Open Letters To Filipino Artists Quotes

You want to know, companions of my youth,
How much has changed the wild but shy young poet
Forever writing last poem after last poem;
You hear he's dark as earth, barefoot,
A turban round his head, a bolo at his side,
His ballpen blown up to a long-barreled gun:
Deeper still the struggling change inside. ~ Emmanuel F. Lacaba

Beneath the table, Ryder releases my hand and lays it open in my lap, palm up. And then I feel him tracing letters on my palm with his fingertip.
I. L. O. V. E. Y.O.U.
I can't help myself--I shiver. I shiver a lot when Ryder's around, it turns out. He seems to have that effect on me.
"Are you cold, Jemma?" Laura Grace asks me. "Ryder, go get her a sweatshirt or something. You two are done eating, anyway. Go on. Take her into the living room and light the fire."
"Nah, I'm fine," I say, just because I know the old Jemma would have argued.
"Well, go work on your project, then. It's warmer in the den."
"My room's like an oven," Ryder deadpans, and I have to stifle a laugh, pretending to cough instead.
"Take her up there, then, before she catches cold. Go. Scoot." Laura Grace waves her hands in our direction.
We rise from the table in unison, both of us trying to look as unhappy about it as possible. Silently, I follow him out. As soon as the door swings shut behind us, he reaches for my hand and pulls me close.
"Shh, listen," I say, cocking my head toward the door.
"I still can't believe it," comes Laura Grace's muffled voice. "The both of them, going off to school together, just like we always hoped they would. They'll find their way into each other's hearts eventually, just you wait and see."
I hear my mom's tinkling laughter. "I guess their plan to escape each other didn't work out so well after all, did it, now? I'm sur ~ Kristi Cook

Ruby, what does the future look like?" Nico asked. "I can't picture it. I try all the time, but I can't imagine it. Jude said it looked like an open road just after a rainstorm."
I turned back toward the board, eyes tracing those eight letters, trying to take their power away; change them from a place, a name, to just another word. Certain memories trap you; you relive their thousand tiny details. The damp, cool spring air, swinging between snow flurries and light rain. The hum of the electric fence. The way Sam used to let out a small sigh each morning we left the cabin. I remembered the path to the Factory the way you never forgot the story behind a scar. The black mud would splatter over my shoes, momentarily hiding the numbers written there. 3285. Not a name.
You learned to look up, craning your neck back to gaze over the razor wire curled around the top of the fence. Otherwise, it was too easy to forget that there was a world beyond the rusting metal pen they'd thrown all of us animals into.
"I see it in colors," I said. "A deep blue, fading into golds and reds - like fire on a horizon. Afterlight. It's a sky that wants you to guess if the sun is about to rise or set."
Nico shook his head. "I think I like Jude's better."
"Me too," I said softly. "Me too. ~ Alexandra Bracken

:Paintings are easy to see," he said after a moment. "Open, presented flat to the eye. Words are not easy. Words have to be discovered, deep in their pages, deciphered, translated, read. Words are symbols to be encoded, their letters trees in a forest, enmeshed, their tangled meanings never finally picked apart. ~ Catherine Fisher

When your defenses are down, it's alarming and beautiful - all that strength contained in a glass jar of innocence." He swallowed. "I've loved you since the moment you realized the astronomical odds of us meeting like that, because in that brief second, I watched you suddenly open your heart to the possibility of something magical happening - something unexpected. ~ Lynda Meyers

The only necessity in this sadhana is to open yourself to the Divine Force; if one is open the necessary understanding or knowledge will come of itself through spiritual experience.

Sri Aurobindo
Letters on Himself and the Ashram, p.448 ~ Sri Aurobindo

Poetry

Poetry,
How did you find your way to me?
My mother does not know Albanian well,
She writes letters like Aragon, without commas and periods,
My father roamed the seas in his youth,
But you have come,
Walking down the pavement of my quiet city of stone,
And knocked timidly at the door of my three-storey house,
At Number 16.

There are many things I have loved and hated in life,
For many a problem I have been an 'open city',
But anyway...
Like a young man returning home late at night,
Exhausted and broken by his nocturnal wanderings,
Here too am I, returning to you,
Worn out after another escapade.

And you,
Not holding my infidelity against me,
Stroke my hair tenderly,
My last stop,
Poetry. ~ Ismail Kadare

I write letters to lovers I have never seen, or heard, to lovers who do not exist, to lovers I invent on a lonely morning. Open a file, write a paragraph or a page, erase before lunch. The sheer pleasure of being able to write something that my husband can never access. The revenge in writing the word lover, again and again and again. The knowledge that I can do it, that I can get away with doing it. The defiance, the spite. The eagerness to rub salt on his wounded pride, to reclaim my space, my right to write. ~ Meena Kandasamy

Let us begin this letter, this prelude to an encounter, formally, as a declaration, in the old-fashioned way: I love you. You do not know me (although you have seen me, smiled at me). I know you (although not so well as I would like. I want to be there when your eyes flutter open in the morning, and you see me, and you smile. Surely this would be paradise enough?). So I do declare myself to you now, with pen set to paper. I declare it again: I love you. ~ Neil Gaiman

I know I could have saved your ashes to put into the ocean, but I wanted you to have the journey, all the way with the currents, to the open sea. And I know that when I finally get to see the waves washing on the shore, to hear them, I will feel you there. ~ Ava Dellaira

I've always romanticized the late '40s and '50s - the cars, jazz, the open roads and lack of pollution. Now there are more vehicles, less hitchhikers, more billboards and power lines and stuff. People wrote wonderful long letters that took months to receive, and now everything is email. ~ Garrett Hedlund

There was a time in my life when I did a fair bit of work for the tempestuous Lucretia Stewart, then editor of the American Express travel magazine, Departures. Together, we evolved a harmless satire of the slightly driveling style employed by the journalists of tourism. 'Land of Contrasts' was our shorthand for it. ('Jerusalem: an enthralling blend of old and new.' 'South Africa: a harmony in black and white.' 'Belfast, where ancient meets modern.') It was as you can see, no difficult task. I began to notice a few weeks ago that my enemies in the 'peace' movement had decided to borrow from this tattered style book. The mantra, especially in the letters to this newspaper, was: 'Afghanistan, where the world's richest country rains bombs on the world's poorest country.'

Poor fools. They should never have tried to beat me at this game. What about, 'Afghanistan, where the world's most open society confronts the world's most closed one'? 'Where American women pilots kill the men who enslave women.' 'Where the world's most indiscriminate bombers are bombed by the world's most accurate ones.' 'Where the largest number of poor people applaud the bombing of their own regime.' I could go on. (I think number four may need a little work.) But there are some suggested contrasts for the 'doves' to paste into their scrapbook. Incidentally, when they look at their scrapbooks they will be able to re-read themselves saying things like, 'The bombing of Kosovo is driving the Serbs int ~ Christopher Hitchens

I have been an elated reader of all the great Russian novelists and short-story writers since my early twenties and I have often written about them, though I know no Russian and have never been to Russia. The lure for me (I realize now) lay in John Bayley's wonderful phrase - I believe in his learned introduction to Pushkin's Letters - that the "doors of the Russian house are wide open": we see people who speak out in the lost hours of the day as it passes through them. ~ V.S. Pritchett

Just know what is happening in your mind - not happy or sad about it, not attached. If you suffer see it, know it, and be empty. It's like a letter - you have to open it before you can know what's in it. ~ Ajahn Chah

My spirits were so glum I almost overlooked the two letters waiting on my writing table.
When I did see them, my heart gave one of those painful thumps, and I wondered if these were letters of rejection. The top one had my name written out in a bold, slanting hand, with flourishing letter-ends and underlining. I pulled it open.

My Dear Meliara:
You cannot deny me the pleasure of your company on a picnic this afternoon. I will arrange everything. All you need to do is appear and grace the day with your beautiful smile. To meet you will be some of our mutual friends…

Named were several people, all of whom I knew, and it ended with a promise of undying admiration. It was signed Russav.
Could it be an elaborate joke, with me as the butt, as a kind of revenge for my social lapse? I reread the note several times, dismissing automatically the caressing tone--I knew it for more of his flirtatious style. Finally I realized that I did not see Tamara's name among the guests, though just about all of the others had been at the party the night before.
A cold sensation washed through me. I had the feeling that if anyone was being made a butt, it was not Meliara Astiar, social lapse notwithstanding.
I turned to the next letter and was glad to see the plain script of my Unknown:

Meliara--
In keeping faith with your stated desire to have the truth of my observations, permit me to observe that you have a remarkable ability to win ~ Sherwood Smith

Letter 4

As I lay dreaming, Montezuma introduced himself and put his hand on my shoulder. The palm of the Aztec king felt like ancient papyrus.
When I looked up at him, I saw that his nose was chipped like that of a sphinx. His arms were like long ivory ropes that frayed into hands.
He led me down to the river, where we sat together and shared the river's silence. Then he spoke:
„Allow me to tell you my story. It may help you understand your own.
At dusk, in the year of one thousand rivers, the Spanish explorer Cortés arrived at the gates of my city. I welcomed him with open arms.
I showed Cortés hundreds of aviaries that had built in the city, and finally I took him to the most aviary of sighs. These birds carried only love letters.
Cortes laughed and said that all the bird songs made him feel like a virgin bride who is drunk with faith as she walks down the aisle of the church. On her wedding night, she undresses for her husband and he takes her in his arms. She believes everything is possible.
When Cortés stared straight into my eyes and said 'It is a night that is always colored in blood'." He paused for a long time before he spoke. Then he said, „Cortés returned with a small army of soldiers on horseback. When they ransacked the city, I was Cortes's own hand that lit the torch that set fire to the aviary of sighs.
The fires raged. The birds painted the blue sky black with the ashes of their wings. The gardens were redde ~ Gregory Colbert

Two words. Three vowels. Four constenants. Seven letters. It can either cut you open to the core and leave you in ungodly pain or it can free your soul and lift a tremendous weight off you shoulders. The phrase is: It's over. ~ Maggi Richard

Hey, dickhead!" one of the other drivers yelled. "Get off the road!"
"This here is a Falcon Seven," the rider told him. "I can put a bolt through your windshield and pin you to your seat like a bug."
A direct threat, huh? Okay.

I pulled down my sunglasses a bit so the rider would see my eyes. "That's a nice crossbow."
He glanced in my direction. He saw a friendly blond girl with a big smile and a light Texas accent and didn't get alarmed.

"You've got what, a seventy-five-pound draw on it? Takes you about four seconds to reload?"
"Three," he said.

I gave him my Order smile: sweet grin, hard eyes, reached over to my passenger seat, and pulled out my submachine gun. About twenty-seven inches long, the HK was my favorite toy for close-quarters combat. The rider's eyes went wide.
"This is an HK UMP submachine gun. Renowned for its stopping power and reliability. Cyclic rate of fire: eight hundred rounds per minute. That means I can empty this thirty-round clip into you in less than three seconds. At this range, I'll cut you in half." It wasn't strictly true but it sounded good. "You see what it says on the barrel?"

On the barrel, pretty white letters spelled out PARTY STARTER.

"You open your mouth again, and I'll get the party started."
The rider clamped his jaws shut. ~ Ilona Andrews

The Death of Allegory

I am wondering what became of all those tall abstractions
that used to pose, robed and statuesque, in paintings
and parade about on the pages of the Renaissance
displaying their capital letters like license plates.


Truth cantering on a powerful horse,
Chastity, eyes downcast, fluttering with veils.
Each one was marble come to life, a thought in a coat,
Courtesy bowing with one hand always extended,


Villainy sharpening an instrument behind a wall,
Reason with her crown and Constancy alert behind a helm.
They are all retired now, consigned to a Florida for tropes.
Justice is there standing by an open refrigerator.


Valor lies in bed listening to the rain.
Even Death has nothing to do but mend his cloak and hood,
and all their props are locked away in a warehouse,
hourglasses, globes, blindfolds and shackles.


Even if you called them back, there are no places left
for them to go, no Garden of Mirth or Bower of Bliss.
The Valley of Forgiveness is lined with condominiums
and chain saws are howling in the Forest of Despair.


Here on the table near the window is a vase of peonies
and next to it black binoculars and a money clip,
exactly the kind of thing we now prefer,
objects that sit quietly on a line in lower case,


themselves and nothing ~ Billy Collins

For the remainder of the gubernatorial campaign, Hamilton issued open letters to the electorate, and at Clinton campaign rallies his essays were hurled under the table as marks of contempt. In shaping his final appeal to voters, Hamilton said that Clinton's most effective tactic was to single out the rich for abuse, and he warned that republicans scapegoated the rich to their detriment: "There is no stronger sign of combinations unfriendly to the general good than when the partisans of those in power raise an indiscriminate cry against men of property."26 ~ Ron Chernow

I am furious at all the letters to answer, when all I want to do is think and write poems ... I long for open time, with no obligations except toward the inner world and what is going on there. ~ May Sarton

A writer tears open their soul for you
We lay bare our fears and woes for you
We pour our heart onto the page for you
We unleash our demons for you
Letters like blood smear the page for you
The world's pain we absorb for you
A delicate path of sanity walked for you

Only for you to -

Crumple the page in disdain
You will not abdicate your reign
In the oblivion of life, you'll remain

As I continue to write for you ~ Theresa Jacobs

Amy Winehouse's mother wrote an open letter to the News of the World newspaper telling Amy she's worried about her and to please call her. I doubt this is the best way to communicate with Amy - she should try spelling it out in lines of cocaine. ~ Chelsea Handler

I lay there unable to move, reading about disasters in the far corners of the world. What could I do? Write letters, send checks. But there will never be a time when terrible trouble is not stalking the earth, and I began to see how important it is to appreciate what you have.

For too long I'd been waiting for the wonderful. But there is so much joy in everyday occurrences: a butterfly in the sun the first crisp bite of an apple, the rich aroma of roasting meat. Maybe I had to break my foot to open my eyes, but I finally understood why cooking means so much to me. In a world filled with no, it is my yes. ~ Ruth Reichl

Social and cultural history is often comprised of whatever diaries and letters remain and that is down to chance and wide open to interpretation. ~ Sara Sheridan

I never read anything concerning my work. I feel that criticism is a letter to the public which the author, since it is not directed to him, does not have to open and read. ~ Rainer Maria Rilke

I have always been interested in this man. My father had a set of Tom Paine's books on the shelf at home. I must have opened the covers about the time I was 13. And I can still remember the flash of enlightenment which shone from his pages. It was a revelation, indeed, to encounter his views on political and religious matters, so different from the views of many people around us. Of course I did not understand him very well, but his sincerity and ardor made an impression upon me that nothing has ever served to lessen.

I have heard it said that Paine borrowed from Montesquieu and Rousseau. Maybe he had read them both and learned something from each. I do not know. But I doubt that Paine ever borrowed a line from any man...

Many a person who could not comprehend Rousseau, and would be puzzled by Montesquieu, could understand Paine as an open book. He wrote with a clarity, a sharpness of outline and exactness of speech that even a schoolboy should be able to grasp. There is nothing false, little that is subtle, and an impressive lack of the negative in Paine. He literally cried to his reader for a comprehending hour, and then filled that hour with such sagacious reasoning as we find surpassed nowhere else in American letters - seldom in any school of writing.

Paine would have been the last to look upon himself as a man of letters. Liberty was the dear companion of his heart; truth in all things his object.

...we, perhaps, remember him ~ Thomas A. Edison

Some people think that evolutionary psychology claims to have discovered that human nature is selfish and wicked. But they are flattering the researchers and anyone who would claim to have discovered the opposite. No one needs a scientist to measure whether humans are prone to knavery. The question has been answered in the history books, the newspapers, the ethnographic record, and the letters to Ann Landers. But people treat it like an open question, as if someday science might discover that it's all a bad dream and we will wake up to find that it is human nature to love one another. ~ Steven Pinker

Reaching inside his coat, Christopher pulled out the letter from Pru, the one he carried with him always. It had become a talisman, a symbol of what he had fought for. A reason for living. He looked down at the bit of folded paper, not even needing to open it. The words had been seared into his heart.
"Please come home and find me…"
In the past he had wondered if he were incapable of love. None of his love affairs had ever lasted more than a matter of months, and although they had blazed on a physical level, they had never transcended that. Ultimately no particular woman had ever seemed all that different from the rest.
Until those letters. The sentences had looped around him with a spirit so artless and adorable, he had loved it, loved her, immediately.
His thumb moved over the parchment as if it were sensitive living skin. "Mark my words, Audrey--I'm going to marry the woman who wrote this letter."
"I am marking your words," she assured him. "We'll see if you live up to them. ~ Lisa Kleypas

All of our music is made up of twelve notes and their harmonies. That's it. Twelve notes and twenty-six letters. The goal of us as musicians is to find that perfect combination to open up the lock to minds and feelings of others until they realize they aren't alone in this godforsaken world. And your music makes me feel less lonely. I hope that's reason enough for you to keep playing. ~ Jayna Ostler

Coming to the balcony, they both rested their elbows on the railing and looked down into the main room, which was filled wall-to-wall with patrons. Evie saw the antique-gold gleam of Sebastian's hair as he half sat on the desk in the corner, relaxed and smiling as he conversed with the crowd of men around him. His actions of ten days ago in saving Evie's life had excited a great deal of public admiration and sympathy, especially after an article in the Times had portrayed him in a heroic light. That, and the perception that his friendship with the powerful Westcliff had renewed, were all it had taken for Sebastian to gain immediate and profound popularity. Piles of invitations arrived at the club daily, requesting the attendance of Lord and Lady St. Vincent at balls, soirees, and other social events, which they declined for reasons of mourning.
There were letters as well, heavily perfumed and written by feminine hands. Evie had not ventured to open any of them, nor had she asked about the senders. The letters had accumulated in a pile in the office, remaining sealed and untouched, until Evie had finally been moved to say something to him earlier that morning. "You have a large pile of unread correspondence," she had told him, as they had taken breakfast together in his room. "It's occupying half the space in the office. What shall we do with all the letters?" An impish smile rose to her lips as she added. "Shall I read them to you while you rest?"
His eyes narrowe ~ Lisa Kleypas

Temporary Insanity had come a-knocking and I had shouted "Come on in the door is open." Luckily, Reality had come unexpectedly and found Temporary Insanity roaming the corridors of my mind unchecked, going into rooms, opening cupboards, reading my letters, looking in my underwear drawer, that kind of thing. Reality had run and got Sanity. And after a tussle, they both had managed to throw out Temporary Insanity and slam the door in his face. Temporary Insanity now lay on the gravel in the driveway of my mind, panting and furious, shouting, "She invited me in, you know. She asked me in. She wanted me there. ~ Marian Keyes

When forced to leave my house for an extended period of time, I take my typewriter with me, and together we endure the wretchedness of passing through the X-ray scanner. The laptops roll merrily down the belt, while I'm instructed to stand aside and open my bag. To me it seems like a normal enough thing to be carrying, but the typewriter's declining popularity arouses suspicion and I wind up eliciting the sort of reaction one might expect when traveling with a cannon.

It's a typewriter,' I say. 'You use it to write angry letters to airport security. ~ David Sedaris

When I tell people I was in the St. Justin Martyr parish, if they are native Chicagoans they know exactly where I was and what that was like. The Sunday before this particular march, the archbishop of Chicago, Cardinal Cody, had required all of his pastors to read a letter in support of open housing and economic justice in every parish in the city. ~ Sara Paretsky

And it's a pity too that I've no right to open your letters. I hope you don't get many, or my conscience will give me no peace. ~ Diana Wynne Jones

Raphael pulled out a paperback and handed it to me. The cover, done back in the time when computer-aided imagine manipulation had risen to the level of art, featured an impossibly handsome man, leaning forward, one foot in a huge black boot resting on the carcass of some monstrous sea creature. His hair flowed down to his shoulders in a mane of white gold, in stark contrast to his tanned skin and the rakish black patch hiding his left eye. His white, translucent shirt hung open, revealing abs of steel and a massive, perfectly carved chest graced by erect nipples. His muscled thighs strained the fabric of his pants, which were unbuttoned and sat loosely on his narrow hips, a touch of a strategically positioned shadow hinting at the world's biggest boner.
The cover proclaimed in loud golden letters: The Privateer's Virgin Mistress, by Lorna Sterling.
"Novel number four for Andrea's collection?" I guessed.
Raphael nodded and took the book from my hands. "I've got the other one Andrea wanted, too. Can you explain something to me?"
Oh boy. "I can try."
He tapped the book on his leather-covered knee. "The pirate actually holds this chick's brother for ransom, so she'll sleep with him. These men, they aren't real men. They're pseudo-bad guys just waiting for the love of a 'good' woman."
"You actually read the books?"
He gave me a chiding glance. "Of course I read the books. It's all pirates and the women they steal, apparently so they can enjoy lo ~ Ilona Andrews

Most of us will. We'll choose knowledge no matter what, we'll maim ourselves in the process, we'll stick our hands into the flames for it if necessary. Curiosity is not our only motive: love or grief or despair or hatred is what drives us on. We'll spy relentlessly on the dead: we'll open their letters, we'll read their journals, we'll go through their trash, hoping for a hint, a final word, an explanation, from those who have deserted us--who've left us holding the bag, which is often a good deal emptier than we'd supposed.

But what about those who plant such clues, for us to stumble on? Why do they bother? Egotism? Pity? Revenge? A simple claim to existence, like scribbling your initials on a washroom wall? The combination of presence and anonymity--confession without penance, truth without consequences--it has its attractions. Getting the blood off your hands, one way or another.

Those who leave such evidence can scarcely complain if strangers come along afterwards and poke their noses into every single thing that would once have been none of their business. And not only strangers: lovers, friends, relations. We're voyeurs, all of us. Why should we assume that anything in the past is ours for the taking, simply because we've found it? We're all grave robbers, once we open the doors locked by others.

But only locked. The rooms and their contents have been left intact. If those leaving them had wanted oblivion, there was always fire. ~ Margaret Atwood

What are you talking about? What was in those letters?" "First, let me ask you, did you get them?" Judging by the panicked look in his eyes, he had. "Did you even open them?" He didn't have to answer for her to guess. A bitter laugh erupted. "Nope. You didn't bother, did you? Just chucked them in the trash, just like you did me and your son." Nope, he didn't know, and she wondered if he'd remember seeing as how he hit the ground pretty hard. She didn't stick around to find out. ~ Eve Langlais

He puts down the pen, folds the sheet of paper, and slips it inside an envelope. He stands up, takes from his trunk a mahogany box, lifts the lid, lets the letter fall inside, open and unaddressed. In the box are hundreds of identical envelopes, open and unaddressed. He thinks that somewhere in the world he will meet a woman who has always been his woman. Every now and again he regrets that destiny has been so stubbornly determined to make him wait with such indelicate tenacity, but with time he has learned to consider the matter with great serenity. Almost every day, for years now, he has taken pen in hand to write to her. He has no names or addresses to put on the envelopes: but he has a life to recount. And to whom, if not to her? He thinks that when they meet it will be wonderful to place the mahogany box full of letters on her lap and say to her, 'I was waiting for you.'

"She will open the box and slowly, when she so desires, read the letters one by one. As she works her way back up the interminable thread of blue ink she will gather up the years-- the days, the moments-- that that man, before he ever met her, had already given to her. Or perhaps more simply, she will overturn the box and astonished at that comical snowstorm of letters, she will smile, saying to that man, 'You are mad.' And she will love him forever. ~ Alessandro Baricco

And what is this wild summons? What art is asked of us? The gift offered is different for each but all are equal in grandeur. To paint, draw, dance, compose. To write songs, poems, letters, diaries, prayers. To set a violet on the sill, stitch a quilt,; bake bread; plant marigolds, beans, apple trees. To follow the track of the forest elk, the neighborhood coyote, the cupboard mouse. To open the windows, air beds, sweep clean the corners. To hold the child's hand, listen to the vagrant's story, paint the elder friend's fingernails a delightful shade of pink while wrapped in a blanket she knit with deft young fingers of her past. To wander paths, nibble purslane, notice spiders. To be rained upon. To listen with changed ears and sing back what we hear. ~ Lyanda Lynn Haupt

Nothing can illustrate these observations more forcibly, than a recollection of the happy conjuncture of times and circumstances, under which our Republic assumed its rank among the Nations; The foundation of our Empire was not laid in the gloomy age of Ignorance and Superstition, but at an Epoch when the rights of mankind were better understood and more clearly defined, than at any former period, the researches of the human mind, after social happiness, have been carried to a great extent, the Treasures of knowledge, acquired by the labours of Philosophers, Sages and Legislatures, through a long succession of years, are laid open for our use, and their collected wisdom may be happily applied in the Establishment of our forms of Government; the free cultivation of Letters, the unbounded extension of Commerce, the progressive refinement of Manners, the growing liberality of sentiment... have had a meliorating influence on mankind and increased the blessings of Society. At this auspicious period, the United States came into existence as a Nation, and if their Citizens should not be completely free and happy, the fault will be entirely their own.

[Circular to the States, 8 June 1783 - Writings 26:484--89] ~ George Washington

I loved you, I love you now, but I'll be able to go on. I know that I can. You taught me that. Not being with you is far from my dream, but like our hearts, dreams can be broken and repaired again. It's hard for me not to wonder if I scared you away with all these letters. I hope not. I hope it just made you see how beautiful and amazing you are. I guess I'm realizing now that I just want you to be happy and safe. That's the most I can hope for now. I brought some of your boxes here but I didn't open ~ Renee Carlino

Open the "book of life" and you will see a "text" of about 3 billion letters, filling about 10,000 copies of the new York Times Sunday edition. Each line looks something like this:
TCTAGAAACA ATTGCCATTG TTTCTTCTCA TTTTCTTTTC ACGGGCAGCC
These letters, abbreviations of the molecules making up the DNA, could easily mean that the anonymous donor whose genome has been sequenced will be bald by the age of fifty. Or they could reveal that he will develop Alzheimer's disease by seventy. We are repeatedly told that everything from our personality to future medical history is encoded in this book. Can you read it? I doubt it. Let me share a secret with you: Neither can biologists or doctors. ~ Albert Laszlo Barabasi

Books. They tumbled from the bleeding sky like wounded birds. The spines snapping open and the pages fanning white. Black letters slipping off the slanted pages and falling, falling to the ground where they ... Shatter. ~ Natasha Mostert