Alison Jackson Quotes

I am very pro-royal. Britain without them would be a sadder place.

I go up to people and ask if I can use them in my photos. Occasionally it is the person in question, as happened with James Hewitt. How embarrassing. He just laughed and said, 'You can't afford me.'

There is a wall of myth around royals and A-list celebrities, and that makes us wonder what they are really like. We see them on magazine covers so often that we think we know them intimately, and we want to learn more. I like to burst that bubble a little.

Finding the perfect lookalike to work with is crucial and a lengthy process. We have our regulars, but we also use social media all the time to find people. It's amazing who you can unearth on Twitter.

When Princess Diana died, I couldn't understand why people were mourning her death in such an enormous, hysterical way when they didn't actually know her for real.

The religious imagery and fairytales that formed our shared cultural references have been replaced by the cult of celebrity. Marilyn is the sex goddess, Camilla Parker Bowles is cast as the wicked witch, Che Guevara is the revolutionary. Celebrities have become visual shorthand for narratives that shape our lives.

I had a very outdoorsy childhood. I was athletic and used to ride and do dressage. I could ride almost before I could walk. There is a picture of me at 18 months old sitting happily on the back of a donkey.

I suppose we carry photographs now, but I think it's rather wonderful that people used to carry drawings and watercolours. I wish people did that more often.

It's always difficult to see yourself as other people do, but I'm realistic about my appearance. I wasn't born with one of those pretty, pretty faces, so I've never been absorbed with the way I look. I just try to make the most of what I've got.

I can't remember exactly how old I was when my parents gave me my first camera, but it was a Canon, and I was certainly far too young to have such a good camera.

I don't really like using ridicule as a form of humor.

A lot of people who look at my photographs think it is an easy joke, but it does take a bit of thinking about.

Art work is inconclusive. It opens your mind up. At least, that's what I hope it does. And advertising, using exactly the same photograph, closes things down. It makes it conclusive. It sells a product, and that is its primary function.

I'm not really interested in the celebrity themselves. I'm interested in the perception of the celebrity.

Career-wise, I feel very lucky to have always been able to follow my creative path.

Of course, my own political beliefs inform the ideas I come up with.

I'm particularly interested in how you can't rely on your own perception.

Because Bin Laden's culture doesn't permit the worship of images, they understand how powerful images are. We wouldn't have thought of creating a visual bomb. In a way, he's chopped down two iconic buildings, and used our very truth imagery, to express himself. It's fascinating ... I mean, dreadful.

If you see everything through the lens, you are constantly composing pictures. I think in pictures; I don't think in text.

You can't rely on your own perception when it comes to anything. You can always be proved wrong.

Photography can be a deceitful, superficial medium that leads us into believing something even though we know it's not necessarily true. It lulls us into a false sense of complacency.

I am fascinated by the Royal Family because they are shrouded in mystique, and the Queen, and to a certain extent William, represent fabulous blank canvases. I find the Prince of Wales less fascinating because he spills the beans and we know too much about him.

You can watch a little bit of war from your nice living room - 30 seconds of what's going on in Syria - and when you've had enough, switch over to some celebrity programme. We live our life through screens and images in this way, and we don't know what is real or fake anymore. It doesn't matter.

And I figured that he can be my ears and I can be his eyes. A good trade-off, don't you think?

I'm not satirical in a traditional way. What I do is more about creating caricatures and cartoons. I am commentating on the nature of how we live through photography, and how you can twist an angle to create a different perception of a person.

It's always fun to put fake celebrities in unlikely situations, but somehow it's even more fun when politicians are involved.

Celebrities do look different in real life from our images of them - there is a big gap. And that is what my work is about: the gap between the image and the celebrity themselves.

The only people I really hate are parking attendants.