Filipek End Table With Storage Quotes

We didn't know it then,' Hooper said. 'We used to talk about how when we got back in the world we were going to do this and we were going to do that. Back in the world we were going to have it made. But ever since then it's been nothing but confusion.' Hooper took the cigarette case from his pocket but didn't open it. He leaned forward on the table.
'Everything was clear,' he said. 'You learned what you had to know and you forgot the rest. All this chickenshit. This clutter. You didn't spend every living minute of the day thinking about your own sorry-ass little self. Am I getting laid enough. What's wrong with my kid. Should I insulate the fucking house. That's what does it to you, Porchoff. Thinking about yourself. That's what kills you in the end. ~ Tobias Wolff

Some days he wishes that he could simply empty the chambers of the men, fill the halls instead with women: the short sharp shock of three thousand two hundred mothers. The ones who picked through the supermarket debris for pieces of their dead husbands. The ones who still laundered their gone son's bed sheets by hand. The ones who kept an extra teacup at the end of the table, in case of miracles. The elegant ones, the angry ones, the clever ones, the ones in hairnets, the ones exhausted by all the dying. They carried their sorrow
not with photos under their arms, or with public wailing, or by beating their chests, but with a weariness around the eyes. ~ Colum McCann

Frog-faced Lord Slynt sat at the end of the council table wearing a black velvet doublet and a shiny cloth-of-gold cape, nodding with approval every time the king pronounced a sentence. Sansa stared hard at his ugly face, remembering how he had thrown down her father for Ser Ilyn to behead, wishing she could hurt him, wishing that some hero would throw him down and cut off his head. But ~ George R R Martin

The now-famous yearly Candlebrow Conferences, like the institution itself, were subsidized out of the vast fortune of Mr. Gideon Candlebrow of Grossdale, Illinois, who had made his bundle back during the great Lard Scandal of the '80s, in which, before Congress put an end to the practice, countless adulterated tons of that comestible were exported to Great Britain, compromising further an already debased national cuisine, giving rise throughout the island, for example, to a Christmas-pudding controversy over which to this day families remain divided, often violently so. In the consequent scramble to develop more legal sources of profit, one of Mr. Candlebrow's laboratory hands happened to invent "Smegmo," an artificial substitute for everything in the edible-fat category, including margarine, which many felt wasn't that real to begin with. An eminent Rabbi of world hog capital Cincinnati, Ohio, was moved to declare the product kosher, adding that "the Hebrew people have been waiting four thousand years for this. Smegmo is the Messiah of kitchen fats." [...]

Miles, locating the patriotically colored Smegmo crock among the salt, pepper, ketchup, mustard, steak sauce, sugar and molasses, opened and sniffed quizzically at the contents. "Say, what is this stuff?"

"Goes with everything!" advised a student at a nearby table. "Stir it in your soup, spread it on your bread, mash it into your turnips! My doormates comb their hair with it! There's a million uses fo ~ Thomas Pynchon

I began my life as I shall no doubt end it: among books. In my grandfather's study, they were everywhere; it was forbidden to dust them except once a year, before the October term. Even before I could read, I already revered these raised stones; upright or leaning, wedged together like bricks on the library shelves or nobly placed like avenues of dolmens, I felt that our family prosperity depended on them. They were all alike, and I was romping about in a tiny sanctuary, surrounded by squat, ancient monuments which had witnessed my birth, which would witness my death and whose permanence guaranteed me a future as calm as my past. I used to touch them in secret to honour my hands with their dust but I did not have much idea what to do with them and each day I was present at ceremonies whose meaning escaped me: my grandfather - so clumy, normally, that my grandmother buttoned his gloves for him - handled these cultural objects with the dexterity of an officiating priest. Hundreds of times I saw him get up absent-mindedly, walk round the table, cross the room in two strides, unhesitatingly pick out a volume without allowing himself time for choice, run through it as he went back to his armchair, with a combined movement of his thumb and right forefinger, and, almost before he sat down, open it with a flick "at the right page," making it creak like a shoe. I sometimes got close enough to observe these boxes which opened like oysters and I discovered the nakedness of their interna ~ Jean-Paul Sartre

He undid the lock and pulled open the cover to reveal a large stack of envelopes, each one labeled with a different name: Franklin Hobart, Brian Yancey, Everett Singer, Larry Steczynski…it was this last one he grabbed and pulled open, emptying its contents into his wallet and pockets.
"Larry Steczynski?" I asked incredulously.
Sage smiled. "You don't think it suits me?"
"Oh, I think you suits you perfectly. How many aliases do you have?"
"I'm a bit of a collector."
I placed a hand on his wrist, stopping him as he transferred something into his wallet. "Does Larry Steczynski carry a black AmEx?"
"He might."
"My mom doesn't even carry a black AmEx."
"Apparently your mom doesn't move in the same circles as Larry Steczynski."
"Sage," Ben called from across the room. He had knelt down to gaze closely at a sculpted figurine that sat on an end table, and his voice broke with awe. "This...this is a real Michelangelo, isn't it?"
"Yeah, yeah it is."
"But it's a Michelangelo!"
"Yep."
"And that painting," Ben said, nodding to a piece on the wall featuring a sketch of what looked like a somewhat cherubic version of Sage himself. "That's a real Rubens?"
"It is."
"It looks like you."
"Strong genetics in the family line," Sage explained. ~ Hilary Duff

-Too often college Bible classes end up like this-

With eager knife that oft has sliced
At Gentile gloss, or Jewish fable,
Before the crowd you lay the Christ
Upon the lecture table.

From bondage to the old beliefs
You say our rescue must begin,
But I want refuge from my griefs
And saving from my sin.

The strong, the easy and the glad
Hang, blandly listening, on your word;
But I am sick, and I am sad,
And I want Thee, O Lord.

(From Amy Carmichael's 1950 bio of Thomas Walker of Tinnevelly, India - poem written in about 1905 by Canon Ainger) ~ Canon Ainger

And you rage and scream and reach through the Force to crush the shadow who has destroyed you, but you are so far less now than what you were, you are more than half machine, you are like a painter gone blind, a composer gone deaf, you can remember where the power was but the power you can touch is only a memory, and so with all your world-destroying fury it is only droids around you that implode, and equipment, and the table on which you were strapped shatters, and in the end, you cannot touch the shadow. In the end you don't even want to. In the end, you do not even want to. In the end, the shadow is all you have left. Because the shadow understands you, the shadow forgives you, the shadow gathers you unto itself - And within your furnace heart, you burn in your own flame. ~ Matthew Woodring Stover

Malfoy," said Ron, sitting down on George's other side and glaring over at the Slytherin table. George looked up in time to see Malfoy pretending to faint with terror again. "That little git," he said calmly. "He wasn't so cocky last night when the dementors were down at our end of the train. Came running into our compartment, didn't he, Fred?" "Nearly wet himself," said Fred, with a contemptuous glance at Malfoy. ~ J.K. Rowling

What he longs for instead, as he sits at the food-strewn table, is winter, winter itself. He wants the essentiality of winter, not this half-season grey selfsameness. He wants real winter where woods are sheathed in snow, trees emphatic with its white, their bareness shining and enhanced because of it, the ground underfoot snow-covered as if with frozen feathers or shredded cloud but streaked with gold through the trees from low winter sun, and at the end of the barely discernible track, along the dip in the snow that indicates a muffled path between the trees, the view and the woods opening to a light that's itself untrodden, never been blemished, wide like an expanse of snow-sea, above it more snow promised, waiting its time in the blank of the sky. ~ Ali Smith

Gina hoisted herself up onto her elbows and gaped at Spike. "So that's the famous Spike I've been hearing so much about from your brothers? Damn, he is ugly."
Jesse, who'd stayed where he was, looked defensive. Spike was his baby, and you just don't go around calling Jesse's baby ugly.
"He's not so bad," I said, hoping Gina would get the message and shut up.
"Are you on crack?" Gina wanted to know. "Simon, the thing's only got one ear."
Suddenly, the large, gilt-framed mirror above the dressing table started to shake. It had a tendency to do this whenever Jesse got annoyed - really annoyed.
Gina, not knowing this, stared at the mirror with growing excitement. "Hey!" she cried. "All right! Another one!"
She meant an earthquake, of course, but this, like the one before, was no earthquake. It was just Jesse letting off steam.
Then the next thing I knew, a bottle of finger-nail polish Gina had left on the dressing table went flying and, defying all gravitational law, landed upside down in the suitcase she had placed on the floor at the end of the daybed, around seven or eight feet away.
I probably don't need to add that the bottle of polish - it was emerald green - was uncapped. And that it ended up on top of the clothes Gina hadn't unpacked yet.
Gina let out a terrified shriek, threw back the comforter, and dove to the floor, trying to salvage what she could. I, meanwhile, threw Jesse a very dirty look.
But all he said was, "Don' ~ Meg Cabot

If a Jewish group sat down with a Christian conservative group, and there was a so-called Messianic Jew at the table, that would be the end of the meeting. ~ Elliott Abrams

How did I discover saccharin? Well, it was partly by accident and partly by study. I had worked a long time on the compound radicals and substitution products of coal tar... One evening I was so interested in my laboratory that I forgot about my supper till quite late, and then rushed off for a meal without stopping to wash my hands. I sat down, broke a piece of bread, and put it to my lips. It tasted unspeakably sweet. I did not ask why it was so, probably because I thought it was some cake or sweetmeat. I rinsed my mouth with water, and dried my moustache with my napkin, when, to my surprise the napkin tasted sweeter than the bread. Then I was puzzled. I again raised my goblet, and, as fortune would have it, applied my mouth where my fingers had touched it before. The water seemed syrup. It flashed on me that I was the cause of the singular universal sweetness, and I accordingly tasted the end of my thumb, and found it surpassed any confectionery I had ever eaten. I saw the whole thing at once. I had discovered some coal tar substance which out-sugared sugar. I dropped my dinner, and ran back to the laboratory. There, in my excitement, I tasted the contents of every beaker and evaporating dish on the table. ~ Constantin Fahlberg

You read all the way through to the end of one, only to find out that the husband dies. You hurl the book across the room, breaking the bedside lamp. When your mom comes home that night, you tell her what happened. You ask her for books to read where no one dies.

Two days later, you find both of your parents in the living room with a pile of novels on the coffee table. They are skimming through them one by one, making sure every character lives to the end. That night, you have a new stack of books to read and you open up the first one, confident it won't break you down.

It is the first time in a long time that you have felt safe. ~ Taylor Jenkins Reid

Shigure: "Lemme guess; you lost your temper and yelled at her again, right? You know, you shouldn't do that if you're just going to regret it. Not too bright, now is it?"
Kyo: "Save your breath. I'm just not meant to get along with other people. Period. End of story."
Shigure: "Oh sure, some people just aren't. But you're not one of them. You lack experience, that's all. For example, I'm sure you could smash this table to bits with your bare hands. But I'm equally sure you could punch the table without breaking it. And why is that? Because I know your training has taught you to control your fists... at least I should hope so, after four months of fighting bears and-"
Kyo: "I didn't fight bears!"
Shigure: "My point is, it takes just as much training to get along with people. Only, training by yourself in the mountains won't do you any good. You need to surround yourself with others. As you get to know them, of course you take the chance that you'll end up hurting them, or they'll end up hurting you. One of those things might very well happen. That's the only way we learn... about others, and about ourselves. You're a black-belt in martial arts, but I'd guess you still a white-belt in social skills. Someday, you're going to meet someone that truly wants to be your friend, and you, theirs. But it if you don't keep training, you won't be ready when that happens."
Kyo: "It'll never happen, anyways!"
Shigure: "Uh-uh! Never say never."
Kyo: "Ok, fi ~ Natsuki Takaya

But down from the end of the path it looked so charming that she wished she could paint it in watercolours - the great trees, the tempered sunlight, the glimpse of the old church at one end, the glimpse of the embosomed lake at the other, and in the middle, set out so neatly, with such a grace of spotlessness, the table of her first tea-party. ~ Elizabeth Von Arnim

I'm an old man trying to give a young daughter advice, and it's like a monkey trying to teach table manners to a bear. A drunk driver took my son's life seventeen years ago and my wife has never been the same since. I've always seen the question of abortion in terms of Fred. I seem to be helpless to see it any other way, just as helpless as you were to stop your giggles when they came on you at that poetry reading, Frannie. Your mother would argue against it for all the standard reasons. Morality, she'd say. A morality that goes back two thousand years. The right to life. All our Western morality is based on that idea. I've read the philosophers. I range up and down them like a housewife with a dividend check in the Sears and Roebuck store. Your mother sticks with the Reader's Digest, but it's me that ends up arguing from feeling and her from the codes of morality. I just see Fred. He was destroyed inside. There was no chance for him. These right-to-life biddies hold up their pictures of babies drowned in salt, and arms and legs scraped out onto a steel table, so what? The end of a life is never pretty. I just see Fred, lying in that bed for seven days, everything that was ruined pasted over with bandages. Life is cheap, abortion makes it cheaper. I read more than she does, but she is the one who ends up making more sense on this one. What we do and what we think… those things are so often based on arbitrary judgments when they are right. I can't get over that. It's like a bl ~ Stephen King

We tend to mix genders when we arrange ourselves around a table for meetings. A sort of accommodation is made by the men for the women: they make space for us. they are ever-so-slightly polite, we are ever-so-slightly grateful. When we stand up at the end of a meeting, we all give ourselves a metaphorical shake that is only partly the relief of having concluded our business: we are all released from the effort of fitting ourselves together.
When men speak in these meetings, women relax; when women speak, men grow tense. I have the impression that they never know what a woman is going to say, whereas they are reasonably sure what a man will address himself to and how he will do it. So are the women; for them, too, men tend to be predictable. Women listen to women with a different kind of attention, and part of it may be loyalty to our gender; we want all of us to do well, as if we have the esprit de corps of subalterns among generals. ~ Anne Truitt

I continue moving with her in my arms until the end of the song, and then we let go of one another and go back to the table as if nothing happened. Something did, though, but I'm not sure whether to pursue it or run like hell. ~ Jessica Sorensen

LONDON. TRINITY TERM one week old. Implacable June weather. Fiona Maye, a High Court judge, at home on Sunday evening, supine on a chaise longue, staring past her stockinged feet toward the end of the room, toward a partial view of recessed bookshelves by the fireplace and, to one side, by a tall window, a tiny Renoir lithograph of a bather, bought by her thirty years ago for fifty pounds. Probably a fake. Below it, centered on a round walnut table, a blue vase. No memory of how she came by it. Nor when she last put flowers in it. The fireplace not lit in a year. Blackened raindrops falling irregularly into the grate with a ticking sound against balled-up yellowing newsprint. A Bokhara rug spread on wide polished floorboards. Looming at the edge of vision, a baby grand piano bearing silver-framed family photos on its deep black shine. On the floor by the chaise longue, within her reach, the draft of a judgment. ~ Ian McEwan

My cell phone rang on the table. I never went far without it, even in the house. I picked it up. An unlisted number. Oh goodie.
"Nevada Baylor."
"I need to talk to you," Mad Rogan said into the phone. "Meet me for lunch."
My pulse jumped, my body snapped to attention, and my brain shut down for a second to come to terms with the impact of his voice. I'd slap myself except my mother and grandmother already thought I was nuts, and hurting myself would get me committed for sure.
"Sure, let me get right on that." Hey, my voice still worked. "Should I bring my own chains this time? Or do you have bigger plans, and this is some freaky murder foreplay" - why did the word foreplay just come out of my mouth? - "and I'll end up cut up into small pieces inside some freezer at the end? I can just spray myself with mace and shoot myself in the head now and save you some trouble?"
"Are you done?" he asked.
"Just getting started." I was so brave over the phone.
"Lunch, Ms. Baylor. Concentrate. Pick a place."
"You seem to be under the impression that I work for you and you can give me orders. Let me fix that." I hung up.
Grandma looked at my mom. "Did she just hang up on Mad Rogan?"
"Yes, she did. ~ Ilona Andrews

He approached the great glass barrier dividing the room, and the speaker at the end of the table. "Cyclops?" he whispered, stepping closer, clearing his tight throat, "Cyclops, it's me, Gordon."
The glow in the pearly lens was subdued. But the row of little lights still flashed--a complex pattern that repeated over and over like an urgent message from a distant ship in some lost code--ever, hypnotically, the same.
Gordon felt a frantic dread rise within him, as when, during his boyhood, he had encountered his grandfather lying perfectly still on the porch swing, and feared to find that the beloved old man had died.
The pattern of lights repeated, over and over.
Gordon wondered. How many people would recall, after the hell of the last seventeen years, that the parity displays of a great supercomputer never repeated themselves? Gordon remembered a cyberneticist friend telling him the patterns of light were like snowflakes, none ever the same as any other.
"Cyclops," he said evenly, "Answer me! I demand you answer--in the name of decency! In the name of the United St--"
He stopped. He couldn't bring himself to meet this lie with another. Here, the only living mind he would fool would be himself.
The room was warmer than it had seemed during his interview. He looked for, and found, the little vents through which cool air could be directed at a visitor seated in the guest chair, giving an impression of great cold just beyond the glass wall.
~ David Brin

Months later, in a different world, Nechuma will look back on this evening, the last Passover when they were nearly all together, and wish with every cell in her body that she could relive it. She will remember the familiar smell of the gefilte, the chink of silver on porcelain, the taste of parsley, briny and bitter on her tongue. She will long for the touch of Felicia's baby-soft skin, the weight of Jakob's hand on hers beneath the table, the wine-induced warmth in the pit of her belly that begged her to believe that everything might actually turn out all right in the end. She will remember how happy Halina had looked at the piano after their meal, how they had danced together, how they all spoke of missing Addy, assuring each other that he'd be home soon. She will replay it all, over and over again, every beautiful moment of it, and savor it, like the last perfect klapsa pears of the season. ~ Georgia Hunter

You don't know what the story is about when you're in the middle of it. All you can do is keep walking. At the beginning, you have buoyancy and a little arrogance. The journey looks beautiful and bright, and you are filled with resolve and silver strength, sure that you will face it with optimism and chutzpah. And the end is beautiful. You are wiser, better, deeper. The end is revelation, resolution, a soft place to land. But, oh, the middle. The middle is fog, exhaustion, loneliness, the daily battle against despair and the nagging fear that tomorrow will be just like today, only you'll be wearier and less able to defend yourself against it. All you can ask for, in the middle, are sweet moments of reprieve in the company of people you love. For a few hours, you'll feel protected by the goodness of friendship and life around the table, and that's the best thing I can imagine. ~ Shauna Niequist

I had lunch at a buffet with Zoe without telling you. It wasn't the first time and it won't be the last time so get over it." -Marybeth
A loud gasp drew everyone's attention to the other end of the table where Trevor stood, looking absolutely furious.
"She told me that she was running errands!" -Trevor ~ R.L. Mathewson

After that, Lily was recuperating and then
dealing with significant financial hardships. The
birth was described to me by Lily and also by
her obstetrician, who I spoke to myself yesterday.
The doctor, in his own words, remembers what
he describes as that 'hideous day' like it was yesterday.
The labour, intense and excruciating, lasted
for days. In the end, in extreme distress at
the length of the labour, the baby nearly died.
Lily did die. She was flatline for two minutes and
thirty-eight –"
Alistair didn't get the opportunity to finish his
grand statement because Nate surged out of his
chair so fast, it flew on its wheels and shot across
the room, slamming into the wall.
"Mr. McAllister…" Alistair said warningly
but Nate was coming swiftly around the table,
coming at her.
At this sight, Lily, too, jumped out of her chair
in a panic, her numbness not that complete, and
backed away in self-defence as Nate came at her,
came at her with purposeful, long strides. She
backed up jerkily, one hand behind her, one hand
in front, retreating until she hit the wall. Before
she knew what he was about, his hard chest came
up against her hand, pushing it back and his body
pressed against hers.
Terrified and confused at this sudden change,
she looked to the right and to the left, anywhere
for escape, anywhere but at Nate.
And to her shock, hi ~ Kristen Ashley

HAMLET [ ... ] we fat all creatures else to fat us, and we fat ourselves for maggots. Your fat king and your lean beggar is but variable service, two dishes, but to one table; that's the end.
CLAUDIUS Alas, alas.
HAMLET A man may fish with the worm that hath eat of a king, and eat of the fish that hath fed of that worm.
CLAUDIUS What dost thou mean by this?
HAMLET Nothing but to show you how a king may go a progress through the guts of a beggar. ~ William Shakespeare

How terribly, then, have the theologians misrepresented God in the measures of the low and showy, not the lofty and simple humanities! Nearly all of them represent him as a great King on a grand throne, thinking how grand he is, and making it the business of his being and the end of his universe to keep up his glory, wielding the bolts of a Jupiter against them that take his name in vain. They would not allow this, but follow out what they say, and it comes much to this. Brothers, have you found our king? There he is, kissing little children and saying they are like God. There he is at table with the head of a fisherman lying on his bosom, and somewhat heavy at heart that even he, the beloved disciple, cannot yet understand him well. The simplest peasant who loves his children and his sheep were - no, not a truer, for the other is false, but - a true type of our God beside that monstrosity of a monarch. ~ George MacDonald

Watching Cameron come toward us I could see why Katy used the words "hot" and "gorgeous" to describe him-he definitely had nice hair and a long, lean body with broad shoulders, and the eyes. I wondered what Jordana would think now if she saw him. He set his tray on the end of the table, not particularly near any of us.
"Everyone," I said, "this is Cameron Quick."
Ethan stood to reach over the table and shake his hand. "Hey. I'm Ethan."
"We were...we both went to the same elementary school," I said, even though they'd heard that basic explanation already, "and then he moved, and...now he's moved back, so he's here. Here he is."
Steph looked at me like she knew I needed help, and said, "I'm Steph, this is Katy." Katy smiled and waved; Steph pointed down the table, "Gil, Freshman Dave, Junior Dave, and obviously Jenna."
Cameron finally spoke, mostly to his lunch tray, "Hi. Nice to meet you all." I watched him to see if he sneaked any looks at Steph, like most guys did when they first met her, dazzled and intimidated by her starlet body and model face. He barely seemed to notice.
Ethan took a bite of his burrito. "So you and Jenna were in the same class when you were kids?"
Cameron glanced at me. "Basically."
"What was Jenna like back then?" Gil asked. "Got pictures?"
Cameron smiled. "Don't need pictures. I got her up here," he said, tapping his forehead. I groaned, making a joke of it, while inside I worried over what he would say. He ~ Sara Zarr

What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner.

Hang-gliding," I said, "accident."

Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser."

I don't remember how I changed the subject, but I did.

I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep.

I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser.

I knew what he did to them. He turned them into emblems, sigils ~ William Gibson

And then also, again, still, what are those boundaries, if they're not baselines, that contain and direct its infinite expansion inward, that make tennis like chess on the run, beautiful and infinitely dense? The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net's other side: he is not the foe: he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self. As you are his occasion. Tennis's beauty's infinite roots are self-competitive. You compete with your own limits to transcend the self in imagination and execution. Disappear inside the game: break through limits: transcend: improve: win. Which is why tennis is an essentially tragic enterprise… You seek to vanquish and transcend the limited self whose limits make the game possible in the first place. It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again…Mario thinks hard again. He's trying to think of how to articulate something like: But then is battling and vanquishing the self the same as destroying yourself? Is that like saying life is pro-death? … And then but so what's the difference between tennis and suicide, life and death, the game and its own end? ~ David Foster Wallace

When, therefore, we maintain that pleasure is the end, we do not mean the pleasures of profligates and those that consist in sensuality, as is supposed by some who are either ignorant or disagree with us or do not understand, but freedom from pain in the body and from trouble in the mind. For it is not continuous drinkings and revelings, nor the satisfaction of lusts, nor the enjoyment of fish and other luxuries of the wealthy table, which produce a pleasant life, but sober reasoning, searching out the motives for all choice and avoidance, and banishing mere opinions, to which are due the greatest disturbance of the spirit. ~ Epicurus