Nassauer Scrollwork Quotes

What do I make of all this texture? What does it mean about the kind of world in which I have been set down? The texture of the world, its filigree and scrollwork, means that there is the possibility for beauty here, a beauty inexhaustible in its complexity, which opens to my knock, which answers in me a call I do not remember calling, and which trains me to the wild and extravagant nature of the spirit I seek. ~ Annie Dillard

He said, I won't have one of those things in the house. It gives a young girl a false notion of beauty, not to mention anatomy. If a real woman was built like that she'd fall on her face.

She said, If we don't let her have one like all the other girls she'll feel singled out. It'll become an issue. She'll long for one and she'll long to turn into one. Repression breeds sublimation. You know that.

He said, It's not just the pointy plastic tits, it's the wardrobes. The wardrobes and that stupid male doll, what's his name, the one with the underwear glued on.

She said, Better to get it over with when she's young. He said, All right but don't let me see it.

She came whizzing down the stairs, thrown like a dart. She was stark naked. Her hair had been chopped off, her head was turned back to front, she was missing some toes and she'd been tattooed all over her body with purple ink, in a scrollwork design. She hit the potted azalea, trembled there for a moment like a botched angel, and fell.

He said, I guess we're safe. ~ Margaret Atwood

Students huddled against the wall and under their chairs, probably thinking they were all about to die.
"Nothing to worry about, everyone!" Jesper called. "Just a little target practice in the courtyard."
"This way," said Wylan, ushering them through a door covered in elaborate scrollwork.
"Oh, you mustn't," said the scholar rushing after them, robes flapping. "Not the rare books room!"
"Do you want to shake hands again? ~ Leigh Bardugo

From daydreams on the road there was no waking. He plodded on. He could remember everything of her save her scent. Seated in a theatre with her beside him leaning forward listening to the music. Gold scrollwork and sconces and the tall columnar folds of the drapes at either side of the stage. She held his hand in her lap and he could feel the tops of her stockings through the thin stuff of her summer dress. Freeze this frame. Now call down your dark and your cold and be damned. ~ Cormac McCarthy

Give the wilding an axe, why not?" He pointed out Mormont's weapon, a short-hafted battle-axe with gold scrollwork inlaid on the black steel blade. "He'll give it back, I vow. Buried in the Old Bear's skull, like as not. why not give him all our axes, and our swords as well? I mislike the way the clank and rattle as we ride. We'd travel faster without them, straight to hell's door. Does it rain in hell, I wonder? Perhaps Craster would like a nice hat instead."
Jon smiled. "He wants an axe. And wine as well."
"See, the Old Bear's clever. If we get the wildling well and truly drunk, perhaps he'll only cut off an ear when he tries to slay us with that axe. I have two ears but only one head. ~ George R R Martin

Sometimes when I was starting a new story and I could not get it going, I would sit in front of the fire and squeeze the peel of the little oranges into the edge of the flame and watch the sputter of blue that they made. I would stand and look out over the roofs of Paris and think, "Do not worry. You have always written before and you will write now. All you have to do is write one true sentence. Write the truest sentence that you know." So finally I would write one true sentence, and then go on from there. It was easy then because there was always one true sentence that I knew or had seen or had heard someone say. If I started to write elaborately, or like someone introducing or presenting something, I found that I could cut that scrollwork or ornament out and throw it away and start with the first true simple declarative sentence I had written. ~ Ernest Hemingway,