Old Love Comes Back Quotes

And suddenly one note came back to us, just bounced back off the walls and rose from the floor and filled the place with this perfect hum ... These two completely different things, a note and a room, finding each other. It sounded ... right. Am I being ridiculous? Do you think that's what we mean by love, Mr. Evans? The note that comes back to you? That finds you even when you don't want to be found? ~ Richard Flanagan

My love for you will outlast this beach, this ocean, this planet. When judgement comes and Heaven finally falls, I will take you back with me. ~ Scarlet Blackwell

Epistle to Miss Blount, On Her Leaving the Town, After the Coronation"

As some fond virgin, whom her mother's care
Drags from the town to wholesome country air,
Just when she learns to roll a melting eye,
And hear a spark, yet think no danger nigh;
From the dear man unwillingly she must sever,
Yet takes one kiss before she parts for ever:
Thus from the world fair Zephalinda flew,
Saw others happy, and with sighs withdrew;
Not that their pleasures caused her discontent,
She sighed not that They stayed, but that She went.
She went, to plain-work, and to purling brooks,
Old-fashioned halls, dull aunts, and croaking rooks,
She went from Opera, park, assembly, play,
To morning walks, and prayers three hours a day;
To pass her time 'twixt reading and Bohea,
To muse, and spill her solitary tea,
Or o'er cold coffee trifle with the spoon,
Count the slow clock, and dine exact at noon;
Divert her eyes with pictures in the fire,
Hum half a tune, tell stories to the squire;
Up to her godly garret after seven,
There starve and pray, for that's the way to heaven.
Some Squire, perhaps, you take a delight to rack;
Whose game is Whisk, whose treat a toast in sack,
Who visits with a gun, presents you birds,
Then gives a smacking buss, and cries – No words!
Or with his hound comes hollowing from the stable,
Makes love with nods, and knees beneath a t ~ Alexander Pope

Jacob, is something wrong? Is Isabella okay?"
"Probably. She is not well today. It could be a normal thing for a human female, but since she is usually as resistant to common ailments now as we are, she is nervous. I figured Gideon could ease her mind."
Noah missed the wince that crossed his friend's face that would have given away the indignant argument flying through the Enforcer's thoughts. Jacob's female counterpart huffily took umbrage to his claims of exactly who it was that was nervous and who had insisted on seeking Gideon, because it certainly had not been her.
"Tell her I hope she feels better," Noah said, his fondness for Bella quite clear in his tone. "Bear with her, old friend. She's breaking new ground. It can be pretty frightening to play Eve for an entire race."
"Do not worry. When it comes to my Bella, I would do anything to see to her happiness. That includes making others do anything to see to her happiness," Jacob said. He meant the words, of course, but he was hoping they'd help sooth someone's bristling pride.
"I'm sure Gideon is going to love that," Noah laughed.
Jacob grinned, altering gravity so that he began to float up from the floor.
"If you see Gideon before I do, will you tell him to come to Bella?"
"Of course. Tell her I said to start behaving like a real Druid or I - " Noah was cut off by a sharp hand motion and a warning expression from the Enforcer. It came a little too late, however, if Jacob's pained ~ Jacquelyn Frank

Assuming you know someone today
Because you spent lots of time
Or quality time
Or what you define as quality time
Can come back
Does come back
Did comes back
And bite us/one
#speakpersonally
Bite me in the heart
No better sign that someone
Has a past based connection
Than a sincere smile
And empty eyes-
And the line-
"You know I love you,right?"
And the question is why do you love me
The answer could surprise/delight/enrage/engage
And begin to create
A deeper connection to life
#whynot ~ Dave Rudbarg

The sound of the car. When he's waiting he can never quite recall it. I've forgotten, he tells himself. But then it comes back to him, often in pauses between the waiting, after he's stopped thinking about it. And then she comes, and he recognizes the sound in an instant; he hears it with his tummy, it's my tummy that remembers the sound, not me, he thinks to himself. And no sooner has he heard the car than he sees it too, from the corner of the window, her blue car coming round the bend behind the banks of snow, and she turns in at the house and drives up the little slope to the front door. ~ Hanne Ørstavik

Pushing Elsie back, I said, "I'm not the most special guy in the world. I'm no one's perfect dream. I'm not sure I'll ever do anything extraordinary with my life. I'll always be that little bit awkward, and that little bit too shy. I'll always blush and dip my head, but if you'll let me, I'll be the one that's there for you. I'll be happy knowing I've got you and you've got me. That's enough for me, to be the one that you can lean on, to be the one to tell you you're beautiful every day. And talk to. I'll adore every sound that comes out of your mouth. I'll be the one to love you like nothing you've ever seen, bella mia." I blushed with embarrassment, but managed to rasp, "If you'll just let me… If you want me."

Elsie sobbed out a cry, tears tumbling down her rosy cheeks. "Levi. You are my dream realized, in every possible way. You are the most special person in my world. And I love that you blush - because I do too." She wiped at her cheeks. "I love that you're shy, and," her breathing hitched, "I love that you love my voice. I love that I never have hide who I am, disguise how I sound. Because I'm tired of trying to please others." She dipped her eyes and almost flattened me when she said, "You're my kind of extraordinary. Levi Carillo, you're the sweetest of souls. ~ Tillie Cole

Nearly a Valediction"

You happened to me. I was happened to
like an abandoned building by a bull-
dozer, like the van that missed my skull
happened a two-inch gash across my chin.
You were as deep down as I've ever been.
You were inside me like my pulse. A new-
born flailing toward maternal heartbeat through
the shock of cold and glare: when you were gone,
swaddled in strange air I was that alone
again, inventing life left after you.

I don't want to remember you as that
four o'clock in the morning eight months long
after you happened to me like a wrong
number at midnight that blew up the phone
bill to an astronomical unknown
quantity in a foreign currency.
The U.S. dollar dived since you happened to me.
You've grown into your skin since then; you've grown
into the space you measure with someone
you can love back without a caveat.

While I love somebody I learn to live
with through the downpulled winter days' routine
wakings and sleepings, half-and-half caffeine-
assisted mornings, laundry, stock-pots, dust-
balls in the hallway, lists instead of longing, trust
that what comes next comes after what came first.
She'll never be a story I make up.
You were the one I didn't know where to stop.
If I had blamed you, now I could forgive

you, but what made my cold hand, back in prox-
imity to your hair, your m ~ Marilyn Hacker

I've loved every version of you there's ever been. I'll love whoever comes back. My ~ Jamie McGuire

I was asked to talk to a roomful of undergraduates in a university in a beautiful coastal valley. I talked about place, about the way we often talk about love of place, but seldom how places love us back, of what they give us. They give us continuity, something to return to, and offer familiarity that allows some portion of our lives to remain collected and coherent.

They give us an expansive scale in which our troubles are set into context, in which the largeness of the world is a balm to loss, trouble, and ugliness.

And distant places give us refuge in territories where our own histories aren't so deeply entrenched and we can imagine other stories, other selves, or just drink up quiet and respite.

The bigness of the world is redemption.

Despair compresses you into a small space, and a depression is literally a hollow in the ground. To dig deeper into the self, to go underground, is sometimes necessary, but so is the other route of getting out of yourself, into the larger world, into the openness in which you need not clutch your story and your troubles so tightly to your chest.

Being able to travel in both ways matters, and sometimes the way back into the heart of the question begins by going outward and beyond. This is the expansiveness that comes literally in a landscape or that tugs you out of yourself in a story.....

I told the student that they were at an age when they might begin to choose the places th ~ Rebecca Solnit

Be kind to her when she comes back. Her love is not only for children but for humanity. She will be a good-hearted and magnificent zealot one day. As her mother is now.
Goodbye, Kate. And below he had signed as he rarely did, with his Christian name. ~ Dorothy Dunnett

I just got back from Hawaii on Saturday, and it's so depressing how quickly all the stresses and the stressful energy of L.A. comes bombarding back. Everyone's in a rush, you're annoying everyone, get out of their way, everyone's most important than you are, has got somewhere more important to be - very draining town. But I still love it in many ways. I wouldn't leave California. I think it's a fantastic state, if you can't be in Hawaii all the time. ~ Natalie Maines

She wasn't about to go down that road herself, which was a testament to her spiritual awakening and her commitment to sanity. It was a real blessing that she didn't follow me, because oftentimes, people go out together and one comes back and the other doesn't. Or both of them never do. ~ Anthony Kiedis

You are strong, self-reliant, entirely able to take care of yourself and of me ... You are fearless, courageous; you saved my life, nursed me back to health, hunted for my food, provided for my comfort. You don't need me. Yet you make me want to protect you, watch over you, make sure no harm comes to you. I could live with you all my life and never really know you; you have depths it would take many lifetimes to explore. You are wise and ancient ... and as fresh and young as a woman as ... And you are the most beautiful woman I have ever seen. I love you more than life itself. ~ Jean M. Auel

Gregori brought Savannah's hand to the warmth of his mouth,his breath heating the pulse beating in her wrist. The night is especially beautiful, mon petit amour.Your hero saved the girl, walks among humans, and converses with a fool.That alone should bring a smile to your face.Do not weep for what we cannot change.We will make certain that this human with us comes to no harm.
Are you my hero,then? There were tears in her voice, in her mind, like an iridescent prism. She needed him, his comfort,his support under her terrible weight of guilt and love and loss.
Always,for all eternity, he answered instantly,without hesitation, his eyes hot mercury. He tipped her chin up so that she met the brilliance of his silver gaze.Always, mon amour.His molten gaze trapped her blue one and held her enthralled. Your heart grows lighter.The burden of your sorrow becomes my own. He held her gaze captive for a few moments to ensure that she was free of the heaviness crushing her.
Savannah blinked and moved a little away from him, wondering what she had been thinking of.What had they been talking about?
"Gary." Gregori drawled the name slowly and sat back in his chair,totally relaxed. He looked like a sprawling tiger,dangerous and untamed. "Tell us about yourself."
"I work a lot.I'm not married. I'm really not much of a people person. I'm basically a nerd."
Gregori shifted, a subtle movement of muscles suggesting great power. "I am not familiar with this term."
Christine Feehan

The Dragon of Bad Emotions:

… One of the most difficult (but utterly important) things to manage in life is to "KILL THE DRAGON" inside of ourselves - a strong, aggressive, negative "dragon" of nasty emotions that lives inside of you, me. . . everybody!

Probably this type of negativity can sometimes even be helpful in business, but it can also destroy any love or closeness, if you let it reach

into your private life. You have to kill this "dragon" every day, because it comes back again and again, trying to destroy your happiness and the good, close relationships you have with your partner, and with other people. ~ Sahara Sanders

I don't get the point, really," I'd said as we contemplated the plastic-wrapped roses. "Why give a girl something that's supposed to represent love that's only going to wilt and die in a matter of hours?"
Steven laughed and said that was a pretty pessimistic way to view life, and I shrugged.
Then he said, "All the best things are like that, though, Lex, the most beautiful things. Part of the beauty comes from the fact that they're short-lived." He picked up a bouquet of deep-red roses, held it out to me. "These will never be as beautiful as they are at this moment, so we have to enjoy them now."
I stared at him. He scratched the back of his neck, a little red-faced, then gave me a sheepish grin. "Just call me a romantic," he said.
I wanted to say that there were some things in this world, some rare things, that were beautiful and stayed that way. ~ Cynthia Hand

I love the stillness of a room, after a party. The chairs are moved, the cushions disarranged, everything is there to show that people enjoyed themselves; and one comes back to the empty room happy that it's over, happy to relax and say, 'Now we are alone again. ~ Daphne Du Maurier

Stella:
And when he comes back I cry on his lap like a baby..
[she smiles to herself]
Blanche:
I guess that is what is meant by being in love.. ~ Tennessee Williams

The day comes when love means something beyond a reflection of ourselves, when there is more behind than ahead and the house of mind is haunted in every chamber with old songs, old ghosts, old hopes. ~ Parke Godwin

meander, v.

"...because when it all comes down to it, there's no such thing as a two-hit wonder. So it's better just to have that one song that everyone knows, instead of diluting it with a follow-up that only half succeeds. I mean, who really cares what Soft Cell's next single was, as long as we have 'Tainted Love'?"
I stop. You're still listening.
"Wait," I say. "What was I talking about? How did we get to 'Tainted Love'?"
"Let's see," you say, "I believe we started roughly at the Democratic gains in the South, then jumped back to the election of 1948, dipping briefly into northern constructions of the South, vis-a-vis Steel Magnolias, Birth of a Nation, Johnny Cash, and Fried Green Tomatoes. Which landed you on To Kill a Mockingbird, and how it is both Southern and universal, which -- correct me if I'm wrong -- got us to Harper Lee and her lack of a follow-up novel, intersected with the theory, probably wrong, that Truman Capote wrote the novel, then hopping over to literary one-hit wonders, and using musical one-hit wonders to make a point about their special place in our culture. I think."
"Thank you," I say. "That's wonderful. ~ David Levithan

I love when he's in these moods, this affectionate. Though it can be said of Gray that he's this way all the time with me. He never has an off day. I've known every single day of our life together so far just what he's thinking and feeling because he tells me, he shows me in so many different, lovely, sometimes depraved ways.

Usually with my clothes off.

Most often with his head between my legs.

And that's where I think this hot kiss is going - forget dinner, forget needing to shower off the busy workday. I'm wholly in this when I grip the back of his head and fall deeper into his mouth, moaning my protest when we part too soon.

His forehead rests to mine.

I spur him on. "Your sugar wife needs attention. You've neglected my needs all day, Grayson."

A growl comes out of his mouth and it delights me. Turns me on. Makes me wetter than a summer rain. "You know how hard that smart mouth of yours makes me. I'm about to put you on your knees. ~ V. Theia

Under the redwood tree my grave was laid, and I beguiled my true love to lie down. The stream of our kiss put a waterway around the world, where love like a refugee sailed in the last ship. My hair made a shroud, and kept the coyotes at bay while we wrote our cyphers with anatomy. The winds boomed triumph, our spines seemed overburdened, and our bones groaned like old trees, but a smile like a cobweb was fastened across the mouth of the cave of fate.

Fear will be a terrible fox at my vitals under my tunic of behaviour.
Oh, canary, sing out in the thunderstorm, prove your yellow pride. Give me a reason for courage or a way to be brave. But nothing tangible comes to rescue my besieged sanity, and I cannot decipher the code of the eucalyptus thumping on my roof.
I am unnerved by the opponents of God, and God is out of earshot. I must spin good ghosts out of my hope to oppose the hordes at my window. If those who look in see me condescend to barricade the door, they will know too much and crowd in to overcome me.
The parchment philosopher has no traffic with the night, and no conception of the price of love. With smoky circles of thought he tries to combat the fog, and with anagrams to defeat anatomy. I posture in vain with his weapons, even though I am balmed with his nicotine herbs.
Moon, moon, rise in the sky to be a reminder of comfort and the hour when I was brave. ~ Elizabeth Smart

We may need to consider a little abstinence from our automatic, reflexive responses of being helpful to others. For some of us, doing this may feel very threatening; to identify our addictions of helpfulness is to challenge the ways we habitually express love – it comes close to challenging our love itself.

. . . Let us go back for a moment and look at that tiny, perhaps almost nonexistent space between feeling a person's pain and doing something in response to it. It is not easy to just be with the pain of another, to feel it as your own. No wonder we are likely to jump into our habitual responses so quickly. As soon as we start doing something for or to the suffering person, we can minimize the bare agony of feeling that person's pain. It is like that everywhere; our addicted doings act as minor anaesthesia.

. . . Sometimes, perhaps often, taking the space will feel like an absence of response. We may fear the person will think we don't care because we are not immediately hopping like popcorn to do something helpful. And sometimes the response that is authentically invited will never appear overtly helpful. Perhaps we are just invited to pray, silently in the background, or just to be present without saying a word or offering even a touch. Sometimes love even invites us to leave a person alone. Such responses are not too good for our egos; the suffering person is unlikely to come and thank us for our lack of involvement. But love does not ask for credi ~ Gerald G. May

We went back into the drawing room. The evening had passes pleasantly enough, heaven knows, but I was glad that they had gone and the house was silent once again. She must have had the same thought, for she stood a moment, looking around her in the drawing room, she said, 'I love the stillness of a room, after a party. The chairs are moved, the cushions disarranged, everything is there to show that people enjoyed themselves; and one comes back to the empty room happy that it's over, happy to relax and say, "Now we are alone again." Ambrose used to say to me in Florence that it was worth the tedium of visitors to experience the pleasure of their going, He was so right. ~ Daphne Du Maurier

His mouth comes down on mine, harder now, more demanding, a raw, hungry need in him rising to the surface. "You belong to me," he growls. "Say it."
"Yes. Yes, I belong to you." His mouth finds mine again, demanding, taking, drawing me under his spell.
"Say it again," he demands, nipping my lip, squeezing my breast and nipple, and sending a ripple of pleasure straight to my sex.
"I belong to you," I pant.
He lifts me off the ground with the possessive curve of his hand around my backside, angling my hips to thrust harder, deeper. "Again," he orders, driving into me, his cock hitting the farthest point of me and blasting against sensitive nerve endings.
"Oh … ah … I … I belong to you."
His mouth dips low, his hair tickling my neck, his teeth scraping my shoulders at the same moment he pounds into me and the world spins around me, leaving nothing but pleasure and need and more need.
I am suddenly hot only where he touches, and freezing where I yearn to be touched. Lifting my leg, I shackle his hip, ravenous beyond measure, climbing to the edge of bliss, reaching for it at the same time I'm trying desperately to hold back. Chris is merciless, wickedly wild, grinding and rocking, pumping.
"I love you, Sara," he confesses hoarsely, taking my mouth, swallowing the shallow, hot breath I release, and punishing me with a hard thrust that snaps the last of the lightly held control I possess. Possessing me. A fire explodes low in my belly and spira ~ Lisa Renee Jones

A wicked smile spread across his usually serious face. "Hi, my name is Shane Decker. I'm not much for chatter, so I'll get right to the point. I have some cue cards here telling me to describe my 'type,' but that's not me. I respect and love women. All types of women."
His voice rang with sincerity and Cat found herself leaning forward, literally on the edge of her seat.
"So if you think you're too tall and skinny but have a smile that makes people want to smile back? You're my type. Curvy and always trying to lose that last ten pounds, with a loud, bawdy laugh? You're my type. A little older than me, with some lifelines that look earned and the confidence that comes with age? My type. Life is short, and I want to spend it with someone who recognizes that, and takes happiness wherever they can find it. If you think I might be your type, send a message to Shane84, and we can meet for coffee. ~ Christine Bell

They rode for a while in silence, a tiny island in the smoky stream of marching men. Then Lee said slowly, in a strange, soft, slow tone of voice, "Soldiering has one great trap."
Longstreet turned to see his face. Lee was riding slowly ahead, without expression. He spoke in that same slow voice. "To be a good soldier you must love the army. But to be a good officer you must be willing to order the death of the thing you love. This is...a very hard thing to do. No other profession requires it. That is one reason why there are so very few good officers. Although there are many good men."
Lee rarely lectured. Longstreet sensed a message beyond it. He waited. Lee said, "We don't fear our own deaths, you and I." He smiled slightly, then glanced away. "We protect ourselves out of military necessity, not do not protect yourself enough and must give thought to it. I need you. But the point is, we are afraid to die. We are prepared for our own deaths, and for the deaths of comrades. We learn that at the Point. But I have seen this happen: we are not prepared for as many deaths as we have to face, inevitably as the war goes on. There comes a time..."
He paused. He had been gazing straight ahead, away from Longstreet. Now, black-eyed, he turned back, glanced once quickly into Longstreet's eyes, then looked away.
"We are never prepared for so many to die. So you understand? No one is. We expect some chosen few. We expect an occasional empty chair, a toast to d ~ Michael Shaara

WILDE: Oh - Bosie! (He weeps.) I have to go back to him, you know. Robbie will be furious but it can't be helped. The betrayal of one's friends is a bagatelle in the stakes of love, but the betrayal of oneself is a lifelong regret. Bosie is what became of me. He is spoiled, vindictive, utterly selfish and not very talented, but these are merely the facts. The truth is he was Hyacinth when Apollo loved him, he is ivory and gold, from his red rose-leaf lips comes music that fills me with joy, he is the only one who understands me. 'Even as a teething child throbs with ferment, so does the soul of him who gazes upon the boy's beauty; he can neither sleep at night nor keep still by day,' and a lot more besides, but before Plato could describe love, the loved one had to be invented. We would never love anybody if we could see past our invention. Bosie is my creation, my poem. In the mirror of invention, love discovered itself. Then we saw what we had made - the piece of ice in the fist you cannot hold or let go. (He weeps.) ~ Tom Stoppard

A house that lacks, seemingly, mistress and master,
With doors that none but the wind ever closes,
Its floor all littered with glass and with plaster;
It stands in a garden of old-fashioned roses.

I pass by that way in the gloaming with Mary;
'I wonder,' I say, 'who the owner of those is.'
'Oh, no one you know,' she answers me airy,
'But one we must ask if we want any roses.'

So we must join hands in the dew coming coldly
There in the hush of the wood that reposes,
And turn and go up to the open door boldly,
And knock to the echoes as beggars for roses.

'Pray, are you within there, Mistress Who-were-you?'
'Tis Mary that speaks and our errand discloses.
'Pray, are you within there? Bestir you, bestir you!
'Tis summer again; there's two come for roses.

'A word with you, that of the singer recalling--
Old Herrick: a saying that every maid knows is
A flower unplucked is but left to the falling,
And nothing is gained by not gathering roses.'

We do not loosen our hands' intertwining
(Not caring so very much what she supposes),
There when she comes on us mistily shining
And grants us by silence the boon of her roses. ~ Robert Frost

Taking care of the elderly comes without the vast literature of advice and encouragement that accompanies other kinds of commitments, notably romantic love and childbearing. It sneaks up on you as something that is not supposed to happen, or rather you crash into this condition that you have not been warned about, a rocky coast not on the map. In the preferred stories the last years of life are golden and the old all ripen into wisdom, not decay into diseases that mimic mental illness and roll backward into chaotic childhood and beyond. ~ Rebecca Solnit

Do not hate anybody, because that hatred which comes out from you, must, in the long run, come back to you. If you love, that love will come back to you, completing the circle. ~ Swami Vivekananda

I have a rendezvous with Death
At some disputed barricade,
When Spring comes back with rustling shade
And apple-blossoms fill the air -
I have a rendezvous with Death
When Spring brings back blue days and fair.

It may be he shall take my hand
And lead me into his dark land
And close my eyes and quench my breath -
It may be I shall pass him still.
I have a rendezvous with Death
On some scarred slope of battered hill,
When Spring comes round again this year
And the first meadow-flowers appear.

God knows 'twere better to be deep
Pillowed in silk and scented down,
Where love throbs out in blissful sleep,
Pulse nigh to pulse, and breath to breath,
Where hushed awakenings are dear...
But I've a rendezvous with Death
At midnight in some flaming town,
When Spring trips north again this year,
And I to my pledged word am true,
I shall not fail that rendezvous. ~ Alan Seeger

When we get hurt, our bodies immediately start trying to heal that hurt. This works for emotions as well. If we were scarred socially, by an incident of rejection or bullying, we immediately start trying to heal. Like pus comes out of wounds, emotions flow from psychological wounds.

And what do we really need at that moment? When we are out of that dangerous situation that scarred us, and we become triggered by some little thing - what do we need? Do we need someone to look at us and say, "Wow, you're really sensitive, aren't you?" or "Hey, man, I didn't mean it like that."? Do we need someone to justify their actions or tell us to take it easy, because the situation didn't really require such a reaction?

And, from ourselves, do we really need four pounds of judgment with liberal helpings of shame? Do we need to run away, to suppress, to hate our "over-sensitivity" to situations that seem innocuous to others?

No. We do not need all of these versions of rejection of a natural healing process. You would not feel shame over a wound doing what it must do to heal, nor would you shame another. So why do we do this to our heart wounds? Why do we do it to ourselves? To others?

Next time some harmless situation triggers you or someone around you into an intense emotion - realize it's an attempt at emotional healing. Realize the danger is no longer there, but don't suppress the healing of old dangers and old pains. Allow the pain. Don't react ~ Vironika Tugaleva

WHEN WE GIVE FROM A PLACE OF LOVE, RATHER THAN FROM A PLACE OF EXPECTATION, MORE USUALLY COMES BACK TO US THAN WE COULD HAVE EVER IMAGINED. ~ Susan Jeffers

To live is to prepare for goodbye
For loneliness is a friend
who will not betray.
Shiver not in the pouring love,
instead buy an umbrella
Believe not in happiness,
even in the passions of love…
Confess not your love,
even if you would die for it.
For love is like a season
It comes and goes to decorate life's boredom
The moment you call it Love,
it melts away, an ice sculpture…
Goodbye, Someday.
Happiness lasts not forever
As Despair lasts not forever.
Some days, there is Goodbye
some days, there is Hello.
At death,
some look back on being loved
While some look back on having loved…
I'll definitely look back on having loved… ~ Hitonari Tsuji

I have no right to make you love me, or to love you. But I do know that love is something that is tested and mended over time.

"I don't know if purely romantic love can last through anything (it is so based on feelings and attraction, both of which are fickle at times), but I think friendship can, and when the romantic love and friendship get blurred together into one it makes 'relationship cement,' I think." - Stay by Jennifer Silverwood

"And then, real love I think comes later. When you really get to know someone and how they think and feel, when you can't imagine if something were to happen to them. When you trust them and want to spend all your time doing nothing with them, when you want to grow old together." - Stay by Jennifer Silverwood ~ Jennifer Silverwood

Life is perphas after all simply this thing and then the next. We are all of us improvising. We find a careful balance only to discover that gravity or stasis or love or dismay or illness or some other force suddenly tows us in an unexpected direction. We wake up to find that we have changed abruptly in a way that is perculiar and inexplicable. We are constanly adjusting, making it up, feeling our way forward, figuring out how to be and where to go next. We work it out, how to be happy, but sooner or later comes a change-sometimes something small, sometimes everything at once- and we have to start over again, feeling our way back to a provisional state of contentment. ~ Anne Giardini

I'm still kind of a hapless character in my everyday life. But when it comes to the writing, my influences are very old influences. I love American music of absolutely all stripes, including show tunes, advertising jingles, theme tunes from quiz shows, all kinds of American music. ~ Nick Lowe

He kisses me and for that kiss, for that moment, I forget how worried I am. It comes back, of course, but with Caleb, I feel more whole - I am more whole - than I have been since Mom died.
I love him.
I love him because of who he is, who he really is past what everyone else sees; the lost boy, the druggie, the car thief. I love him because he is strong and caring. I love him because he broke and put himself back together again. I love him because he is beautiful inside and out.
I love him for being here with me. I love him for not telling me that everything will be all right. I love him because he knows what life is like, what it can do, and is always honest about it. ~ Elizabeth Scott

Jesus, music has always been my first love. I use music in my work because it's the fastest way to an emotional place. You hear a song, and that memory comes right back
you're there ... Making music is immediate, and it's all about you. If you're playing guitar, the feeling comes through
the way you bend the note, the intensity with which you hit the strings. With making films, although it's real emotion, it's false emotion. You're lying. ~ Johnny Depp

Did I ever tell you I went to school in America?"
"What? No."
"It's true,for a year. Eighth grade. It was terrible."
"Eighth grade is terrible for everyone," I say.
"Well,it was worse for me. My parents had just seperated,and my mum moved back to California.I hadn't been since I was an infant,but I went with her,and I was put in this horrid public school-"
"Oh,no. Public school."
He nudges me with his shoulder. "The other kids were ruthless. They made fun of everything about me-my height,my accent, the way I dressed.I vowed I'd never go back."
"But American girls love English accents." I blurt this without thinking, and then pray he doesn't notice my blush.
St. Clair picks up a pebble and tosses it into the river. "Not in middle school, they don't.Especially when it's attached to a bloke who comes up to their kneecaps."
I laugh.
"So when the year was over,my parents found a new school for me. I wanted to go back to London,where my mates were, but my father insisted on Paris so he could keep an eye on me. And that's how I would up at the School of America. ~ Stephanie Perkins

From Beckett's "The Unnamable":

"They love each other, marry, in order to love each other better, more conveniently, he goes off to the wars, he dies at the wars, she weeps, with emotion, at having loved him, at having lost him, yep, marries again, in order to love again..., more conveniently again, they love each other, you love as many times as necessary, as necessary in order to be happy, he comes back, the other comes back, from the wars, he didn't die at the wars after all, she goes to the station, to meet him, he dies in the train, of emotion, at the thought of seeing her again, having her again, she weeps, weeps again, with emotion again, at having lost him again, yep, goes back to the house, he's dead, the other is dead, the mother-in-law takes him down, he hanged himself, with emotion, at the thought of losing her, she weeps, weeps louder, at having loved him, at having lost him, there's a story for you, that was to teach me the nature of emotion, that's called emotion, what emotion can do, given favourable conditions, what love can do, well well, so that's emotion, that's love, and trains, and the nature of trains, and the meaning of... ~ Samuel Beckett