Poppy Z. Brite Famous Quotes
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In high school I was the dog, always, and I never have felt comfortable or right in my body, and part of my whole exhibitionist thing has probably been a way of testing to see whether or not I really was this repulsive creature that I felt like for so long.
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He wasn't much for erasing anyway. Sometimes your mistakes showed you the really interesting connections between your brain, your hand, and your heart, the ones you might otherwise never know were there. They were important even if you had no idea what they meant.
Like now, for instance. Coming back here might be the biggest mistake he'd ever made. But it might also be the most important thing he'd ever done.
Mostly I enjoy the restaurants (my husband is a chef), though I wish we had a wider diversity of ethnic food.
In France, for instance, one magazine writer was convinced that On The Road had been a huge influence on Lost Souls and was crushed to learn that I hadn't read the one until after I'd written the other.
Horror is the badge of humanity, worn proudly, self-righteously, and often falsely.
Trevor cupped his hands around it, felt Zach's heartbeat throbbing between his palms. The skin of the shaft was textured, slightly rippled beneath the surface. The head was as smooth as satin, as rose petals. Trevor rubbed his thumb across it, squeezed gently, heard Zack suck air in through his teeth and moan as he let it out. He could see blood suffusing the tissue just beneath the translucent skin, a deep dusky rose delicately purpled at the edges, crowned with a single dewy pearl of come. It was as intimate, as raw as holding someone's heart in his hands.
I certainly wanted to write a book that was honest about New Orleans without explaining it to death, so much so that the first draft contained references absolutely incomprehensible to anyone who hasn't lived here for several years.
Maybe they did what they had to do to live, and tried to get a little love and have a little fun before the darkness took them.
They were kissing again, carefully at first, learning the shape and texture of each other's lips, testing the sharpness of the teeth behind them.
It's too fast, said a panicky voice in his mind. And too dangerous. He'll drink your juices, taste your brain, crack your soul open like an egg!
Hell, I think I want him to do all that.
In every long-term relationship are a few pockets of deep and dangerous water into which one can step unaware if not careful. Eventually, somebody drowns or the interested parties post warning signs around these pockets.
My mother is an office manager, my father a professor of economics and financial planner.
This is the point being missed by readers who lament Liquor's lack of hot sex scenes, probably because they aren't old enough to understand that a passionate relationship could be about anything other than sex.
In until ten, not even on Mardi Gras nights. No one except the girl in the black silk dress, the thin little girl with the short, soft dark hair that fell in a curtain across her eyes. Christian always wanted to brush it away from her face, to feel it trickle through his fingers like rain. Tonight, as usual, she slipped in at nine-thirty and looked around for the friends who were never there. The wind blew the French Quarter in behind her, the night air rippling warm down Chartres Street as it slipped away toward the river, smelling of spice and fried oysters and whiskey and the dust of ancient bones stolen and violated.
I just want to know how you're made," Trevor breathed in his ear. "I love you so much, Zach. I want to climb inside you. I want to taste your brain. I want to feel your heart beating in my hands.
My childhood may have been more demented than most, because I learned to read very early and was allowed to read whatever I wanted.
I like visiting people's homes on Saint Joseph's Day, when people set up altars, serve food as a tribute to the saint, and invite the public - I enjoy that much more than Mardi Gras.
They discovered that even in the face of pain that seems unbearable, even in the face of pain that wrings the last drop of blood out of your heart and leaves its scrimshaw tracery on the inside of your skull, life goes on. And pain grows dull, and begins to fade
I've tried to avoid labels, but they always find you.
I think film had a terrible effect on horror fiction particularly in the 80s, with certain writers turning out stuff as slick and cliched as Hollywood movies.
There are people who must spend huge amounts of time composing these online diatribes against me, all about how disgusting and terrible I am and how no one should ever read my books, and it's not enough for them to hate me, they can't stand the fact that ANYONE likes me!
Celebrities, even insignificant ones like me, are created to be abused by the Great Unwashed.
Sometimes we gotta be brave even when we're scared. We gotta not let being scared keep us from thinkin' straight. That's all brave is, boy, when you come right down to it, not lettin' the fear get you so turned around you start doin' stupid things, instead of what you know you ought to do.
Stare at him," said Ghost. "They won't bite you if you keep staring at them."
Steve backed away. "They bite?"
Not really. They hiss at you, mostly. The only time geese are ever dangerous is when you happen to be standing on the edge of a cliff. I heard about a guy that almost got killed that way."
By geese?"
Yeah, there was a whole flock of them coming after him. All hissing and cackling and stabbing at his ankles with their big ol' beaks. He didn't know you had to stare them right in the eye, and he panicked. They backed him right over a fifty-foot cliff."
So how come he didn't die?"
This guy had wings," said Ghost. "He flew away.
I'd much rather do an obviously commercial writing project than get a day job.
Young writers shouldn't be afraid of striving to emulate their favorites. It's a good way to learn, as long as you move on from it and don't publish too many of the results.
Let the night come. We are not afraid.
I can't heal your pain but I can see it. And you don't have to be lost. Not forever.
All at once it hit him: this was power too, just as surely as smashing your fist into someone's face, just as surely as putting a hammer through someone's skull. The power to make another person crazy with pleasure instead of fear and pain, to have every cell in another person's body at your thrall.
Rickey sometimes wondered what would have become of them if the Peychaud crew hadn't imploded one night in a marathon of apocalyptic drunkenness. No one remembered much of this night, but by the end of it, two cars were totaled, the sous chef and the bartender were in Charity Hospital, the chef was in jail, and the grill guy's wife was filing for divorce. The owner decided to close the place and they found themselves jobless. Rickey guessed this kind of thing was known as a wake-up call
Yielding flesh in his hands, hot with fear, sticky with sweat and blood and already smelling of heaven. Helpless bones his to crack, helpless skin his to rip open, sweet red river his to drink from. He had to do it. He had to know. With his eyes and his hands, with all his body, he had to see.
At some point you have to start letting people save their own life.
If you're ever lucky enough to belong somewhere, if a place takes you in and you take it into yourself, you don't desert it just because it can kill you. There are things more valuable than life.
If you want something, you don't wait for the world to deal it out for you. You take it.
If you find yourself imitating another writer, that doesn't have to be a bad thing, especially if you are a young or a new writer. However, you should be conscious of exactly how you are imitating him - word choice, sentence structure, motifs? - and think about why you're doing it.