and closer to our Creator - than the kidney itself. And beyond that, this glass isn't funny. There's ~ Sherman Alexie

She knows not loves that kissed her She knows not where. Art thou the ghost, my sister, White sister there, Am I the ghost, who knows? My hand, a fallen rose, Lies snow-white on white snows, and takes no care. ~ Algernon Charles Swinburne

Before this we were one community, none knew whether we were good or bad. False coin and fine (both) were current in the world, since all was night, and we were as night-travellers, Until the sun of the prophets rose and said, "Begone, O alloy! Come, O thou that art pure!" The eye can distinguish colours, the eye knows ruby and (common) stone. The eye knows the jewel and the rubbish; hence bits of rubbish sting the eye. ~ Jalaluddin Rumi

There was a single window that tapered into a funnel, with eerie moonlight passing through it, reflecting directly off the globe like a mirror. For a moment, as I rose I saw something glimmering within. Dumbly, with feverish whispers assailing me, I realized it was the center of one of the distant galaxies, flaring after some unknown cataclysm. Its radiance was such that it burst from its prison. It met the moonlight halfway. It created kaleidoscopic colours on the walls. Then, in answer, the reliefs transformed from majestic art into something approaching divine, alive, plays from Egyptian memory, given the spark of life from space. I saw animal-headed gods move. They stepped from the walls to take their place around the altar. All stared at the globe. Each raised their arms in silent supplication. And such was their toxic ecstasy that I wished to join them, to forget my dreadful experiences and revel in something truly wondrous. ~ Tim Reed

Rose's work of art took her all day, including two playtimes, story time, and most of lunch.
At the end of school it was stolen from her by the wicked teacher who had pretended to be so interested.
"Beautiful- what-is-it?" she asked as she pinned it high on the wall, where Rose could not reach.
"They take your pictures," said Indigo, ... when he finally made out what all the roaring and stamping was about. "They do take them ... Why do you want that picture so much?" he asked Rose.
"It was my best ever," said Rose furiously. "I hate school. I hate everyone in it. I will kill them all when I'm big enough."
"You can't just go round killing people," Indigo told her ... ~ Hilary McKay

O Rose, thou art sick!
The invisible worm,
That flies in the night,
In the howling storm,

Has found out thy bed
Of crimson joy;
And his dark secret love
Does thy life destroy.

- The Sick Rose ~ William Blake

She will be busy writing novels. As soon as she had has gotten far enough away from this frighteningly puritanical country, her mind will be set free, and she will be able to turn all of her observations in richly drawn characters and intricately themed stories."
"But what will she eat, dear Grass?" Barnard leaned against the wall, his arms crossing his chest skeptically.
"Baguette and red wine, pure art, filthy air. Look at her, she is made of rose petals, and the world will take good care of her. And if it does not, we will have our hearts moved by such an exquisitely gorgeous tragedy. ~ Anna Godbersen

In the period from 1945 to 1960, the number of orchestras in the country doubled, book sales rose some 250 percent, and art museums opened in most major cities. Ballet was quick to catch up: between 1958 and 1969 the number of ballet companies nationwide with more than twenty members nearly tripled. ~ Jennifer Homans

If life is a movie most people would consider themselves the star of their own feature. Guys might imagine they're living some action adventure epic. Chicks maybe are in a rose-colored fantasy romance. And homosexuals are living la vida loca in a fabulous musical. Still others may take the indie approach and think of themselves as an anti-hero in a coming of age flick. Or a retro badass in an exploitation B movie. Or the cable man in a very steamy adult picture. Some people's lives are experimental student art films that don't make any sense. Some are screwball comedies. Others resemble a documentary, all serious and educational. A few lives achieve blockbuster status and are hailed as a tribute to the human spirit. Some gain a small following and enjoy cult status. And some never got off the ground due to insufficient funding. I don't know what my life is but I do know that I'm constantly squabbling with the director over creative control, throwing prima donna tantrums and pouting in my personal trailor when things don't go my way.

Much of our lives is spent on marketing. Make-up, exercise, dieting, clothes, hair, money, charm, attitude, the strut, the pose, the Blue Steel look. We're like walking billboards advertising ourselves. A sneak peek of upcoming attractions. Meanwhile our actual production is in disarray--we're over budget, doing poorly at private test screenings and focus groups, creatively stagnant, morale low. So we're endlessly tinkering, touching u ~ Tatsuya Ishida

How do you last a torrid time in Life?
1.Accept the reality that you are in the throes of a crisis. Stop wishing that it didn't exist. Acceptance always delivers inner peace.
2.Know that the storm will always be strong. By even thinking of its ferocity, you are only going to feel debilitated. At the epicenter of a storm, it is always calm. Find that center, your center. That's where you will find strength.
3.Your center is where you lose sense of time, place and thought. Art – anything inherent that makes you come alive – often leads you there.
4.Trust the process of Life. Do what you can do without losing your inner peace – daily, diligently.
5.No matter how intense it is, no storm lasts forever. All storms pass. So, be patient, surrender completely, let go…and offer yourself to be led by Life… ~ AVIS Viswanathan

For the great eras in the history of the development of all the arts have been eras not of increased feeling or enthusiasm in feeling for art, but of new technical improvements primarily and specially. The discovery of marble quarries in the purple ravines of Pentelicus and on the little low-lying hills of the island of Paros gave to the Greeks the opportunity for that intensified vitality of action, that more sensuous and simple humanism, to which the Egyptian sculptor working laboriously in the hard porphyry and rose-coloured granite of the desert could not attain. The splendour of the Venetian school began with the introduction of the new oil medium for painting. The progress in modern music has been due to the invention of new instruments entirely, and in no way to an increased consciousness on the part of the musician of any wider social aim. ~ Oscar Wilde

It is said,' said the Aga Morat, 'that blindness of the eyes is a lighter thing than blindness of the perceptive faculties of the mind. The sun is high: the perception is dazzled. One has made divers chambers available to us in these poor houses for an hour. Let us retire and, by giving ease to the flesh, bring new light also to the proper functions of the mind. There, for the Hakim's servant Mr Blyth, and the lady. In this chamber, Crawford Efendi and I shall have much to discuss.… Sweet to be taken up, you say, as medicine is by the lip. Such a creature I enjoy, thin-skinned, tender and delicate, light of flesh and goodly in make, impulsive in walk and beautiful in the justness of stature. Communing thus, shall not our dreaming souls melt?'

For a moment, Lymond did not reply. Then he said, in the same level voice, 'It is written before God, that after this hour we depart all four, in good health to Djerba?'

The Aga Morat had risen. Looking down, his heavy face creased in a smile. 'It is written,' he said.

Slowly, Lymond rose also. He looked neither at Jerott nor at Marthe, but stepped straight out from under the awning and confronted the Aga. In the blinding white light, the fine lines of his skin were all suddenly visible, and his eyes by contrast quite dark. But his hair, uncut since Marseilles, shone mint-gold in the sun. 'If it is so agreed,' Lymond said, 'I am solicitous for thee, as thou art for me.' And without pausing, he followed th ~ Dorothy Dunnett

I can see how I could write a bold account of myself as a passionate man who rose from humble beginnings to cut a wide swath in the world, whose crimes along the way might be written off to extravagance and love and art, and could even almost believe some of it myself on certain days after the sun went down if I'd had a snort or two and was in Los Angeles and it was February and I was twenty-four, but I find a truer account in the Herald-Star, where it says: "Mr. Gary Keillor visited at the home of Al and Florence Crandall on Monday and after lunch returned to St. Paul, where he is currently employed in the radio show business ... Lunch was fried chicken with gravy and creamed peas". ~ Garrison Keillor

The Sick Rose O Rose, thou art sick. The invisible worm That flies in the night In the howling storm Has found out thy bed Of crimson joy, And his dark secret love Does thy life destroy. ~ William Blake

O Romeo, Romeo, wherefore art thou Romeo?
Deny thy father refuse thy name, thou art thyself thou not a montegue, what is montegue? tis nor hand nor foot nor any other part belonging to a man
What is in a name?
That which we call a rose by any other name would smell as sweet,
So Romeo would were he not Romeo called retain such dear perfection to which he owes without that title,
Romeo, Doth thy name!
And for that name which is no part of thee, take all thyself. ~ William Shakespeare

I loved flawed art. Michelangelo's statue of Lorenzo with its warped base that rose to accommodate his foot, the Mona Lisa's missing eyebrows. Flaws were seriously underrated. They were beautiful if you looked at them just so. ~ Tarryn Fisher

My love is like a red, red rose
That's newly sprung in June:
My love is like the melody
That's sweetly played in tune.
How fair art thou, my bonnie lass,
So deep in love am I;
And I will love thee still, my dear,
Till all the seas gang dry.
Till all the seas gang dry, my dear,
And the rocks melt with the sun;
I will love thee still, my dear,
While the sands of life shall run.
And fare thee weel, my only love.
And fare thee weel awhile!
And I will come again, my love,
Though it were ten thousand mile. ~ Robert Burns

But thou art fair, and at thy birth, dear boy,
Nature and Fortune join'd to make thee great:
Of Nature's gifts thou mayst with lilies boast,
And with the half-blown rose; but Fortune, O! ~ William Shakespeare

He went to look closely at the painting, which portrayed a parade of fat white geese strolling past the doorway of a cottage.
"Someday I'll be able to afford real art," Garrett said, coming to stand beside him. "In the meantime, we'll have to make do with this."
Ethan's attention was drawn to the tiny initials in the corner of the work: G.G. A slow smile broke over his face. "You painted it?"
"Art class, at boarding school," she admitted. "I wasn't bad at sketching, but the only subject I could manage to paint adequately was geese. At one point I tried to expand my repertoire to ducks, but those earned lower marks, so it was back to geese after that."
Ethan smiled, imagining her as a studious schoolgirl with long braids. The light of a glass-globe parlor lamp slid across the tidy pinned-up weight of her hair, bringing out gleams of red and gold. He'd never seen anything like her skin, fine and powerless, with a faint glow like a blush-colored garden rose.
"What gave you the idea to paint geese in the first place?" he asked.
"There was a goose pond across from the school," Garrett said, staring absently at the picture. "Sometimes I saw Miss Primrose at the front windows, watching with binoculars. One day I dared to ask her what she found so interesting about geese, and she told me they had a capacity for attachment and grief that rivaled humans. They mated for life, she said. If a goose was injured, the gander would stay with her even if the rest ~ Lisa Kleypas

At first Christ was a man – nothing more. Mary was his mother, Joseph his father. The genealogy of his father, Joseph, was given to show that he was of the blood of David.
Then the claim was made that he was the son of God, and that his mother was a virgin, and that she remained a virgin until her death.

The claim was made that Christ rose from the dead and ascended bodily to heaven.
It required many years for these absurdities to take possession of the minds of men.
If he really ascended, why did he not do so in public, in the presence of his persecutors? Why should this, the greatest of miracles, be done in secret, in a corner?

Is Christ our example? He never said a word in favor of education. He never even hinted at the existence of any science. He never uttered a word in favor of industry, economy or of any effort to better our condition in this world. He was the enemy of the successful, of the wealthy. Dives was sent to hell, not because he was bad, but because he was rich.

Lazarus went to heaven, not because he was good, but because he was poor.
Christ cared nothing for painting, for sculpture, for music – nothing for any art. He said nothing about the duties of nation to nation, of king to subject; nothing about the rights of man; nothing about intellectual liberty or the freedom of speech. He said nothing about the sacredness of home; not one word for the fireside; not a word in favor of marriage, in honor of matern ~ Robert G. Ingersoll

That's what art does. Speaks to deep parts of us, usually ones we can't access any other way." He gripped his sandwich tighter as he ground the sticky gears of his manners. "I'm…glad you were able to see yourself in mine." He ignored the part about the total stranger allegedly wanting to buy his art, assuming it was nothing more than a line.
Skylar smiled, not his ting but the gentler one that made something behind Xander's balls tingle. "Me too." The smile turned regretful as he rose. ~ Heidi Cullinan

Love would never b a promise of a rose garden unless it is showered with a light of faith, water of sincerity, and an art of passion. ~ Jack Canfield

We should never forget that when Jesus rose from the dead, as the paradigm, first example, and generating power of the whole new creation, the marks of the nails were not just visible on his hands and his feet. They were the way he was to be identified. When art comes to terms with both the wounds of the world and the promise of resurrection and learns how to express and respond to both at once, we will be on the way to a fresh vision, a fresh mission. A ~ N. T. Wright

...If statistics are right, the Jews constitute but one percent of the human race. It suggests a nebulous dim puff of stardust lost in the blaze of the Milky way. properly, the Jew ought hardly to be heard of, but he is heard of, has always been heard of. He is as prominent on the planet as any other people, and his commercial importance is extravagantly out of proportion to the smallness of his bulk. His contributions to the world's list of great names in literature, science, art, music, finance, medicine, and abstruse learning are also away out of proportion to the weakness of his numbers. He has made a marvelous fight in this world, in all the ages; and had done it with his hands tied behind him. He could be vain of himself, and be excused for it.

"The Egyptian, the Babylonian, and the Persian rose, filled the planet with sound and splendor, then faded to dream-stuff and passed away; the Greek and the Roman followed; and made a vast noise, and they are gone; other people have sprung up and held their torch high for a time, but it burned out, and they sit in twilight now, or have vanished. The Jew saw them all, beat them all, and is now what he always was, exhibiting no decadence, no infirmities of age, no weakening of his parts, no slowing of his energies, no dulling of his alert and aggressive mind. All things are mortal but the Jew; all other forces pass, but he remains. What is the secret of his immortality? ~ Mark Twain

He thought that the rose was to be found in its own eternity and not in his words; and that we may mention or allude to a thing, but not express it. ~ Jorge Luis Borges

A story is told that Whistler once painted a tiny picture of a spray of roses. The artistry involved in the picture was magnificent. Never before, it seemed, had the art of man been able to execute quite so deftly a reproduction of the art of nature. ~ Sterling W. Sill

To Hope

Oh, Hope! thou soother sweet of human woes!
How shall I lure thee to my haunts forlorn!
For me wilt thou renew the wither'd rose,
And clear my painful path of pointed thorn?
Ah come, sweet nymph! in smiles and softness drest,
Like the young hours that lead the tender year,
Enchantress! come, and charm my cares to rest: -
Alas! the flatterer flies, and will not hear!
A prey to fear, anxiety, and pain,
Must I a sad existence still deplore?
Lo! - the flowers fade, but all the thorns remain,
'For me the vernal garland blooms no more.'
Come then, 'pale Misery's love!' be thou my cure,
And I will bless thee, who, tho' slow, art sure. ~ Charlotte Turner Smith

Wild roses are fairest, and nature a better gardener than art. ~ Louisa May Alcott

Love, is it morning risen or night deceased
That makes the mirth of this triumphant east?
Is it bliss given or bitterness put by
That makes most glad men's hearts at love's high feast?
Grief smiles, joy weeps, that day should live and die.

"Is it with soul's thirst or with body's drouth
That summer yearns out sunward to the south,
With all the flowers that when thy birth drew nigh
Were molten in one rose to make thy mouth?
O love, what care though day should live and die?

"Is the sun glad of all love on earth,
The spirit and sense and work of things and worth?
Is the moon sad because the month must fly
And bring her death that can but bring back birth?
For all these things as day must live and die.

"Love, is it day that makes thee thy delight
Or thou that seest day made out of thy light?
Love, as the sun and sea are thou and I,
Sea without sun dark, sun without sea bright;
The sun is one though day should live and die.

"O which is elder, night or light, who knows?
And life or love, which first of these twain grows?
For life is born of love to wail and cry,
And love is born of life to heal his woes,
And light of night, that day should live and die.

"O sun of heaven above the wordly sea,
O very love, what light is this of thee!
My sea of soul is deep as thou art high,
But all thy light is shed through all of me ~ Algernon Charles Swinburne

When I looked upon the surface of the gently flowing water, each painting that I had burned upon joining the church rose from the waves. I tried to grab them, but they dissolved upon touch. ~ William Poe

you said,
"your bones belong in museums"
i said,
"when you kiss me,
fireworks electrocute my spine"
my mother is dying and doesn't play piano anymore,
i tell my mailman about how he should try pecan pie,
when at the supermarket, i always forget about eggs,

i've started collecting paintings,
i go to little art shows all around New York City
and introduce myself as "Rose"
when strange boys stare at my lips, i kiss
them,
i chew poetry and forget to leave tips,
i order wine and leave flowers at graveyards
that don't have any,
when my father calls, i do not answer

everything you say reminds me of brown tangerines,
i want to spill this poem inside of you

i work as a stewardess and the first thing they
teach you is how to respond when someone asks
you to take off your underwear

i wish i could say "sure thing fella, let me wrap it
around your throat until you turn purple"

but instead it's "if there's anything else, please let me
know"

and so when you called, the only thing i could say was
if there's anything else,
please let me
know ~ Irynka

Music, When Soft Voices Die

Music, when soft voices die,
Vibrates in the memory;
Odours, when sweet violets sicken,
Live within the sense they quicken.

Rose leaves, when the rose is dead,
Are heap'd for the belovèd's bed;
And so thy thoughts, when thou art gone,
Love itself shall slumber on. ~ Percy Bysshe Shelley

Tis but thy name that is my enemy;
Thou art thyself, though not a Montague.
What's Montague? it is nor hand, nor foot,
Nor arm, nor face, nor any other part
Belonging to a man. O, be some other name!
What's in a name? that which we call a rose
By any other name would smell as sweet;
So Romeo would, were he not Romeo call'd,
Retain that dear perfection which he owes
Without that title. Romeo, doff thy name,
And for that name which is no part of thee
Take all myself. ~ William Shakespeare

Only in art will the lion lie down with the lamb, and the rose grow without thorn. ~ Martin Amis

Beautiful and minimalist, the traditional Japanese art of ikebana - arranging bouquets of cut flowers and leaves using very few elements - ideally corresponded to a form of expression I could transpose in a perfume. The smell of a rose early in the morning, damp, sprinkled with dew, delicate and light. ~ Jean-Claude Ellena

Life is painful. It has thorns, like the stem of a rose. Culture and art are the roses that bloom on the stem. The flower is yourself, your humanity. Art is the liberation of the humanity inside yourself. ~ Daisaku Ikeda

And now as if the cleaning and the scrubbing and the scything and the mowing had drowned it there rose that half-heard melody, that intermittent music which the ear half catches but lets fall; a bark, a bleat; irregular, intermittent, yet somehow related; the hum of an insect, the tremor of cut grass, dissevered yet somehow belonging; the jar of a dor beetle, the squeak of a wheel, loud, low, but mysteriously related; which the ear strains to bring together and is always on the verge of harmonising but they are never quite heard, never fully harmonised, and at last, in the evening, one after another the sounds die out, and the harmony falters, and silence falls. With the sunset sharpness was lost, and like mist rising, quiet rose, quiet spread, the wind settled; loosely the world shook itself down to sleep, darkly here without a light to it, save what came green suffused through leaves, or pale on the white flowers by the window.
[Lily Briscoe had her bag carried up to the house late one evening in September. Mr. Carmichael came by the same train.] ~ Virginia Woolf

You come in the day of destiny,
Barbara, born to the air of Mars:
The greater glory you shall see
And the greater peace, beyond these wars.
In other days within this isle,
As in a temple, men knew peace;
And won the world to peace a while
Till rose the pride of Rome and Greece,
The pride of art, the pride of power,
The cruel empire of the mind:
Withered the light like a summer flower,
And hearts went cold and souls went blind;
And, groping, men took other gifts,
And thought them the best:
But the light lives in the soul that lifts
The quiet love above the rest. ~ Thomas MacDonagh

And the man clad in black and silver with a silver rose upon him? He would like to think that he has learned something of trust, that he has washed his eyes in some clear spring, that he has polished an ideal or two. Never Mind. He may still be only a smart-mouthed meddler, skilled mainly in the minor art of survival, blind as ever the dungeons knew him to the finer shades of irony. Never mind, let it go, let it be. I may never be pleased with him. ~ Roger Zelazny

The melody rose, unprofitably magical. It broke; it was resumed broken, not marching once from the cradle to the grave. The sadness of the incomplete - the sadness that is often Life, but should never be Art - throbbed in its disjected phrases, and made the nerves of the audience throb. Not thus had she played on the little draped piano at the Bertolini, and "Too much Schumann" was not the remark that Mr. Beebe had passed to himself when she returned. ~ E. M. Forster

We all agree now - by 'we' I mean intelligent people under sixty - that a work of art is like a rose. A rose is not beautiful because it is like something else. Neither is a work of art. Roses and works of art are beautiful in themselves. ~ Clive Bell

The Addams dwelling at 25 West Fifty-fourth Street was directly behind the Museum of Modern Art, at the top of the building. It was reached by an ancient elevator, which rumbled up to the twelfth floor. From there, one climbed through a red-painted stairwell where a real mounted crossbow hovered. The Addams door was marked by a "big black number 13," and a knocker in the shape of a vampire.

...Inside, one entered a little kingdom that fulfilled every fantasy one might have entertained about its inhabitant. On a pedestal in the corner of the bookcase stood a rare "Maximilian" suit of armor, which Addams had bought at a good price ("a bargain at $700")... It was joined by a half-suit, a North Italian Morion of "Spanish" form, circa 1570-80, and a collection of warrior helmets, perched on long stalks like decapitated heads... There were enough arms and armaments to defend the Addams fortress against the most persistent invader: wheel-lock guns; an Italian prod; two maces; three swords. Above a sofa bed, a spectacular array of medieval crossbows rose like birds in flight. "Don't worry, they've only fallen down once," Addams once told an overnight guest. ...

Everywhere one looked in the apartment, something caught the eye. A rare papier-mache and polychrome anatomical study figure, nineteenth century, with removable organs and body parts captioned in French, protected by a glass bell. ("It's not exactly another human heart beating in the house, but it's close ~ Linda H. Davis

But Jace", Clary said. "Valentine taught him more than just fighting. He taught him languages, and how to play the piano"
"That was Jocelyn's influence." Sebastian said her name unwillingly, as if he hated the sound of it. "She thought Valentine ought to be able to talk about books, art, music ... not just killing things. He passed that on to Jace."
A wrought iron blue gate rose to their left. Sebastian ducked under it and beckoned Clary to follow him. She didn't have to duck but went after him, her hands stuffed into her pockets. "What about you?" she asked.
He held up his hands. They were unmistakably her mother's hands - dexterous, long-fingered, meant for holding a brush or a pen. "I learned to play the instruments of war, " he said, "and paint in blood. I am not like Jace. ~ Cassandra Clare