Literary Mosaic Quotes

Momentum, in literary mosaic, derives not from narrative but from the subtle, progressive buildup of thematic resonances. ~ David Shields

It is true that private friends have sometimes, after listening to my effusions, gone the length of remarking, "Really, Smith, that's not half bad!" or, "You take my advice, old boy, and send that to some magazine!" but I have never on these occasions had the moral courage to inform my adviser that the article in question had been sent to well-nigh every publisher in London, and had come back again with a rapidity and precision which spoke well for the efficiency of our postal arrangements. ~ Arthur Conan Doyle

From my boyhood I have had an intense and overwhelming conviction that my real vocation lay in the direction of literature. I have, however, had a most unaccountable difficulty in getting any responsible person to share my views.
- Cyprian Overbeck Wells: A Literary Mosaic ~ Arthur Conan Doyle

The things white men failed to notice would fill the world they had ruined ten thousand times over. ~ David Burr Gerrard

What would you have me do?
Seek for the patronage of some great man,
And like a creeping vine on a tall tree
Crawl upward, where I cannot stand alone?
No thank you! Dedicate, as others do,
Poems to pawnbrokers? Be a buffoon
In the vile hope of teasing out a smile
On some cold face? No thank you! Eat a toad
For breakfast every morning? Make my knees
Callous, and cultivate a supple spine,-
Wear out my belly grovelling in the dust?
No thank you! Scratch the back of any swine
That roots up gold for me? Tickle the horns
Of Mammon with my left hand, while my right
Too proud to know his partner's business,
Takes in the fee? No thank you! Use the fire
God gave me to burn incense all day long
Under the nose of wood and stone? No thank you!
Shall I go leaping into ladies' laps
And licking fingers?-or-to change the form-
Navigating with madrigals for oars,
My sails full of the sighs of dowagers?
No thank you! Publish verses at my own
Expense? No thank you! Be the patron saint
Of a small group of literary souls
Who dine together every Tuesday? No
I thank you! Shall I labor night and day
To build a reputation on one song,
And never write another? Shall I find
True genius only among Geniuses,
Palpitate over little paragraphs,
And struggle to insinuate my name
In the columns of the Mercury?
No thank you! Calculate, scheme, be a ~ Edmond Rostand

Stallions," Frank said, "they're fightin' over a girl. - DANIEL'S ESPERANZA ~ Veronica Randolph Batterson

Sacrifice: That's what makes our mosaic so beautiful and rich. ~ Lee Myung-bak

Messages are the death of an honest literary transaction with children ~ Maurice Sendak

I have watchedmany literary fashions shoot up and blossom, and then fade and drop ... Yet with the many that I have seen comeand go, I have never yet encountered a mode of thinking that regarded itself as simply a changing fashion, and not as an infallible approach to the right culture. ~ Ellen Glasgow

In a sense, photographs are highly literary, and the photographer, like the writer, has to be both a master of craft and a visionary. Patient accumulation of facts and then speculation about their meaning is the nature of authorship in both mediums. ~ Peter C Bunnell

I have written a number of short biographical studies of insignificant personages from literary history. My interest has always been in writing biographies of the also-rans: people who lived in the shadow of fame in their own lifetime and who, since their death, have sunk into profound obscurity. ~ Diane Setterfield

Especially on rainy nights like this, they would congregate under the bridge, all the boys from nowhere, the boys who lived nowhere, who had nowhere else to go. ~ Robert Dunbar

A mere literary man is a dull man; a man who is solely a man of business is a selfish man; but when literature and commerce are united, they make a respectable man. ~ Samuel Johnson

it is hard for us to be alone
between school and our friends and our families
and his track practice and my literary magazine.
so this pause is heaven, feeling entirely
open ~ David Levithan

Those who lead a literary life seem old when they're young and young when they're old, but they're never actually either. Like a good book, they are bound by neither category nor time. ~ J.C. Hallman

Notoriety and public confession in the literary form is a frazzler of the heart you were born with, believe me. ~ Jack Kerouac

I left Hairball to his manic mantric singing. I walked toward the house and stopped to rub some white pine needles on my fingers. The evergreen smelled fresh and alive. The needles were long and soft to the touch. I looked back at Hairball. The moon had risen higher and Little Meadow was even brighter. The wind
picked up Hairball's singing and blew it away. By the time I got up to the house he had become a silvery ghost dancing in the moonlight, a nowhere man longing to live on the moon. ~ Scott Lax

London has the trick of making its past, its long indelible past, always a part of its present. And for that reason it will always have meaning for the future, because of all it can teach about disaster, survival, and redemption. It is all there in the streets. It is all there in the books. ~ Anna Quindlen

If you'll curtail your literary pursuits a moment I'll introduce you to my counterpart and Nemesis; I would be trite and say, 'to my better half,' but I think that phrase indicates some kind of basically equal division, don't you? ~ Ken Kesey

However, ana al-haqq as it stands has raised a few literary questions as well and, within the tradition of mystic poetry, the attitude preserved in Hallaj's expression has given rise to mixed reactions regarding its content. It is held that it is an exaggeration of subjective experience, and ana - the personal "I" - shows leanings toward megalomania and egotism. It is the personal "I" which overshadows al-haqq, and thereby invites total attention to itself. In fact, the personal "I" absorbs al-haqq, and reaches out to the romantic cult of the egostistical sublime. In this context, the truth tends to become subjective and, therefore, relative, and in its social implications it shows the possibility of numerous diversions. Extreme individualism, in contrast to institutionalism, is also held to be related to ana al-haqq. The personal "I" is supposed to be potentionally explosive and destructive for values of the Establishment. A.J. Arberry has summed up the position by saying that Hallaj had dared to declare that his direct awareness of God was for him a clearer proof than both revelation and reason. ~ Gilani Kamran

Many people go into the wilderness to experience it, and if they experience it in comfort, there's very little in a literary sense for them to write about. ~ Tim Cahill

When I first started writing in my early 20s it was literary criticism for a very eccentric magazine called Books And Bookmen, which allowed me to write, more or less anything. ~ Jonathan Meades

If a writer has to find a rhythm if his novel is to come 'right', a rhythm which he may well discover in the rhythm of an individual sentence, then likewise a reader has to find a corresponding rhythm in his reading, which may equally well be discovered in responding to local effect.
The intimacy of this relationship between writer and reader is well caught in a recent observation made by Graham Greene, 'Novels should always have, if not dull, then at least level patches. That's where the excessive use of film technique, cutting sharply from intensity
to intensity is harmful. . . . The writer needs level passages for his subconscious to work up to the sharp scenes . . . and the reader needs those level patches too, so that he can share in the processes of creation - not by conscious analysis, but by absorption?'
To reflect on the wide-ranging effects of rhythm
in reading would seem to be one way of making a start on tracing that obscure route that leads from 'absorption' to 'conscious analysis'. ~ Ian Gregor

Envy, however, is a thoroughly doomed state. And the only pity would be to let it introduce hatred to your heart. Hate only what you love. ~ Constantina Maud

Of course this chattering diary is a facade, the literary equivalent of the everyday smiling face which hides the inward ravages of jealousy, remorse, fear and the consciousness of irretrievable moral failure. Yet such pretenses are not only consolations but may even be productive of a little ersatz courage. ~ Iris Murdoch

Katherine, who tried so hard in London to be best friends with Virginia Woolf, who hated her, because Katherine was the kind of naif-imbecile that the literary men adored and championed at her expense. ~ Chris Kraus

Loneliness is the diary keeper's lover. It is not narcissism that takes them to their desk every day. And who "keeps" whom, after all? The diary is demanding; it imposes its routine; it must be chored the way one must milk a cow; and it alters your attitude toward life, which is lived, finally, only in order that it may makes it way to the private page.
[From "Fifty Literary Pillars", p.35] ~ William H Gass

Literature before the Renaissance had frequently offered ideal patterns for living which were dominated by the ethos of the church, but after the Reformation the search for individual expression and meaning took over. Institutions were questioned and re-evaluated, often while being praised at the same time. But where there had been conventional modes of expression, reflecting ideal modes of behaviour - religious, heroic, or social - Renaissance writing explored the geography of the human soul, redefining its relationship with authority, history, science, and the future. This involved experimentation with form and genre, and an enormous variety of linguistic and literary innovations in a short period of time.
Reason, rather than religion, was the driving force in this search for rules to govern human behaviour in the Renaissance world. The power and mystique of religion had been overthrown in one bold stroke: where the marvellous no longer holds sway, real life has to provide explanations. Man, and the use he makes of his powers, capabilities, and free will, is thus the subject matter of Renaissance literature, from the early sonnets modelled on Petrarch to the English epic which closes the period, Paradise Lost, published after the Restoration, when the Renaissance had long finished.

The Reformation gave cultural, philosophical, and ideological impetus to English Renaissance writing. The writers in the century following the Reformation had to explore and redef ~ Ronald Carter

That's the trouble with innocents. They aren't innocent of doing, just of knowing what they're doing. ~ Jack Butler

I feel that there's a lot of would-be guardians of the culture who think that high-minded literary purpose and the life that gets chronicled in the gossip columns, that these two things are incompatible. ~ Jay McInerney

The baby girl who lifted the flaps of Rod Campbell's Dear Zoo becomes the toddler charmed by Ludwig Behmelman's Madeline who turns into the sixth grader listening open-mouthed to Mark Halperin's A Kingdom Far and Clear who grows up to be the young woman swept away by Leo Tolstoy and the beautiful, ill-fated heroine of Anna Karenina. Each book makes straight the path for the next, opening out into sunlit literary meadows where, over time, young people will encounter beautiful writing and characters and scenes that may have been known, loved, and remembered by generations long since past. For the child, or teenager, or anyone else for that matter, getting these tickets to arcadia is a matter of simplicity. All they have to do is listen. ~ Meghan Cox Gurdon

This backwards journey in the narrating of this 'membering, this remembrance, is a lesson I learned from Geoffrey Chaucer's Canterbury Tales, and which considers how language, in this case, English, the only language I know, is at present of profound interest, when used in a non-traditional manner. I have used this language in The Polished Hoe, and I call it many things, but the most precise definition I have given it is contained in a booklet published by the Giller Prize Foundation, celebrating the tenth anniversary of this literary prize. In that review of the literary problems I faced in the writing of The Polished Hoe in 2002, my main concern was to find a language, or to more strictly use the language I already knew, in such a way that it became, in my manipulation of it, a "new" language. And to explain the result of this experiment, I said that I intended to "creolize Oxford English. ~ Austin Clarke

Write for joy. It is the *only* reason to write. Whatever happens to your books afterward, just write for joy. Send your current one out when it's done and forget it, start another, and keep on writing for joy. Words I now live by. Welwyn Wilton Katz ~ Welwyn Wilton Katz

I have three younger siblings, and used to tell them an awful lot of lies when they were growing up. The best thing about being a writer is that now I can say that my lies were all in the name of literary creativity. Unfortunately, my brothers and sister don't believe me. ~ Marie Rutkoski

Samskrit language, as has been universally recognized by those competent to form a judgment, is one of the most magnificent, the most perfect, the most prominent and wonderfully sufficient literary instrument developed by the human mind. ~ Sri Aurobindo

Those of my critics who declare I have no feeling for form will be filled with delight over the meandering formlessness of these notes. ~ Sherwood Anderson

My characters push the limits of the envelope when it comes to passion, love, and lust. They can be as elegant and distinguished as Lizzie's Darcy, or as wild and unrelenting as Cathy's Heathcliff; sometimes all in one bold personality. I also believe there is a wider universal mosaic on our planet than mere black and white. My contemporary healer/surgeon in the novel 'Hobble' is half Native American (Mayan Mexican + Peruvian, plus Scottish) and his lover is African American (African + European + American Indian). My people see the world differently; they're often mixed race or of a race, color, or nationality not normally associated with nor depicted in romantic and erotic novels or films as central, positively sexual, and realistic. ~ Neale Sourna

In Japan, the writers have made up a literary community, a circle, a society. I think 90 percent of Japan's writers live in Tokyo. Naturally, they make a community. There are groups and customs, and so they are tied up in a way. ~ Haruki Murakami