Detail Orientation Quotes

My memory is strange that way. I often remember people I've never met and events and places I've never seen.

I don't think I'm some mystical bastard. I just think I pay attention to the details. ~ Sherman Alexie

You can see the same immorality or amorality in the Christian view of guilt and punishment. There are only two texts, both of them extreme and mutually contradictory. The Old Testament injunction is the one to exact an eye for an eye and a tooth for a tooth (it occurs in a passage of perfectly demented detail about the exact rules governing mutual ox-goring; you should look it up in its context (Exodus 21). The second is from the Gospels and says that only those without sin should cast the first stone. The first is a moral basis for capital punishment and other barbarities; the second is so relativistic and "nonjudgmental" that it would not allow the prosecution of Charles Manson. Our few notions of justice have had to evolve despite these absurd codes of ultra vindictiveness and ultracompassion. ~ Christopher Hitchens

Fear is a great motivator. Look at what 9-11 has accomplished - My god. It's slammed the economy, It's - I can't even begin to detail all it's actually done, other than bring down the buildings and hit the Pentagon. It's stunned the entire nation. ~ Art Bell

To explore the unknown and the familiar, distant and near and to record in detail with the eyes of a child, any beauty, (of the flesh or otherwise) horror, irony, traces of utopia or Hell. Select your team with care, but when in doubt, take on some new crew and give them a chance. But avoid at all costs fluctuations of sincerity with your best people. ~ Dan Eldon

One of the problems with sex education ... is that it also strips kids - especially girls - of their modesty to have every detail of anatomy, physiology and condom usage made explicit. ~ James Dobson

Kershaw had long ago realized, apparently, that dealing with Brits was tricky. You had to listen to what a Brit was saying - which was invariably that he thought XYZ was a terrific idea and he hoped it went very well for you - while at the same time paying heed to the greasy, nauseous suspicion you had that, although every word and phrase indicated approval, somehow the sum of the whole was that you'd have to be a mental pygmy to come up with this plan and a complete fucking idiot to pursue it. After six years working with the Brits in various theatres he'd come to the conclusion that they didn't do it on purpose. The thing was, Brits actually thought that subtext was plain text. To a Brit, the modern English language was vested with hundreds of years of unbroken history and cultural nuance, so that every single word had a host of implications depending on who said it to whom, when, and how. British soldiers, for example, gave entire reports to their commanders by the way they said 'good morning, sir' and then had to spend half an hour telling them the detail, which was why the Brits always looked bored in briefings. They could sense the trajectory of the conversation, knew the bad news was coming now and the good news now and that there was a question on the end which needed thinking about. With a bit of work they could deduce the question, too, but they always waited politely for it to be asked so that no one felt rushed. ~ Nick Harkaway

Baseball is the religion that worships the obvious and gives thanks that things are exactly as they seem. Instead of celebrating mysteries, baseball rejoices in the absence of mysteries and trusts that, if we watch what is laid before our eyes, down to the last detail, we will cultivate the gift of seeing things as they really are. ~ Thomas Boswell

It would take me the better part of growing up to understand that intimacy, more than sex or even sexual orientation, was the universal battleground, and no easier for straight than gay. ~ Paul Monette

A mediocre man copying nature will never produce a work of art, because he really looks without seeing, and though he may have noted each detail minutely, the result will be flat and without character ... the artist on the contrary, sees; that is to say, his eye, grafted on his heart, reads deeply into the bosom of nature. ~ Auguste Rodin

Sometimes it helps to live through it," I told her. "Find a time when nobody will bother you, and imagine it. Imagine the worst-case scenario in as much detail as you can manage. Let yourself live through it; feel the fear, feel the pain. It's a terrible thing to put yourself through, but once it's done, the anxiety goes away. It never disappears completely, but it leaves you alone enough so you can function. ~ Ilona Andrews

When I was born, my parents - my mother especially - couldn't come to terms with that fact that they had another baby girl. I know these stories in detail because every time a guest visited, or there was a gathering, they repeated this story in front of me that how I was the unwanted child. ~ Kangana Ranaut

In a perfect world, I don't think it [one's sexual orientation] is anyone else's business, but I do think there is value in standing up and being counted. ~ Anderson Cooper

She forgot the small detail of the business she wanted to engage him on. She enjoyed saying no to him, repeatedly. Refusal was probably a new experience for him, too, but it was hard to tell. ~ A.W. Exley

In view of the possibility of finding meaning in suffering, life's meaning is an unconditional one, at least potentially. That unconditional meaning, however, is paralleled by the unconditional value of each and every person. It is that which warrants the indelible quality of the dignity of man. Just as life remains potentially meaningful under any conditions, even those which are most miserable, so too does the value of each and every person stay with him or her, and it does so because it is based on the values that he or she has realized in the past, and is not contingent on the usefulness that he or she may or may not retain in the present.

More specifically, this usefulness is usually defined in terms of functioning for the benefit of society. But today's society is characterized by achievement orientation, and consequently it adores people who are successful and happy and, in particular, it adores the young. It virtually ignores the value of those who are otherwise, and in so doing blurs the decisive difference between being valuable in the sense of dignity and being valuable in the sense of usefulness. If one is not cognizant of this difference and holds that na individual's value stems only from his present usefulness, then, believe me, one owes it only to personal inconsistency not to plead for euthanasia along the lines of Hitler's program, that is to say, "mercy" killing of all those who have lost their social usefulness, be it because of old age, incurab ~ Viktor E. Frankl

One does a whole painting for one peach and people think just the opposite - that particular peach is but a detail. ~ Pablo Picasso

We are going to have a huge Oscar issue, you are going to see everything in such beautiful detail. ~ Steven Cojocaru

Thin, thick, tall, small, slender, curvy, curly, straight, dark, light, that body, with every detail is YOURS alone, look at it with compassion. ~ Fatima Mohammed

From the simplest lyric to the most complex novel, literature is asking us to pay attention. Pay attention to the frog. Pay attention to the west wind. Pay attention to the boy on the raft, the lady on the tower, the old man on the train. In sum, pay attention to the world and all that dwells therein and thereby learn at last to pay attention to yourself and all that dwells therein. ~ Frederick Buechner

Brutes gaze on sights, they are arrested by sounds; and what they see and what they hear are sights and sounds only. The intellectof man, on the contrary, energises as well as his eye or ear, and perceives in sights or sounds something beyond them. It seizes and unites what the senses present to it; it grasps and forms what need not be seen or heard except in detail. It discerns in lines and colors, or in tones, what is beautiful and what is not. It gives them a meaning, and invests them with an idea. ~ John Henry Newman

An artist must know the reality he is depicting in its minutest detail. In my opinion we have only one shining example of that - Count Leo Tolstoy. ~ Fyodor Dostoyevsky

I am a victim-oriented person. I like to see that the victims know that they have a voice. ~ Fatou Bensouda

When trying to comprehend what is happening to, and through, oneself, why not question the narratives one has been handed to make sense with? This is an approach increasingly utilized within transgender knowledge production, one spearheaded by transgender people themselves. It brings to light questions about previous entries into the trans nonfiction canon, asking: Is it necessary, when writing a trans protagonist, to describe in detail a medical transition, to 'confess' conflicted feelings of body confusion? Has it even been internalized into a communal consciousness, into something resembling a trans storytelling requirement? ~ Mitch Kellaway

Along with the sight-clouding dizziness, nausea makes me balk at that milk cream, separates me from the mother and the father who proffer it. "I" want none of that element, sign of their desire; "I" do not want to listen, "I" do not assimilate it. "I" expel it. But since the food is not an "other" for "me," who am only in their desire, I expel myself, I spit myself out, I abject myself with the same motion through which "I" claim to establish myself. That detail, perhaps an insignificant one, but one that they ferret out, emphasize, evaluate, that trifle turns me inside out, guts sprawling; it is thus that they see the "I" am in the process of becoming an other at the expense of my own death, During that course I'm which "I" become, I give birth to myself amid the violence of sobs, of vomit. Mute protest of the symptom, shattering the violence of a convulsion that, to be sure, is inscribed in a symbolic system, but in which, without either wanting or being able to become integrated in order to answer to it, it abreacts. It abjects ~ Julia Kristeva

I can't speak in too much detail about a book or story I'm working on because I find that it takes the energy out of my writing. When I begin to work, it's like a soda bottle that's been jostled before it's opened. There's a lot of pent up energy in there. I have to let it out slowly, carefully, so that I can turn it into a written work. ~ David B. Coe

I had a chance to read Monte Christo in prison once, too, but not to the end. I observed that while Dumas tries to create a feeling of horror, he portrays the Château d'If as a rather benevolent prison. Not to mention his missing such nice details as the carrying of the latrine bucket from the cell daily, about which Dumas with the ignorance of a free person says nothing. You can figure out why Dantès could escape. For years no one searched the cell, whereas cells are supposed to be searched every week. So the tunnel was not discovered. And then they never changed the guard detail, whereas experience tells us that guards should be changed every two hours so one can check on the other. At the Château d'If they didn't enter the cells and look around for days at a time. They didn't even have any peepholes, so d'If wasn't a prison at all, it was a seaside resort. They even left a metal bowl in the cell, with which Dantès could dig through the floor. Then, finally, they trustingly sewed a dead man up in a bag without burning his flesh with a red-hot iron in the morgue and without running him through with a bayonet at the guardhouse. Dumas ought to have tightened up his premises instead of darkening the atmosphere. ~ Aleksandr Solzhenitsyn

I don't think I've ever dared to write down what I see in the ruins of me, or tell in any detail the scars and all their secrets. ~ Ashly Lorenzana

This information is not too difficult to follow, provided that the reader takes an interest in, and has no distaste, for the minutiae of Greek architectural detail... ~ Rhys Carpenter

There were things of the times, and a few things that were timeless. The times came as a result of a particular human culture. The timeless came as a result of any human culture at all. And Cultural Man was a showman. He created display windows of culture for an audience of men, and paraded his aspirations and ideals and purposes thereon, and the displays were necessary to the continuity of the culture, to the purposeful orientation of the species.

Beyond one such window, he erected an altar, and placed a priest before it to chant a liturgical description of the heart-reasoning of his times. And beyond another window, he built a stage and set his talking dolls upon it to live a dramaturgical sequence of wishes and woes of his times.

True, the priests would change, the liturgy would change, and the dolls, the dramas, the displays--but the windows would never--no never--be closed as long as Man outlived his members, for only through such windows could transient men see themselves against the background of a broader sweep, see man encompassed by Man. A perspective not possible without the windows. ~ Walter M. Miller Jr.

I have a long view of history - my orientation is archaeological because I'm always thinking in terms of ancient Greece and Rome, ancient Persia and Egypt. ~ Camille Paglia

The other sources, even when they mention Hel, rarely describe it. But when they do, it's cast in neutral or even positive terms. For example, the mention that the land of the dead is "green and beautiful" in Ibn Fadlan's account is mirrored in a passage from Saxo (The medieval Danish historian, as you likely recall). In Saxo's telling of the story of Hadding, the hero travels to the "Underworld" and finds a "fair land where green herbs grow when it is winter on earth." His companion even beheads a rooster just outside of that land and flings its carcass over the wall, at which point the bird cries out and comes back to life - a feat which is highly reminiscent of another detail from Ibn Fadlan, namely the beheading of a rooster and a hen whose bodies are then tossed into the dead man's boat shortly before it's set aflame. In both cases, the emphasis is on abundant life in the world of the dead, even when death and absence prevail on earth. ~ Daniel McCoy

If you are present, then you can see that you give yourself presents in each moment that you can unwrap and thoroughly enjoy - the amazing world around us that we can explore, each incredible detail, the lives, and the stories we tell ourselves or experience so that we can feel what it's like to be human, the things we can learn from an interaction, about ourselves as well as everything and everyone else.

Everyone is here in their own story, writing the script as they go, living the movie picture.... choosing who to meet, what to do, how to react to each new experience. We each find our own tools to help us traverse the terrain of each particular part of our journeys. It cannot be right to judge another, or yourself, for we are all at different stages, or on different stages. We do as we need to according to where and how we find ourselves, but the more you realise that you actually put yourself exactly where you are in each moment, the more your eyes will widen. You are an amazing Being playing the game of life - your attitude makes all the difference. ~ Jay Woodman

Expression is not a matter of passion mirrored on the human face or revealed by a violent gesture. When I paint a picture, its every detail is expressive. ~ Henri Matisse

Look at the Coen brothers. All their minor characters are as interesting as their protagonists. If the smaller characters are well-written, the whole world of the film becomes enriched. It's not the size of the thing, but the detail. ~ Brendan Gleeson

With NOAH, you can create some stunning, yet original soundscapes. Therefore, as a performance tool, it really comes into its own because you can make one single performance which has a lot of detail. ~ Geoff Downes

Take in every detail of your environment and adapt. ~ Carlos Wallace

If astronomy teaches anything, it teaches that man is but a detail in the evolution of the universe, and the resemblant though diverse details are inevitably to be expected in the hosts of orbs around him. He learns that, though he will probably never find his double anywhere, he is destined to discover any number of cousins scattered through space. ~ Percival Lowell

And then there are colors. The truth is that the brain knows far less about colors than one might suppose. It sees more or less clearly what the eyes show it, but when it comes to converting what it has seen into knowledge, it often suffers from one might call difficulties in orientation. Thanks to the unconscious confidence of a lifetime's experience, it unhesitatingly utters the names of the colors it calls elementary and complementary, but it immediately lost, perplexed and uncertain when it tries to formulate words that might serve as labels or explanatory markers for the things that verge on the ineffable, that border on the incommunicable, for the still nascent color which, with the eyes' other bemused approval and complicity, the hands and fingers are in the process of inventing and which will probably never even have its own name. Or perhaps it already does -- a name known only to the hands, because they mixed the paint as if they were dismantling the constituent parts of a note of music, because they became smeared with the color and kept the stain deep inside the dermis, and because only with the invisible knowledge of the fingers will one ever be able to paint the infinite fabric of dreams. Trusting in what the eyes believe they have seen, the brain-in-the-head states that, depending on conditions of light and shade, on the presence or absence of wind, on whether it is wet or dry, the beach is white or yellow or olden or gray or purple or any other shade in between ~ Jose Saramago