Robert Lowell Quotes

I was overcome with an attack of pathological enthusiasm.

One universe, one body ... in this urn
the animal night sweats of the spirit burn

In the end, every hypochondriac is his own prophet.

The light at the end of the tunnel is just the light of an oncoming train.

In the American Grain"
"Ninth grade, and bicycling the Jersey highways:
I am a writer. I was half-wasp already,
I changed my shirt and trousers twice a day.
My poems came back ... often rejected, though never
forgotten in New York, this Jewish state
with insomniac minorities.
I am sick of the enlightenment:
what Wall Street prints, the mafia distributes;
when talent starves in a garret, they buy the garret.
Bill Williams made less than Band-Aids on his writing,
he could never write the King's English of The New Yorker.
I am not William Carlos Williams. He
knew the germ on every flower, and saw
the snake is a petty, rather pathetic creature.

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Grass Fires"
No ease for the boy at his keyhole,
his telescope,
when the women's white bodies flashed
in the bathroom. Young, my eyes began to fail.
In the grandiloquent lettering on Mother's coffin
Lowell had been misspelled LOVEL
The corpse
was wrapped like panetone in Italian tinfoil
Father's death was abrupt and unprotesting.
His vision was still twenty-twenty.
After a morning of anxious, repetitive smiling,
his last words to Mother were:
"I feel awful."
He smiled his oval Lowell smile ...
It has taken me the time since you died
to discover you are as human as I am ...
If I am.

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History has to live with what was here,
clutching and close to fumbling all we had -
it is so dull and gruesome how we die,
unlike writing, life never finishes.

Life begins to happen.
My hoppped up husband drops his home disputes,
and hits the streets to cruise for prostitutes

Mr. Edwards and the Spider"

I saw the spiders marching through the air,
Swimming from tree to tree that mildewed day
In latter August when the hay
Came creaking to the barn. But where
The wind is westerly,
Where gnarled November makes the spiders fly
Into the apparitions of the sky,
They purpose nothing but their ease and die
Urgently beating east to sunrise and the sea;

What are we in the hands of the great God?
It was in vain you set up thorn and briar
In battle array against the fire
And treason crackling in your blood;
For the wild thorns grow tame
And will do nothing to oppose the flame;
Your lacerations tell the losing game
You play against a sickness past your cure.
How will the hands be strong? How will the heart endure?

A very little thing, a little worm,
Or hourglass-blazoned spider, it is said,
Can kill a tiger. Will the dead
Hold up his mirror and affirm
To the four winds the smell
And flash of his authority? It's well
If God who holds you to the pit of hell,
Much as one holds a spider, will destroy,
Baffle and dissipate your soul. As a small boy

On Windsor Marsh, I saw the spider die
When thrown into the bowels of fierce fire:
There's no long struggle, no desire
To get up on its feet and fly
It stretches out its feet
And dies. This is the sinner's last retreat;
Yes, and no

No ease for the boy at the keyhole,
his telescope,
when the women's white bodies flashed
in the bathroom. Young, my eyes began to fail.

Nothing! No oil
for the eye, nothing to pour
on those waters or flames.
I am tired. Everyone's tired of my turmoil.

I want to apologize for plaguing you with so many telephone calls last November and December. When the 'enthusiasm' is coming on me it is accompanied by a feverish reaching out to my friends. After its over I wince and wither.

If youth is a defect, it is one we outgrow too soon.

....One dark night,
my Tudor Ford climbed the hill's skull;
I watched for love-cars. Lights turned down,
they lay together, hull to hull,
where the graveyard shelves on the town. . . .
My mind's not right.

A car radio bleats,
"Love, O careless Love. . . ." I hear
my ill-spirit sob in each blood cell,
as if my hand were at its throat. . . .
I myself am hell;
nobody's here--

only skunks, that search
in the moonlight for a bite to eat.
They march on their soles up Main Street:
white stripes, moonstruck eyes' red fire
under the chalk-dry and spar spire
of the Trinitarian Church.

I stand on top
of our back steps and breathe the rich air--
a mother skunk with her column of kittens swills the garbage pail.
She jabs her wedge-head in a cup
of sour cream, drops her ostrich tail,
and will not scare.

It is night,
And it is vanity, and age
Blackens the heart of Adam. Fear,
The yellow chirper, beaks its cage.

Oh to break loose like the chinook
salmon jumping and falling back,
nosing up to the impossible
stone and bone-crushing waterfall ...
Time to grub up and junk the year's
output, a dead wood of dry verse:
dim confession, coy revelation,
liftings, listless self-imitation,
whole days when I could hardly speak,
came pluming home unshaven, weak
and willing to read anyone
things done before and better done ...

Reading Myself
Like thousands I took just pride and more than just,
struck matches that brought my blood to a boil;
I memorized the tricks to set the river on fire
somehow never wrote something to go back to.
Can I suppose I am finished with wax flowers
and have earned my grass on the minor slopes of Parnassus ...
No honeycomb is built without a bee
adding circle to circle, cell to cell,
the wax and honey of a mausoleum
this round dome proves its maker is alive;
the corpse of the insect lives embalmed in honey,
prays that its perishable work live long
enough for the sweet tooth bear to desecrate
this open book..my open coffin

Would you like me to write Mrs. Ames about inviting you to Yaddo? Get Miss Moore to write too. You can't invite yourself, though, of course, almost all the invitations are planned. It would be marvelous to have you there. I know the solitude that gets too much. It doesn't drug me, but I get fantastic and uncivilized.
At last my divorce [from Jean Stafford] is over. It's funny at my age to have one's life so much in and on one's hands. All the rawness of learning, what I used to think should be done with by twenty-five. Sometimes nothing is so solid to me as writing - I suppose that's what vocation means - at times a torment, a bad conscience, but all in all, purpose and direction, so I'm thankful, and call it good, as Eliot would say.

The slick bare tar, the same suburban station.

Poetry is not the record of an event: it is an event.

All autumn, the chafe and jar
of nuclear war;
we have talked our extinction to death.
I swim like a minnow
behind my studio window.

Then morning comes,
saying, "This was a night.

Most poetry is very formal, but when a modern poet is formal he gets more attention for it than old poets did.

Two months after marching through Boston,
half the regiment was dead;
at the dedication,
William James could almost hear the bronze Negroes breathe.
Their monument sticks like a fishbone
in the city's throat.
Its Colonel is as lean
as a compass-needle.
He has an angry wrenlike vigilance,
a greyhound's gently tautness;
he seems to wince at pleasure,
and suffocate for privacy.
He is out of bounds now. He rejoices in man's lovely,
peculiar power to choose life and die
when he leads his black soldiers to death,
he cannot bend his back.

The bones cry for the blood of the white whale,
The fat flukes arch and whack about its ears,
The death-lance churns into the sanctuary, tears
The gun-blue swingle, heaving like a flail,
And hacks the coiling life out ...

The barberry berry sticks on the small hedge,
cold slits the same crease in the finger,
the same thorn hurts. The leaf repeats the lesson.

Naval officers were not mother's sort; very few people were her sort in those days, and that was her trouble - a very authentic, human, and plausible difficulty, which made Mother's life one of much suffering. She did not have the self-assurance for wide human experience; she needed to feel liked, admired, surrounded by the approved and familiar. Her haughtiness and chilliness came from apprehension. She would start talking like a grande dame and then stand back rigid and faltering, as if she feared being crushed by her own massively intimidating offensive.

Once fishing was a rabbit's foot
O wind blow cold, O wind blow hot

Epilogue

Those blessèd structures, plot and rhyme--
why are they no help to me now
I want to make
something imagined, not recalled?
I hear the noise of my own voice:
The painter's vision is not a lens,
it trembles to caress the light.
But sometimes everything I write
with the threadbare art of my eye
seems a snapshot,
lurid, rapid, garish, grouped,
heightened from life,
yet paralyzed by fact.
All's misalliance.
Yet why not say what happened?
Pray for the grace of accuracy
Vermeer gave to the sun's illumination
stealing like the tide across a map
to his girl solid with yearning.
We are poor passing facts,
warned by that to give
each figure in the photograph
his living name.

EB: 'Ll showed me a long verse-letter, very obscene, he'd received from Dylan T[Thomas] before D's last trip here [New York] - very clever, but it really can't be published for a long, long time, he's decided. About people D. met in the U.S. etc. - one small sample: A Streetcar Named Desire is referred to as 'A truck called F - - - .'

RL: 'Psycho-therapy is rather amazing - something like stirring up the bottom of an aquarium - chunks of the past coming up at unfamiliar angles, distinct and then indistinct.'

RL: 'I have just finished the Yeats Letters - 900 & something pages - although some I'd read before. He is so Olympian always, so calm, so really unrevealing, and yet I was fascinated.'

RL: 'Probably you forget, and anyway all that is mercifully changed and all has come right since you found Lota. But at the time everything, I guess (I don't want to overdramatize) our relations seemed to have reached a new place. I assumed that would be just a matter of time before I proposed and I half believed that you would accept. Yet I wanted it all to have the right build-up. Well, I didn't say anything then.'

EB: 'so I suppose I am just a born worrier, and that when the personal worries of adolescence and the years after it have more or less disappeared I promptly have to start worrying about the decline of nations . . . But I really can't bear much of American life these days - surely no country has ever been so filthy rich and so

My Dolphin, you only guide me by surprise,
a captive as Racine, the man of craft,
drawn through his maze of iron composition
by the incomparable wandering voice of Phèdre.
When I was troubled in mind, you made for my body
caught in its hangman's-knot of sinking lines,
the glassy bowing and scraping of my will. . . .
I have sat and listened to too many
words of the collaborating muse,
and plotted perhaps too freely with my life,
not avoiding injury to others,
not avoiding injury to myself--
to ask compassion . . . this book, half fiction,
an eelnet made by man for the eel fighting

my eyes have seen what my hand did.

F we see light at the end of the tunnel, It's the light of the oncoming train.

Everywhere, giant finned cars nose forward like fish; a savage servility slides by on grease.

Those blessed structures, plot and rhyme
why are they no help to me now
I want to make
something imagined, not recalled?

Sylvia Plath"
A miniature mad talent? Sylvia Plath,
who'll wipe off the spit of your integrity,
rising in the saddle to slash at Auschwitz,
life tearing this or that, I am a woman?
Who'll lay the graduate girl in marriage,
queen bee, naked, unqueenly, shaming her shame?
Each English major saying, "I am Sylvia,
I hate marriage, I must hate babies."
Even men have a horror of giving birth,
mother-sized babies splitting us in half,
sixty thousand American infants a year,
U.I.D., Unexplained Infant Deaths,
born physically whole and hearty, refuse to live,
Sylvia ... the expanding torrent of your attack.

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Some morbidity in me attracts mosquitoes

Children"

Years back here we were children
and at the stage of running
in gangs about the meadows--
here to this one, there to that one.
Where we picked up violets
on lucky days,
you can now see cattle gadding about.

I still remember hunching
ankle deep in violets,
squabbling over which bunches were fairest.
Our childishness was obvious--
we ran dancing rounds,
we wore new green wreaths.
So time passes.

Here we ran swilling strawberries from oak to pine
through hedges, through turnstiles--
as long as day was burning down.
Once a gardener
rushed from an arbor:
"O.K. now, children, run home."

We came out in spots
those yesterdays, when we stuffed on strawberries;
it was just a childish game to us.
Often we heard
the herdsman
hooing and warning us:
"Children, the woods are alive with snakes."

And one of the children breaking
through the sharp grass, grew white
and shouted, "Children, a snake
ran in there. He got our pony.
She'll never get well.
I wish that snake
would go to hell!"

"Well then, get out of the woods!
If you don't hurry away quickly,
I'll tell you what will happen--
if you don't leave the forest behind you by daylight,
you'll lose yourselves;
your pleasure will end in bawling."

Do you know how five virgins
dawdled

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Sometimes nothing is so solid to me as writing - I suppose that's what a vocation means - at times a torment, a bad conscience, but all in all, purpose and direction.

And blue-lung'd combers lumbered to the kill.

The Drunken Fisherman"

Wallowing in this bloody sty,
I cast for fish that pleased my eye
(Truly Jehovah's bow suspends
No pots of gold to weight its ends);
Only the blood-mouthed rainbow trout
Rose to my bait. They flopped about
My canvas creel until the moth
Corrupted its unstable cloth.

A calendar to tell the day;
A handkerchief to wave away
The gnats; a couch unstuffed with storm
Pouching a bottle in one arm;
A whiskey bottle full of worms;
And bedroom slacks: are these fit terms
To mete the worm whose molten rage
Boils in the belly of old age?

Once fishing was a rabbit's foot--
O wind blow cold, O wind blow hot,
Let suns stay in or suns step out:
Life danced a jig on the sperm-whale's spout--
The fisher's fluent and obscene
Catches kept his conscience clean.
Children, the raging memory drools
Over the glory of past pools.

Now the hot river, ebbing, hauls
Its bloody waters into holes;
A grain of sand inside my shoe
Mimics the moon that might undo
Man and Creation too; remorse,
Stinking, has puddled up its source;
Here tantrums thrash to a whale's rage.
This is the pot-hole of old age.

Is there no way to cast my hook
Out of this dynamited brook?
The Fisher's sons must cast about
When shallow waters peter out.
I will catch Christ with a greased worm,
And when

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Painter"
"I said you are only keeping me here
in the hospital, lying to my parents
and saying I am madder than I am,
because you only want to keep me here,
squeezing my last dollar to the pennies
I'm saner than anyone in the hospital.
I had to say what every madman says
a black phrase, the sleep of reason mothers monsters ...
When I am painting the canvas is a person;
all I do, each blot and line's alive,
when I am finished, it is shit on the canvas ...
But in his sketches more finished than his oils,
sketches made after he did those masterpieces,
constable can make us see the breeze ...

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It's a completely powerful and serious book, as good as anything in prose or poetry written by a 'beat' writer, and one of the most alive books written by any American for years. I don't see how it could be considered immoral.

In the end, there is no end.

Loser"
"Father directed choir. When it paused on a Sunday,
he liked to loiter out morning with the girls;
then back to our cottage, dinner cold on the table,
Mother locked in bed devouring tabloid.
You should see him, white fringe about his ears,
bald head more biased than a billiard ball
he never left a party. Mother left by herself
I threw myself from her car and broke my leg ...
Years later, he said, 'How jolly of you to have jumped.'
He forgot me, mother replaced his name, I miss him.
When I am unhappy, I try to squeeze the hour
an hour or half-hour smaller than it is;
orphaned, I wake at midnight and pray for day
the lovely ladies get me through the day

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The dead season when wolves live off the wind.

Wallowing in this bloody sty,
I cast for fish that pleased my eye

You trip and lance
Your finger at a crab. It strikes. You rub
It inch-meal to a bilge of shell. You dance
Child-crazy over tub and gunnel, grasping
Your pitchfork like a trident, poised to stab
The greasy eel-grass clasping and unclasping
The jellied iridescence of the crab.

Their monument sticks like a fishbone in the city's throat.

The Lord survives the rainbow of His will.

I myself am hell;
nobody's here

Dearest I cannot loiter here
in lather like a polar bear.

Monkeys"
"You can buy cooler, more humdrum pets
a monkey deprived of his mother in the cradle
feels the want of her affection so keenly
he either pines away or masters you
by literally hanging on your neck
no ounce of your patience or courage is misplaced;
the worst is his air of boredom and neglect,
manifested in tail-chewing and fur plucking.
The whole species is vulnerable to killing colds,
likes straw, hay or bits of a torn blanket,
a floortray thinly covered with sawdust,
they need trapezes, shelves, old rubber tires
any string or beam will do to set them swinging
these charming youngsters tend to sour with age

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The black hardrubber bathtub stopper at the Parker house.

What we love we are.

What can be salvaged from your life? A pain
that gently darkens over heart and brain,
a fairy's touch, a cobweb's weight of pain,
now makes me tremble at your right to live.

Summer Between Terms"

The day's so calm and muggy I sweat tears,
the summer's cloudcap and the summer's heat...
surely good writers write all possible wrong--
are we so conscience-dark and cataract-blind,
we only blame in others what they blame in us?
(The sentence writes we, when charity wants I...)
It takes such painful mellowing to use error...
I have stood too long on a chair or ladder,
branch-lightening forking through my thought and veins--
I cannot hang my heavy picture straight.
I can't see myself...in the cattery,
the tomcats doze till the litters are eatable,
then find their kittens and chew off their breakable heads.
They told us by harshness to win the stars.

Planes, trains, lorries simmer through the garden,
the reviewer sent by God to humble me
ransacking my bags of dust for silver spoons--
he and I go on typing to go on living.
There are ways to live on words in England--
reading for trainfare, my host ruined on wine,
my ear gone bad from clinging to the ropes.
I'd take a lower place, eat my toad hourly;
even big frauds wince at fraudulence,
and squirm from small incisions in the self--
they live on timetable with no time to tell.
I'm sorry, I run with the hares now, not the hounds.
I waste hours writing in and writing out a line,
as if listening to conscience were telling the truth

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If youth is a defect, it is one that we outgrow too soon.

Buttercups"

When we were children our papas were stout
And colorless as seaweed or the floats
At anchor off New Bedford. We were shut
In gardens where our brassy sailor coats
Made us like black-eyed susans bending out
Into the ocean, Then my teeth were cut:
A levelled broom-pole butt
Was pushed into my thin
And up-turned chin--
There were shod hoofs behind the horseplay. But
I played Napoleon in my attic cell
Until my shouldered broom
Bobbed down the room
With horse and neighing shell.

Recall the shadows the doll-curtains veined
On ancrem Winslow's ponderous plate from blue
China, the breaking of time's haggard tide
On the huge cobwebbed print of Waterloo,
With a cracked smile across the glass. I cried
To see the Emperor's sabered eagle slide
From the clutching grenadier
Staff-officer
With the gold leaf cascading down his side--
A red dragoon, his plough-horse rearing, swayed
Back on his reins to crop
The buttercup
Bursting upon the braid

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The world is absolutely out of control now and is not going to be saved by any reason or unreason.

I saw the spiders marching through the air,
Swimming from tree to tree that mildewed day
In latter August when the hay
Came creaking to the barn. But where
The wind is westerly,
Where gnarled November makes the spiders fly
Into the apparitions of the sky,
They purpose nothing but their ease and die
Urgently beating east to sunrise and the sea;

Salem"

In salem seasick spindrift drifts or skips
to the canvas flapping on the seaward panes
until the knitting sailor stabs at ships
nosing like sheep of Morpheus through his brain's
asylum. Seaman, seaman, how the draft
lashes the oily slick about your head,
beating up whitecaps! Seaman, Charon's raft
dumps its damned goods into the harbor-bed,--
There sewage sickens the rebellious seas.
Remember, seaman, Salem fisherman
Once hung their nimble fleets on the Great Banks.
Where was it that New England bred the men
who quartered the Leviathan's fat flanks
and fought the British Lion to his knees?

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If we see light at the end of the tunnel, it the light of the oncoming train.

Oh Florence, Florence, patroness
of the lovely tyrannicides!
Where the tower of the Old Palace
pierces the sky
like a hypodermic needle,
Perseus, David and Judith,
lords and ladies of the Blood,
Greek demi-gods of the Cross,
rise sword in hand
above the unshaven
formless decapitation
of the monsters, tubs of guts,
mortifying chunks for the pack.
Pity the monsters!
Pity the monsters!
Perhaps, one always took the wrong side -
Ah, to have known, to have loved
too many David and Judiths!
My heart bleeds for the monster.
I have seen the Gorgon.
The erotic terror
of her helpless, big-bosomed body
lay like slop.
Wall-eyed, staring the despot to stone,
her severed head swung
like a lantern in the victor's hand.

Flabby, bald, lobotomized,
he drifted in a sheepish calm,
where no agonizing reappraisal
jarred his concentration on the electric chair-
hanging like an oasis on his air
of lost connections ...

Talking about the past is like a cat's trying to explain climbing down a ladder,

I'm sure that writing isn't a craft, that is, something for which you learn the skills and go on turning out. It must come from some deep impulse, deep inspiration. That can't be taught, it can't be what you use in teaching.