Passing As White Quotes

The kernels of wheat entered the aperture virtually in single file, as if passing between a thumb and an index finger. To mill any faster risked overheating the stone, which in turn risked damaging the flour. In this fact, Dave explained, lies the origin of the phrase "nose to the grindstone": a scrupulous miller leans in frequently to smell his grindstone for signs of flour beginning to overheat. (So the saying does not signify hard work as much as attentiveness.) A wooden spout at the bottom of the mill emitted a gentle breeze of warm, tan flour that slowly accumulated in a white cloth bag. I leaned in close for a whiff. Freshly milled whole-grain flour is powerfully fragrant, redolent of hazelnuts and flowers. For the first time I appreciated what I'd read about the etymology of the word "flour" -- that it is the flower, or best part, of the wheat seed. Indeed. White flour has little aroma to speak of; this flour smelled delicious. ~ Michael Pollan

The sign outside this tent is accompanied by a small box full of smooth black stones. The text instructs you to take one with you as you enter. Inside, the tent is dark, the ceiling covered with open black umbrellas, the curving handles hanging down like icicles. In the center of the room there is a pool. A pond enclosed within a black stone wall that is surrounded by white gravel. The air carries the salty tinge of the ocean. You walk over to the edge to look inside. The gravel crunches beneath your feet. It is shallow, but it is glowing. A shimmering, shifting light cascades up through the surface of the water. A soft radiance, enough to illuminate the pool and the stones that sit at the bottom. Hundreds of stones, each identical to the one you hold in your hand. The light beneath filters through the spaces between the stones. Reflections ripple around the room, making it appear as though the entire tent is underwater. You sit on the wall, turning your black stone over and over in your fingers. The stillness of the tent becomes a quiet melancholy. Memories begin to creep forward from hidden corners of your mind. Passing disappointments. Lost chances and lost causes. Heartbreaks and pain and desolate, horrible loneliness. Sorrows you thought long forgotten mingle with still-fresh wounds. The stone feels heavier in your hand. When you drop it in the pool to join the rest of the stones, you feel lighter. As though you have released something more than a smooth polished piece o ~ Erin Morgenstern

Jim Crow and mass incarceration have similar political origins...both caste systems were born in part, due to desire among white elites to exploit the resentments, vulnerabilities and racial biases of poor and working-class whites for political or economic gain. Segregation laws were proposed as part of a deliberate and strategic effort to deflect anger and hostility that have been brewing against the white elite away from them and toward African Americans. The birth of mass incarceration can be traced to a similar political dynamic. Conservatives in the 1960s and 1970s sought to appeal to the racial biases and economic vulnerabilities of poor and working-class whites through racially coded rhetoric on crime and welfare. In both cases, the racial opportunists offered few, if any, economic reforms to address the legitimate economic anxieties of poor and working-class whites, proposing instead a crackdown on the racially defined "others." In the early years of Jim Crow, conservative white elites competed with each other by passing ever more stringent and oppressive Jim Crow legislation. A century later, politicians in the early years of the drug war competed with each other to prove who could be tougher on crime by passing ever harsher drug laws- a thinly veiled effort to appeal to poor and working-class whites who, once again, proved they were willing to forego economic and structural reform in exchange for an apparent effort to put blacks back "in their place. ~ Michelle Alexander

Monet Refuses the Operation"

Doctor, you say that there are no halos
around the streetlights in Paris
and what I see is an aberration
caused by old age, an affliction.
I tell you it has taken me all my life
to arrive at the vision of gas lamps as angels,
to soften and blur and finally banish
the edges you regret I don't see,
to learn that the line I called the horizon
does not exist and sky and water,
so long apart, are the same state of being.
Fifty-four years before I could see
Rouen cathedral is built
of parallel shafts of sun,
and now you want to restore
my youthful errors: fixed
notions of top and bottom,
the illusion of three-dimensional space,
wisteria separate
from the bridge it covers.
What can I say to convince you
the Houses of Parliament dissolve
night after night to become
the fluid dream of the Thames?
I will not return to a universe
of objects that don't know each other,
as if islands were not the lost children
of one great continent. The world
is flux, and light becomes what it touches,
becomes water, lilies on water,
above and below water,
becomes lilac and mauve and yellow
and white and cerulean lamps,
small fists passing sunlight
so quickly to one another
that it would take long, streaming hair
inside my brush to catch it.
To paint the speed of light!
Our weig ~ Lisel Mueller

There, peeping among the cloud-wrack above a dark tor high up in the mountains, Sam saw a white star twinkle for a while. The beauty of it smote his heart, as he looked up out of the forsaken land, and hope returned to him. For like a shaft, clear and cold, the thought pierced him that in the end the Shadow was only a small and passing thing: there was a light and high beauty for ever beyond its reach. His song in the Tower had been defiance rather than hope; for then he was thinking of himself. Now, for a moment, his own fate, and even his master's, ceased to trouble him. He crawled back into the brambles and laid himself by Frodo's side, and putting away all fear he cast himself into a deep untroubled sleep. ~ J.R.R. Tolkien

It was a dead swan. Its body lay contorted on the beach like an abandoned lover. I looked at the bird for a long time. There was no blood on its feathers, no sight of gunshot. Most likely, a late migrant from the north slapped silly by a ravenous Great Salt Lake. The swan may have drowned. I knelt beside the bird, took off my deerskin gloves, and began smoothing feathers. Its body was still limp - the swan had not been dead long. I lifted both wings out from under its belly and spread them on the sand. Untangling the long neck which was wrapped around itself was more difficult, but finally I was able to straighten it, resting the swan's chin flat against the shore. The small dark eyes had sunk behind the yellow lores. It was a whistling swan. I looked for two black stones, found them, and placed them over the eyes like coins. They held. And, using my own saliva as my mother and grandmother had done to wash my face, I washed the swan's black bill and feet until they shone like patent leather. I have no idea of the amount of time that passed in the preparation of the swan. What I remember most is lying next to its body and imagining the great white bird in flight. I imagined the great heart that propelled the bird forward day after day, night after night. Imagined the deep breaths taken as it lifted from the arctic tundra, the camaraderie within the flock. I imagined the stars seen and recognized on clear autumn nights as they navigated south. Imagined their silhouettes passing ~ Terry Tempest Williams

My father played the melodion
Outside at our gate;
There were stars in the morning east;
And they danced to his music.
Across the wild bogs his melodion called
To Lennons and Callans.
As I pulled on my trousers in a hurry
I knew some strange thing had happened.
Outside in the cow-house my mother
Made the music of milking;
The light of her stable-lamp was a star
And the frost of Bethlehem made it twinkle.
A water-hen screeched in the bog,
Mass-going feet
Crunched the wafer-ice on the pot-holes,
Somebody wistfully twisted the bellows wheel.
My child poet picked out the letters
On the grey stone,
In silver the wonder of a Christmas townland,
The winking glitter of a frosty dawn.
Cassiopeia was over
Cassidy's hanging hill,
I looked and three whin bushes rode across
The horizon - the Three Wise Kings.
An old man passing said:
"Can't he make it talk" -
The melodion, I hid in the doorway
And tightened the belt of my box-pleated coat.
I nicked six nicks on the door-post
With my penknife's big blade -
There was a little one for cutting tobacco.
And I was six Christmases of age.
My father played the melodion,
My mother milked the cows,
And I had a prayer like a white rose pinned
On the Virgin Mary's blouse ~ Patrick Kavanagh

Sonnet V
I touch you as a lonely violin touches the suburbs of the faraway place
patiently the river asks for its share of the drizzle
and, bit by bit, a tomorrow passing in poems approaches
so I carry faraway's land and it carries me on travel's road
On a mare made of your virtues, my soul weaves
a natural sky made of your shadows, one chrysalis at a time.
I am the son of what you do in the earth, son of my wounds
that have lit up the pomegranate blossoms in your closed-up gardens
Out of jasmine the night's blood streams white. Your perfume,
my weakness and your secret, follows me like a snakebite. And your hair
is a tent of wind autumn in color. I walk along with speech
to the last of the words a bedouin told a pair of doves
I palpate you as a violin palpates the silk of the faraway time
and around me and you sprouts the grass of an ancient place - anew ~ Mahmoud Darwish

The world soon to be largely populated by men who would eat your children in front of your eyes and the cities themselves held by cores of blackened looters who tunneled among the ruins and crawled from the rubble white of tooth and eye carrying charred and anynymous tins of food in nylon nets like shoppers in the commissaries of hell. The soft black talc blew through the streets like squid ink uncoiling along a sea floor and the cold crept down and the dark came early and the scavengers passing down the steep canyons with their torches trod silky holes in the drifted ash that closed behind them silently as eyes. Out on the roads the pilgrims sank down and fell over and died and the bleak and shrouded earth went trundling past the sun and returned again as trackless and as unremarked as the path of any nameless sisterworld in the ancient dark beyond. ~ Cormac McCarthy

To live is to be other. It's not even possible to feel, if one feels today what he felt yesterday. To feel today what one felt yesterday isn't to feel – it's to remember today what was felt yesterday, to be today's living corpse of what yesterday was lived and lost.

To erase everything from the slate from one day to the next, to be new with each new morning, in a perpetual revival of our emotional virginity – this, and only this, is worth being or having, to be or have what we imperfectly are.

This dawn is the first dawn of the world. Never did this pink colour yellowing to a warm white so tinge, towards the west, the face of the buildings whose windowpane eyes gaze upon the silence brought by the growing light. There was never this hour, nor this light, nor this person that's me. What will be tomorrow will be something else, and what I see will be seen by reconstituted eyes, full of a new vision.

High city hills! Great marvels of architecture that the steep slopes secure and make even greater, motley chaos of heaped up buildings that the daylight weaves together with bright spots and shadows – you are today, you are me, because I see you, you are what [I'll be] tomorrow, and I love you from the deck rail as when two ships pass, and there's a mysterious longing and regret in their passing. ~ Fernando Pessoa

Blue is the color of the mind in borrow of the body; it is the color consciousness becomes when caressed; it is the dark inside of sentences, sentences which follow their own turnings inward out of sight like the whorls of a shell, and which we follow warily, as Alice after that rabbit, nervous and white, till suddenly - there! climbing down clauses and passing through 'and' as it opens - there - there - we're here!... in time for tea and tantrums; such are the sentences we should like to love - the ones which love us and themselves as well - incestuous sentences - sentences which make an imaginary speaker speak the imagination loudly to the reading eye; that have a kind of orality transmogrified: not the tongue touching the genital tip, but the idea of the tongue, the thought of the tongue, word-wet to part-wet, public mouth to private, seed to speech, and speech... ah! after exclamations, groans, with order gone, disorder on the way, we subside through sentences like these, the risk of senselessness like this, to float like leaves on the restful surface of that world of words to come, and there, in peace, patiently to dream of the sensuous, and mindful Sublime. ~ William H. Gass

I am Ecuadorian but people felt so safe passing me off as a skinny, blue-eyed white girl. ~ Christina Aguilera

We have a civil rights photo collection in our house, a big, beautiful coffee table book with images so vivid they cause jaws to drop. When my daughters and their friends pick it up to look at the young Black boys and girls in the middle of a dangerous struggle, I remind them that our eyes are trained to look at the Black faces and their determination as they walk to school. But I tell them also to look at the white faces in the background: the young, jeering faces shouting slurs and throwing things. "All of those folks are now around your granddad's age," I tell my daughters. They're still with us, and those people now walk around, every day, living with what they did, and either trying to rectify it in their brains, through penance, or voting for Donald Trump and passing that hatred down to their children's children. That is this country. Them. We cannot afford to pretend they don't live among us. ~ Michael Bennett

How to Leave the Planet 1. Phone NASA. Their phone number is (713) 483-3111. Explain that it's very important that you get away as soon as possible. 2. If they do not cooperate, phone any friend you may have in the White House - (202) 456-1414 - to have a word on your behalf with the guys at NASA. 3. If you don't have any friends in the White House, phone the Kremlin (ask the overseas operator for 0107-095-295-9051). They don't have any friends there either (at least, none to speak of), but they do seem to have a little influence, so you may as well try. 4. If that also fails, phone the Pope for guidance. His telephone number is 011-39-6-6982, and I gather his switchboard is infallible. 5. If all these attempts fail, flag down a passing flying saucer and explain that it's vitally important you get away before your phone bill arrives. Douglas Adams ~ Douglas Adams

The Jetavana Temple bells
ring the passing of all things.
Twinned sala trees, white in full flower,
declare the great man's certain fall.
The arrogant do not long endure:
They are like a dream one night in spring.
The bold and brave perish in the end:
They are as dust before the wind. ~ Royall Tyler

It was heart-shaking. Glorious. Torches, dizziness, singing. Wolves howling around us and a bull bellowing in the dark. The river ran white. It was like a film in fast motion, the moon waxing and waning, clouds rushing across the sky. Vines grew from the ground so fast they twined up the trees like snakes; seasons passing in the wink of an eye, entire years for all I know. . . . Mean we think of phenomenal change as being the very essence of time, when it's not at all. Time is something which defies spring and water, birth and decay, the good and the bad, indifferently. Something changeless and joyous and absolutely indestructible. Duality ceases to exist; there is no ego, no 'I,' and yet it's not at all like those horrid comparisons one sometimes hears in Eastern religions, the self being a drop of water swallowed by the ocean of the universe. It's more as if the universe expands to fill the boundaries of the self. You have no idea how pallid the workday boundaries of ordinary existence seem, after such an ecstasy. ~ Donna Tartt

The next day the Indian told me their name for this light,
artoosoq',
and on my inquiring concerning the will-o'-the-wisp, and the like phenomena, he said that his "folks" sometimes saw fires passing along at various heights, even as high as the trees, and making a noise. I was prepared after this to hear of the most startling and unimagined phenomena, witnessed by "his folks"; they are abroad at all hours and seasons in scenes so unfrequented by white men. Nature must have made a thousand revelations to them which are still secrets to us. ~ Henry David Thoreau

All through dinner Arturo and I held hands under the table like a couple of kids, and that made the dinner quite wonderful, even though Mrs. Fletcher kept staring at Olivia as though committing her to memory. It got so bad that Olivia turned to her husband and said: Has it happened at last, Gerald? Have I become a curiosity? ~ Helen Oyeyemi

A story is alive, as you and I are. It is rounded by muscle and sinew. Rushed with blood. Layered with skin, both rough and smooth. At its core lies soft marrow of hard, white bone. A story beats with the heart of every person who has ever strained ears to listen. On the breath of the storyteller, it soars. Until its images and deeds become so real you can see them in the air, shimmering like oases on the horizon line. A story can fly like a bee, so straight and swift you catch only the hum of its passing. Or move so slowly it seems motionless, curled in upon itself like a snake in the sun. It can vanish like smoke before the wind. Linger like perfume in the nose. Change with every telling, yet always remain the same. ~ Cameron Dokey

Time passes and the pain begins to roll in and out as though it's a woman standing at an ironing board, passing the iron back and forth, back and forth across a white tablecloth. ~ Audrey Niffenegger

Recently I've been working very hard and quickly; in this way I try to express the desperately fast passage of things in modern life.

Yesterday, in the rain, I painted a large landscape with fields as far as the eye can see, viewed from a height, different kinds of greenery, a dark green field of potatoes, the rich purple earth between the regular rows of plants, to one side a field of peas white with bloom, a field of clover with pink flowers and the little figure of a mower, a field of tall, ripe, fawn-coloured grass, then some wheat, some poplars, on the horizon a last line of blue hills at the foot of which a train is passing, leaving an immense trail of white smoke over the greenery. A white road crosses the canvas, on the road a little carriage and some white houses with bright red roofs alongside a road. Fine drizzle streaks the whole with blue or grey lines. ~ Vincent Van Gogh

The Classical Study (3)

The Master has forgotten his hat.
Without his hat he cannot fly.
Without his hat his dreams escape
up.

Without his hat he cannot tip
his hat to that woman passing by
whom he remembers
from somewhere, as in a dream,

a room in a dream or maybe a beach,
a beach by the sea,
blindingly white,
hatless, he and she. ~ Michael Palmer

I splash enough water in Chloe's face to put out a small house fire. I don't want to drown her, just exfoliate her eyeballs with sea salt. When she thinks I'm done, she opens her eyes-and her mouth. Big mistake. The next wave rinses off the hangy ball in the back of her throat and makes it to her lungs before she can swallow. She chokes and coughs and rubs her eyes as if she's been maced.
"Great, Emma! You got my new hair wet!" she sputters. "Happy now?"
"Nope."
"I said I was sorry." She blows her nose in her hand, then sets the snot to sea.
"Gross. And sorry's not good enough."
"Fine. I'll make it up to you. What do you want?"
"Let me hold your head underwater until I feel better," I say. I cross my arms, which is tricky when straddling a surfboard being pitched around in the wake of a passing speedboat. Chloe knows I'm nervous being this far out, but holding on would be a sign of weakness.
"I'll let you do that because I love you. But it won't make you feel better."
"I won't know for sure until I try it." I keep eye contact, sit a little straighter.
"Fine. But you'll still look albino when you let me back up." She rocks the board and makes me grab it for balance.
"Get your snotty hands off the surfboard. And I'm not albino. Just white." I want to cross my arms again, but we almost tipped over that time. Swallowing my pride is a lot easier than swallowing the Gulf of Mexico.
"White than most," she grins. "People would th ~ Anna Banks

DURING the whole of a dull, dark, and soundless day in the autumn of the year, when the clouds hung oppressively low in the heavens, I had been passing alone, on horseback, through a singularly dreary tract of country; and at length found myself, as the shades of the evening drew on, within view of the melancholy House of Usher. I know not how it was; but, with the first glimpse of the building, a sense of insufferable gloom pervaded my spirit. I say insufferable; for the feeling was unrelieved by any of that half-pleasurable, because poetic, sentiment, with which the mind usually receives even the sternest natural images of the desolate or terrible. I looked upon the scene before me - upon the mere house, and the simple landscape features of the domain - upon the bleak walls - upon the vacant eye-like windows - upon a few rank sedges - and upon a few white trunks of decayed trees - with an utter depression of soul which I can compare to no earthly sensation more properly than to the after-dream of the reveler upon opium - the bitter lapse into every-day life - the hideous dropping off of the veil. There was an iciness, a sinking, a sickening of the heart - an unredeemed dreariness of thought which no goading of the imagination could torture into aught of the sublime. What was it - I paused to think - what was it that so unnerved me in the contemplation of the House of Usher? It was a mystery all insoluble; nor could I grapple with the shadowy fancies that crowded upon me as ~ Edgar Allan Poe

At Padovani Beach the dance hall is open every day. And in that huge rectangular box with its entire side open to the sea, the poor young people of the neighborhood dance until evening. Often I used to await there a a moment of exceptional beauty. During the day the hall is protected by sloping wooden awnings. When the sun goes down they are raised. Then the hall is filled with an odd green light born of the double shell of the sky and the sea. When one is seated far from the windows, one sees only the sky and, silhouetted against it, the faces of the dancers passing in succession. Sometimes a waltz is being played, and against the green background the black profiles whirl obstinately like those cut-out silhouettes that are attached to a phonograph's turntable. Night comes rapidly after this, and with it the lights. But I am unable to relate the thrill and secrecy that subtle instant holds for me. I recall at least a magnificent tall girl who had danced all afternoon. She was wearing a jasmine garland on her right blue dress, wet with perspiration from the small of her back to her legs. She was laughing as she danced and throwing back her head. As she passed the tables, she left behind her a mingled scent of flowers and flesh. When evening came, I could no longer see her body pressed tight to her partner, but against her body alternating spots of white jasmine and black hair, and when she would throw back her swelling breast I would hear her laugh and see her partner's profil ~ Albert Camus

Senseless people name evil good, call good evil. As you are doing. You accuse Us of passing false judgement: you do Us injustice. We shall prove this to you. You ask who We are: We are God's handle, Master Death, a truly effective reaper. Our scythe works its way. It cuts down white, black, red, brown, green, blue, grey, yellow, and all kinds of lustrous flowers in its path, irrespective of their splendour, their strength, their virtue. And the violet's beautiful colour, rich perfume, and palatable sap, avail it nought. See: that is justice. Our justification was acknowledged by the Romans and the poets, for they knew Us better than you do.
You ask what We are: We are nothing, and yet something. Nothing, because We have neither life, nor being, nor form, and We are no spirit, not visible, not tangible; something, because We are the end of life, the end of existence, the beginning of nullity, a cross between the two. We are a happening that fells all people. Huge giants must fall before Us; all living beings must be transformed by Us.
You ask where We are: We are not ascertainable. But Our form was found in a temple in Rome*, painted on a wall, as a hoodwinked man sitting on an ox; this man wielded a hatchet in his right hand and a shovel in his left hand, with which he was beating the ox. A great crowd of all kinds of people was hitting him, fighting him, and making casts at him, each one with the tools of his trade: even the nun with her psalter was there. They str ~ Johannes Von Saaz

His life coiled back into the brown murk of the past like a twined filament of electric wire; he gave life, a pattern, and movement to these million sensations that Chance, the loss or gain of a moment, the turn of the head, the enormous and aimless impulsion of accident, had thrust into the blazing heat of him. His mind picked out in white living brightness these pinpoints of experience and the ghostliness of all things else became more awful because of them. So many of the sensations that returned to open haunting vistas of fantasy and imagining had been caught from a whirling landscape through the windows of the train.

And it was this that awed him - the weird combination of fixity and change, the terrible moment of immobility stamped with eternity in which, passing life at great speed, both the observer and the observed seem frozen in time. There was one moment of timeless suspension when the land did not move, the train did not move, the slattern in the doorway did not move, he did not move. It was as if God had lifted his baton sharply above the endless orchestration of the seas, and the eternal movement had stopped, suspended in the timeless architecture of the absolute. Or like those motion-pictures that describe the movements of a swimmer making a dive, or a horse taking a hedge - movement is petrified suddenly in mid-air, the inexorable completion of an act is arrested. Then, completing its parabola, the suspended body plops down into the pool. Only, ~ Thomas Wolfe

Outside the gates of the finca, watching the passing rows of tin-roofed shacks which represented the residential section of San Francisco de Paula, I began to think about The Old Man and the Sea, and I realized it was Ernest's counterattack against those who had assaulted him for Across the River. It was an absolutely perfect counterattack and I envisioned a row of snickering carpies bearing the likenesses of Dwight Macdonald and Louis Kronenberger and E.B. White, who in the midst of cackling, "Through! Washed Up! Kaput!" suddenly grab their groins and keel over. It is a rather elementary military axiom that he who attacks must anticipate the counterattack, but the critics, poor boys, would never make General Staff. As Ernest once said, "One battle doesn't make a campaign but critics treat one book, good or bad, like a whole goddamn war. ~ A. E. Hotchner

As summer neared, as the evening lengthened there came to the wakeful, the hopeful, walking the beach, stirring the pool, imaginations of the strangest kind- of flesh turned to atoms which drove before the wind, of stars flashing in their hearts, of outwardly the scattered parts of the vision within. In those mirrors, the minds of men, in those pools of uneasy water, in which cloud forever and shadows form, dreams persisted; and it was impossible to resist the strange intimation which every gull, flower, tree, man and woman, and the white earth itself seemed to declare (but if you questioned at once to withdraw) that good triumph, happiness prevails, order rules, or to resist the extra ordinary stimulus to range hither and thither in search of some absolute good, some crystal of intensity remote from the known pleasures and familiar virtues, something alien to the processes of domestic life, single, hard, bright, like a diamond in the sand which would render the possessor secure. Moreover softened and acquiescent, the spring with their bees humming and gnats dancing threw her cloud about her, veiled her eyes, averted her head, and among passing shadows and fights of small rain seemed to have taken upon her knowledge of the sorrows of mankind. ~ Virginia Woolf

The Wampanoag, in ways which are not plain to me, in concert decided upon their own observance of father's passing. They marked it in a most singular manner. As soon as father's loss became known to them, each one, when traveling up or down the island, would fetch from the shore a smooth white stone such as can oft be found there. These they carried until they passed the place where father had taken farewell of them. There they deposited them. Within days, there was a cairn. In the weeks that followed, you could say, a monument, each stone of it placed with the care of an artisan. The last I saw, it had grown higher than a man, and still the Wampanoag came, one by one, placing a stone upon a stone. ~ Geraldine Brooks

She loved your mother', Taliesin said gently. 'This is her farewell.'
As he spoke, a chanted melody began inside the chamber, a song without words. Yet it spoke of the beauty in the heart of the flame, of the passing glory of the white bird on the wing, and the blossom of the sea spray under the shining prow. It sang of a mother with her baby, of the hard love between men and women, and the gentle rest that comes at last to all. ~ Rosalind Miles

The sky is a virginal blue translucence as though bereft for a fleeting moment of the effects of both light and darkness. A crimson streak smoulders over the outline of the hills, a simmering bloodline. There is a solitary canoe on the water. A cold white sheen rises from the water. She holds her breath. As if to stop any more time from passing, to stop the future happening. The peacefulness of the morning is almost heartbreaking in its fragility. ~ Glenn Haybittle

My mind is curiously alert; it's as though my skull had a thousand mirrors inside it. My nerves are taut, vibrant! the notes are like glass balls dancing on a million jets of water. I've never been to a concert before on such an empty belly. Nothing escapes me, not even the tiniest pin falling. It's as though I had no clothes on and every pore of my body was a window and all the windows open and the light flooding my gizzards. I can feel the light curving under the vault of my ribs and my ribs hang there over a hollow nave trembling with reverberations. How long this lasts I have no idea; I have lost all sense of time and place. After what seems like an eternity there follows an interval of semiconsciousness balanced by such a calm that I feel a great lake inside me, a lake of iridescent sheen, cool as jelly; and over this lake, rising in great swooping spirals, there emerge flocks of birds of passage with long slim legs and brilliant plumage. Flock after flock surge up from the cool, still surface of the lake and, passing under my clavicles, lose themselves in the white sea of space. And then slowly, very slowly, as if an old woman in a white cap were going the rounds of my body, slowly the windows are closed and my organs drop back into place. ~ Henry Miller

As people move through life, passing from the hopeful ignorance of youth into sobering adulthood, they inevitably face an increasingly nagging question: Is this all there is? Childhood can be painful, adolescence confusing; most people, expect that in adulthood things will get better. During the early years of adulthood the future still looks promising. But inevitably the mirror' shows the first white hairs and confirms the fact that those few extra pounds are not about to leave; eyesight begins to fail and mysterious pains begin to shoot through the body...' Where's all that money I was to have made? Where are all of the good times I was going to have? ~ Mihaly Csikszentmihalyi

Three hundred types of mussel, a third of the world's total, live in the Smokies. Smokies mussels have terrific names, like purple wartyback, shiny pigtoe, and monkeyface pearlymussel. Unfortunately, that is where all interest in them ends. Because they are so little regarded, even by naturalists, mussels have vanished at an exceptional rate. Nearly half of all Smokies mussels species are endangered; twelve are thought to be extinct.

This ought to be a little surprising in a national park. I mean it's not as if mussels are flinging themselves under the wheels of passing cars. Still, the Smokies seem to be in the process of losing most of their mussels. The National Park Service actually has something of a tradition of making things extinct. Bryce Canyon National Park is perhaps the most interesting-certainly the most striking-example. It was founded in 1923 and in less than half a century under the Park Service's stewardship lost seven species of mammal-the white-tailed jackrabbit, prairie dog, pronghorn antelope, flying squirrel, beaver, red fox, and spotted skunk. Quite an achievement when you consider that these animals had survived in Bryce Canyon for tens of millions of years before the Park Service took an interest in them. Altogether, forty-two species of mammal have disappeared from America's national parks this century. ~ Bill Bryson

The strange thing was how quiet everything became just in that moment. Everything. All of existence, covered in a thick, still blanket of complete silence. The screeching tires and the yelling all paused. And then it happened: the white flash. It was blinding, taking away all definition of earth and sky, leaving nothing visible but the awful purity of the white. I remember that I flinched instinctively. That was all I really had time to do. Then, as if to announce my passing and that of all three-hundred-and-fourteen other souls working the midnight shift at the plant, came the roar. It was a guttural thunderous growl, like some great evil had just been released into the world. After that ... ~ Dennis Sharpe