Gleb Nerzhin Quotes

Nineteenth-century Russian literature, swooning with compassion for the suffering brother, had created for Nerzhin, and for everyone reading it for the first time, the image of a haloed, silvery-haired People, embodying all wisdom, moral purity, and spiritual grandeur.
But that was far away, on bookshelves; it was somewhere else, in the villages and fields at the crossroads of the nineteenth century. The heavens unfolded, the twentieth century came, and those places had long since ceased to exist under Russian skies. ~ Aleksandr Solzhenitsyn

I had a chance to read Monte Christo in prison once, too, but not to the end. I observed that while Dumas tries to create a feeling of horror, he portrays the Château d'If as a rather benevolent prison. Not to mention his missing such nice details as the carrying of the latrine bucket from the cell daily, about which Dumas with the ignorance of a free person says nothing. You can figure out why Dantès could escape. For years no one searched the cell, whereas cells are supposed to be searched every week. So the tunnel was not discovered. And then they never changed the guard detail, whereas experience tells us that guards should be changed every two hours so one can check on the other. At the Château d'If they didn't enter the cells and look around for days at a time. They didn't even have any peepholes, so d'If wasn't a prison at all, it was a seaside resort. They even left a metal bowl in the cell, with which Dantès could dig through the floor. Then, finally, they trustingly sewed a dead man up in a bag without burning his flesh with a red-hot iron in the morgue and without running him through with a bayonet at the guardhouse. Dumas ought to have tightened up his premises instead of darkening the atmosphere. ~ Aleksandr Solzhenitsyn

Finally, he gave up trying to quiet her and lit a cigarette, the last resort of a man who finds himself in an intolerably stupid position. ~ Aleksandr Solzhenitsyn

And Eisenstein was doing it,too!As a young boy Sasha had seen his Battleship Potemkin in the Khudoshestvennyi Theater on the Arbat Sqaure.The cashiers,ticket-takers,cloak room attendants, all were dressed in sailors' uniforms;it looked just grand,it set the mood.The world had acknowledged BATTLESHIP POTEMKIN as the best film and Eisenstein as the greatest director.Now the 'greatest' was loyally serving the tyrant and executioner.Here was an example for his argument with Gleb about genius and villainy. Gleb also read the paper and gave Sasha a meaningful glance. 'Well then one more sycophant. ~ Anatoli Rybakov

A human being," Kondrasev continued, "possesses from his birth a certain essence, the nucleus, as it were, of the human being. His 'I'. And it's still uncertain which forms which: whether life forms the man or man, with his strong spirit, forms his life! Because" - Kondrashev-Ivanov suddenly lowered his voice and leaned toward Nerzhin, who was again sitting on the block - "because he has something to measure himself against, something he can look to. Because he has in him an image of perfection which in rare moments suddenly emerges before his spiritual gaze. ~ Aleksandr Solzhenitsyn