Singerie Motif Quotes

Did your patron specify a motif? Usually I do a standard Virgin Mary from the waist up, and in this case I will throw in Babe Jesus for free, since you have come all this way. ~ Anne Fortier

Let me speak frankly: separate but equal is a fraud. It is the language that tried to push Rosa Parks to the back of the bus. It is the motif that determined that black and white people could not possibly drink from the same water fountain, eat at the same table or use the same toilets. ~ David Lammy

Now the motif was clear. This trip was their first and last taste of freedom, an interlude between two regimentations: the campus and the barracks. The elemental simplicities of wilderness travel were thrills not only because of their novelty, but because they represented complete freedom to make mistakes. The wilderness gave them their first taste of those rewards and penalties for wise and foolish acts which every woodsman faces daily, but against which civilization has built a thousand buffers. These boys were 'on their own' in this particular sense. ~ Aldo Leopold

Listen, Kafka. What you're experiencing now is the motif of many Greek tragedies. Man doesn't choose fate. Fate chooses man. That's the basic worldview of Greek drama. And the sense of tragedy - according to Aristotle - comes, ironically enough, not from the protagonist's weak points but from his good qualities. Do you know what I'm getting at? People are drawn deeper into tragedy not by their defects but by their virtues. Sophocles' Oedipus Rex being a great example. Oedipus is drawn into tragedy not because of laziness or stupidity, but because of his courage and honesty. So an inevitable irony results. ~ Haruki Murakami

When a sculptor creates a sculpture, a writer writes a novel, or a painter paints a motif on a canvas, he needs talent and expertise. But to be successful in his endeavor, he also needs to have the passionate feeling that he wants, at all costs, to create a work of art which, in his head, constantly demands to be accomplished. The same also applies to developing board games or card games. ~ Klaus Teuber

Early in the novel that Tereza clutched under her arm when she went to visit Tomas, Anna meets Vronsky in curious circumstances: they are at the railway station when someone is run over by a train. At the end of the novel, Anna throws herself under a train. This symmetrical composition - the same motif appears at the beginning and at the end - may seem quite "novelistic" to you, and I am willing to agree, but only on condition that you refrain from reading such notions as "fictive," "fabricated," and "untrue to life" into the word "novelistic." Because human lives are composed in precisely such a fashion.

They are composed like music. Guided by his sense of beauty, an individual transforms a fortuitous occurrence (Beethoven's music, death under a train) into a motif, which then assumes a permanent place in the composition of the individual's life. Anna could have chosen another way to take her life. But the motif of death and the railway station, unforgettably bound to the birth of love, enticed her in her hour of despair with its dark beauty. Without realizing it, the individual composes his life according to the laws of beauty even in times of greatest distress.

It is wrong, then, to chide the novel for being fascinated by mysterious coincidences (like the meeting of Anna, Vronsky, the railway station, and death or the meeting of Beethoven, Tomas, Tereza, and the cognac), but it is right to chide man for being blind to such coincidences in his daily li ~ Milan Kundera

I thought of Shakespearean chiasmus. A chiasmus in language is a crisscross structure. A doubling back sentence. A doubling of meaning. My favorite is "love's fire heats water, water cools not love." As a motif, a chiasmus is a world within a world where transformation is possible. In the green world events and actions lose their origins. Like in dreams. Time loses itself. The impossible happens as if it were ordinary. First meanings are undone and remade by second meanings. ~ Lidia Yuknavitch

In the mid–path of my life, I woke to find myself in a dark wood,' writes Dante, in The Divine Comedy, beginning a quest that will lead to transformation and redemption. A journey through the dark of the woods is a motif common to fairy tales: young heroes set off through the perilous forest in order to reach their destiny, or they find themselves abandoned there, cast off and left for dead. The road is long and treacherous, prowled by wolves, ghosts, and wizards - but helpers also appear along the way, good fairies and animal guides, often cloaked in unlikely disguises. The hero's task is to tell friend from foe, and to keep walking steadily onward. ~ Terri Windling

I want to make beautiful paintings. But I don't make beautiful paintings by putting beautiful paint on a canvas with a beautiful motif. It just doesn't work. I expect my paintings to be strong and surprising. ~ Albert Oehlen

Obsession with self is the motif of our time. ~ Charles Krauthammer

The motif of death plays an important role the human psyche in connection with archetypal and karmic material. ~ Stanislav Grof

And more than once in the course of time, the same theme reappears: among the mystics of the fifteenth century, it has become the motif of the soul as a skiff, abandoned on the infinite sea of desires, in the sterile field of cares and ignorance, among the mirages of knowledge, amid the unreason of the world - a craft at the mercy of the sea's great madness, unless it throws out a solid anchor, faith, or raises its spiritual sails so that the breath of God may bring it to port. ~ Michel Foucault

Sometimes the Church patently tried to profit from such incidents: the Benedictine monks of Norwich Cathedral in England, encouraged by their bishop, were pioneers in the blood-libel business when in the 1140s they tried to foster in their own church a cult of an alleged young victim of the Jews called William. Unfortunately for the monks, the good folk of Norwich loathed their cathedral more than they did the Jews, and the pilgrimage to little St William never amounted to much. Other cults were more successful (see chapter 2, p. 59), and the blood-libel has remained a recurring motif in the worst atrocities against the Jews. ~ Diarmaid MacCulloch

...the centrality of competitiveness as the key to growth is a recurrent EU motif. Two decades of EC directives on increasing competition in every area, from telecommunications to power generation to collateralizing wholesale funding markets for banks, all bear the same ordoliberal imprint. Similarly, the consistent focus on the periphery states' loss of competitiveness and the need for deep wage and cost reductions therein, while the role of surplus countries in generating the crisis is utterly ignored, speaks to a deeply ordoliberal understanding of economic management. Savers, after all, cannot be sinners. Similarly, the most recent German innovation of a constitutional debt brake (Schuldenbremse) for all EU countries regardless of their business cycles or structural positions, coupled with a new rules-based fiscal treaty as the solution to the crisis, is simply an ever-tighter ordo by another name.

If states have broken the rules, the only possible policy is a diet of strict austerity to bring them back into conformity with the rules, plus automatic sanctions for those who cannot stay within the rules. There are no fallacies of composition, only good and bad policies. And since states, from an ordoliberal viewpoint, cannot be relied upon to provide the necessary austerity because they are prone to capture, we must have rules and an independent monetary authority to ensure that states conform to the ordo imperative; hence, the ECB. Then, and only then, will grow ~ Mark Blyth

If Music is a Place
then Jazz is the City, Folk is the Wilderness, Rock is the Road, Classical is a Temple. ~ Vera Nazarian

The first grand federalist design ... was that of the Bible, most particularly the Hebrew Scriptures or Old Testament ... Biblical thought is federal (from the Latin foedus, covenant) from first to last
from God's covenant with Noah establishing the biblical equivalent of what philosophers were later to term Natural Law to the Jews' reaffirmation of the Sinai covenant under the leadership of Ezra and Nehemiah, thereby adopting the Torah as the constitution of their second commonwealth. The covenant motif is central to the biblical world view, the basis of all relationships, the mechanism for defining and allocating authority, and the foundation of the biblical political teaching. ~ Daniel J. Elazar

On a dangerous seacoast where shipwrecks often occur, there was once a crude little life-saving station. The building was just a hut, and there was only one boat. But the few devoted members kept a constant watch over the sea, and with no thought for themselves went out day and night tirelessly searching for the lost. Some of those who were saved, and various others in the surrounding area, wanted to become associated with the station and give their time and money and effort for the support of its work. New boats were bought and new crews trained. The little life-saving station grew.
Some of the members of the life-saving were unhappy that the building was so crude and poorly equipped. They felt that a more comfortable place should be provided as the first refuge of those saved from the sea. They replaced the emergency cots with beds and put better furniture in the enlarged building.
Now the life-saving station became a popular gathering place for its members, and they decorated it as sort of a club. Fewer members were now interested in going to sea on life-saving missions, so they hired lifeboat crews to do this work. The life-saving motif still prevailed in this club`s decoration, and there was a liturgical lifeboat in the room where the club initiations were held.
About this time a large ship was wrecked off the coast, and the hired crews brought in boatloads of cold, wet and half-drowned people. They were dirty and sick and some had black skin and some ha ~ Ross Paterson

We live in a world where you can be put to death for your belief and shows how humanity judges in a dreadful motif. ~ Stanley Victor Paskavich

There was a hint of spring in her sole green eyes, something summery in her complexion, and a rich autumn ripeness in her walk. ~ Toni Morrison

Human lives are conmposed like music. Guided by his sense of beauty, an individual transforms a fortuitous occurrence into a motif, which then assumes a permanent place in the composition of an individual's life. ~ Milan Kundera

I have always known that there were spellbinding evil parts for women. For one thing, I was taken at an early age to see Snow White and the Seven Dwarfs. Never mind the Protestant work ethic of the dwarfs. Never mind the tedious housework-is-virtuous motif. Never mind the fact that Snow White is a vampire
anyone who lies in a glass coffin without decaying and then comes to life again must be. The truth is that I was paralysed by the scene in which the evil queen drinks the magic potion and changes her shape. What power, what untold possibilities! ~ Margaret Atwood

And did I seek the Kingdom? Will the Kingdom
Come? The idea of it there,
Behind its scrim since font and fontanel,

Breaks like light or water,
Like giddiness I felt at the old story
Of how he'd turn away from the motif,

Spread his legs, bend low, then look between them
For the mystery of the hard and fast
To be unveiled, his inverted face contorting.

Like an arse-kisser's in some vision of the damned
Until he'd straighten, turn back, cock an eye
And stand with the brush at arm's length, readying. ~ Seamus Heaney

An interesting question is whether symmetry with respect to translation, and indeed reflection and rotation too, is limited to the visual arts, or may be exhibited by other artistic forms, such as pieces of music. Evidently, if we refer to the sounds, rather than to the layout of the written musical score, we would have to define symmetry operations in terms other than purely geometrical, just as we did in the case of the palindromes. Once we do that, however, the answer to the question, Can we find translation-symmetric music? is a resounding yes. As Russian crystal physicist G. V. Wulff wrote in 1908: "The spirit of music is rhythm. It consists of the regular, periodic repetition of parts of the musical composition...the regular repetition of identical parts in the whole constitutes the essence of symmetry." Indeed, the recurring themes that are so common in musical composition are the temporal equivalents of Morris's designs and symmetry under translation. Even more generally, compositions are often based on a fundamental motif introduced at the beginning and then undergoing various metamorphoses. ~ Mario Livio

While people are fairly young and the musical composition of their lives is still in its opening bars, they can go about writing it together and sharing motifs (the way Tomas and Sabina exchanged the motif of the bowler hat), but if they meet when they are older, like Franz and Sabina, their musical compositions are more or less complete, and every motif, every object, every word means something different to each of them. ~ Milan Kundera

To evolve out of this position of psychological immaturity to the courage of self-responsibility and assurance requires a death and a resurrection. That's the basic motif of the universal hero's journey - leaving one condition and finding the source of life to bring you forth into a richer or mature condition. ~ Joseph Campbell

forming the "hydrogen bond"... is dynamic, with the exchange occurring in a few billionths of a billionth of a second. Since water molecules can "lose" two hydrogen atoms and "win" two by way of their oxygen atom, they are on average regrouped in fours, and the network of water, whether in our glass or in our cells is tetrahedral. All the same, this arrangement is not perfect in liquid water (otherwise the water would be a solid crystal), and locally there are many defects in the network. Although the motif of four water molecules is the most common in "linear" hydrogen bonds, the water molecule sometimes has a "forked tongue" with bifurcated liaisons, which creates arrangements of three or five, or even two or six molecules. This variability prevents water from being structured over a great distance and enables it to remain in a liquid state at the ambient temperature. ~ Denis Le Bihan

I like the idea of it as a trickster motif. You know like you're kind of just messing around with people's memories of songs. ~ DJ Spooky

They had painted in a grand rush to keep intact the purity of their first impression, the mood in which the motif had been conceived. ~ Irving Stone

Female prophecy must be situated in the crisis of reproduction in the middle of the seventeenth century. This was the peak period for the criminalization of women in England and throughout Europe, as prosecutions for infanticide, abortion, and witchcraft reached their highest rate. It was also the period in which men began to wrest control of reproduction from women (male midwives appeared in 1625 and forceps soon thereafter); previously, "childbirth and the lying-in period were a kind of ritual collectively staged and controlled by women, from which men were usually excluded." Since the ruling class had begun to recognize its interest in increased fecundity, "attention was focussed on the 'population' as fundamental category for economic and political analysis." The simultaneous births of modern obstetrics and modern demography were responses to this crisis. Both, like the witchcraft prosecutions, sought to rationalize social reproduction in a capitalist context - that is, as the breeding of labor power. A recurring motif in the ruling-class imagination was intercourse between the English witch and the "black man" - a devil or imp. The terror was not limited to an imaginary chamber of horrors; it was an actuality of counterevolution. ~ Peter Linebaugh

IT HAS BEEN SHOWN that the story of Moses and the Exodus can be understood not as literal history or history mythologized but as myth historicized. The lawgiver motif ranks as solar and allegorical, reflecting an ancient archetype extant also in the myth of Dionysus, god of vine and wine, who shares numerous significant attributes with Moses. ~ D.M. Murdock

I just called the slaveholder version of Christianity "false." I believe that. But note that in situations of conflict participants view reality differently. The more intractable the conflict, especially where both sides have the capacity to hurt each other, the more difficult it is to determine who is "victim" and who is "oppressor." Think about how nothing is quite as predictable and fruitless as hearing estranged spouses blame each other for being abusive or oppressive. Liberation theology dealt with this perceptual gulf in conflicted situations by speaking of the "epistemological privilege of the poor/oppressed." This meant: the view of the truth of a conflictual situation is clearer from the underside than from the position of power. But this assumes that we know who is on the underside and who holds the power. I am not saying that the exodus-liberation-deliverance motif is invalidated; I am saying that few situations present themselves to us in such clarity as Exod. 1-2 enslavement and infanticide do. ~ David P. Gushee

There is at Christmas time a great deal of hypocrisy, honourable hypocrisy, hypocrisy undertaken pour le bon motif, c'est entendu, but nevertheless hypocrisy! ~ Agatha Christie

This symmetrical composition- the same motif appears at the beginning and at the end- may seem quite 'novelistic' to you, and I am willing to agree, but only on condition that you refrain from reading such notions as 'fictive,' 'fabricated,' and 'untrue to life' into the word 'novelistic.' Because human lives are composed in precisely such a fashion. They are composed like music. Guided by his sense of beauty, an individual transforms a fortuitous occurrence (Beethoven's music, death under a train), into a motif, which then assumes a permanent place in the composition of the individual's life ... Without realizing it, the individual composes his life according to the laws of beauty even in times of greatest distress ... The brain appears to possess a special area which we might call poetic memory and which records everything that charms or touches us, that makes our lives beautiful. ~ Milan Kundera

If you look at U.S. history through religious history, there is very much a motif that shows the importance religion has played in the U.S. We're a very religious country and it affects the way we look at various political issues. ~ Madeleine Albright

In a sermon I heard recently, the minister claimed that the portrait of God as a storm god (a literary motif that he did not name) in Psalm 97 is based on allusions to the Exodus and is 'not mere window dressing,' that is, metaphoric. As I observed to this preacher later, he used a metaphor in his denigration of metaphor as mere window dressing. ~ Leland Ryken

Yet who would have thought the old man to have had so much blood in him? - Lady Macbeth ~ William Shakespeare

Samuel Spade's jaw was long and bony, his chin a jutting v under the more flexible v of his mouth. His nostrils curved back to make another, smaller, v. His yellow-grey eyes were horizontal. The v motif was picked up again by thickish brows rising outward from twin creases above a hooked nose, and his pale brown hair grew down - from high flat temples - in a point on his forehead. He looked rather pleasantly like a blond satan. ~ Dashiell Hammett

The science-fictional motif of lethal, infectious information - bad memes - is a fascinating one, with an extended history. One of the earliest instances is Robert W. Chambers's 'The King in Yellow' from 1895. Chambers's conceit is a malevolent play: read beyond Act II, and you go mad. ~ Paul Di Filippo

There's husbandry in heaven; Their candles are all out. ~ William Shakespeare

At different moments you see with different eyes. You see differently in the morning than you do in the evening. In addition, how you see is also dependent on your emotional state. Because of this, a motif can be seen in many different ways, and this is what makes art interesting. ~ Edvard Munch

I should like to take the wind and water and sand as a motif and work with them, but it has to be simplified in most cases to colour and force lines, just as music has done with sound. ~ Arthur Dove

You love the accidental. A smile from a pretty girl in an interesting situation, a stolen glance, that is what you are hunting for, that is a motif for your aimless fantasy. You who always pride yourself on being an observateur must, in return, put up with becoming an object of observation. Ah, you are a strange fellow, one moment a child, the next an old man; one moment you are thinking most earnestly about the most important scholarly problems, how you will devote your life to them, and the next you are a lovesick fool. But you are a long way from marriage. ~ Soren Kierkegaard

This is the time of myths. They are woven into the present like silk strands from the past, like a wire mesh from the future, creating an interlacing pattern, a grand design, a repeating motif. Don't dismiss myth, boy. And never, ever, dismiss the Bookman ~ Lavie Tidhar