Character Entertainment Quotes

The church is not a social club, which votes certain people in and excludes others, based on the way they look, dress, or sound. The church is not a political machine, that seeks to gain ground by voting in certain candidates and voting out others.
Too many people outside the church think that the church is nothing more than a political entity or an exclusive club that rejects "certain people" outright. Sadly, too many people within the church keep proving them right.
This must end. ~ Randall Allen Dunn

If you're looking for family entertainment, don't study history or prehistory. ~ Peter Frost

Often, writer's block will occur when I don't understand a character or his/her motivations. So I will make notes analysing characters. ~ Chitra Banerjee Divakaruni

And he absolutely had to find her at once to tell her that he adored her, but the large audience before him separated him from the door, and the notes reaching him through a succession of hands said that she was not available; that she was inaugurating a fire; that she had married an american businessman; that she had become a character in a novel; that she was dead. ~ Vladimir Nabokov

The balance of the frame - the way an actor is relating to the space in the frame - is the most important factor in helping the audience feel what the character is thinking. ~ Roger Deakins

I would love for people to think that I am as quick, clever, smart and heroic as the characters that I write, but those characters are characters. ~ Aaron Sorkin

[T]o read was precisely to enter another world, which was not the reader's own, and come back refreshed, ready to bear with equanimity the injustices and frustrations of this one. Reading was balm, amusement
not incitement. ~ Susan Sontag

There is no justice in the world's censorious eyes. They will not wait to learn a man's true character;
Though no wrong has been done them, one look - and they hate.

- Medea ~ Euripides

I want to do a little bit of everything. I want to play a good, strong female character. ~ Shannon Elizabeth

What attracts me specifically to roles is the heart of the character. ~ Tishuan Scott

It's extreme. The character comes back from the dead, and, at first he doesn't know where he is, how he got there ... How does that tie in with the physicality? I just didn't think he should be too healthy-looking, so I lost some weight for the role. ~ Brandon Lee

My intention, this time, was to transfer a play to the screen while keeping its theatrical character. It was in some senses a matter of walking, invisibly, around the stage and catching the different aspects and nuances in the play, the urgency and the facial expressions that escape a spectator who cannot follow them in detail from a seat in the stalls.
Apart from that, I had noticed how effective a play becomes when you have a bird's-eye view from it, for example from the flies, that is to say from the viewpoint of a voyeur. The Audience is enclosed with the characters in a room lacking its fourth wall and listens to them on equal terms, without the element of my story conferred on scenes of intimacy by the whimsical shape of a keyhole."
"L'aigle à deux têtes is not History. It is a story, an invented story lived out by imaginary heroes, and I should never have dared venture into the realistic world of cinema without being able to rely on the help of Christian Bérard. He has a genius for situating whatever he touches, for giving it a depth in time and space and an appearance of truth that are literally inimitable." (...)

"A drama of this kind would be unacceptable, and almost impossible to tell, unless it was interpreted by superb actors who could instill grandeur and life into it. Edwige Feuillère and Jean Marais, applauded evening after evening in their parts in the play, surpass themselves on the screen and give of themselves, as I suggested above, e ~ Jean Cocteau

The measure of human character is our reaction to dark times. No one can sidestep darkness. It is the throne upon which light sits. If a soul has not known sadness and struggle, there is no chance of overcoming, no cherishing the dawn. ~ David Wolpe

Nowhere! It is merely to show you that one is born to life in many forms, in many shapes, as tree, or as stone, as water, as butterfly, or as woman. So one may also be born a character in a play. ~ Luigi Pirandello

It's only just beginning to occur to me that it's important to have something going on somewhere, at work or at home, otherwise you're just clinging on. [ ... ] You need as much ballast as possible to stop you floating away; you need people around you, things going on, otherwise life is like some film where the money ran out, and there are no sets, or locations, or supporting actors, and it's just one guy on his own staring into the camera with nothing to do and nobody to speak to, and who'd believe in this character then? I've got to get more stuff, more clutter, more detail in here, because at the moment I'm in danger of falling off the edge. ~ Nick Hornby

It's the revelatory aspect, the gradual unfurling of another person, the sense of exploration and discovery that comes from passing a day in the company of a stranger because a stranger cannot judge fully. They're only privy to what another gives them, because the more knowledge one has the less negative space there is - the greater the risk of becoming bland and stale, of being forever trapped inside the box of one's self and never being able to escape it without another wondering what's wrong, wondering why this being they know so well is acting out of character. ~ Adam Gallari

Any actor who is being honest will admit there's always a small or large part of the real you in every character. It's impossible not to have that. ~ Jerry Ferrara

As is well known, all collectors are prepared to steal or murder if it is a question of getting another piece for their collection; but this does not lower their moral character in the least. ~ Karel Capek

We build our character as a carapace to keep away the fear of the abyss. That's what our character is for. ~ Sebastian Horsley

You make the choice concerning who you associate with on a daily basis. Whenever there are people around you who continually gossip or nag, you have the option to entertain that nonsense or leave it alone. The choice is yours. Most of the time people you hang around are a reflection of yourself. We often times attract people with like-minded personalities. So, if you enjoy that type of company it says much about your character. ~ Amaka Imani Nkosazana

So, who are they really, these hundred thousand white supremacists? They're every white guy who believed that this land was his land, made for you and me. They're every down-on-his-luck guy who just wanted to live a decent life but got stepped on, every character in a Bruce Springsteen or Merle Haggard song, every cop, soldier, auto mechanic, steelworker, and construction worker in America's small towns who can't make ends meet and wonders why everyone else is getting a break except him. But instead of becoming Tom Joad, a left-leaning populist, they take a hard right turn, ultimately supporting the very people who have dispossessed them.

They're America's Everymen, whose pain at downward mobility and whose anger at what they see as an indifferent government have become twisted by a hate that tells them they are better than others, disfigured by a resentment so deep that there are no more bridges to be built, no more ladders of upward mobility to be climbed, a howl of pain mangled into the scream of a warrior. Their rage is as sad as it is frightening, as impotent as it is shrill. ~ Michael S. Kimmel

I kind of embarked on a fruitless search to find information about my character, Frederick Aiken. And it was fruitless, unfortunately, because there's so little about him. ~ James McAvoy

I just want to portray a very honest character that displays traits that people can truly relate to and can help them - the audience and myself because I learn from the characters as well - help them see themselves in a perspective that is outside of what they know already, and grow from that experience. ~ Kristin Kreuk

What are you doing?"
"Washing your hair," he murmured and proceeded to stroke and massage the shampoo into her short, sopping cap of hair. "I'm going to enjoy smelling my soap on you." His lips curved. "You're a fascinating woman, Eve. Here we are, wet, naked, both of us half dead from a very memorable night, and still you watch me with very cool, very suspicious eyes."
"You're a suspicious character, Roarke."
"I think that's a compliment. ~ J.D. Robb

The public like to insult poets because they are individual, but once they have insulted them, they leave them alone. In the case of the novel and the drama, arts in which the public do take an interest, the result of the exercise of popular authority has been absolutely ridiculous. No country produces such badly-written fiction, such tedious, common work in the novel form, such silly, vulgar plays as England. It must necessarily be so. The popular standard is of such a character that no artist can get to it. It is at once too easy and too difficult to be a popular novelist. It is too easy, because the requirements of the public as far as plot, style, psychology, treatment of life, and treatment of literature are concerned are within the reach of the very meanest capacity and the most uncultivated mind. It is too difficult, because to meet such requirements the artist would have to do violence to his temperament, would have to write not for the artistic joy of writing, but for the amusement of half-educated people, and so would have to suppress his individualism, forget his culture, annihilate his style, and surrender everything that is valuable in him. ~ Oscar Wilde

In the case of 'Sweet Tooth,' and in the case of a lot of stuff I do, it all starts with the image. It may be something I sketch in my sketchbooks - something that reoccurs in the sketchbooks. Eventually, a character or story line starts to grow out of that. ~ Jeff Lemire

When I was doing character films, I would always try to find something to subvert the standard. You know, to play them exactly for what they are. That's the fun for me. ~ Thomas Jane

If, in the quiet of your heart, you feel something should be done, stop and consider whether it is in line with the character and teaching of Jesus. If so, obey that impulse to do it, and in doing so you will find it was God guiding you. ~ Eric Liddell

The first reason why I started to use the [electric] keyboard is because I really like the bending sound of the guitar and bass player. I can't bend the piano sound. I really like the feel behind it. I feel it adds flavour and character to my music. ~ Hiromi

The egalitarian mania of demagogues is even more dangerous than the brutality of men in gallooned coats. For the anarch, this remains theoretical, because he avoids both sides. Anyone who has been oppressed can get back on his feet if the oppression has not cost him his life. A man who has been equalized is physically and morally ruined. Anyone who is different is not equal; that is one of the reasons why the Jews are so often targeted. Equalization goes downward, like shaving, hedge trimming, or the pecking order of poultry. At times, the world spirit seems to change into monstrous Procrustes – a man has read Rousseau and starts practicing equality by chopping off heads or, as Mimie le Bon called it, 'making the apricots roll.' The guillotinings in Cambrai were an entertainment before dinner. Pygmies shortened the legs of tall Africans in order to cut them down to size; white Negroes flatten the literary languages. ~ Ernst Junger

Relational congruence is the ability to be fundamentally the same person with the same values in every relationship, in every circumstance and especially amidst crisis. It is the internal capacity to keep promises to God, to self and to one's relationships that consistently express one's identity and values in spiritually and emotionally healthy ways. Relational congruence is about both constancy and care at the same time. It is about both character and affection, and self-knowledge and authentic self-expression. Relational congruence is the leader's ability to cultivate strong, healthy, caring relationships; maintaining healthy boundaries; and communicating clear expectations, all while staying focused on the mission. ~ Tod Bolsinger

For me, being able to be vulnerable is difficult, but it's just something that I feel comfortable doing. I need to fully understand why, the thought-process behind the character and I have to believe it. That comes from a lot of preparation. ~ Logan Lerman

I've met many, many writers who say they would never write about their family, never write about people they did not totally make up. But that is not the composition of my character. ~ Pat Conroy