John Constable Quotes

But You know Landscape is my mistress - 'tis to her that I look for fame - and all that the warmth of the imagination renders dear to Man.

My canvas soothes me into forgetfulness of the scene of turmoil and folly - and worse - of the scene around me. Every gleam of sunshine is blighted to me in the art at least. Can it therefore be wondered at that I paint continual storms? "Tempest o'er tempest roll'd" - still the "darkness" is majestic.

The first impression and a natural one is, that the fine arts have risen or declined in proportion as patronage has been given to them or withdrawn, but it will be found that there has often been more money lavished on them in their worst periods than in their best, and that the highest honours have frequently been bestowed on artists whose names are scarcely now known.

Speaking to a lawyer about pictures is something like talking to a butcher about humanity.

I paint by all the daylight we have and that is little enough, less perhaps than you have by much ... imagine to yourself how a purl must look through a burnt glass.

A sketch will not serve more than one state of mind & will not serve to drink at again & again - in a sketch there is nothing but the one state of mind - that which you were in at the time.

Painting is a science, and should be pursued as an inquiry into the laws of nature. Why, then, may not landscape painting be considered as a branch of natural philosophy, of which pictures are but the experiments?

Only think that I am now writing in a room full of Claudes ... almost of the summit of my earthly ambitions.

I am anxious that the world should be inclined to look to painters for information about painting. I hope to show that ours is a regularly taught profession; that it is scientific as well as poetic; that imagination alone never did, and never can, produce works that are to stand by a comparison with realities.

We must bear in recollection that the sentiment of the picture is that of solemnity, not gaiety & nothing garish, but the contrary - yet it must be bright, clear, alive fresh, and all the front seen.

Connoisseurs think the art is already done.

When we speak of the perfection of art, we must recollect what the materials are with which a painter contends with nature. For the light of the sun he has but patent yellow and white lead - for the darkest shade, umber or soot.

The output is far from smooth, and the impact on dispatchable plant required to deal with residual demand is highly significant. Our view is that plant operating under these conditions in the support role for wind will suffer: 1) reduced availability, 2) significantly reduced efficiency, and thus 3) higher emissions per MWh generated..

I don't mind parting with the corn, but not with the field in which it was raised.

I never saw an ugly thing in my life: for let the form of an object be what it may, - light, shade, and perspective will always make it beautiful.

The climax of absurdity to which art may be carried when led away from nature by fashion, may be best seen in the works of Boucher ...

The world is rid of Lord Byron, but the deadly slime of his touch still remains.

It is much to my advantage that several of my pictures should be seen together, as it displays to advantage their varieties of conception and also of execution, and what they gain by the mellowing hand of time which should never be forced or anticipated. Thus my pictures when first coming forth have a comparative harshness which at the time acts to my disadvantage.

I do not consider myself at work unless I am before a six-foot canvas.

The sky is the source of light in Nature and it governs everything.

There has never been a boy painter, nor can there be. The art requires a long apprenticeship, being mechanical, as well as intellectual.

He [the artist] ought to have 'these powerful organs of expression' - colour and chiaroscuro - entirely at his command, that he may use them in every possible form, as well as that he may do with the most perfect freedom; therefore, whether he wishes to make the subject of a joyous, solemn, or meditative character, by flinging over it the cheerful aspect which the sun bestows, by a proper disposition of shade, or by the appearances that beautify its arising or its setting, a true "General Effect" should never be lost sight of.

The sound of water escaping from mill-dams, etc., willows, old rotten planks, slimy posts, and brickwork.those scenes made me a painter and I am grateful.

I know very well what I am about and that my skies have not been neglected, though they often failed in execution - and often no doubt from over anxiety about them ...

The world is wide; no two days are alike, nor even two hours; neither were there ever two leaves of a tree alike since the creation of the world; and the genuine productions of art, like those of nature, are all distinct from one another.

An artist who is self-taught is taught by a very ignorant person indeed.