Norman Rockwell Famous Quotes
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It was a pretty rough neighborhood where I grew up The really tough places were over around Third Avenue where it ran into the Harlem River, but we weren't far away.
Travel is like a tonic to me. It's more than just getting away from the studio for a brief rest. I need it to recharge my batteries.
Right from the beginning, I always strived to capture everything I saw as completely as possible.
Here in New England, the character is strong and unshakable.
I work from fatigue to fatigue at my age there's only so much daylight left.
I keep the pornographic stuff in a bus station locker.
The story is the first thing and the last thing,
Commonplaces never become tiresome. It is we who become tired when we cease to be curious and appreciative. We find that it is not a new scene which is needed, but a new viewpoint.
I'm not going to be caught around here for any fool celebration. To hell with birthdays!
I'm tired, but proud.
My best efforts were some modern things that looked like very lousy Matisses. Thank God I had the sense to realize they were lousy, and leave Paris.
I can take a lot of pats on the back. I love it when I get admiring letters from people. And, of course, I'd love it if the critics would notice me, too.
How will I be remembered? As a technician or artist? As a humorist or a visionary?
I talk as I sketch, too, in order to keep their minds off what I'm doing so I'll get the most natural expression I can from them. Also, the talking helps to size up the subject's personality, so I can figure out better how to portray him.
The secret to so many artists living so long is that every painting is a new adventure. So, you see, they're always looking ahead to something new and exciting. The secret is not to look back.
Things aren't much wilder now, I don't think, than they were back then. Of course I just read about all the goings-on now. Ha.
I used to sit in the studio with a copy of the (Saturday Evening) Post laid across my knees ... And then I'd conjure up a picture of myself as a famous illustrator and gloat over it, putting myself in various happy situations, surrounded by admiring females, deferred to by office flunkies at the magazines, wined and dined by the editor ...
I just wanted to do something important.
If a picture wasn't going very well I'd put a puppy dog in it, always a mongrel, you know, never one of the full bred puppies. And then I'd put a bandage on its foot ... I liked it when I did it, but now I'm sick of it.
The Balopticon [a machine that projects photos on canvas to trace the lines] is an evil, inartistic, habit-forming, lazy and vicious machine! It also is a useful, time-saving, practical and helpful one. I use one often-and am thoroughly ashamed of it. I hide it whenever I hear people coming.
I unconsciously decided that, even if it wasn't an ideal world, it should be so and painted only the ideal aspects of it - pictures in which there are no drunken slatterns or self-centered mothers ... only foxy grandpas who played baseball with kids and boys who fished from logs and got up circuses in the back yard.
I'm the oldest antique in town.
I didn't know what to expect from a famous movie star; maybe that he'd be sort of stuck-up, you know. But not Gary Cooper. He horsed around so much ... that I had a hard time painting him.
It wouldn't be right for me to clown around when I'm painting a president.
Some people have been kind enough to call me a fine artist. I've always called myself an illustrator. I'm not sure what the difference is. All I know is that whatever type of work I do, I try to give it my very best. Art has been my life.
The '20s ended in an era of extravagance, sort of like the one we're in now. There was a big crash, but then the country picked itself up again, and we had some great years. Those were the days when American believed in itself. I was happy and proud to be painting it.
No man with a conscience can just bat out illustrations. He's got to put all his talent and feeling into them!
I'll never have enough time to paint all the pictures I'd like to.