Fiction Theory Quotes

In my utopia, human solidarity would be seen not as a fact to be recognised by clearing away "prejudice" or burrowing down to previously hidden depths but, rather, as a goal to be achieved. It is to be achieved not by inquiry but by imagination, the imaginative ability to see strange people as fellow sufferers. Solidarity is not discovered by reflection but created. It is created by increasing our sensitivity to the particular details of the pain and humiliation of other, unfamiliar sorts of people. Such increased sensitivity makes it more difficult to marginalise people different from ourselves by thinking, "They do not feel as 'we' would," or "There must always be suffering, so why not let 'them' suffer?"
This process of coming to see other human beings as "one of us" rather than as "them" is a matter of detailed description of what unfamiliar people are like and of redescription of what we ourselves are like. This is a task not for theory but for genres such as ethnography, the journalist's report, the comic book, the docudrama, and, especially, the novel. Fiction like that of Dickens, Olive Schreiner, or Richard Wright give us the details about kinds of suffering being endured by people to whom we had previously not attended. Fiction like that of Choderlos de Laclos, Henry James, or Nabokov gives us the details about what sorts of cruelty we ourselves are capable of, and thereby lets us redescribe ourselves. That is why the novel, the movie, and the TV program have, ~ Richard M. Rorty

I hesitate to predict whether this theory is true. But if the general opinion of Mankind is optimistic then we're in for a period of extreme popularity for science fiction. ~ David Eddings

This general tendency to eliminate, by means of unverifiable speculations, the limits of the categories nature presents to us is the inheritance of biology from The Origin of Species. To establish the continuity required by theory, historical arguments are invoked, even though historical evidence is lacking. Thus are engendered those fragile towers of hypothesis based on hypothesis, where fact and fiction intermingle in an inextricable confusion. ~ W. R. Thompson

I can understand that people want to feel special and important and so on, but that self-obsession seems a bit pathetic somehow. Not being able to accept that you're just this collection of cells, intelligent to whatever degree, capable of feeling emotion to whatever degree, for a limited amount of time and so on, on this tiny little rock orbiting this not particularly important sun in one of just 400m galaxies, and whatever other levels of reality there might be via something like brane-theory [of multiple dimensions] … really, it's not about you. It's what religion does with this drive for acknowledgement of self-importance that really gets up my nose. 'Yeah, yeah, your individual consciousness is so important to the universe that it must be preserved at all costs' – oh, please. Do try to get a grip of something other than your self-obsession. How Californian. The idea that at all costs, no matter what, it always has to be all about you. Well, I think not. ~ Iain M. Banks

Journalism only tells us what men are doing; it is fiction that tells us what they are thinking, and still more what they are feeling. If a new scientific theory finds the soul of a man in his dreams, at least it ought not to leave out his day-dreams. And all fiction is only a diary of day-dreams instead of days. And this profound preoccupation of men's minds with certain things always eventually has an effect even on the external expression of the age. ~ Gilbert K. Chesterton

For bedtime reading, I usually curl up with a good monograph on quantum physics or string theory, my specialty. But since I was a child, I have been fascinated by science fiction. My all-time favorite is 'The Foundation Trilogy,' by Isaac Asimov. ~ Michio Kaku

Organs crawl like aphids upon the immobile motor of becoming ~ Nick Land

Some days, theory is all that we have," I say. "It's better than having nothing at all.", FADE by Kailin Gow ~ Kailin Gow

Wars and chaoses and paradoxes ago, two mathematicians between them ended an age d began another for our hosts, our ghosts called Man. One was Einstein, who with his Theory of Relativity defined the limits of man's perception by expressing mathematically just how far the condition of the observer influences the thing he perceives.
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The other was Goedel, a contemporary of Eintstein, who was the first to bring back a mathematically precise statement about the vaster realm beyond the limits Einstein had defined: In any closed mathematical system--you may read 'the real world with its immutable laws of logic'--there are an infinite number of true theorems--you may read 'perceivable, measurable phenomena'--which, though contained in the original system, can not be deduced from it--read 'proven with ordinary or extraordinary logic.' Which is to say, there are more things in heaven and Earth than are dreamed of in your philosophy, Horatio. There are an infinite number of true things in the world with no way of ascertaining their truth. Einstein defined the extent of the rational. Goedel stuck a pin into the irrational and fixed it to the wall of the universe so that it held still long enough for people to know it was there.
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The visible effects of Einstein's theory leaped up on a convex curve, its production huge in the first century after its discovery, then leveling off. The production of Goedel's law crept up on a concave curve, microscopic at first, th ~ Samuel R. Delany

Open text is one of a pair of terms popularized by Eco to refer to kinds of interpretative interactions between text and reader. An open text, unlike a closed one such as a work of popular fiction, is not aimed at a specific reader in a specific social context. It is also open in that its theme, structure and language are more complex, less explicit, more "open-ended": what other critics as Barthes in reception theory would call "Indeterminate". The open text constructs the model of its own reader as part of its structural strategy. ~ Katie Wales

The ideology of liberal humanism found expression in the earliest reviews of Hardy's writing and remained a dominant force until the explosion of literary theory in the 1980s. It is a broad and still influential category. It endorses the moral value of the individual, and the strength of the human spirit. It prefers the integrity of an organic rural society to the anonymity and materialism of an urbanised and technological world. Applied to fiction, this ideology involves the naturalisation of the novel's world and its values, and the recognition of fictional character as presenting a unified subject. ~ Geoffrey Harvey

And theories are no more than fictions which help us to make sense of experience and which are subject to disconfirmation when their explanations are no longer adequate. ~ Chinua Achebe

I thought it must be pure science fiction. But when I checked it out I found a lot of magazine articles that actually supported the theory behind the book which was incredible. That's when I decided to acquire the rights of the book and everything went from there. ~ Roland Emmerich

The degree of rigidity is a matter of profound interest in the study of literary fictions. As an extreme case you will find some novel, probably contemporary with yourself, in which the departure from a basic paradigm, the peripeteia in the sense I am now giving it, seems to begin with the first sentence. The schematic expectations of the reader are discouraged immediately. Since by definition one seeks the maximum peripeteia (in this extended sense) in the fiction of one's own time, the best instance I can give is from Alain Robbe-Grillet. He refuses to speak of his 'theory' of the novel; it is the old ones who talk about the need for plot, character, and so forth, who have the theories. And without them one can achieve a new realism, and a narrative in which 'le temps se trouve coupé de la temporalité. Il ne coule plus.' And so we have a novel in which,. the reader will find none of the gratification to be had from sham temporality, sham causality, falsely certain description, clear story. The new novel 'repeats itself, bisects itself, modifies itself, contradicts itself, without even accumulating enough bulk to constitute a past--and thus a "story," in the traditional sense of the word.' The reader is not offered easy satisfactions, but a challenge to creative co-operation. ~ Frank Kermode

Science Fiction properly conceived, like all serious fiction, however funny, is a way of trying to describe what is going on, what people actually do and feel, how people relate to everything else in this vast sack, this belly of the universe, this womb of things to be and tomb of things that were, this unending story. In it, as in all fiction, there is room enough to keep even Man where he belongs, in his place in the scheme of things, there is time enough to gather plenty of wild oats and sow them, too, and sing to little Oom, and listen to Ool's joke, and watch newts, and still the story isn't over. Still there are seeds to be gathered and room in the bag of stars. ~ Ursula K. Le Guin

I have noticed that a lot of literary critics are bothered by the mixing of genres; indeed, some of them are so easily offended in this regard that they experience distress when faced with trifles like the use in a passage of fiction of concepts of theory (as if there were some fundamental difference between stories of people, animals, plants and objects on the one hand and stories of concepts on the other). What a torture it would be for them to read the island's Book, in which it is common for a lyrical passage to give way to several pages of description related in chemical formulae! ~ Michal Ajvaz

Favoring 'resolution' the way we do, it is hard for us men to write great love stories. Why?, because we want to tell too much. We aren't satisfied unless at the end of the story the characters are lying there, panting. ~ Roman Payne

The meaning of a story should go on expanding for the reader the more he thinks about it, but meaning cannot be captured in an interpretation. If teachers are in the habit of approaching a story as if it were a research problem for which any answer is believable so long as it is not obvious, then I think students will never learn to enjoy fiction. Too much interpretation is certainly worse than too little, and where feeling for a story is absent, theory will not supply it. ~ Flannery O'Connor

I don't think there is such a thing as a bad book for children ... do not discourage children from reading because you feel they are reading the wrong thing. Fiction you do not like is the gateway drug to other books you may prefer. ~ Neil Gaiman

People who read literary fiction (as opposed to popular fiction or nonfiction) were better able to detect another person's emotions, and the theory proposed was that literary fiction engages the reader in a process of decoding the characters' thoughts and motives in a way that popular fiction and nonfiction, being less complex, do not. ~ Daniel J. Levitin

The Positive Paradigm is:

. . . a new, inclusive reality map, one people worldwide can easily comprehend and agree upon. It is equally compatible with scriptures and science, bridging the gap between them. It fulfills Einstein's intuited search for the Unified Field Theory, picturing how all parts of creation are related, interwoven and interdependent.

Working with the Positive Paradigm empowers the "substantially new manner of thinking," which, Einstein said, is necessary "if mankind is to survive."
For thousands of years, this genesis formula, the very heart of the creative process, was hidden as the secret treasure of initiates. Its knowledge was transmitted exclusively to qualified students in the inner circles of monastic schools. When Einstein intuited the theory of relativity and made it available to the general public, its long-foreseen abuse materialized. To Einstein's horror, it was misused to explode atomic bombs.

This context justifies making the positive application of Einstein's inspired vision equally public now. For in its traditional context, this three-part formula is an essential piece of the knowledge puzzle. It has the powerful potential to offset earlier abuse with opposite and equally unifying results. A timely shift to the Positive Paradigm could tip the scales of history in favor of human survival.
p. 11. ~ Patricia E. West

If someone's a racist, punch them in the mouth so they will be sadder, and therefore less likely to stereotype. (Even if Fargas's theory is flawed, on the upside, at least you've punched a racist in the mouth.) ~ Jeff Wilser

My theory is that the purpose of art is to transmit universal truths of a sort, but of a particular sort, that in art, whether it's poetry, fiction or painting, you are telling the reader or listener or viewer something he already knows but which he doesn't quite know that he knows, so that in the action of communication he experiences a recognition, a feeling that he has been there before, a shock of recognition. And so, what the artist does, or tries to do, is simply to validate the human experience and to tell people the deep human truths which they already unconsciously know. ~ Walker Percy

Reading fiction - excerpts from National Book Award finalists, winners of the Pen/O. Henry Prize for short stories, or even Amazon bestsellers - has been shown to enhance theory of mind: ~ Margaret Heffernan

Barbara was not much for prayer. She prayed at church and repeated The Lord's Prayer every morning before she began her day, but apart from that, she did not rely much on prayer. Barbara had a theory that God was going to do whatever He wanted to anyway, so it didn't matter much whether people prayed or not.
Now things looked different to her. "Oh God, don't let him die. Don't let him die. Don't let him die," she repeated over and over again. Tears were streaming down her face but she was not making any noise. She would have been embarrassed to sob or pray aloud. Her prayer was inside her head, and she hoped that it was somehow making its way to heaven. ~ Joyce Swann

Other animals are exceptionally good at identifying and reacting to predators, rivals and friends. They never act as if they believe that rivers or trees are inhabited by spirits who are watching. In all these ways, other animals continually demonstrate their working knowledge that they live in a world brimming with other minds as well as their knowledge of those minds' boundaries. their understanding seems more acute, pragmatic, and frankly, better than ours at distinguishing real from fake. So, I wonder, do humans really have a better developed Theory of Mind than other animals? ...Children talk to dolls for years, half believing or firmly believing that the doll hears and feels and is a worthy confidante. Many adults pray to statues, fervently believing that they're listening. ...All of this indicates a common human inability to distinguish conscious minds from inanimate objects, and evidence from nonsense. Children often talk to a fully imaginary friends whom they believe listens and has thoughts. Monotheism might be the adult version. ...In the world's most technologically advanced, most informed societies, a majority people take it for granted that disembodied spirits are watching, judging, and acting on them. Most leaders of modern nations trust that a Sky-God can be asked to protect their nation during disasters and conflicts with other nations. All of this is theory of mind gone wild, like an unguided fire hose spraying the whole universe with presumed consciousness. ~ Carl Safina

At DePauw, I was teaching writing and fiction. The things I wanted to teach, more than anything else, were form and theory of the novel, of narrative. I liked those classes. ~ Nic Pizzolatto

If patterns of ones and zeroes were "like" patterns of human lives and deaths, if everything about an individual could be represented in a computer record by a long strings of ones and zeroes, then what kind of creature could be represented by a long string of lives and deaths? ~ Thomas Pynchon

If it is a human thing to do to put something you want, because it's useful, edible, or beautiful, into a bag, or a basket, or a bit of rolled bark or leaf, or a net woven of your own hair, or what have you, and then take it home with you, home being another, larger kind of pouch or bag, a container for people, and then later on you take it out and eat it or share it or store it up for winter in a solider container or put it in the medicine bundle or the shrine or the museum, the holy place, the area that contains what is sacred, and then the next day you probably do much the same again - if to do that is human, if that's what it takes, then I am a human being after all. Fully, freely, gladly, for the first time....

[T]he proper, fitting shape of the novel might be that of a sack, a bag. A book holds words. Words hold things. They bear meanings. A novel is a medicine bundle, holding things in a particular, powerful relation to one another and to us."

- "The Carrier Bag Theory of Fiction ~ Ursula K. Le Guin

But when you talk about Nabokov and Coover, you're talking about real geniuses, the writers who weathered real shock and invented this stuff in contemporary fiction. But after the pioneers always come the crank turners, the little gray people who take the machines others have built and just turn the crank, and little pellets of metafiction come out the other end. The crank-turners capitalize for a while on sheer fashion, and they get their plaudits and grants and buy their IRAs and retire to the Hamptons well out of range of the eventual blast radius. There are some interesting parallels between postmodern crank-turners and what's happened since post-structural theory took off here in the U.S., why there's such a big backlash against post-structuralism going on now. It's the crank-turners fault. I think the crank-turners replaced the critic as the real angel of death as far as literary movements are concerned, now. You get some bona fide artists who come along and really divide by zero and weather some serious shit-storms of shock and ridicule in order to promulgate some really important ideas. Once they triumph, though, and their ideas become legitimate and accepted, the crank-turners and wannabes come running to the machine, and out pour the gray pellets and now the whole thing's become a hollow form, just another institution of fashion. Take a look at some of the critical-theory Ph.D. dissertations being written now. They're like de Man and Foucault in the mouth of a dull ~ David Foster Wallace

Take a scientific fact or theory, add a futuristic or other-worldly setting, stir in an imaginative plot and fascinating characters, and a science fiction novel emerges from the cosmic mix. ~ Yvonne Coleman

We insist that this stuff we call science fiction is not SCI-FI. For some in the ghetto of Genre this is axiomatic, a secret truth known only to the genre kids, that there is proper science fiction and then there's that SCI-FI shit. ~ Hal Duncan

It is my theory that the greater truths underlying life and death can be best be understood as a parable--that is, as a fiction. ~ Genevieve Cogman

Sometimes a strikeout means that the slugger's girlfriend just ran off with the UPS driver. Sometimes a muffed ground ball means that the shortstop's baby daughter has a pain in her head that won't go away. And handicapping is for amateur golfers, not ballplayers. Pitchers don't ease off on the cleanup hitter because of the lumps just discovered in his wife's breast. Baseball is not life. It is a fiction, a metaphor. And a ballplayer is a man who agrees to uphold that metaphor as though lives were at stake.

Perhaps they are. I cherish a theory I once heard propounded by G.Q. Durham that professional baseball is inherently antiwar. The most overlooked cause of war, his theory runs, is that it's so damned interesting. It takes hard effort, skill, love and a little luck to make times of peace consistently interesting. About all it takes to make war interesting is a life. The appeal of trying to kill others without being killed yourself, according to Gale, is that it brings suspense, terror, honor, disgrace, rage, tragedy, treachery and occasionally even heroism within range of guys who, in times of peace, might lead lives of unmitigated blandness. But baseball, he says, is one activity that is able to generate suspense and excitement on a national scale, just like war. And baseball can only be played in peace. Hence G.Q.'s thesis that pro ball-players - little as some of them may want to hear it - are basically just a bunch of unusually well-coordinated guys working ~ David James Duncan

I try to tell student writers to read as much as possible, not only literature but philosophy, theory, and to form obsessions. There's a big taboo in fiction creative writing workshops against using the self at all, and I think I try to encourage students to write the self, but to connect the self to something larger, which is to be this thinking, seeing, searching, eternally curious person, and that writing can come out of investigating and trying to understand confusion, and doubts, and obsessions. ~ Kate Zambreno

The ocean swells around us. Sometimes, we are in a bowl of water and sometimes on the top of the lip. The horizon curves.
We are sitting on top of the world.
In theory, anyone is on the top of their world at every moment, given that the Earth is truly round. But, it's hard to see that in a subway under New York City and completely obvious out here. ~ Lexis De Rothschild

Zane looks pensive, and then his lips twitch. "They say most girls end up marrying a guy just like their dad."
"Oh God … That's so lame," I say, spluttering as coffee dribbles down my chin.
"I believe it's a tried and tested theory," he says, standing up and wiping my chin with the back of his hand. I jolt at his touch.
"Now it's a theory? I thought it was a saying? Next you'll be telling me it's a fact." I flop back down on the couch.
"Empirical evidence shows that sixty-eight percent of girls marry a guy who displays similar personality traits to her father ..." His voice trails off as I shake my head. "What?" he asks, his palms open and raised.
"You really need to get out more. Where'd you glean that interesting nugget? The desperate men's journal perhaps? ~ Siobhan Davis

Nothing, except the weather report or a general maxim of conduct, is so unsafe to rely upon as a theory of fiction. ~ Ellen Glasgow

Non-fiction is to theory as fiction is to experience. ~ Joyce Rachelle

The proposition that primitive dream imagery might reproduce, albeit imperfectly, the experience of one's ancestors, including their terrors, was rather too existentially charged for post-modern sensitivities, for which the meaningless hypothesis of memory de-junking was much more appealing. Even worse, the notion that one's own ideation, one's own monsters, or indeed oneself as a monster, might be transmitted forward to future generations threatened deeply assumptions about the privacy of the mind and an individual's discretionary power of inviolable concealment over unedifying thoughts. ~ Robert Edeson

One of the strangest features of string theory is that it requires more than the three spatial dimensions that we see directly in the world around us. That sounds like science fiction, but it is an indisputable outcome of the mathematics of string theory. ~ Brian Greene

In the ensuing chapters, we will look in some detail at particular manifestations of the modern scientific ideology and the false paths down which it has led us. We will consider how biological determinism has been used to explain and justify inequalities within and between societies and to claim that those inequalities can never be changed. We will see how a theory of human nature has been developed using Darwin's theory of evolution by natural selection to claim that social organization is also unchangeable because it is natural. We will see how problems of health and disease have been located within the individual so that the individual becomes a problem for society to cope with rather than society becoming a problem for the individual. And we will see how simple economic relationships masquerading as facts of nature can drive the entire direction of biological research and technology. ~ Richard C. Lewontin

I grew up in the heat of '70s postmodern fiction and post-Godard films, and there was this idea that what mattered was the theory or meta in art. ~ Noah Baumbach

Speaking of boxes...

Do you know that thought experiment with the cat in the box with the poison? Theory requires the cat to be both alive and dead until observed.

Well, I actually performed the experiment. Dozens of times. The bad news is reality doesn't exist. The good news is we have a new cat graveyard. ~ Ted Kosmatka

I argue that the Jesus of the Gospels is essentially a myth. The Gospels are largely fiction. They were created around the turn of the first and second century in order to give concreteness and substance to the Jesus who, as the Messiah, had appeared to Paul and his fellow apostles in ecstatic visions. ~ Alvar Ellegard

Any woman who wishes to be an intellectual, to write non-fiction, to deal with theory, faces a lot of discrimination coming her way and perhaps even self-doubt because there aren't that many who've gone before you. And I think that the most powerful tool we can have is to be clear about our intent. To know what it is we want to do rather than going into institutions thinking that the institution is going to frame for us. ~ Bell Hooks

His theory was that non-fiction could be as artful as fiction. ~ Gerald Clarke

One of the most important revelations about a period comes in its theory of language, for that informs us whether language is viewed as a bridge to the noumenal or as a body of fictions convenient for grappling with transitory phenomena. ~ Richard M. Weaver