A. E. Hotchner Quotes

Poverty is a disease that's cured by the medicine of money.

But you believed in me against those tough odds. I want you to know, Hadley, you'll be the true part of any woman I write about. I'll spend the rest of my life looking for you

Of course we all have our limits, but how can you possibly find your boundaries unless you explore as far and as wide as you possibly can? I would rather fail in an attempt at something new and uncharted than safely succeed in a repeat of something I have done.

Ernest Hemingway was always uneasy in New York and liked being there less than in any other city he frequented.

When I first wrote 'Papa Hemingway,' there were too many people still alive, and the lawyers for Random House didn't want to OK it. But now all that's been filtered away by the passage of all these people. And having the fortune of surviving, I now feel that I am the custodian of what Ernest wanted the world to know about him and these women.

We think of stars as celestial beings. And once in a while, they smile at us from the pages of 'People' magazine.

Why is it...that the good things that pop up almost always get clobbered by these miserable darn things that seem to choke out everything like stinkweed?

Back in the days when American billboard advertising was in flower [said Hemingway], there were two slogans that I always rated above all others: the old Cremo Cigar ad that proclaimed, Spit Is a Horrid Word-but Worse on the end of Your Cigar, and Drink Schlitz in Brown Bottles and Avoid that Skunk Taste. You don't get creative writing like that any more.

There are bullfighters who do it just for the money-they are worthless [said Hemingway]. The only one who matters is the bullfighter who feels it, so that if he did it for nothing, he would do it just as well. Same holds true for damn near everyone.

From the time I read my first Hemingway work, The Sun Also Rises, as a student at Soldan High School in St. Louis, I was struck with an affliction common to my generation: Hemingway Awe.

He [Hemingway] used a stand-up work place he had fashioned out of the top of of a bookcase near his bed. His portable typewriter was snugged in there and papers were spread along the top of the bookcase on either side of it. He used a reading board for longhand writing.

Why is it parents think they help their kids by pretending things are better than they are?

Each day was a challenge of enjoyment, and he [Hemingway] would plan it out as a field general plans a campign.

Outside the gates of the finca, watching the passing rows of tin-roofed shacks which represented the residential section of San Francisco de Paula, I began to think about The Old Man and the Sea, and I realized it was Ernest's counterattack against those who had assaulted him for Across the River. It was an absolutely perfect counterattack and I envisioned a row of snickering carpies bearing the likenesses of Dwight Macdonald and Louis Kronenberger and E.B. White, who in the midst of cackling, "Through! Washed Up! Kaput!" suddenly grab their groins and keel over. It is a rather elementary military axiom that he who attacks must anticipate the counterattack, but the critics, poor boys, would never make General Staff. As Ernest once said, "One battle doesn't make a campaign but critics treat one book, good or bad, like a whole goddamn war.