Under Cities In California Quotes

Getting us to cities was supposed to be the final, necessary step in our assimilation, absorption, erasure, the completion of a five-hundred-year-old genocidal campaign. But the city made us new, and we made it ours. We didn't get lost amid the sprawl of tall buildings, the stream of anonymous masses, the ceaseless din of traffic. We found one another, started up Indian Centers, brought out our families and powwows, our dances, our songs, our beadwork. We bought and rented homes, slept on the streets, under freeways; we went to school, joined the armed forces, populated Indian bars in the Fruitvale in Oakland and in the Mission in San Francisco. We lived in boxcar villages in Richmond. We made art and we made babies and we made way for our people to go back and forth between reservation and city. We did not move to cities to die. The sidewalks and streets, the concrete, absorbed our heaviness. The glass, metal, rubber, and wires, the speed, the hurtling masses - the city took us in. ~ Tommy Orange

It seemed to him he had waited an age for some stir of the great grim hush; the life of the town was itself under a spell
so unnaturally, up and down the whole prospect of known and rather ugly objects, the blankness and the silence lasted. Had they ever, he asked himself, the hard-faced houses, which had begun to look livid in the dim dawn, had they ever spoken so little to any need of his spirit? Great builded voids, great crowded stillnesses put on, often, in the heart of cities, for the small hours, a sort of sinister mask, and it was of this large collective negation that Brydon presently became conscious
all the more that the break of day was, almost incredibly, now at hand, proving to him what night he had made of it. ~ Henry James

So we should not be surprised when The Economist tells us that "in Beirut, Cairo, Dubai, Riyadh or even Gaza City, small technology firms are multiplying."18 We should not be surprised that in many Middle East cities women comprise 35 percent of Internet entrepreneurs, three times the global rate for such startups.19 We should not be surprised that in high-growth industries twice as many entrepreneurs are over fifty as are under twenty-five.20 Entrepreneurs are everywhere. Opportunities to nourish them are everywhere, too. ~ Steven R. Koltai

Our memories are like a city: we tear some structures down, and we use rubble of the old to raise up new ones. Some memories are bright glass, blindingly beautiful when they catch the sun, but then there are the darker days, when they reflect only the crumbling walls of their derelict neighbours. Some memories are buried under years of patient construction; their echoing halls may never again be seen or walked down, but still they are the foundations for everything that stands above them.

"Glas told me once that that's what people are, mostly: memories, the memories in their own heads, and the memories of them in other people's. And if memories are like a city, and we are our memories, then we are like cities too. I've always taken comfort in that. ~ Tom Pollock

Karsa shrugged. 'The Malazan soldiers in Genabaris said the Seven Cities was going to rebel against their occupiers. This is why the Teblor do not make conquests. Better that the enemy keeps its land, so that we may raid again and again.'

'Not the imperial way,' the Daru responded, shaking his head. 'Possession and control, the two are like insatiable hungers for some people. Oh, no doubt the Malazans have thought up countless justifications for their wars of expansion. It's well known that Seven Cities was a rat's warren of feuds and civil wars, leaving most of the population suffering and miserable and starving under the heels of fat warlords and corrupt priest-kings. And that, with the Malazan conquest, the thugs ended up spiked to the city walls or on the run. And the wilder tribes no longer sweep down out of the hills to deliver mayhem on their more civilized kin. And the tyranny of the priesthoods was shattered, putting an end to human sacrifice and extortion. And of course the merchants have never been richer, or safer on these roads. So, all in all, this land is rife for rebellion. ~ Steven Erikson

And yet, in Raissa, at every moment there is a child in a window who laughs seeing a dog that has jumped on a shed to bite into a piece of polenta dropped by a stonemason who has shouted from the top of the scaffolding, "Darling, let me dip into it," to a young servant-maid who holds up a dish of ragout under the pergola, happy to serve it to the umbrella-maker who is celebrating a successful transaction, a white lace parasol bought to display at the races by a great lady in love with an officer who has smiled at her taking the last jump, happy man, and still happier his horse, flying over the obstacles, seeing a francolin flying in the sky, happy bird freed from its cage by a painter happy at having painted it feather by feather, speckled with red and yellow in the illumination of that page in the volume where the philosopher says: "Also in Raissa, city of sadness, there runs an invisible thread that binds one living being to another for a moment, then unravels, then is stretched again between moving points as it draws new and rapid patterns so that at every second the unhappy city contains a happy city unaware of its own existence. ~ Italo Calvino

He got up and walked out to the road. The black shape of it running from dark to dark. Then the distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? He walked out into the road and stood. The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind. What will you say? A living man spoke these lines? He sharpened a quill with his small pen knife to scribe these things in sloe or lampblack? At some reckonable and entabled moment? He is coming to steal my eyes. To seal my mouth with dirt. ~ Cormac McCarthy

The earth will always be the same - only cities and history will change, even nations will change, governments and governors will go, the things made by men's hands will go, buildings will always crumble - only the earth will remain the same, there will always be men on the earth in the morning, there will always be the things made by God's hands - and all this history of cities and congress now will go, all modern history is only a littering Babylon smoking under the sun, delaying the day when men again will have to return to earth, to the earth of life and God - ~ Jack Kerouac

Under the seeming disorder of the old city, wherever the old city is working successfully, is a marvelous order for maintaining the safety of the streets and the freedom of the city. It is a complex order. Its essence is intricacy of sidewalk use, bringing with it a constant succession of eyes. This order is all composed of movement and change, and although it is life, not art, we may fancifully call it the art form of the city and liken it to the dance - not to a simple-minded precision dance with everyone kicking up at the same time, twirling in unison and bowing off en masse, but to an intricate ballet in which the individual dancers and ensembles all have distinctive parts which miraculously reinforce each other and compose an orderly whole. The ballet of the good city sidewalk never repeats itself from place to place, and in any once place is always replete with new improvisations. ~ Jane Jacobs

Are You Ready for New Urban Fragrances?

Yeah, I guess I'm ready, but listen:

Perfume is a disguise. Since the middle ages, we have worn masks of fruit and flowers in order to conceal from ourselves the meaty essence of our humanity. We appreciate the sexual attractant of the rose, the ripeness of the orange, more than we honor our own ripe carnality.

Now today we want to perfume our cities, as well; to replace their stinging fumes of disturbed fossils' sleep with the scent of gardens and orchards. Yet, humans are not bees any more than they are blossoms. If we must pull an olfactory hood over our urban environment, let it be of a different nature.

I want to travel on a train that smells like snowflakes.

I want to sip in cafes that smell like comets.

Under the pressure of my step, I want the streets to emit the precise odor of a diamond necklace.

I want the newspapers I read to smell like the violins left in pawnshops by weeping hobos on Christmas Eve.

I want to carry luggage that reeks of the neurons in Einstein's brain.

I want a city's gases to smell like the golden belly hairs of the gods.

And when I gaze at a televised picture of the moon, I want to detect, from a distance of 239,000 miles, the aroma of fresh mozzarella. ~ Tom Robbins

At this point, the sequence of my memories is disrupted.

I sank into a chaos of brief, incoherent and bizarre hallucinations, in which the grotesque and the horrible kept close company. Prostrate, as if I were being garrotted by invisible cords, I floundered in anguish and dread, oppressively ridden by the most unbridled nightmares. A whole series of monsters and avatars swarmed in the shadows, coming to life amid draughts of sulphur and phosphorus like an animated fresco painted on the moving wall of sleep.

There followed a turbulent race through space. I soared, grasped by the hair by an invisible hand of will: an icy and powerful hand, in which I felt the hardness of precious stones, and which I sensed to be the hand of Ethal. Dizziness was piled upon dizziness in that flight to the abyss, under skies the colour of camphor and salt, skies whose nocturnal brilliance had a terrible limpidity. I was spun around and around, in bewildering confusion, above deserts and rivers. Great expanses of sand stretched into the distance, mottled here and there by monumental shadows. At times we would pass over cities: sleeping cities with obelisks and cupolas shining milk-white in the moonlight, between metallic palm-trees. In the extreme distance, amid bamboos and flowering mangroves, luminous millennial pagodas descended towards the water on stepped terraces. ~ Jean Lorrain

By his machines man can dive and remain under water like a shark; can fly like a hawk in the air; can see atoms like a gnat; can see the system of the universe of Uriel, the angel of the sun; can carry whatever loads a ton of coal can lift; can knock down cities with his fist of gunpowder; can recover the history of his race by the medals which the deluge, and every creature, civil or savage or brute, has involuntarily dropped of its existence; and divine the future possibility of the planet and its inhabitants by his perception of laws of nature. ~ Ralph Waldo Emerson

Suddenly it wasn't only a personal thing to me. I could picture hundreds and hundreds of boys living on the wrong sides of cities, boys with black eyes who jumped at their own shadows. Hundreds of boys who maybe watched sunsets and looked at stars and ached for something better. I could see boys going down under street lights because they were mean and tough and hated the world, and it was too late to tell them that there was still good in it, and they wouldn't believe you if you did. ~ S.E. Hinton

The surpluses will have to be expended somehow, and trust the oligarchs to find a way. Magnificent roads will be built. There will be great achievements in science, and especially in art. When the oligarchs have completely mastered the people, they will have time to spare for other things. They will become worshippers of beauty. They will become art-lovers. And under their direction and generously rewarded, will toil the artists. The result will be great art; for no longer, as up to yesterday, will the artists pander to the bourgeois taste of the middle class. It will be great art, I tell you, and wonder cities will arise that will make tawdry and cheap the cities of old time. And in these cities will the oligarchs dwell and worship beauty ~ Jack London

People of Baghdad, remember for 26 generations you have suffered under strange tyrants who have ever endeavoured to set one Arab house against another in order that they might profit by your dissensions. This policy is abhorrent to Great Britain and her Allies for there can be neither peace nor prosperity where there is enmity or misgovernment. Our armies do not come into your cities and lands as conquerors or enemies, but as liberators. ~ Frederick Stanley Maude

Say you could view a time lapse film of our planet: what would you see?

Transparent images moving through light, "an infinite storm of beauty."
The beginning is swaddled in mists, blasted by random blinding flashes. Lava pours and cools; seas boil and flood. Clouds materialize and shift; now you can see the earth's face through only random patches of clarity. The land shudders and splits, like pack ice rent by widening lead. Mountains burst up, jutting, and dull and soften before your eyes, clothed in forests like felt. The ice rolls up, grinding green land under water forever; the ice rolls back. Forests erupt and disappear like fairy rings. The ice rolls up- mountains are mowed into lakes, land rises wet from the sea like a surfacing whale- the ice rolls back.

A blue-green streaks the highest ridges, a yellow-green spreads from the south like a wave up a strand. A red dye seems to leak from the north down the ridges and into the valleys, seeping south; a white follows the red, then yellow-green washes north, then red spreads again, then white, over and over, making patterns of color too intricate to follow. Slow the film. You see dust storms, locusts, floods, in dizzying flash-frames.

Zero in on a well-watered shore and see smoke from fires drifting. Stone cities rise, spread, and crumble, like paths of alpine blossoms that flourish for a day an inch above the permafrost, that iced earth no root can suck, and wither in a hour. New cit ~ Annie Dillard

What is our task in this world as children of God and brothers and sisters of Jesus? Our task is reconciliation. Wherever we go we see divisions among people - in families, communities, cities, countries, and continents. All these divisions are tragic reflections of our separation from God. The truth that all people belong together as members of one family under God is seldom visible. Our sacred task is to reveal that truth in the reality of everyday life. Why is that our task? Because God sent Jesus to reconcile us with God and to give us the task of reconciling people with one another. As people reconciled with God through Jesus we have been given the ministry of reconciliation (see 2 Corinthians 5:18). So whatever we do the main question is, Does it lead to reconciliation among people? ~ Henri J.M. Nouwen

The black shape of it running from dark to dark. Then a distant low rumble. Not thunder. You could feel it under your feet. A sound without cognate and so without description. Something imponderable shifting out there in the dark. The earth itself contracting with the cold. It did not come again. What time of year? What age the child? ... The silence. The salitter drying from the earth. The mudstained shapes of flooded cities burned to the waterline. At a crossroads a ground set with dolmen stones where the spoken bones of oracles lay moldering. No sound but the wind. ~ Cormac McCarthy

These late eclipses in the sun and moon portend
no good to us: though the wisdom of nature can
reason it thus and thus, yet nature finds itself
scourged by the sequent effects: love cools,
friendship falls off, brothers divide: in
cities, mutinies; in countries, discord; in
palaces, treason; and the bond cracked 'twixt son
and father. This villain of mine comes under the
prediction; there's son against father: the king
falls from bias of nature; there's father against
child. We have seen the best of our time:
machinations, hollowness, treachery, and all
ruinous disorders, follow us disquietly to our
graves. Find out this villain, Edmund; it shall
lose thee nothing; do it carefully. And the
noble and true-hearted Kent banished! his
offence, honesty! 'Tis strange. ~ William Shakespeare

London in the '70s was a pretty catastrophic dump, I can tell you. We had every kind of industrial trouble; we had severe energy problems; we were under constant terrorist attack from Irish terrorist groups who started a bombing campaign in English cities; politics were fantastically polarized between left and right. ~ Ian McEwan

Not everybody likes the idea of their cities filling up with the poor. A judge in Bombay called slum dwellers pickpockets of urban land. Another said, while ordering the bulldozing of unauthorized colonies, that people who couldn't afford to live in cities shouldn't live in them. When those who had been evicted went back to where they came from, they found their villages had disappeared under great dams and dusty quarries. ~ Arundhati Roy

No history much? Perhaps. Only this ominous Dark beauty flowering under veils, Trapped in the spectrum of a dying style: A village like an instinct left to rust, Composed around the echo of a pistol-shot. ~ Lawrence Durrell

In my own country, many of the movies in recent years express our innate fears about what awaits us. They are apocalyptic visions that leave only a few people on earth-whole cities surviving under domes because we have depleted our natural resources. And often in these movies, for reasons that I question, we have space aliens who are always blowing up Washington, D.C., and the White House. ~ Hillary Clinton

The second mode to deal with unsafe cities is to take refuge in vehicles. This is the technique practiced in the big wild-animal reservations of Africa, where tourists are warned to leave their cars under no circumstances until they reach a lodge. It is also the technique practiced in Los Angeles. ~ Jane Jacobs

Certainly from the ????standpoint of a Republican, it's a winner. Republicans will come out ahead in Pennsylvania in every election. The way Democrats win, they have two big cities with huge concentrations of voters - and then overwhelm the rest of the state. All of a sudden, a Republican can win - and would probably routinely win - all but three or four congressional districts in Pennsylvania. It would turn it from a state Democrats rely on, as part of the base, to a state that they're gonna lose under almost any scenario. ~ Rick Santorum

In cities where peace and the arts flourish, men are more consumed by jealousy, worry, and anxiety than they are in cities under the blight of a besieging army. Private sorrows are more bitter than public suffering. ~ Voltaire

Play is under attack in our nation's schools - and shrinking recess periods are only part of the problem. Homework is increasing. Cities are building new schools without playgrounds. Safety concerns are prompting bans of tag, soccer, and even running on the schoolyard. ~ Darell Hammond

Real cities have something else, some individual bony structure under the muck. Los Angeles has Hollywood
and hates it. It ought to consider itself damn lucky. Without Hollywood it would be a mail order city. Everything in the catalogue youi could get better somewhere else. ~ Raymond Chandler

Night calls to the sandhills and gathers them under her. She pushes away cities because their sharp lights hurt her soft breast. Even candles make a sore place when they stick in the night. ~ Lola Ridge

Some of the hardest-working and most productive people in this city are undocumented aliens. If you come here and you work hard and you happen to be in an undocumented status, you're one of the people who we want in this city. You're somebody that we want to protect, and we want you to get out from under what is often a life of being like a fugitive, which is really unfair. ~ Rudy Giuliani

What happened to your arm?" she asked me one night in the Gentleman Loser, the three of us drinking at a small table in a corner.

Hang-gliding," I said, "accident."

Hang-gliding over a wheatfield," said Bobby, "place called Kiev. Our Jack's just hanging there in the dark, under a Nightwing parafoil, with fifty kilos of radar jammed between his legs, and some Russian asshole accidentally burns his arm off with a laser."

I don't remember how I changed the subject, but I did.

I was still telling myself that it wasn't Rikki who getting to me, but what Bobby was doing with her. I'd known him for a long time, since the end of the war, and I knew he used women as counters in a game, Bobby Quine versus fortune, versus time and the night of cities. And Rikki had turned up just when he needed something to get him going, something to aim for. So he'd set her up as a symbol for everything he wanted and couldn't have, everything he'd had and couldn't keep.

I didn't like having to listen to him tell me how much he loved her, and knowing he believed it only made it worse. He was a past master at the hard fall and the rapid recovery, and I'd seen it happen a dozen times before. He might as well have had next printed across his sunglasses in green Day-Glo capitals, ready to flash out at the first interesting face that flowed past the tables in the Gentleman Loser.

I knew what he did to them. He turned them into emblems, sigils ~ William Gibson

In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping.

A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised.

A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral d ~ Italo Calvino

But out under the Moon, Chestnut Ridge and Cheat behind them, and Monongahela to cross, into an Overture of meadow to the Horizon, low-lands become to them a dream whilst under a Spell, the way it gives back the Light, the way it withholds its Shadows, - who might not come to believe in an Eternal West? In a Momentum that bears all away? "Men are remov'd by it, and women, from where they were, - as if surrender'd to a great current of Westering. You will hear of gold cities, marble cities, men that fly, women that fight, fantastickal creatures never dream'd in Europe, - something always to take and draw you that way, ~ Thomas Pynchon

It was too late to tell Dally. Would he have listened? I doubted it. Suddenly it wasn't only a personal thing to me. I could picture hundreds and hundreds of boys living on the wrong sides of cities, boys with black eyes who jumped at their own shadows. Hundreds of boys who maybe watched sunsets and looked at stars and ached for something better. I could see boys going under street lights because they were mean and tough and hated the world, and it was too late to tell them that there was still good in it, and they wouldn't believe you if you did. It was too much of a problem to be just a personal thing. ~ S.E. Hinton

And, Legolas, when the torches are kindled and men walk on the sandy floors under the echoing domes, ah! Then, Legolas, gems and crystals and veins of precious ore glint in the polished walls; and the light glows through folded marbles, shell-like, translucent as the living hands of Queen Galadriel. There are columns of white and saffron and dawn-rose, Legolas, fluted and twisted into dreamlike forms; they spring up from many-coloured floors to meet the glistening pendants of the roof: wings, ropes, curtains fine as frozen clouds; spears, banners, pinnacles of suspended palaces! Still lakes mirror them: a glimmering world looks up from dark pools covered with clear glass; cities, such as the mind of Durin could scarce have imagined in his sleep, stretch on through avenues and pillared courts, on into the dark recesses where no light can come, And plink! A silver drop falls, and the round wrinkles in the glass make all the towers bend and waver like weeds and corals in a grotto of the sea. Then evening comes:" they fade and twinkle out; the torches pass on into another chamber and another dream. There is chamber after chamber, Legolas; hall opening out of hall, dome after dome, stair beyond stair; and still the winding paths lead on into the mountains' heart. Caves! The Caverns of Helm's Deep! Happy was the chance that drove me there! It makes me weep to leave them. ~ J.R.R. Tolkien

Sometimes different cities follow one another on the same site and under the same name, born and dying without knowing one another, without communication among themselves. At times even the names of the inhabitants remain the same, and their voices' accent, and also the features of the faces; but the gods who live beneath names and above places have gone off without a word and outsiders have settled in their place. It is pointless to ask whether the new ones are better or worse than the old, since there is no connection between them, just as the old postcards do not depict Maurilia as it was, but a different city which, by chance, was called Maurilia, like this one. ~ Italo Calvino

Without running, I would have missed the joy of rain. What could be considered an inconvenience or a bummer to the inexperienced is actually a gift. Without running, I would miss a lot of things-like seeing cities in a certain way, or knowing certain people all the way to the core. I'm glad we don't experience life through glass, under cover, or from the sidelines. Good things take miles. ~ Kristin Armstrong

Because he let the entire world press upon him. For instance? Well, for instance, what it means to be a man. In a city. In a century. In transition. In a mass. Transformed by science. Under organized power. Subject to tremendous controls. In a condition caused by mechanization. After the late failure of radical hopes. In a society that was no community and devalued the person.Owing to the multiplied power of numbers which made the self negligible. Which spent military billions against foreign enemies but would not pay for order at home. Which permitted savagery and barbarism in its own great cities. At the same time, the pressure of human millions who have discovered what concerted efforts and thoughts can do. ~ Saul Bellow

There is nothing more hostile to a city that a tyrant, under whom in the first and chiefest place, there are not laws in common, but one man, keeping the law himself to himself, has the sway, and this is no longer equal. ~ Euripides

A sixteenth-century poet, especially one who knew that he ought to be a curious and universal scholar, would possess some notions, perhaps not strictly philosophical, about the origin of the world and its end, the eduction of forms from matter, and the relation of such forms to the higher forms which are the model of the world and have their being in the mind of God. He might well be a poet to brood on those great complementary opposites: the earthly and heavenly cities, unity and multiplicity, light and dark, equity and justice, continuity--as triumphantly exhibited in his own Empress--and ends--as sadly exhibited in his own Empress. Like St. Augustine he will see mutability as the condition of all created things, which are immersed in time. Time, he knows, will have a stop--perhaps, on some of the evidence, quite soon. Yet there is other evidence to suggest that this is not so. It will seem to him, at any rate, that his poem should in part rest on some poetic generalization-some fiction--which reconciles these opposites, and helps to make sense of the discords, ethical, political, legal, and so forth, which, in its completeness, it had to contain.

This may stand as a rough account of Spenser's mood when he worked out the sections of his poem which treat of the Garden of Adonis and the trial of Mutability, the first dealing with the sempiternity of earthly forms, and the second with the dilation of being in these forms under the shadow of a final end. Perhaps the ~ Frank Kermode

You've seen them. They have mouths that twitch, and eyes that stare, and they babble and they mewl and they whimper. Some of them walk the cities in ragged clothes, their belongings under their arms. Others of their number are locked in the dark, in places where they can no longer harm themselves or others. They are not mad, or rather, the loss of their sanity is the lesser of their problems. It is worse thn madness. They will tell you, if you let them: they are the ones who live, each day, in the wreckage of their dreams. ~ Neil Gaiman

In Tenochtitlan, Tezcoco and other cities there were groups of wise men known as tlamatinime. These scholars carried on the study of the ancient religious thinking of the Toltecs, which Tlacaelel had transformed into a mystical exaltation of war. Despite the popularity of the cult of the war-god, Huitzilopochtli, the tlamatinime preserved the old belief in a single supreme god, who was known under a variety of names. Sometimes he was called Tloque-Nahuaque, "Lord of the Close Vicinity," sometimes Ipalnemohuani, "Giver of Life," sometimes Moyocoyatzin, "He who Creates Himself." He also had two aspects, one masculine and one feminine. Thus he was also invoked as Ometeotl, "God of Duality," or given the double names Ometecuhtli and Omecihuatl, "Lord and Lady of Duality," Mictlantecuhtli and Mictecacihuatl, "Lord and Lady of the Region of Death," and others. ~ Miguel Leon-Portilla

I Am the Highway"

Pearls of swine bereft of me
Long and weary my road has been
I was lost in the cities
Alone in the hills
No sorrow or pity for the leaving I feel

I am not your rolling wheels
I am the highway
I am not your carpet ride
I am the sky

Friends and liars don't wait for me
I'll get on all by myself
I put millions of miles
Under my heels
And still too close to you
I feel

I am not your rolling wheels
I am the highway
I am not your carpet ride
I am the sky

I am not your blowing wind
I am the lightening
I am not your autumn moon
I am the night

Chris Cornell (July 20, 1964 - May 18, 2017) ~ The Friends And Fans Of Chris Cornell

Venice is a cheek-by-jowl, back-of-the-hand, under-the-counter, higgledy-piggledy, anecdotal city, and she is rich in piquant wrinkled things, like an assortment of bric-a-brac in the house of a wayward connoisseur, or parasites on an oyster-shell. ~ Jan Morris