Shakespeare S Wit Quotes

If one has once read Shakespeare with attention, it is not easy to go a day without quoting him, because there are not many subjects of major importance that he does not discuss or at least mention somewhere or another, in his unsystematic but illuminating way. ~ George Orwell

Time doth make cowherds of us all. ~ David B. Lentz

It is excellent / To have a giant's strenght / But it is tyrannous / To use it like a giant
(Isabella) ~ William Shakespeare

Who was it who said that every virtue contains its corresponding vice? C.S. Lewis? Virginia Woolf? You forget. But it has always worried you that what the virtue of wit contained was the vice of scorn. ~ Kevin Brockmeier

In fact, Lig never formally resigned his editorship - he merely left his office late one morning, and has never returned since. Though well over a century has now passed, many members of the Guide staff still retain the romantic notion that he has simply popped out for a sandwich and will yet return to put in a solid afternoon's work.
Strictly speaking, all editors since Lig Lury Jr., have therefore been designated acting editors, and Lig's desk is still preserved the way he left it, with the addition of a small sign that says LIG LURY, JR., EDITOR, MISSING, PRESUMED FED. ~ Douglas Adams

The writers I care about most and never grow tired of are: Shakespeare, Swift, Fielding, Dickens, Charles Reade, Flaubert and, among modern writers, James Joyce, T. S. Eliot and D. H. Lawrence. But I believe the modern writer who has influenced me most is Somerset Maugham, whom I admire immensely for his power of telling a story straightforwardly and without frills. ~ George Orwell

Poetry's the speech of kings. You're one of those
Shakespeare gives the comic bits to: prose!
All poetry (even Cockney Keats?) you see
's been dubbed by [Us] into RP,
Received Pronunciation, please believe [Us]
your speech is in the hands of the Receivers. ~ Tony Harrison

[...] The idea of honor in battle has been passed down for generations. It went from Greece to Rome, to the medieval world and the Crusades. It was beloved of Sir Philip Sidney, Essex and Southampton [...]. In many ways, the British Empire was founded on it [...] The idea came to a halt in the First World War [...] The poets, led by Wilfred Owen, told the truth about it "[...] The old lie : 'Dulce el decorum est pro patria mori'.
[...]Henry IV Part I is a play with much "honor". Honor is its central theme. So let's examine Henry IV Part I for a moment, to understand the ingredients of "honor". [...] You will notice there are not many women in these plays [about honor]-and when they appear, they are usually whores or faifthful wives. Honor is not a woman's story[...] 'What is honour? A word', (...) a mere scutcheon" [says] Falstaff's iconoclasm and truthful vision about honor.
{...]There are several things we can see in all this. The first is that war is a man´s game, it is intolerable, and the only way you can get people to do it is to make the alternative seem a hundred times worse [...] Therefore, valor must be glorified, if not deified. [...] ~ Tina Packer

Who knows himself a braggart, let him fear this, for it will come to pass that every braggart shall be found an ass. ~ William Shakespeare

When I was a little girl, I was the girl laughing at things that are actually funny. I wasn't one of them girls sitting in a circle giggling silently at stupid stuff. I LAUGHED and I laughed loud and wonderfully! I laughed at things that are funny and offensive and stirring and hilarious! Girls are raised to not have wit, to have no sense of humour, to only be quiet and sweet, and to be offended by everything! Girls are raised to not be people. I was born into this world determined to be a person! And I did it. ~ C. JoyBell C.

Edythe;s vibrant red coloring and her petite stature drew men to her side...that is,until they discovered her sarcastic, cutting wit, which often focused on making them feel like idiots. ~ Michele Sinclair

The words of Mercury are harsh after the songs of Apollo. You that; we this way. ~ William Shakespeare

Yes, well, I'm not asking you to hide anything. Hiding won't help you. You can't very well hide from a pit, can you? You just need to avoid falling into it. - Brohan Madhrarigal ~ Gregory S. Close

Indeed, it may most verily be said
That only death and taxes certain are. ~ Ian Doescher

[Obituary of atheist philosopher Richard Robinson]
An Atheist's Values is one of the best short accounts of liberalism (a term Robinson accepted) and humanism (a term he ignored) produced during the present century, all the more powerful for its lucidity and moderation, its wit and wisdom. It may now seem old-fashioned, but during those confused alarms of struggle and fight between the ignorant armies of left and right, thousands of readers must have taken inspiration from Richard Robinson's rational defence of rationalism.
It is a pity that it is now out of print, when there is still so much nonsense and so little sense in the world. ~ Nicolas Walter

She [Cressida] knows it is men's sexual desire that makes women "angels" before they have been able to possess them; once possessed, women are "things" [Troilus and Cressida I.2, 225-28, 233-34]. ~ Tina Packer

Gradually we come to admit that Shakespeare understands a greater extent and variety of human life than Dante; but that Dante understands deeper degrees of degradation and higher degrees of exaltation. ~ T. S. Eliot

It was difficult to hold Broca's brain without wondering whether in some sense Broca was still in there - his wit, his skeptical mien, his abrupt gesticulations when he talked, his quiet and sentimental moments. ~ Carl Sagan

It was all there in that little disc-London, Athens, Jerusalem, Shakespeare. There everyone had lived and everything had happened; and there, presumably, his pack was still lying in the porch of an empty house near Sterk. ~ C.S. Lewis

[Shakespeare realized that] Women are able to understand themselves better on a personal level and survive in the world if they dress in men's clothing, thus living underground, safe (...). The presence of women disguising themselves as men dictates that the play be a comedy; women remaining in their frocks, a tragedy. In four great tragedies -Julius Caesar, Hamlet, Othello, and King Lear- almost all the women die (...).
How much the women have to adhere to the rules and regulations of their enviroment makes a large difference. Once Rosalind [disguised as a man in As You Like It] has run away from the court, she has no institutional structures to deal with. Ophelia [in her frocks] is surrounded tightly by institutional structures of family, court, and politics; only by going mad can be get out of it all. ~ Tina Packer

But we are spirits of another sort:
I with the morning's love have oft made sport,
And, like a forester, the groves may tread,
Even till the eastern gate, all fiery-red,
Opening on Neptune with fair blessed beams,
Turns into yellow gold his salt green streams. ~ William Shakespeare

We two alone will sing like birds i' th' cage.
When thou dost ask me blessing, I'll kneel down
And ask of thee forgiveness. So we'll live,
And pray, and sing, and tell old tales, and laugh
At gilded butterflies, and hear poor rogues
Talk of court news, and we'll talk with them too
Who loses and who wins, who's in, who's out
And take upon 's the mystery of things
As if we were God's spies. ~ William Shakespeare

Men and women in their very essence -in their souls if you wish- have natural parity. (...) This was a relatively new idea at the time [of Shakespeare]. It ran counter to the teaching in the Bible -Eve's being made out of Adam's rib to be his helpmate -which was the basis for the idea, held for so long, that women do not have souls of their own but are dependent on their fathers' and husbands' . ~ Tina Packer

My poor body, madam, requires it: I am driven on by the flesh; and he must needs go that the devil drives. ~ William Shakespeare

But woe is me! too early I attended
A youthful suit- it was to gain my grace-
O, one by nature's outwards so commended
That maidens' eyes stuck over all his face.
Love lacked a dwelling and made him her place;
And when in his fair parts she did abide,
She was new lodged and newly deified ~ William Shakespeare

The picture placed the busts between Adds to the thought much strength; Wisdom and Wit are little seen, But Folly 's at full length. ~ Jane Brereton

I could a tale unfold whose lightest word
Would harrow up thy soul, freeze thy young blood,
Make thy two eyes like stars start from their spheres,
Thy knotted and combined locks to part,
And each particular hair to stand on end
Like quills upon the fretful porpentine.
But this eternal blazon must not be
To ears of flesh and blood.
List, list, O list! ~ William Shakespeare

You ask whether I have ever been in love: fool as I am, I am not such a fool as that. But if one is only to talk from first-hand experience, conversation would be a very poor business. But though I have no personal experience of the things they call love, I have what is better - the experience of Sappho, of Euripides, of Catallus, of Shakespeare, of Spenser, of Austen, of Bronte, of anyone else I have read. ~ C.S. Lewis

My belief is that if we live another century or so - I am talking of the common life which is the real life and not of the little separate lives which we live as individuals - and have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting-room and see human beings not always in their relation to each other but in relation to reality; and the sky, too, and the trees or whatever it may be in themselves; if we look past Milton's bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare's sister will put on the body which she has so often laid down. ~ Virginia Woolf

Like other kinds of intelligence, the storyteller's is partly
natural, partly trained. It is composed of several qualities, most
of which, in normal people, are signs of either immaturity or
incivility: wit (a tendency to make irreverent connections);
obstinacy and a tendency toward churlishness (a refusal to
believe what all sensible people know is true); childishness (an
apparent lack of mental focus and serious life purpose, a fondness
for daydreaming and telling pointless lies, a lack of proper
respect, mischievousness, an unseemly propensity for crying
over nothing); a marked tendency toward oral or anal fixation
or both (the oral manifested by excessive eating, drinking,
smoking, and chattering; the anal by nervous cleanliness and
neatness coupled with a weird fascination with dirty jokes);
remarkable powers of eidetic recall, or visual memory (a usual
feature of early adolescence and mental retardation); a strange
admixture of shameless playfulness and embarrassing earnestness,
the latter often heightened by irrationally intense feelings
for or against religion; patience like a cat's; a criminal streak of
cunning; psychological instability; recklessness, impulsiveness,
and improvidence; and finally, an inexplicable and incurable
addiction to stories, written or oral, bad or good. ~ John Gardner

[Talking about Othello] His dying words are about the service he has done to the state -not what he has done to Desdemona. (...) He acknowledges not love but the power structure (...). Othello believes his fellow officer [Iago] rather than his wife, believes death is suitable punishment for infidelity (...).
It makes me uneasy that we so easily state that Othello is a play about race. Race is one of its ingredients, but the most pervasive subject that Shakespeare is tackling is sexism. The two women [Desdemona and Emilia, Iago's wife] end up dead. Bianca, the third woman in the play, Cassio's mistress, ends up in jail for something she never did, and nobody bothers to get her out. Iago, the symbol of evil, remains alive. Brabantio, Desdemona's father, dies of a broken heart because of his daughter's disobedience. And everyone is very regretful about what has happened. But no one, other than Emilia, has pointed out that there is a terrible double standard, something rotten in the system itself. ~ Tina Packer

Is it possible he should know what he is, and be that he is? ~ William Shakespeare

I want to give just a slight indication of the influence the book has had. I knew that George Orwell, in his second novel, A Clergyman's Daughter , published in 1935, had borrowed from Joyce for his nighttime scene in Trafalgar Square, where Deafie and Charlie and Snouter and Mr. Tallboys and The Kike and Mrs. Bendigo and the rest of the bums and losers keep up a barrage of song snatches, fractured prayers, curses, and crackpot reminiscences. But only on my most recent reading of Ulysses did I discover, in the middle of the long and intricate mock-Shakespeare scene at the National Library, the line 'Go to! You spent most of it in Georgina Johnson's bed, clergyman's daughter.' So now I think Orwell quarried his title from there, too. ~ Christopher Hitchens