Galway Kinnell Quotes

Bending over her bed, I saw the smile
I must have seen when gaping up from the crib.
Knowing death will come, sensing its onset,
may be a fair price for consciousness.
But looking at my sister, I wished
she could have died by surprise,
without ever knowing about death.
Too late. Wendy said, "I am in three parts.
Here on the left is red. That is pain.
On the right is yellow. That is exhaustion.
The rest is white. I don't know yet what white is.

I love to go out in late September among the fat, overripe, icy, black blackberries to eat blackberries for breakfast, the stalks very prickly, a penalty they earn for knowing the black art of blackberry-making; and as I stand among them lifting the stalks to my mouth, the ripest berries fall almost unbidden to my tongue, as words sometimes do, certain peculiar words like strengths or squinched, many-lettered, one-syllabled lumps, which I squeeze, squinch open, and splurge well in the silent, startled, icy, black language of blackberry - eating in late September.

The Lord turned away washing
His hands without soap and water
Like a common housefly.

I will find that special person who is wrong for me in just the right way.

Computers can deliver nuclear explosions to precisely anywhere on earth.
A lightning bolt is made entirely of error.

Second-hand gloves will become lovely again, their memories are what give them the need for other hands. And the desolation of lovers is the same: that enormous emptiness carved out of such tiny beings as we are asks to be filled; the need for the new love is faithfulness to the old.

I did care...
I did say everything I thought
In the mildest words I knew. And
now,...
I have to say I'm relieved it is over:
At the end I could feel only pity
For that urge toward more life.
...Goodbye

You live
under the Sign
of the Bear, who flounders through chaos
in his starry blubber:
poor fool,
poor forked branch
of applewood, you will feel all your bones break
over the holy waters you will never drink.

Let our scars fall in love.

Isn't it worth missing whatever joy / you might have dreamed, to wake in the night and find / you and your beloved are holding hands in your sleep?

Kiss the mouth
which tells you,
here,
here is the world.
This mouth. This laughter.
These temple bones.

and one knows,
after a long time of solitude, after the many steps taken
away from one's kind, toward the kingdom of strangers,
the hard prayer inside one's own singing
is to come back, if one can, to one's own,
a world almost lost, in the exile that deepens,
when one has lived a long time alone.

The wages of dying are love.

Wait, for now.
Distrust everything if you have to.
But trust the hours. Haven't they
carried you everywhere, up to now?
Personal events will become interesting again.
Hair will become interesting.
Pain will become interesting.
Buds that open out of season will become interesting.
Second-hand gloves will become lovely again;
their memories are what give them
the need for other hands. The desolation
of lovers is the same: that enormous emptiness
carved out of such tiny beings as we are
asks to be filled; the need
for the new love is faithfulness to the old.

Wait.
Don't go too early.
You're tired. But everyone's tired.
But no one is tired enough.
Only wait a little and listen:
music of hair,
music of pain,
music of looms weaving our loves again.
Be there to hear it, it will be the only time,
most of all to hear your whole existence,
rehearsed by the sorrows, play itself into total exhaustion.

I have always intended to live forever; but not until now, to live now.

The Correspondence-School Instructor Says Goodbye to His Poetry Students

Goodbye, lady in Bangor, who sent me
snapshots of yourself, after definitely hinting
you were beautiful; goodbye,
Miami Beach urologist, who enclosed plain
brown envelopes for the return of your very
"Clinical Sonnets"; goodbye, manufacturer
of brassieres on the Coast, whose eclogues
give the fullest treatment in literature yet
to the sagging breast motif; goodbye, you in San Quentin,
who wrote, "Being German my hero is Hitler,"
instead of "Sincerely yours," at the end of long,
neat-scripted letters extolling the Pre-Raphaelites:

I swear to you, it was just my way
of cheering myself up, as I licked
the stamped, self-addressed envelopes,
the game I had of trying to guess
which one of you, this time,
had poisoned his glue. I did care.
I did read each poem entire.
I did say everything I thought
in the mildest words I knew. And now,
in this poem, or chopped prose, no better,
I realize, than those troubled lines
I kept sending back to you,
I have to say I am relieved it is over:
at the end I could feel only pity
for that urge toward more life
your poems kept smothering in words, the smell
of which, days later, tingled in your nostrils
as new, God-given impulses
to write.

Goodbye,
you who are, for me, the postmar

What do they sing, the last birds
coasting down the twilight,
banking
across woods filled with darkness, their
frayed wings
curved on the world like a lover's arms
which form, night after night, in sleep,
an irremediable absence?

To me, poetry is somebody standing up, so to speak, and saying, with as little concealment as possible, what it is for him or her to be on earth at this moment

There are two versions to every poem – the crying version and the straight version

When a group of people get up from a table, the table doesn't
know which way any of them will go.

This happened to your father and to you, Galway-sick to stay, longing
to come up against the ends of the earth, and climb over.

When I sleepwalk
into your room, and pick you up,
and hold you up in the moonlight, you cling to me
hard,
as if clinging could save us. I think
you think
I will never die, I think I exude
to you the permanence of smoke or stars,
even as
my broken arms heal themselves around you.

Is there a mechanism of death, that so mutilates existence no one, gets over it not even the dead?

Turn on the dream you lived
through the unwavering gaze.
It is as you thought: the living burn.
In the floating days
may you discover grace.

When the lover goes,
the vow though broken remains,
that trace of eternity love
brings down among us stays,
to give dignity to the suffering
and to intensify it.

Rapture

I can feel she has got out of bed.
That means it is seven a.m.
I have been lying with eyes shut,
thinking, or possibly dreaming,
of how she might look if, at breakfast,
I spoke about the hidden place in her
which, to me, is like a soprano's tremolo,
and right then, over toast and bramble jelly,
if such things are possible, she came.
I imagine she would show it while trying to conceal it.
I imagine her hair would fall about her face
and she would become apparently downcast,
as she does at a concert when she is moved.
The hypnopompic play passes, and I open my eyes
and there she is, next to the bed,
bending to a low drawer, picking over
various small smooth black, white,
and pink items of underwear. She bends
so low her back runs parallel to the earth,
but there is no sway in it, there is little burden, the day has hardly begun.
The two mounds of muscles for walking, leaping, lovemaking,
lift toward the east - what can I say?
Simile is useless; there is nothing like them on earth.
Her breasts fall full; the nipples
are deep pink in the glare shining up through the iron bars
of the gate under the earth where those who could not love
press, wanting to be born again.
I reach out and take her wrist
and she falls back into bed and at once starts unbuttoning my pajamas.
Later, when I open my eyes, there she is again,

Perhaps poetry will be the canary in the mine-shaft warning us of what's to come.

How Could You Not - for Jane Kenyon

It is a day after many days of storms.
Having been washed and washed, the air glitters;
small heaped cumuli blow across the sky; a shower
visible against the firs douses the crocuses.

We knew it would happen one day this week.
Now, when I learn you have died, I go
to the open door and look across at New Hampshire
and see that there, too, the sun is bright
and clouds are making their shadowy ways along the horizon;

and I think: How could it not have been today?
In another room, Keri Te Kanawa is singing
the Laudate Dominum of Mozart, very faintly,
as if in the past, to those who once sat
in the steel seat of the old mowing machine,
cheerful descendent of the scythe of the grim reaper,

and drew the cutter bars little
reciprocating triangles through the grass
to make the stalks lie down in sunshine.
Could you have walked in the dark early this morning
and found yourself grown completely tired
of the successes and failures of medicine,
of your year of pain and despair remitted briefly
now and then by hope that had that leaden taste?

Did you glimpse in first light the world as you loved it
and see that, now, it was not wrong to die
and that, on dying, you would leave
your beloved in a day like paradise?

Near sunrise did you loosen your hold a little?
How could you not

Little sleep's-head sprouting hair in the moonlight,
when I come back
we will go out together,
we will walk out together among,
the ten thousand things,
each scratched too late with such knowledge, the wages of dying is love.

For here, the moment all the spaces along the road between here and there - which the young know are infinite and all others know are not - get used up, that's it.

Flying Home

As this plane dragged
its track of used ozone half the world long
thrusts some four hundred of us
toward places where actual known people
live and may wait,

we diminish down in our seats,
disappeared into novels of lives clearer than ours,
and yet we do not forget for a moment
the life down there, the doorway each will soon enter:

where I will meet her again
and know her again,
dark radiance with, and then mostly without, the stars.

Very likely she has always understood
what I have slowly learned,
and which only now, after being away, almost as far away

as one can get on this globe, almost
as far as thoughts can carry - yet still in her presence,
still surrounded not so much by reminders of her
as by things she had already reminded me of,
shadows of her
cast forward and waiting - can I try to express:

that love is hard,
that while many good things are easy, true love is not,
because love is first of all a power,
its own power,
which continually must make its way forward, from night
into day, from transcending union always forward into difficult day.

And as the plane descends, it comes to me
in the space
where tears stream down across the stars,
tears fallen on the actual earth
where their shining is what we call spirit,
that once t

When the man touches through
to the exact center of the woman,
he lies motionless, in equilibrium,
in absolute desire, at the threshold
of the world to which the Creator Spirit
knows the pass-whisper, and whispers it,
and his loving friend becomes his divinity.

I start off but I don't know where I'm going; I try this avenue and that avenue, that turns out to be a dead end, this is a dead end, and so on. The search takes a long time and I have to back-track often.

Flower Herding On Mount Monadnock

In the forest I discover a flower.

The invisible life of the thing
Goes up in flames that are invisible,
Like cellophane burning in the sunlight.

It burns up. Its drift is to be nothing.

In its covertness it has a way
Of uttering itself in place of itself,
Its blossoms claim to float in the Empyrean,

A wrathful presence on the blur of the ground.

The appeal to heaven breaks off.
The petals begin to fall, in self-forgiveness.
It is a flower. On this mountainside it is dying.

Go so deep into yourself, you speak for everyone.

Prose is walking; poetry is flying

Now is when the point of the story changes.