Pleyne Middle English Quotes

I did my BA in English lit, and hated the restriction - I'd always read more in translation than not; coming from a working-class background, what I knew of as British literature - the writers who made big prize lists and/or were stocked in WH Smith, Doncaster's only bookshop until I was 17 - seemed incredibly, alienatingly middle-class. Then in 2009, just after the financial crash, I graduated with no more specific skill than 'can analyse a bit of poetry'. ~ Deborah Smith

For they have a way of teaching languages in Germany that is not our way, and the consequence is that when the German youth or maiden leaves the gymnasium or high school at fifteen, "it" (as in Germany one conveniently may say) can understand and speak the tongue it has been learning. In England we have a method that for obtaining the least possible result at the greatest possible expenditure of time and money is perhaps unequalled. An English boy who has been through a good middle-class school in England can talk to a Frenchman, slowly and with difficulty, about female gardeners and aunts; conversation which, to a man possessed perhaps of neither, is liable to pall. Possibly, ~ Jerome K. Jerome

Female prophecy must be situated in the crisis of reproduction in the middle of the seventeenth century. This was the peak period for the criminalization of women in England and throughout Europe, as prosecutions for infanticide, abortion, and witchcraft reached their highest rate. It was also the period in which men began to wrest control of reproduction from women (male midwives appeared in 1625 and forceps soon thereafter); previously, "childbirth and the lying-in period were a kind of ritual collectively staged and controlled by women, from which men were usually excluded." Since the ruling class had begun to recognize its interest in increased fecundity, "attention was focussed on the 'population' as fundamental category for economic and political analysis." The simultaneous births of modern obstetrics and modern demography were responses to this crisis. Both, like the witchcraft prosecutions, sought to rationalize social reproduction in a capitalist context - that is, as the breeding of labor power. A recurring motif in the ruling-class imagination was intercourse between the English witch and the "black man" - a devil or imp. The terror was not limited to an imaginary chamber of horrors; it was an actuality of counterevolution. ~ Peter Linebaugh

In England in the 19th century, advances in printing methods, combined with the rise of a prosperous middle class, engendered a booming new industry of books published just for children. Casting about for cheap story material, English publishers laid hands on the subtle, sensual adult fairy tales of the Continental tradition and revised them into simpler stories instilled with Victorian values. Although these simplified versions retained much of the violence of the older stories, elements of sexuality and moral complexity were carefully scrubbed away - along with the fiesty heroines who appeared everywhere in the older tales, tamed now into models of Victorian propiety and passivity. In the 20th century, the Walt Disney Studios watered down the tales further still in popular animated films like Sleeping Beauty and Snow White, continuing the trend of turning active heroines into powerless damsels in distress. Walt Disney considered even the Victorian versions of the tales too dark for 20th century audiences. "It's just that people now don't want fairy stories the way they were written," Disney commented. "They were too rough." ~ Terri Windling

Nobody ever got started on a career as a writer by exercising good judgment, and no one ever will, either, so the sooner you break the habit of relying on yours, the faster you will advance. People with good judgment weigh the assurance of a comfortable living represented by the mariners' certificates that declare them masters of all ships, whether steam or sail, and masters of all oceans and all navigable rivers, and do not forsake such work in order to learn English and write books signed Joseph Conrad. People who have had hard lives but somehow found themselves fetched up in executive positions with prosperous West Coast oil firms do not drink and wench themselves out of such comfy billets in order in their middle age to write books as Raymond Chandler; that would be poor judgment. No one on the payroll of a New York newspaper would get drunk and chuck it all to become a free-lance writer, so there was no John O'Hara. When you have at last progressed to the junction that enforces the decision of whether to proceed further, by sending your stuff out, and refusing to remain a wistful urchin too afraid to beg, and you have sent the stuff, it is time to pause and rejoice. ~ George V. Higgins

They had tried to reproduce their own attitude to life upon the stage, and to dress up as the middle-class English people they actually were. ~ E. M. Forster

I do revel slightly in the fact that I am what I am - an English, middle-class, public-school-educated bloke. There is a reputation with that of being slightly stiff, but whoever gets to know me will see some other element - whether it be vulnerable or silly or camp. ~ Elliot Cowan

The English-language press in India supports the project of corporate globalization fully. It has no time for dispossession and drought and farmers' debts, the ravages that the corporate globalization project is wreaking on the poor of India. So to suddenly turn around and condemn the riots is a typical middle-class response. Let's support everything that leads to the conditions in which the massacre takes place, but when the killing starts, you recoil in middle-class horror, and say, Oh, that's not very nice. Can't we be more civilized? ~ Arundhati Roy

I was always an avid reader of books. My vocabulary, my English are all thanks to that reading habit. Reading keeps me grounded. I came from a very middle class family - poor, in fact. ~ Madhur Bhandarkar

After four or five months of reading Hemingway, I decided to write a story. I had in the past written stories for English classes. These had all been about white people, because white people's stories seemed to matter more. Also, I hadn't known how to write about Indians. How would I translate the various family relations, the difference between an uncle who is a father's brother and an uncle who is a mother's brother? Having read Hemingway, I knew that I should just push all the exotic things to the side as if they didn't matter, that this was how one used exoticism - by not bothering to explain.

The first story I wrote was about my brother coughing. I woke one night to the sound of Birju coughing downstairs and then could not go back to sleep. To be woken this way and not be able to return to sleep struck me as sad enough to merit a reader's attention. Also, Hemingway had written a story about a man being woken because somebody is dying nearby, and the man is forced to witness the death.

I got up from my bed and turned on the light. I then returned to bed with a spiral-bound notebook and placed it against my knees. I began my story in the middle of the action the way Hemingway did. I wrote:

The coughing wakes me. My wife coughs and coughs, and then when her throat is clear, she moans. The nurse's aide moves back and forth downstairs. The hospital bed jingles.

I wrote that it was a spouse coughing because that seemed something a re ~ Akhil Sharma

In my mind's eye, the image of bodies dancing quickly fades into the image of a group of men standing in a circle outside a club, trading stories in perfect American English, and then to the awkward silence caused by the sudden appearance of a middle-aged woman in tattered clothes, a baby strapped to her chest, a hand stretched out for loose change. ~ Bobby Benedicto

Excellent, I think I see a few veela cousins," said George, craning his neck for a better look. "They'll need help understanding our English customs, I'll look after them ... "
"Not so fast, Your Holeyness," said Fred, and darting past the gaggle of middle-aged witches heading the procession, he said, "Here - permettez-moi to assister vous," to a pair of pretty French girls, who giggled and allowed him to escort them inside. George was left to deal with the middle-aged witches. ~ J.K. Rowling

I'm working on this book on the trial of Socrates. It started out with the idea of the problem of freedom of thought...and expression...I started by spending a year on the English Seventeenth Century Revolutions, and I had a fascinating time. And then I felt I couldn't understand the English Seventeenth Century Revolutions without understanding the Reformation. When I got to the Reformation, I felt that I had to understand the premonitory movements that began in the Middle Ages. When I got there, I felt I had to understand the classical period." (quoted in Andrew Patner, I. F. Stone: A Portrait, p. 21) ~ I. F. Stone

Middle-earth is ... not my own invention. It is a modernization or alteration ... of an old word for the inhabited world of Men, the oikoumene: middle because thought of vaguely as set amidst the encircling Seas and (in the northern-imagination) between ice of the North and the fire of the South. O. English middan-geard, mediaeval E. midden-erd, middle-erd. Many reviewers seem to assume that Middle-earth is another planet! ~ J.R.R. Tolkien

How had she ended up like this, imprisoned in the role of harridan? Once upon a time, her brash manner had been a mere posture - a convenient and amusing way for an insecure teenage bride, newly arrived in America, to disguise her crippling shyness. People had actually enjoyed her vituperation back then, encouraged it and celebrated it. She had carved out a minor distinction for herself as a 'character': the cute little English girl with the chutzpah and the longshoreman's mouth. 'Get Audrey in here,' they used to cry whenever someone was being an ass. 'Audrey'll take him down a peg or two.'

But somewhere along the way, when she hadn't been paying attention, her temper had ceased to be a beguiling party at that could be switched on and off at will. It had begun to express authentic resentments: boredom with motherhood, fury at her husband's philandering, despair at the pettiness of her domestic fate. She hadn't noticed the change at first. Like an old lady who persists in wearing the Jungle Red lipstick of her glory days, she had gone on for a long time, fondly believing that the stratagems of her youth were just as appealing as they had ever been. By the time she woke up and discovered that people had taken to making faces at her behind her back - that she was no longer a sexy young woman with a charmingly short fuse but a middle-aged termagant - it was too late. Her anger had become a part of her. It was a knotted thicket in her gut, too dense to be cut down and ~ Zoe Heller

We closed the deal and moved to New York.
Where in fact I had lived before, from the time I was twenty-one and just out of the English Department at Berkeley and starting work at Vogue (a segue so profoundly unnatural that when I was asked by the Condé Nast personnel department to name the languages in which I was fluent I could think only of Middle English) until I was twenty-nine and just married. ~ Joan Didion

In the Middle Ages, I think the French kings murdered slightly fewer of their family members than the English kings, though I haven't actually counted the heads. ~ Karen Maitland

Historically, the language we call Scots was a development of the Anglian speech of the Northumbrians who established their kingdom of Bernicia as far north as the Firth of Forth in the seventh century. This northern Anglo-Saxon language flourished in Lowland Scotland and emerged into a distinct language on its own, capable of rich expansion by borrowing from Latin, French and other sources with its own grammatical forms and methods of borrowing. By the time of the Makars of the fifteenth century it was a highly sophisticated poetic language, based on the spoken speech of the people, but enriched by many kinds of expansion, invention and 'aureation'. Distinct from literary English, but having much in common with it, literary Scots took its place in the late Middle Ages as one of the great literary languages of Europe. ~ David Daiches

If you read history you will find that the Christians begin the most for the present world are just the ones that thought the most of the next. The Apostles themselves, who set on foot. in the conversion of the Roman Empire, the great men who built up the Middle Ages, the English Evangelicals who abolished the Slave Trade, all left their mark one Earth, precisely because their minds were occupied with Heaven. It is since Christians have largely ceased to think of the other world that they have become so in effective in this. And that Heaven and you'll get the earth "thrown in": aim at earth and you'll get neither. ~ C.S. Lewis

A young woman stepped in front of the dais and cleared her throat. She had reddish-brown hair that hung in loose waves down her back. Her figure was slender and regal, and Ian could have easily drowned in her emerald eyes. But what captured his attention the most was the way the lass carried herself - confident, yet seemingly unaware of her true beauty.
She wore a black gown with hanging sleeves, and the embroidered petticoat under her skirts was lined in gray. With the added reticella lace collar and cuffs dyed with yellow starch, she looked as though she should have been at the English court rather than in the Scottish Highlands.
"Pardon me, Ruairi. Ravenna wanted me to tell you that we're taking little Mary to the beach. We won't be long. We'll be in the garden until the mounts are readied, if you need us."
When the woman's eyes met Ian's, something clicked in his mind. His face burned as he remembered. He shifted in the seat and pulled his tunic away from his chest. Why was the room suddenly hot? He felt like he was suffocating in the middle of the Sutherland great hall.
God help him.
This was the same young chit who had pined after him, following him around the castle and nipping at his heels like Angus, Ruairi's black wolf. But like everything else that had transformed around here, so had she. She was no longer a girl but had become an enchantress - still young, but beautiful nevertheless. His musings were interrupted by a male voice.
"Munr ~ Victoria Roberts

I was at the South-Eastern wall, and looking out through The Great Embrasure towards the Three Silver-fire Holes, that shone before the Thing That Nods, away down, far in the South-East. Southward of this, but nearer, there rose the vast bulk of the South-East Watcher - The Watching Thing of the South-East. And to the right and to the left of the squat monster burned the Torches; maybe half-a-mile upon each side; yet sufficient light they threw to show the lumbered-forward head of the never-sleeping Brute. ~ William Hope Hodgson

This is an important list at the heart of phonics instruction. It alphabetically lists 99 single phonemes (speech sounds) and consonant blends (usually two phonemes), and it gives example words for each of these; often for their use in the beginning, middle, and end of words. These example words are also common English words, many taken from the list of Instant Words. This list solves the problem of coming up with a good common word to illustrate a phonics principle for lessons and worksheets. ~ Edward B. Fry

I've been very influenced by folklore, fairy tales, and folk ballads, so I love all the classic works based on these things
like George Macdonald's 19th century fairy stories, the fairy poetry of W.B. Yeats, and Sylvia Townsend Warner's splendid book The Kingdoms of Elfin. (I think that particular book of hers wasn't published until the 1970s, not long before her death, but she was an English writer popular in the middle decades of the 20th century.)
I'm also a big Pre-Raphaelite fan, so I love William Morris' early fantasy novels.
Oh, and "Lud-in-the-Mist" by Hope Mirrlees (Neil Gaiman is a big fan of that one too), and I could go on and on but I won't! ~ Terri Windling

I want her, bro. Not only for me, but because I think she has the best chance against these terrorists we're hunting." Tony placed a hand on his brother's shoulder. "She's a vampire, Deryn. And not just any vampire. Weldon Harper calls her Pack and she's a member of the Sacramento Pack, too. Now do you know who I'm talking about?"

Deryn's eyes widened as he stared at his brother. Now he knew why they were out in the middle of the English countryside in the dark. They wouldn't find a vampire awake during the daytime and it would be dangerous to move one anyway, during that time. No wonder he'd seen a body bag in the trunk of the rental Tony was driving.

"Bro, you can't be serious; we can't kidnap a vampire - they'd shred us. And if it's the one dad was telling mom and me about, she'd really shred us." Deryn figured he would have to convince Tony to forget this mission.

"All we need to do is find where she is, just before dawn. Then, when she falls asleep, we'll just take her with us. I don't think she'll hurt us, she's not that way," Tony said, climbing inside the car. ~ Connie Suttle

When I was 19, I thought I wanted to be an English civil servant. It was the most exotic thing at the time - can you imagine, in the middle of the IRA bombing campaigns? I saw an ad inviting Irish applicants for an induction course, so I signed up. ~ Colm Toibin

On the first day of November last year, sacred to many religious calendars but especially the Celtic, I went for a walk among bare oaks and birch. Nothing much was going on. Scarlet sumac had passed and the bees were dead. The pond had slicked overnight into that shiny and deceptive glaze of delusion, first ice. It made me remember sakes and conjure a vision of myself skimming backward on one foot, the other extended; the arms become wings. Minnesota girls know that this is not a difficult maneuver if one's limber and practices even a little after school before the boys claim the rink for hockey. I think I can still do it - one thinks many foolish things when November's bright sun skips over the entrancing first freeze.

A flock of sparrows reels through the air looking more like a flying net than seventy conscious birds, a black veil thrown on the wind. When one sparrow dodges, the whole net swerves, dips: one mind. Am I part of anything like that?

Maybe not. The last few years of my life have been characterized by stripping away, one by one, loves and communities that sustain the soul. A young colleague, new to my English department, recently asked me who I hang around with at school. "Nobody," I had to say, feeling briefly ashamed. This solitude is one of the surprises of middle age, especially if one's youth has been rich in love and friendship and children. If you do your job right, children leave home; few communities can stand an individual's most ~ Mary Rose O'Reilley

Whan that Aprill with his shoures soote
The droghte of March hath perced to the roote,
And bathed every veyne in switch licour
Of which vertu engendred is the flour;
Whan Zephirus eek with his sweete breeth
Inspired hath in every holt and heeth
The tendre croppes, and the yonge sonne
Hath in the Ram his half cours yronne,
And smale foweles maken melodye,
That slepen al the nyght with open ye
(So Priketh hem Nature in hir corages),
Thanne longen folk to goon on pilgrimages,
And palmeres for to seken straunge strondes,
To ferne halwes, kowthe in sondry londes;
And specially from every shires ende
Of Engelond to Caunterbury they wende,
The hooly blisful martir for to seke,
That hem hath holpen whan that they were seeke ~ Geoffrey Chaucer

School was rough for me. I was a good student in middle school, but high school wasn't so fun. I still pulled through, though! I excelled in art, fashion, history and English literature - anything creative. Math and science I struggled a bit more in. ~ India De Beaufort

There seems also to be a tremendous risk to indigenous cultures if we insist that all scholarship be conducted in English. We are, for example, dealing with ancient and very highly-developed cultures in Korea, Japan, China and the Middle East. What is the impact on cultural and scholarly vitality forcing everyone to do their work in English? I do not have an answer, but this issue has been very much on my mind. ~ Henry Rosovsky

Writers in what we now call the Middle English period (late twelfth century to 1485) did not necessarily always write in English. The language was in a state of flux: attempts were made to assert the French language, to keep down the local language, English, and to make the language of the church (Latin) the language of writing. ~ Ronald Carter

His spirit chaunged house and wente ther,
As I cam nevere, I kan nat tellen wher. ~ Geoffrey Chaucer

Suffice it to say I was compelled to create this group in order to find everyone who is, let's say, borrowing liberally from my INESTIMABLE FOLIO OF CANONICAL MASTERPIECES (sorry, I just do that sometimes), and get you all together. It's the least I could do.

I mean, seriously. Those soliloquies in Moby-Dick? Sooo Hamlet and/or Othello, with maybe a little Shylock thrown in. Everyone from Pip in Great Expectations to freakin' Mr. Rochester in Jane Eyre mentions my plays, sometimes completely mangling my words in nineteenth-century middle-American dialect for humorous effect (thank you, Sir Clemens). Many people (cough Virginia Woolf cough) just quote me over and over again without attribution. I hear James Joyce even devoted a chapter of his giant novel to something called the "Hamlet theory," though do you have some sort of newfangled English? It looks like gobbledygook to me. The only people who don't seek me out are like Chaucer and Dante and those ancient Greeks. For whatever reason.

And then there are the titles. The Sound and the Fury? Mine. Infinite Jest? Mine. Proust, Nabokov, Steinbeck, and Agatha Christie all have titles that are me-inspired. Brave New World? Not just the title, but half the plot has to do with my work. Even Edgar Allan Poe named a character after my Tempest's Prospero (though, not surprisingly, things didn't turn out well for him!). I'm like the star to every wandering bark, the arrow of every compass, the buzzard to every haw ~ Sarah Schmelling

Too much of Indian writing in English, it seemed to me, consisted of middle-class people writing about other middle-class people - and a small slice of life being passed off as an authentic portrait of the country. ~ Aravind Adiga

My English teachers gave me a copy of Atwood's 'The Handmaid's Tale' when I left high school, which has always been very special to me - it was the novel that introduced me to dystopian fiction. I'm also influenced by Edgar Allan Poe, Dickens, John Wyndham and Middle English dream-visions. ~ Samantha Shannon

A dash derives from "to dash," to shatter, strike violently, to throw suddenly or violently, hence to throw carelessly in or on, hence to write carelessly or suddenly, to add or insert suddenly or carelessly to or in the page. "To dash" comes from Middle English daschen, itself probably from Scandinavian-compare Danish daske, to beat, to strike. Ultimately the word is-rather obviously-echoic. ~ Eric Partridge

Emotions, in my experience, aren't covered by single words. I don't believe in "sadness," "joy," or "regret." Maybe the best proof that the language is patriarchal is that it oversimplifies feeling. I'd like to have at my disposal complicated hybrid emotions, Germanic train-car constructions like, say, "the happiness that attends disaster." Or: "the disappointment of sleeping with one's fantasy." I'd like to show how "intimations of mortality brought on by aging family members" connects with "the hatred of mirrors that begins in middle age." I'd like to have a word for "the sadness inspired by failing restaurants" as well as for "the excitement of getting a room with a minibar." I've never had the right words to describe my life, and now that I've entered my story, I need them more than ever. ~ Jeffrey Eugenides

The hours I spent in this anachronistic, bibliophile, Anglophile retreat were in surreal contrast to the shrieking horror show that was being enacted in the rest of the city. I never felt this more acutely than when, having maneuvered the old boy down the spiral staircase for a rare out-of-doors lunch the next day - terrified of letting him slip and tumble - I got him back upstairs again. He invited me back for even more readings the following morning but I had to decline. I pleaded truthfully that I was booked on a plane for Chile. 'I am so sorry,' said this courteous old genius. 'But may I then offer you a gift in return for your company?' I naturally protested with all the energy of an English middle-class upbringing: couldn't hear of such a thing; pleasure and privilege all mine; no question of accepting any present. He stilled my burblings with an upraised finger. 'You will remember,' he said, 'the lines I will now speak. You will always remember them.' And he then recited the following:

What man has bent o'er his son's sleep, to brood
How that face shall watch his when cold it lies?
Or thought, as his own mother kissed his eyes,
Of what her kiss was when his father wooed?
The title (Sonnet XXIX of Dante Gabriel Rossetti) - 'Inclusiveness' - may sound a trifle sickly but the enfolded thought recurred to me more than once after I became a father and Borges was quite right: I have never had to remind myself of the words. I was mumbling my tha ~ Christopher Hitchens

And, so to tell more about the South Watcher. A million years gone, as I have told, came it out from the blackness of the South, and grew steadily nearer through twenty thousand years; but so slow that in no one year could a man perceive that it had moved. ~ William Hope Hodgson

What Joan impressed on the men by her faith and her actions, then, had more to do with the things of God that the machinery of war or prevailing politics. For her the struggle against English occupation and the eventual permanent establishment of French sovereignty were matters of justice, and justice was regarded as a major virtue in the Middle Ages. From justice came the origins of chivalry, which was about much more than mere courtesy: it concerned the order of a sovereign society and its place in the economy of God's plan for the world. ~ Donald Spoto

When we recall the great influence which Spenser's poetry has exerted on English poets who have lived and written since his day, we can clearly see how the two kinds of Platonism - a direct Platonism, and a Platonism long ago transmuted and worked right down into the emotions of common people by the passionate Christianity of the Dark and Middle Ages - combined to beget the infinite suggestiveness which is now contained in such words as 'love' and 'beauty'. Let us remember, then, that every time we abuse these terms, or use them too lightly, we are draining them of their power; every time a society journalist or a film producer exploits this vast suggestiveness to tickle a vanity or dignify a lust, he is squandering a great pile of spiritual capital which has been laid up by centuries of weary effort. ~ Owen Barfield

Heaven forbid you do anything -cliché-, Mr. English-Professor-in-Training," says Dodger. "You might find a single cliché is a gateway drug to tweed jackets and khaki slacks, and the next thing you know, you're teaching Kerouac and making eyes at that cute undergrad in the front row who makes you think about fucking all of Middle America in one triumphant go. ~ Seanan McGuire

For some hippies, this vision could only be realised by rejecting scientific progress as a false God and returning to nature. Others, in contrast, believed that technological progress would inevitably turn their libertarian principles into social fact. Crucially, influenced by the theories of Marshall McLuhan, these technophiliacs thought that the convergence of media, computing and telecommunications would inevitably create the electronic agora - a virtual place where everyone would be able to express their opinions without fear of censorship. Despite being a middle-aged English professor, McLuhan preached the radical message that the power of big business and big government would be imminently overthrown by the intrinsically empowering effects of new technology on individuals. ~ Richard Barbrook

Besides," she says, eyes twinkling mischievously, "it'd never work out between us. I'm still holding a candle for Professor Haven."
"How could I compete with a middle-aged English professor?"
"Well," she says, "you could do, but it'd be useless. Something about his receding hairline just drives me mad. ~ Seventhswan

We can trace the communitarian fantasy that lies at the root of all humanism back to the model of a literary society, in which participation through reading the canon reveals a common love of inspiring messages. At the heart of humanism so understood we discover a cult or club fantasy: the dream of the portentous solidarity of those who have been chosen to be allowed to read. In the ancient world - indeed, until the dawn of the modern nation-states - the power of reading actually did mean something like membership of a secret elite; linguistic knowledge once counted in many places as the provenance of sorcery. In Middle English the word 'glamour' developed out of the word 'grammar'. The person who could read would be thought easily capable of other impossibilities. ~ Peter Sloterdijk

The Americans set up impromptu checkpoints along the roads and erected stop signs in English - a language and script that not all Iraqis understood. Cars that failed to stop before the checkpoint were fired upon. I witnessed two entire families killed at the same checkpoint within twenty minutes of each other. ~ Lynsey Addario

However, the word Byzantine hides this continuity. It is a word even less justifiable to designate the inhabitants of the Christian Greek Roman Empire of the Middle Ages than the word Indian is to designate the sixteenth-century inhabitants of the Americas or the word Iberia (now almost universally adopted among specialists in the English-speaking scholarly world) is to designate medieval Spain. The word Indian is an involuntary error resulting from an unavoidable lack of knowledge about an existing continent, but the words Byzantine and Iberia are artificial academic constructions resulting from ideology. ~ Darío Fernández-Morera

Chimamanda Ngozi Adichie recalls that the stories she wrote as a seven year old in Nigeria were based on the kinds of stories she read, featuring characters who were white and blue eyed, they played in the snow, the ate apples. According to Adichie, this wasn´t just about experimentation or an active imagination, because all I had read were books in which characters were foreign, I had become convinced that books by their very nature had to have foreigners in them and had to be about things with which I could not personally identify.
We learn so many things from reading stories, including the conventions of stories such as good versus evil, confronting our fears and that danger often lurks in the woods. The problem is that, when one of these conventions is that children in stories are white, english and middle class, than you may come to learn that your own life does not qualify as subject material.
Adichie describes this as "The danger of a single story" a danger that extends to stories which, whilst appearing to be diverse, rely on stereotypes and thus limit the imagination ~ Darren Chetty

Did I ever tell you I went to school in America?"
"What? No."
"It's true,for a year. Eighth grade. It was terrible."
"Eighth grade is terrible for everyone," I say.
"Well,it was worse for me. My parents had just seperated,and my mum moved back to California.I hadn't been since I was an infant,but I went with her,and I was put in this horrid public school-"
"Oh,no. Public school."
He nudges me with his shoulder. "The other kids were ruthless. They made fun of everything about me-my height,my accent, the way I dressed.I vowed I'd never go back."
"But American girls love English accents." I blurt this without thinking, and then pray he doesn't notice my blush.
St. Clair picks up a pebble and tosses it into the river. "Not in middle school, they don't.Especially when it's attached to a bloke who comes up to their kneecaps."
I laugh.
"So when the year was over,my parents found a new school for me. I wanted to go back to London,where my mates were, but my father insisted on Paris so he could keep an eye on me. And that's how I would up at the School of America. ~ Stephanie Perkins

My family was blue collar, a middle-class kind of thing. My father was born in Detroit, Italian-American. My mother is English. She acted on the stage with Diana Dors. Her parents were French. ~ Lorraine Bracco