One And Only Comic Almighty Quotes

I suppose I should have laughed even more uproariously at what happened next; as a newly anointed convert to the Old Comedy, I should have bounded to my feet, cried aloud, "Hallelujah!" and sung the praises of He Who Created Us, He Who Formed Us from the Mud, the One and Only Comic Almighty, OUR SOVEREIGN REDEEMER ARISTOPHANES, but for reasons all too profane (total mental paralysis) I could only gape at the sight of nothing less than the highly entertaining Aristophanic erection that Pipik had produced ... ~ Philip Roth

There spoke the race!" he said; "always ready to claim what it hasn't got, and mistake its ounce of brass filings for a ton of gold-dust. You have a mongrel perception of humor, nothing more; a multitude of you possess that. This multitude see the comic side of a thousand low-grade and trivial things--broad incongruities, mainly; grotesqueries, absurdities, evokers of the horse-laugh. The ten thousand high-grade comicalities which exist in the world are sealed from their dull vision. Will a day come when the race will detect the funniness of these juvenilities and laugh at them--and by laughing at them destroy them? For your race, in its poverty, has unquestionably one really effective weapon--laughter. Power, money, persuasion, supplication, persecution-- these can lift at a colossal humbug--push it a little--weaken it a little, century by century; but only laughter can blow it to rags and atoms at a blast. Against the assault of laughter nothing can stand. You are always fussing and fighting with your other weapons. Do you ever use that one? No; you leave it lying rusting. As a race, do you ever use it at all? No; you lack sense and the courage. ~ Mark Twain

He who despises himself, nevertheless esteems himself as a self-despiser. (Nietzsche.)
A vain person is always vain about something. He overestimates the importance of some quality or exaggerates the degree to which he possesses it, but the quality has some real importance and he does possess it to some degree. The fantasy of overestimation or exaggeration makes the vain person comic, but the fact that he cannot be vain about nothing makes his vanity a venial sin, because it is always open to correction by appeal to objective fact.

A proud person, on the other hand, is not proud of anything, he is proud, he exists proudly. Pride is neither comic nor venial, but the most mortal of all sins because, lacking any basis in concrete particulars, it is both incorrigible and absolute: one cannot be more or less proud, only proud or humble.

Thus, if a painter tries to portray the Seven Deadly Sins, his experience will furnish him readily enough with images symbolic of Gluttony, Lust, Sloth, Anger, Avarice, and Envy, for all these are qualities of a person's relations to others and the world, but no experience can provide an image of Pride, for the relation it qualifies is the subjective relation of a person to himself. In the seventh frame, therefore, the painter can only place, in lieu of a canvas, a mirror. ~ W.H. Auden

The girls changing in the gym watched her from the other side of the room the first time she went in, and one of the nuns was sitting there as well, just because Stella was there. They took her into a meeting in school and she had to say in advance that she wasn't a lesbian, or they wouldn't have let her even try to use the girls' changing room. They asked her if she was still a Christian. She explained that her family are not religious. They asked her what she knew of damnation. She asked them what they knew of autonomy. They asked her how she knew that word. She asked if they had met her mother. They said they would pray for her. She said it was not necessary. They asked if she might feel different in a few months, or if perhaps she would simply change for gym in the janitor's cupboard. She said she'd felt like this her whole life and no amount of praying was going to change it and she could use the janitor's cupboard to change, but she was a person, not a broom. They said she needed to find Jesus. She asked if it was like finding Wally? Only one nun knew what she meant. That little drawing in those old comic strips her mum had, when you look for the dweeby guy in the stripy hat. ~ Jenni Fagan

I couldn't picture heaven. How could a place be any good at all if it didn't have the things there you enjoyed doing? If there were no comic books, no monster movies, no bikes, and no country roads to ride them on? No swimming pools, no ice cream, no summer, or barbecue on the Fourth of July? No thunderstorms, and front porches on which to sit and watch them coming? Heaven sounded to me like a library that only held books about one certain subject, yet you had to spend eternity and eternity and eternity reading them. What was heaven without typewriter paper and a magic box? ~ Robert McCammon

If you loved everything you were writing, you would be deluding yourself or a complete and absolute narcissist. It's not about liking what you write, it's about improving with every word, little by little, exploring your craft, becoming the artist you hope to be one day. And you can only do that by working at it every day. It doesn't happen overnight, it doesn't happen over a weekend, it is a lifelong pursuit. ~ Brian Michael Bendis

Wise Blood was written by an author congenitally innocent of theory, but one with certain preoccupations. That belief in Christ is to some a matter of life and death has been a stumbling block for readers who would prefer to think it a matter of no great consequence. For them Hazel Motes' integrity lies in his trying with such vigor to get rid of the ragged figure who moves from tree to tree in the back of his mind. For the author Hazel's integrity lies in his not being able to. Does one's integrity ever lie in what he is not able to do? I think that usually it does, for free will does not mean one will, but many wills conflicting in one man. Freedom cannot be conceived simply. It is a mystery and one which a novel, even a comic novel, can only be asked to deepen. ~ Flannery O'Connor

It's all that's left,' Leon said in a suddenly weak voice. 'It's what is left of civilization. You take raw material and you transform it. That is civilization. Physical love is all raw meat. That's why everyone's so preoccupied with it now. I have been told by a colleague ten years older than myself--as if it were possible for anybody to be ten years older than I am--that salvation comes from staring at the pubic region of strangers, and freedom, from inducing in myself, by the use of a chemical, the kind of ecstatic lunacy in which I spent most of my adolescence, a condition I attribute solely to the strength of my body at that time and the conviction I had then that I would see socialism in the United States during my lifetime. Now that my bones are weak, my brain is stronger. I don't expect . . . anything. But I cannot bear the grotesque, lying piety of my own unhinged contemporaries. One man, a literary star'--and here he broke off, laughed once, choked and shook his head--'oh, yes, a star, told me he only regretted the pill had not yet been developed in his own youth. All those girls who might have been his! In this age of generalized cock, is this the whole revelation toward which my life has been directed? I would, in any case, prefer to contemplate the organ of a horse. It is handsomer, larger and more comic than anything my fellow man has to show. It is the age of baby shit, darling. Don't kid yourself. My privacy has been violated--what I've admired and thought abo ~ Paula Fox

In this land of unlimited opportunity, a place where, to paraphrase Woody Allen, any man or woman can realize greatness as a patient or as a doctor, we have only one commercial American filmmaker who consistently speaks with his own voice. That is Woody Allen, gag writer, musician, humorist, philosopher, playwright, stand-up comic, film star, film writer and film director. ~ Vincent Canby

Our planning consisted of starting up our project by generating some income through t-shirts and small products. Then we worked our way up with art shows and art projects that I'm creating under our collective. Only then did we announce the comic book, because if we don't do these things before, no one is going to care what you're doing for the bigger project that you've got coming next. We worked it up in steps, and once we announced the comic project it all came together. ~ K. Guillory

I was living under a desk in West Hollywood. It was a closet that I shared with another comic. I was shocked when they called me to come in to try out for the show. The chances of me getting on a TV show and winning it is like one-in-a-million. I had only been doing comedy for six years at that point, so I was basically considered an open mic-er or maybe a feature act once in awhile. ~ Dat Phan

I did get a nice compliment from Ramona Fradon a few years ago.She was talking about the one and only Plastic Man comic that I inked for her for DC and she said it was the only time that she'd ever had anyone ink her. Everyone else put in their own personality and changed it. In fact, bless her heart, she said if she were still doing Brenda Starr, she'd have me ink it. ~ Mike Royer

One could not imagine a process more open to the elephantine logic of the Bible-smasher than this: that the sun should be created after the sunlight. The conception that lies at the back of the phrase is indeed profoundly antagonistic to much of the modern point of view. To many modern people it would sound like saying that foliage existed before the first leaf ; it would sound like saying that childhood existed before a baby was born. The idea is, as I have said, alien to most modern thought, and like many other ideas which are alien to most modern thought, it is a very subtle and a very sound idea. Whatever be the meaning of the passage in the actual primeval poem, there is a very real metaphysical meaning in the idea that light existed before the sun and stars. It is not barbaric; it is rather Platonic. The idea existed before any of the machinery which made manifest the idea. Justice existed when there was no need of judges, and mercy existed before any man was oppressed.

The whole difference between construction and creation is exactly this: that a thing constructed can only be loved after it is constructed; but a thing created is loved before it exists, as the mother can love the unborn child. In creative art the essence of a book exists before the book or before even the details or main features of the book; the author enjoys it and lives in it with a kind of prophetic rapture. He wishes to write a comic story before he has thought of a single comic inciden ~ G.K. Chesterton

It is the custom on the stage: in all good, murderous melodramas: to present the tragic and the comic scenes, in as regular alternation, as the layers of red and white in a side of streaky, well-cured bacon. The hero sinks upon his straw bed, weighed down by fetters and misfortunes; and, in the next scene, his faithful but unconscious squire regales the audience with a comic song. We behold, with throbbing bosoms, the heroine in the grasp of a proud and ruthless baron: her virtue and her life alike in danger; drawing forth a dagger to preserve the one at the cost of the other; and, just as our expectations are wrought up to the highest pitch, a whistle is heard: and we are straightway transported to the great hall of the castle: where a grey-headed seneschal sings a funny chorus with a funnier body of vassals, who are free of all sorts of places from church vaults to palaces, and roam about in company, carolling perpetually.

Such changes appear absurd; but they are not so unnatural as they would seem at first sight. The transitions in real life from well-spread boards to death-beds, and from mourning weeds to holiday garments, are not a whit less startling; only, there, we are busy actors, instead of passive lookers-on; which makes a vast difference. The actors in the mimic life of the theatre, are blind to violent transitions and abrupt impulses of passion or feeling, which, presented before the eyes of mere spectators, are at once condemned as outrageous and prep ~ Charles Dickens

Infatuation is one of those slightly comic illnesses which are at once so undignified and so painful that a nice-minded world does its best to ignore their existence altogether, referring to them only under provocation and then with apology, but, like its more material brother, this boil on the neck of the spirit can hardly be forgotten either by the sufferer or anyone else in his vicinity. The malady is ludicrous, sad, excruciating and, above all, instantly diagnosable. ~ Margery Allingham

In this sense the Dionysian man resembles Hamlet: both have once looked truly into the essence of things, they have gained knowledge, and nausea inhibits action; for their action could not change anything in the eternal nature of things; they feel it to be ridiculous or humiliating that they should be asked to set right a world that is out of joint. Knowledge kills action; action requires the veils of illusion: that is the doctrine of Hamlet, not that cheap wisdom of Jack the Dreamer who reflects too much and, as it were, from an excess of possibilities does not get around to action. Not reflection, no--true knowledge, an insight into the horrible truth, outweighs any motive for action, both in Hamlet and in the Dionysian man.

Now no comfort avails any more; longing transcends a world after death, even the gods; existence is negated along with its glittering reflection in the gods or in an immortal beyond. Conscious of the truth he has once seen, man now sees everywhere only the horror or absurdity of existence; now he understands what is symbolic in Ophelia's fate; now he understands the wisdom of the sylvan god, Silenus: he is nauseated.

Here, when the danger to his will is greatest, art approaches as a saving sorceress, expert at healing. She alone knows how to turn these nauseous thoughts about the horror or absurdity of existence into notions with which one can live: these are the sublime as the artistic taming of the horrible, and the comic as the ~ Friedrich Nietzsche

My life was awful. When I was a kid, I was fat, pretty ugly and had awful hair. I used to get teased every fucking day, slammed up against lockers, punched in the face - you name it. Hell, I had to go to prom with one of my female friends because I couldn't even get a proper date. I can't even look back at those photos because I look so bad. I transferred schools, but the teasing just got worse. After an, let's say, 'incident' I had with the school play the bullying just got worse. But I made it through high school, only to find out that real life was pretty much the same. I just stayed in my dark room all day and didn't talk to anyone. I didn't go outside. I just stayed inside and drew. I'd draw vampires, mummies, heroes, villains. Anything to help me escape all the bad in the world. I went to art school and didn't really belong. All I could draw was comic book characters. I tried to put my only good talent to use by drawing a cartoon and pitching it - only to have it turned down. Life to me was just pointless. I started drinking, doing drugs and just generally wasting my life drawing.
Then one day, I saw bodies falling from the sky. I witnessed people dying. And that's when I decided to turn my life around. I called up anyone I knew who had an instrument and we formed a band. Being on tour for the first few years was bad. All we'd do is get drunk and do drugs, but I loved it. Because I was doing something I loved with people I loved. And a few years ago I met the most perfe ~ Gerard Way

What's your dad doing for his bachelor party?"
I laugh. "Have you met my dad? He's the last person who would ever have a bachelor party. He doesn't even have any guy friends to have a party with!" I stop and consider this. "Well, I guess Josh is the closest thing he has. We haven't seen much of him since he went to school, but he and my dad still e-mail every so often."
"I don't get what your family sees in that guy," Peter says sourly. "What's so great about him?"
It's a touchy subject. Peter's paranoid my dad likes Josh better than him, and I try to tell him it's not a contest--which it definitely isn't. Daddy's known Josh since he was a kid. They trade comic books, for Pete's sake. So, no contest. Obviously my dad likes Josh better. But only because he knows him better. And only because they're more alike: Neither of them is cool. And Peter's definitely cool. My dad is bewildered by cool.
"Josh loves my dad's cooking."
"So do I!"
"They have the same taste in movies."
Peter throws in, "And Josh was never in a hot tub video with one of his daughters."
"Oh my God, let it go already! My dad's forgotten about that." "Forgotten" might be too strong of a word. Maybe more like he's never brought it up again and he hopefully never will.
"I find that hard to believe."
"Well, believe it. My dad is a very forgiving, very forgetful man. ~ Jenny Han

Silence. Her eyes on mine. But unlike Kitsey - who was always at least partly somewhere else, who loathed serious talk, who at a similar turn would be looking around for the waitress or making whatever light and/or comic remark she could think of to keep the moment from getting too intense - she was listening, she was right with me, and I could see only too well how saddened she was at my condition, a sadness only worsened by the fact she truly liked me: we had a lot in common, a mental connection and an emotional one too, she enjoyed my company, she trusted me, she wished me well, she wanted above all to be my friend; and whereas some women might have preened themselves and taken pleasure at my misery, it was not amusing to her to see how torn-up I was over her. ~ Donna Tartt

Wise Blood has reached the age of ten and is still alive. My critical powers are just sufficient to determine this, and I am gratified to be able to say it. The book was written with zest and, if possible, it should be read that way. It is a comic novel about a Christian malgré lui, and as such, very serious, for all comic novels that are any good must be about matters of life and death. Wise Blood was written by an author congenitally innocent of theory, but one with certain preoccupations. That belief in Christ is to some a matter of life and death has been a stumbling block for some readers who would prefer to think it a matter of no great consequence. For them, Hazel Motes's integrity lies in his trying with such vigor to get rid of the ragged figure who moves from tree to tree in the back of his mind. For the author, Hazel's integrity lies in his not being able to do so. Does one's integrity ever lie in what he is not able to do? I think that usually it does, for free will does not mean one will, but many wills conflicting in one man. Freedom cannot be conceived simply. It is a mystery and one which a novel, even a comic novel, can only be asked to deepen.

(Preface to second edition, 1962) ~ Flannery O'Connor

The loudness of tone in Jane Eyre is undoubtedly effective in communicating tension and frustration, but the style does of course have its related limitations. It precludes the use of the small suggestive detail or the quiet but telling observation that Mrs Gaskell and George Eliot are so good at. In such a fortissimo performance
as this, the pianissimo gets drowned out, or noted only as an incongruity (which helps to account for the book's moments of unintended comic bathos). Again, it makes the whole question of modulation of tone a difficult one,6 and it is also hard to manage irony elegantly, as the Brocklehurst and Ingram portraits show.
There is unconscious ambiguity but little deliberate irony in Jane Eyre. Hence the remarkable unity of critical interpretation of the book - the reader knows all too well what he is meant to think about the heroine and the subsidiary characters. The novel does not merely request our judicious sympathy for the heroine, it demands
that we see with her eyes, think in her terms, and hate her enemies, not just intermittently (as in David Copperfield) but in toto. It was, incidentally, because James Joyce recognised the similar tendency of Stephen Hero that he reshaped his autobiographical material as A Portrait of the Artist as a Young Man, retaining the 'first-person effect' but building in stylistic and structural
irony that would guard against the appearance of wholesale authorial endorsement of Stephen. ~ Ian Gregor

Animals have their tragic and their comic side, and resemble us in many ways. They, too, have their distinctions and individualities. Many people believe that there is a huge gap separating them from the animals, but it is only really a step in the Wheel of Life, for we are all children of the One. To understand a fellow creature, we must regard him as a brother. ~ Manfred Kyber

Ironically, the tattoo represents the opposite for me today. It reminds me that it's important to let yourself be vulnerable, to lose control and make a mistake. It reminds me that, as Whitman would say, I contain multitudes and I always will. I'm a level-one introvert who headlined Madison Square Garden - and was the first woman comic to do so. I'm the 'overnight success' who's worked her ass off every single waking moment for more than a decade. I used to shoplift the kind of clothing that people now request I wear to give them free publicity. I'm the SLUT or SKANK who's only had one one-night stand. I'm a 'plus-size' 6 on a good day, and a medium-size 10 on an even better day. I've suffered the identical indignities of slinging rib eyes for a living and hustling laughs for cash. I'm a strong, grown-ass woman who's been physically, sexually, and emotionally abused by men and women I trusted and cared about. I've broken hearts and had mine broken, too.
Beautiful, ugly, funny, boring, smart or not, my vulnerability is my ultimate strength. There's nothing anyone can say about me that's more permanent, damaging, or hideous than the statement I have forever tattooed upon myself. I'm proud of this ability to laugh at myself - even if everyone can see my tears, just like they can see my dumb, senseless, whack, lame lower back tattoo. ~ Amy Schumer

[H]e was one of those people who got to the top of an organisation through luck, connections, the indulgence of superiors and that sort of carelessness towards others that the easily impressed termed ruthlessness and those of a less gullible nature called sociopathy. But sometimes, just through his sheer unthinking brusqueness and inability to think through the consequences of a remark, he said what everybody else was only thinking. A comic poet working in obscene doggerel. ~ Iain M. Banks

In any case one can never forbear to smile at such a despairer, who, humanly speaking, although he is in despair, is so very innocent. Commonly such a despairer is infinitely comic. Think of a self (and next to God there is nothing so eternal as a self), and then that this self gets the notion of asking whether it might not let itself become or be made into another ... than itself. And yet such a despairer, whose only wish is this most crazy of all transformations, loves to think that this change might be accomplished as easily as changing a coat. For the immediate man does not recognize his self, he recognizes himself only by his dress, he recognizes (and here again appears the infinitely comic trait) he recognizes that he has a self only by externals. ~ Soren Kierkegaard

The good historian, then, must be thus described: he must be fearless, uncorrupted, free, the friend of truth and of liberty; one who, to use the words of the comic poet, calls a fig a fig, and a skiff a skiff, neither giving nor withholding from any, from favour or from enmity, not influenced by pity, by shame, or by remorse; a just judge, so far benevolent to all as never to give more than is due to any in his work; a stranger to all, of no country, bound only by his own laws, acknowledging no sovereign, never considering what this or that man may say of him, but relating faithfully everything as it happened. ~ Lucian Of Samosata

By the age of three, the child has already laid down the foundations of his personality as a human being, and only then does he need the help of special scholastic influences. So great are the conquests he has made that one may well say: the child who goes to school at three is already a little man. ~ Maria Montessori

If you care about animals, there is one and only one choice: go vegan. Can you choose not to be vegan? Sure. You can choose not to care. ~ Gary L. Francione

I once wrote you a letter and you never replied, which makes me wonder if you ever received it. This time it's a more personal delivery - and I need a reply, even if it's not the one I want.

I'm listening to you - I can hear every word, however softly you speak - and I'm half-agony, half-hope. You're saying that men are realists - that, when the woman they love is no longer available, they move on. Well, believe me, I tried - and I thought I had. But seeing you again, after so many years, just proved how little I knew...

You told me to trust myself. So here I am back in Bath, putting everything on the line for a second chance with you. Is that what you want, too? Whatever your answer, remember this: I may not deserve you - when I think of how I've behaved, I know I've shown little self-control and even less forgiveness - but I've never stopped loving you.

You're talking about heartless men... But I have a heart, and it's the same one you almost broke ten years ago, and it belongs to you, and only you, even more than it did then. And yes, I'm a realist: if you no longer love me, I will accept it. But don't say that only a woman can keep on loving someone who's no longer part of her life! Because I will keep on loving you until there are no stars in the sky.

Tell me tonight how you feel. If there's any chance of you loving me back, then I'll wait for you as I should have waited before. If not, say the word and I'll leave you in peace. ~ Juliet Archer

Our doubts about ourselves cannot be banished except by working at that which is the one and only thing we know we ought to do. Other people's assertions cannot silence the howling dirge within us. It is our talents rusting unused within us that secrete the poison of self-doubt into our bloodstream. ~ Eric Hoffer

NBA has a selfish rationale. It saves the owners money by delaying the time a player gets to a second, more lucrative contract. Even the player's union is on board. There are only 450 jobs in the NBA, and the one-and-done protects veterans' jobs. ~ Sonny Vaccaro

What does the radicalism of radical writers nowadays amount to? Most of it is hand-me-down bohemianism, sentimental populism, D. H. Lawrence-and-water, or imitation Sartre. For American writers radicalism is a question of honor. They must be radicals for the sake of their dignity. They see it as their function, and a noble function, to say Nay, and to bite not only the hand that feeds them (and feeds them with comic abundance, I might add) but almost any other hand held out to them. Their radicalism, however, is contentless. A genuine radicalism, which truly challenges authority, we need desperately. But a radicalism of posture is easy and banal. Radical criticism requires knowledge, not posture, not slogans, not rant. People who maintain their dignity as artists, in a small way, by being mischievous on television, simply delight the networks and the public. True radicalism requires homework - thought. Of the cleans, on the other hand, there isn't much to say. They seem faded. ~ Saul Bellow

We do not look back, Chaol. It helps no one and nothing to look back. We can only go on. ~ Sarah J. Maas

When one was full of energy and enthusiasm the world was an apple, the future was way beyond the horizon and only the present was pertinent. ~ Jeff Tikari