Eddie Redmayne Quotes

They're such hierarchical things, film sets, they're sort of mini societies. Often they're incredibly political places.

This is the great luxury of not working: the moment you read a book that has nothing to do with work, you know you're really relaxed. And I have a sh*t attention span. I can't concentrate for more than five minutes.

I always try to describe making movies like summer camp, or some holiday where you spend all day, every day with a new group of people whom you kind of love and then never see again.

It's the weird thing Eton does - you're at school next to lords and earls and, in my case, Prince William, so you end up being used to dealing with those sorts of people.

When I was living in New York, I had this slightly wannabe bohemian existence and took up painting, at which I'm appalling. I also bought several guitars.

On so many levels, acting in film and TV is so much the sum of its parts, and somewhere in there, there's an alchemical thing that makes something happen or not - that makes something connect or not. Now, of course you want to make work that people see, but the enjoyment I get out of acting is playing characters.

Making 'Birdsong,' on the one hand you have how prestigious it is and the reputation of the book, which is something that's an extraordinary piece of work. Sebastian Faulkes is a genius. So you feel that responsibility when you're portraying that character that he's imagined and millions of readers have pictured.

I'm just one gigantic ball of rancid fear and self-consciousness. I'm entirely fueled by fear, so the fact that I knew it could be a catastrophic disaster made me unable to sleep, and made me work quite hard.

A lot of people think theatre must be much harder work than film, but anything histrionic or superfluous gets seen on camera so you have to work to distil it into a complete sense of what's true.

Most actors hate watching their own films because all you can see is the glaring mistakes, your own tricks and ticks.

I do get stopped a bit now and then, but I can go to the supermarket and on the Tube without being noticed. It's usually me that gets starstruck, especially by TV stars.

If I do a film and have to get naked, that tends to dictate how often I go to the gym. Acting in 'Richard II' on stage was a huge physical workout, so I ended up more toned than I normally am.

I draw and play the piano badly. But when I'm doing those things, I'm concentrating so hard there's no room for worry. I find that onstage, too.

Learning lines is hard for me because I have the attention span of a six year old. That's why being on planes all the time is so useful - I'm forced to learn out of boredom.

My first film, 'Like Minds,' was with Toni Colette, who was extraordinary. I mean it was basically a mini-masterclass for acting on film at a time when all you could probably see were my eyebrows bouncing up and down on screen.

What's really interesting about actors, is that we all have opinions on how people's careers look, but I think you never have any idea of your own, or what other people think of you.

I'm quite ignorant about fashion and I'm colourblind, so it's all a tad tricky. My only knowledge of that world comes through Christopher Bailey, whom I first met in 2008 when I did a campaign for Burberry that featured musicians, artists, actors and sportsmen.

I'm fully aware that I am a lucky, lucky man. This Oscar belongs to all of those people around the world battling ALS. It belongs to one exceptional family, and I will be it's custodian and I promise you that I will polish him, and wait on him hand and foot.

Everything about filmmaking is incredibly weird, and there's nothing natural about watching yourself on the big screen or hearing your voice. It's that same thing that you feel when you watch yourself on a video camera and you hate the sound of your voice - it's that times 800.

I go to the theater two or three times a week when I'm in London. Whereas I feel guilty going to the cinema in the middle of the afternoon.

I always think of comedy as being spontaneous, and yet everything about filmmaking is not spontaneous.

Playing Stephen [Hawking] was a constant reminder to put things in perspective: we only have one chance at this

Up there on the screen, we can all fly. But down here on earth, we need to be each others wings.

If you're an English actor and turn up in America, they don't have an opinion about where you sit. They have no idea what auditions to send you to, so they send you to everything.

I did an interview once where I was asked who I found attractive and I went on about cartoons and Nala from 'The Lion King' - and it's a bit weird but various of my ex-girlfriends actually did look like Nala.

Ladies and babies, and mortgages, for that matter, can all wait. Acting has done a strange thing to me, though. I often sit there, thinking, 'I love this, but I wouldn't put my daughter on the stage.'

As an actor there's a lot of scrutiny and, even when you've had success, it becomes about sustaining that success. A friend of mine described it as a peakless mountain. Even for De Niro there's Pacino and for Pacino there's De Niro.

In England we have this saying about Marmite: people either love it or hate it. That's like a lot of the movie work I've done. People either find it repulsive or find it really interesting and get engaged in it.