Indubitably In A Sentence Quotes

Don't get me wrong, I love my parents and all. But my father and I have the sort of loving relationship in which, whenever he says more than one sentence in a a row to me, I want to stab myself in the heart with a a recently formed silver knife. ~ Leila Sales

What is literature, really? Boiled down to a single sentence, I'd say it's this: an endless conversation about what it means to be human. And to read literature is to engage in that conversation. ~ Nicole Krauss

The article was written in scraps of time, between snatched moments of sleep. This can't be normal, she thought, exhilarated, typing away in her slip at three in the morning. She'd been brought up to believe in regular work that took place in nice, clean offices, between fixed hours. Yet here she was, in a hotel room that could be anywhere, weaving a story into being and feeling like if she stopped for a second to breathe, the whole thing would fall apart. As long as she got the next sentence out, and the one after that, she'd be all right. ~ Jeremy Tiang

If you've spent any time trolling the blogosphere, you've probably noticed a peculiar literary trend: the pervasive habit of writers inexplicably placing exclamation points at the end of otherwise unremarkable sentences. Sort of like this! This is done to suggest an ironic detachment from the writing of an expository sentence! It's supposed to signify that the writer is self-aware! And this is idiotic. It's the saddest kind of failure. F. Scott Fitzgerald believed inserting exclamation points was the literary equivalent of an author laughing at his own jokes, but that's not the case in the modern age; now, the exclamation point signifies creative confusion. All it illustrates is that even the writer can't tell if what they're creating is supposed to be meaningful, frivolous, or cruel. It's an attempt to insert humor where none exists, on the off chance that a potential reader will only be pleased if they suspect they're being entertained. Of course, the reader isn't really sure, either. They just want to know when they're supposed to pretend to be amused. All those extraneous exclamation points are like little splatters of canned laughter: They represent the "form of funny," which is more easily understood (and more easily constructed) than authentic funniness. ~ Chuck Klosterman

The adult Feynman asked: If all scientific knowledge were lost in a cataclysm, what single statement would preserve the most information for the next generations of creatures? How could we best pass on our understanding of the world? He proposed, "All things are made of atoms - little particles that move around in perpetual motion, attracting each other when they are a little distance apart, but repelling upon being squeezed into one another," and he added, "In that one sentence, you will see, there is an enormous amount of information about the world, if just a little imagination and thinking are applied. ~ Anonymous

It would be tedious to attempt a phonetic reproduction of Mr. Sage's utterances. Enough to say that they were genteel to a fantastic degree. "Aye thot Aye heeard somewon teeking may neem in veen," may give some idea of his rendering of the above sentence. Let it go at that. ~ Anonymous

To be included in the group with women like Glenn Close and Kyra Sedgwick is a little bit astonishing to me. To even be mentioned in the same sentence as Glenn Close is just ridiculous. ~ Julianna Margulies

I think that my first impulse arises from a hypersensitivity or allergy. It seems to me that language is always used in a random, approximate, careless manner, and this distresses me unbearably. Please don't think that my reaction is the result of intolerance towards my neighbor: the worst discomfort of all comes from hearing myself speak. That's why I try to talk as little as possible. If I prefer writing, it is because I can revise each sentence until I reach the point where - if not exactly satisfied with my words - I am able at least to eliminate those reasons for dissatisfaction that I can put a finger on. Literature - and I mean the literature that matches up to those requirements - is the promised land in which language becomes what it really ought to be. ~ Italo Calvino

What you said before," she asked. "That Jace Herondale loves Clarissa Fairchild more than anyone you've ever known except someone - you never finished the sentence. Who was it?"
"I was going to say you and me and Will," he said. "But - that's rather a strange thing to say, isn't it?"
"Not strange at all." She cuddled in close against his side. "Exactly right. Ever and always, exactly right. ~ Cassandra Clare

Being poor is neither history nor permanent but a status. Writers who begin with this sentence "X is a poorest country in the world," to describe any African country are lacking intelligence. How would they feel if we turned the tables and used sentences that portray historical offenses committed to other countries? I bet nobody would like to read, "X is a country that killed millions of Y during Z's regime. ~ Gloria D. Gonsalves

Vonnegut along with critically acclaimed novelists like Lawrence Durrell and Iris Murdoch, Scholes explained that Vonnegut uses the rhetorical potential of the short sentence and short paragraph better than anyone now writing, often getting a rich comic or dramatic effect by isolating a single sentence in a separate paragraph or excerpting a phrase from context for a bizarre chapter-heading. The apparent simplicity and ordinariness of his writing mask its efficient power ... ~ Kurt Vonnegut

During those days, both the bed and my little rickety table were swimming in notes and scribbled-over manuscripts that I took turns working on, adding new ideas that occurred to me in the course of the day, crossing out material or freshening up the dead passages with a lively word here or there, and pushing on from sentence to sentence with great labor. ~ Knut Hamsun

It was wonderful to walk down the long flights of stairs knowing that I'd had good luck working. I always worked until I had something done and I always stopped when I knew what was going to happen next. That way I could be sure of going on the next day. But sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know." So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that you knew or had seen or had heard someone say. ~ Ernest Hemingway,

I said, you fuckfaced shitstain," - his words were low, slow, measured - "get the fuck away from her, or I will fucking fuckily fuck you the fuck up."

I stared at Dan, my lips parting in wonder. He'd just used some variation of the F-word as a noun, verb, adverb, and adjective all in one sentence. I didn't know whether to be mortified or impressed. ~ Penny Reid

You are the last Five left in the competition, yes? Do you think that hurts your chances of becoming the princess?"
The word sprang from my lips without thought. "No!"
"Oh, my! You do have a spirit there!" Gavril seemed pleased to have gotten such an enthusiastic response. "So you think you'll beat out all the others, then? Make it to the end?"
I thought better of myself. "No, no. It's not like that. I don't think I'm better than any of the other girls; they're all amazing. It's just...I don't think Maxon would do that, just discount someone because of their caste."
I heard a collective gasp. I ran over the sentence in my head. It took me a minute to catch my mistake: I'd called him Maxon. Saying that to another girl behind closed doors was one thing, but to say his name without the word "Prince" in front of it was incredibly informal in public.
And I'd said it on live television.
I looked to see if Maxon was angry. He had a calm smile on his face. So he wasn't mad...but I was embarrassed. I blushed fiercely.
"Ah, so it seems you really have gotten to know our prince. Tell me, what do you think of Maxon?"
I ahd thought of several answers while I was waiting for my turn. I was going to make fun of his laugh or talk about the pet name he wanted his wife to call him. It seemed like the only way to save the situation was to get back the comedy. But as I lifted my eyes to make one of my comments, I saw Maxon's face.
He really wanted to ~ Kiera Cass

«"We're talking about the technical aspects of translation again. Do I have to do all the work here? Who can tell me one of the problems translators face?" Rashmi raises her hand. "Well, most words have different meanings." "Good," Professeur Cole says. "More. Elaborate." St. Clair sits next to Rashmi, but he's not listening. He scribbles something fiercely in the margins of his book. "Well," Rashmi says. "It's the translator's job to determine which definition the author means. And not only that, but there could be other meanings in relation to the context."55 "So what you're saying," Professeur Cole says, "is that the translator has a lot of decisions to make. That there are multiple meanings to be found in any word, in any sentence. In any situation." "Exactly," Rashmi says. And then she cuts her eyes at me.» ~ Stephanie Perkins

The last sort I shall mention are verbal critics - mere word-catchers, fellows that pick out a word in a sentence and a sentence in a volume, and tell you it is wrong. The title of Ultra-Crepidarian critics has been given to a variety of this species. ~ William Hazlitt

Most men are rich in borrowed sufficiency: a man may very well say a good thing, give a good answer, cite a good sentence, without at all seeing the force of either the one or the other. ~ Michel De Montaigne

The boy who first entered a classroom barely able to speak English, twenty years later concluded his studies in the stately quiet of the reading room in the British Museum. Thus with one sentence I can summarize my academic career. It will be harder to summarize what sort of life connects the boy to the man. ~ Richard Rodriguez

There are blondes and blondes and it is almost a joke word nowadays. All blondes have their points, except perhaps the metallic ones who are as blond as a Zulu under the bleach and as to disposition as soft as a sidewalk. There is the small cute blonde who cheeps and twitters, and the big statuesque blonde who straight-arms you with an ice-blue glare. There is the blonde who gives you the up-from-under look and smells lovely and shimmers and hangs on your arm and is always very tired when you take her home. She makes that helpless gesture and has that goddamned headache and you would like to slug her except that you are glad you found out about the headache before you invested too much time and money and hope in her. Because the headache will always be there, a weapon that never wears out and is as deadly as the bravo's rapier or Lucrezia's poison vial. There is the soft and willing and alcoholic blonde who doesn't care what she wears as long as it is mink or where she goes as long as it is the Starlight Roof and there is plenty of dry champagne. There is the small perky blonde who is a little pal and wants to pay her own way and is full of sunshine and common sense and knows judo from the ground up and can toss a truck driver over her shoulder without missing more than one sentence out of the editorial in the Saturday Review. There is the pale, pale blonde with anemia of some non-fatal but incurable type. She is very languid and very shadowy and she speaks softly out of nowh ~ Raymond Chandler

Sam Vimes could parallel process. Most husbands can. They learn to follow their own line of thought while at the same time listening to what their wives say. And the listening is important, because at any time they could be challenged and must be ready to quote the last sentence in full. A vital additional skill is being able to scan the dialogue for telltale phrases such as "and they can deliver it tomorrow" or "so I've invited them for dinner?" or "they can do it in blue, really quite cheaply. ~ Terry Pratchett

One of the best predictors of policy around is Thomas Ferguson's investment theory of politics, as he calls it - very outstanding political economist - which essentially - I mean, to say it in a sentence, he describes elections as occasions in which groups of investors coalesce and invest to control the state. ~ Noam Chomsky

John Irving once told me he doesn't start a novel until he knows the last sentence. I said, 'My God, Irving, isn't that like working in a factory?' ~ Tom Robbins

Writing is not "the establishment of a professional reputation" as if one were a doctor or lawyer; it is not properly in the sentence with creation of a family and the purchase of a home. ~ Elizabeth Hardwick

On the air, it's as if somebody draws a heavy drape to block any bias. I don't even feel it inside. It's the same curtain that keeps you from swearing. I've known broadcasters who can't get one sentence out in normal conversation without being profane, and yet, they can go on the air and talk for three hours and never slip once. ~ Dick Enberg

I would like you to understand completely, also emotionally, that I'm a political detainee and will be a political prisoner, that I have nothing now or in the future to be ashamed of in this situation. That, at bottom, I myself have in a certain sense asked for this detention and this sentence, because I've always refused to change my opinion, for which I would be willing to give my life and not just remain in prison. That therefore I can only be tranquil and content with myself. ~ Antonio Gramsci

I am not a particularly natural writer. I am not a person who can write in paragraphs the way some writers do. For me, it's sentence by sentence, sometimes word-by-word. And I revise constantly. It's a very laborious process, but I love doing it. ~ Yann Martel

I am to consider the many advantages arising from a frequent use of oaths, curses, and imprecations. In the first place, this genteel accomplishment is a wonderful help to discourse; as it supplies the want of good sense, learning, and eloquence. The illiterate and stupid, by the help of oaths, become orators; and he, whose wretched intellects would not permit him to utter a coherent sentence, by this easy practice, excites the laughter, and fixes the attention, of a brilliant and joyous circle. ~ Mary Collyer

DON Luigi Giussani used to quote this example from Bruce Marshall's novel To Every Man a Penny. The protagonist of the novel, the abbot Father Gaston, needs to hear the confession of a young German soldier whom the French partisans are about to sentence to death. The soldier confesses his love of women and the numerous amorous adventures he has had. The young priest explains that he has to repent to obtain forgiveness and absolution. The soldier answers, "How can I repent? It was something that I enjoyed, and if I had the chance I would do it again, even now. How can I repent?" Father Gaston, who wants to absolve the man who has been marked by destiny and who's about to die, has a stroke of inspiration and asks, "But are you sorry that you are not sorry?" The young man answers impulsively, "Yes, I am sorry that I am not sorry." In other words, he apologizes for not repenting. The door was opened just a crack, allowing absolution to come in ... . ~ Pope Francis

In Islam there is a line between let's say freedom and the line which is then transgressed into immorality and irresponsibility and I think as far as this writer is concerned, unfortunately, he has been irresponsible with his freedom of speech. Salman Rushdie or indeed any writer who abuses the prophet, or indeed any prophet, under Islamic law, the sentence for that is actually death. It's got to be seen as a deterrent, so that other people should not commit the same mistake again. ~ Cat Stevens

Saturday evening, on a quiet lazy afternoon, I went to watch a bullfight in Las Ventas, one of Madrid's most famous bullrings. I went there out of curiosity. I had long been haunted by the image of the matador with its custom made torero suit, embroidered with golden threads, looking spectacular in his "suit of light" or traje de luces as they call it in Spain. I was curious to see the dance of death unfold in front of me, to test my humanity in the midst of blood and gold, and to see in which state my soul will come out of the arena, whether it will be shaken and stirred, furious and angry, or a little bit aware of the life embedded in every death. Being an avid fan of Hemingway, and a proponent of his famous sentence "About morals, I know only that what is moral is what you feel good after and what is immoral is what you feel bad after," I went there willingly to test myself. I had heard atrocities about bullfighting yet I had this immense desire to be part of what I partially had an inclination to call a bloody piece of cultural experience. As I sat there, in front of the empty arena, I felt a grandiose feeling of belonging to something bigger than anything I experienced during my stay in Spain. Few minutes and I'll be witnessing a painting being carefully drawn in front of me, few minutes and I will be part of an art form deeply entrenched in the Spanish cultural heritage: the art of defying death. But to sit there, and to watch the bull enter the arena… To watch one bull ~ Malak El Halabi