Love Stories Coming Of Age Quotes

...have you ever thought you knew someone--I mean really knew someone--then realized that the person you thought you knew only existed in your overextended mind... ~ Stephanie Verni

I believe I was afraid…of not being worthy of you. I have spent weeks writing, scribbling my thoughts, reliving every moment we shared, and I saw…the happiness we shared when we were together. The gleam in your dark eyes when you saw me. And I realized…that is what it's about, is it not? Those pieces of happiness are what matters. Not title or name. I write stories and poems of love and dreams coming true, but I did not allow myself to see it as something that could be real…not for me…but it was true…what we shared, and not only am I better for it, the world could be too."
"I am a better man because of you, Cas. Imagine what we could do together?"
Cassius gasped…hoped. "Do you still want me, my prince?"
"I have never wanted another the way I want you. There will never be another I love the way I love you."
Merrick raised his hand, cupped Cassius's cheek. Cas nuzzled into him, closed his eyes, trembled when he felt Merrick's lips touch his. They kissed slowly, deeply, reexploring each other.
Cassius swallowed down Merrick's moans and then fed him his own.
And it was…perfect.
When they pulled apart, Cassius led Merrick back to the rock. The sun kept the chill off as they climbed on together ~ Riley Hart

'To Kill a Mockingbird' is really two stories. One is a coming-of-age tale told from the point of view of Scout Finch, a girl of about nine, and her slightly older brother, Jem. The second story concerns their father, attorney Atticus Finch, who has been appointed to defend a black man, Tom Robinson, falsely accused of raping a white woman. ~ Charles J. Shields

Cinema is a language. It can say things - big, abstract things. And I love that about it. I'm not always good with words. Some people are poets and have a beautiful way of saying things with words. But cinema is its own language. And with it you can say so many things, because you've got time and sequences. You've got dialogue. You've got music. You've got sound effects. You have so many tools. And you can express a feeling and a thought that can't be conveyed any other way. Its a magical medium. For me, it's so beautiful to think about these pictures and sounds flowing together in time and in sequence, making something that can be done only through cinema. Its not just words or music-it's a whole range of elements coming together and making something that didn't exist before. It's telling stories. It's devising a world, an experience, that people cannot have unless they see that film. When I catch an idea for a film, I fall in love with the way cinema can express it. I like a story that holds abstractions, and that's what cinema can do. ~ David Lynch

They stood in the courtyard of Swangard Palace, too cold to be comfortable despite the sun, and they looked fully on one another, knowing that they were friends, and would always be.

A lot of water under this bridge too, Mark thought, with something like awe. He was growing older. Old enough to feel the current of what had been flowing under him, leading to his future. Old enough to look back over his shoulder, and see his past behind him, and grieve for what was gone, and honour its memory.

He felt, suddenly, how much it would hurt him if Val died; felt an echo of that pain, knowing that the Valerian he had known, fluffy and peering and hapless and altogether wonderful: this Valerian was already dying. Not physically, of course, but the man he remembered from that first night in Swangard Palace would be gone the next time they met, though his ghost would linger on in Val forever, and in their memories.

Three cheers for ghosts, Mark thought. Three cheers for the dead.

Of course Val would be much the same: better, even. As full of wonder and delight, with big pockets full of puzzles and fascinating stories about the lives of ants and ingenious designs for windmills that would do your washing. And they would still be friends, excellent friends. It could even be better next time.

But it would never be the same. ~ Sean Stewart

A lot of first novels are coming-of-age stories. A lot are autobiographical. ~ Stacey D'Erasmo

I feel myself collapse inside as if the life force has been sucked out of me. ~ Siobhan Davis

She had a new secret, the strenght of the moon, looking at her ~ Susan Engberg

Little Joe was still behind him. Eli could feel it. He wanted to look back, but he couldn't. The tears were too close. If he were Fancy, he'd turn around and kick and buck and moo and do just about anything to keep his calf near. But Eli wasn't Fancy; he was a farmer. ~ Sandra Neil Wallace

But sometimes the scars go too deep and the stories are too personal to share. ~ John Northcutt Young

You can't forget how important coming together is, whether it be a mom and a son, a dad and a daughter, whether the family be ten people, or twenty people, or a million people. Dinnertime is the perfect time for that. Dinnertime is the perfect time when you can sit down, you can offer thanks to your kids for making you laugh, or to your parents for supporting you, or to a god for looking out for you, or to whomever you want. You can just close your eyes and open them again and realize that you have the opportunity everyday to change your life, or change someone else's. Dinnertime is a great time to think about that.

~ Dillon, age 22
From Dinnertimes: Stories of American Life, 1912 to 2012 ~ Deborah L. Halliday

After the September 11th tragedy in New York City, people began to tell others what their loved ones, who had been trapped in the twin towers in New York, had said to them in frantic telephone conversations or email messages. Those who received calls from mobile phones from the doomed planes also told their stories. Some re-listened to messages left on answerphones. And as they shared their experiences, it was immediately evident that the same three words kept coming up time and time again. Those words did not refer to size of salary or bonuses, nor to the type of car recently purchased or expensive holidays taken. No. Lovers said them to lovers, husbands to wives, friends to friends and parents to kids: 'I love you.' 'Tell Suzanne, I love her. ~ Rob Parsons

How'd you know that would help, Grandma?

Used to have a regular who had attacks like that all the time. Poor guy. He was an accountant, loveless marriage-most of em were back then-and vaginas scared the bejeezus outta him. ~ Jennifer LeBlanc

I'm looking for something new to believe in that isn't the way people yearn at night in the city. ~ Constance Renfrow

It had been startling and disappointing to me to find out that story books had been written by people, that books were not natural wonders, coming up of themselves like grass. Yet regardless of where they come from, I cannot remember a time when I was not in love with them
with the books themselves, cover and binding and the paper they were printed on, with their smell and their weight and with their possession in my arms, captured and carried off to myself. Still illiterate, I was ready for them, committed to all the reading I could give them ... ~ Eudora Welty

Coming-of-age tales and villain origins have a lot in common. Teens are fighting for their independence and against familial pressures. Villains are frequently fighting against societal and moral expectations in their origins. ~ Samantha Lane

You were just a young girl not wanting to let on that death could happen to one who hadn't even lived yet. ~ Katherine Sloan, "Because You Were Under 30" Songs Of My Selfie

But thats their image of us so we stay tense, holding our breath, hoping we wont be found out. - about being gay from the film Love My Life ~ Ebine Yamaji

I have always, essentially, been waiting. Waiting to become something else, waiting to be that person I always thought I was on the verge of becoming, waiting for that life I thought I would have. In my head, I was always one step away. In high school, I was biding my time until I could become the college version of myself, the one my mind could see so clearly. In college, the post-college "adult" person was always looming in front of me, smarter, stronger, more organized. Then the married person, then the person I'd become when we have kids. For twenty years, literally, I have waited to become the thin version of myself, because that's when life will really begin.
And through all that waiting, here I am. My life is passing, day by day, and I am waiting for it to start. I am waiting for that time, that person, that event when my life will finally begin.
I love movies about "The Big Moment" – the game or the performance or the wedding day or the record deal, the stories that split time with that key event, and everything is reframed, before it and after it, because it has changed everything. I have always wanted this movie-worthy event, something that will change everything and grab me out of this waiting game into the whirlwind in front of me. I cry and cry at these movies, because I am still waiting for my own big moment. I had visions of life as an adventure, a thing to be celebrated and experienced, but all I was doing was going to work and coming home, and that ~ Shauna Niequist

The big challenge of our time is to make sure that when our hearts break [amidst climate catastrophe] we stay open and connected and curious rather than coming up with stories to justify ourselves being violent to others that we have othered more than those closest to us. ~ Jem Bendell

You really believe all that? About how there's only one end in sight for people like you?" Amity said, tipping her chin back toward the sky and pulling her hat partway down her face, so only her nose and mouth were visible. "Horseshit. You only think that because you've never seen different." Esther started to reply, but Amity held up a still-bloody finger. "Don't interrupt me, pup. You know I'm right. You're a woman and you love people who aren't men, is that right?"
Esther hesitated to make sure she wasn't interrupting. "That's right," she said, "but - "
"No but, it's just true," Amity said, proving that her rule about interruptions only ran in one direction. "And you've only ever read stories about people like you, right? You've never met one of your kind before now. Well, except for Beatriz," she added. "Ain't that so?"
"Yeah," Esther answered reluctantly. She sensed a trap coming, but she couldn't figure out how to step around it.
"All those stories you've read," Amity said softly, pulling her hat back off her eyes by a few degrees. "Who gave 'em to you? ~ Sarah Gailey

J.R. Angelella is a truly gifted writer. Zombie is one of the smartest, strangest, and most beautifully crafted coming-of-age stories you will ever encounter. ~ Donald Ray Pollock

I think my books give people a language to have a conversation about God that's not religious. There isn't enough new literature that brings the conversation of God into a modern context. I love the Bible, but in the West we've analyzed it until it fits into a structure of control. We need more new stories. We need different ways of looking at things, and I think it's coming. ~ William P. Young

All this silence between us, to protect her, and what has it wrought! How unthinking I was," he cringed as he beat himself up inside. ~ K. Farrell St. Germain

I decided to write the book I wanted to read ~ David A. Lottes

No. Wait. When will I see you again?" she asked. "How will I find you?"
"Well, you don't have to stand on the end of a diving board."
Ivy smiled.
"The end of a tree limb will do," he said. "Or the roof of any building three stories or higher."
"What?"
"Just kidding," he said, laughing. "Just call
anytime, anywhere, silently
and I'll hear you. If I don't come, it's because I'm in the middle of something that I can't stop, or I'm in the darkness. I can't control the darkness." He sighed. "I can feel it coming on
I can feel it right now
and I can fight it off for a while. But in the end I fall unconscious. It's how I rest. I guess one day the darkness will be final."
"No!"
"Yes, love," he said softly.
A moment later he was gone. ~ Elizabeth Chandler

Tragedies, I was coming to realize through my daily studies in humanities both in and out of the classroom, were a luxury. They were constructions of an affluent society, full of sorrow and truth but without moral function. Stories of the vanquishing of the spirit expressed and underscored a certain societal spirit to spare. The weakening of the soul, the story of the downfall and the failed overcoming - trains missed, letters not received, pride flaring, the demolition of one's own offspring, who were then served up in stews - this was awe-inspiring, wounding entertainment told uselessly and in comfort at tables full of love and money. Where life was meagerer, where the tables were only half full, the comic triumph of the poor was the useful demi-lie. Jokes were needed. And then the baby feel down the stairs. This could be funny! Especially in a place and time where worse things happened. It wasn't that suffering was a sweepstakes, but it certainly was relative. For understanding and for perspective, suffering required a butcher's weighing. And to ease the suffering of the listener, things had better be funny. Though they weren't always. And this is how, sometimes, stories failed us: Not that funny. Or worse, not funny in the least. ~ Lorrie Moore

We usually know a lover is on the way well before he gets here. As often as we hear stories like "I met my partner when I least expected to meet anyone," on some level, we know that's nonsense. A woman in touch with herself can sense the coming of things, and the come of love is like a deer running through a forest on the way to your door. We can feel a love approaching; and when we are in touch with the Goddess, we prepare ourselves in advance. ~ Marianne Williamson

We think and believe that we are exceptional. We have created so many stories around how exceptional humans are. We were created by the hands of the divine, and the universe is our gift. We believe that it was all created to serve us, but the reality of the matter is, we are not exceptional except for our ability to kill beauty and destroy. We are not as fast as the gazelle or a cheetah; we can't fly like birds; we don't have fur to protect us in the cold; we don't have natural strength to lift heavy objects like a gorilla or an elephant. We created fables to explain our presence, even scientific ones that we can't prove. It is all unproven theories, on all sides. We are not exceptional; we are only exceptional when we work together and in sync with nature like every other creature. ~ Hani Selim

Get your sticky fingers away from my cookies," Ben ordered, without turning his head, to see Jaxton trying to steal one from the cooking tray.
"You weren't saying that last night," Jaxton retaliated, coming up to Ben's side, to give him a nudge. They were both smiling, while looking down at the counter, where Ben was making his delicious rosemary cookies. "In fact, I seem to remember you grabbing my sticky fingers and putting them in your mouth," he teased, speaking quietly, so that Lyon wouldn't hear them at the other side of the room.
Ben turned to Jaxton and abandoned his baking, to catch his face in flour covered hands and plant a deep kiss on his lips.
Jaxton opened his mouth, in acceptance of his kiss.

~ From the Heart ~ Elaine White

I want queer authors to write anything and everything they need to write. I have no interest in gatekeeping; I want the full spectrum. I want the coming out books. I want the books about queer suffering. I want on-page catharsis and exploration of trauma. I want the happy books, too: queer joy books, cute romantic comedies, first crush books, fantasies about queer royals and revolutionaries and spaceship captains. (...) We need all types of queer stories because all types of queer people exist. I want the market to be so saturated with queer books that anyone who needs to see themselves in a story - anyone who hasn't yet seen themselves, hasn't yet gotten to be the hero - can walk into any bookstore and find a book (or six) about someone who experiences the world like they do. I want every queer author to get the chance to tell their story. To tell people, We exist everywhere. We suffer, we survive, we love. We can be magic, too. ~ Nina Varela

In the book of Alma is a story that has fascinated e since I first read it. it is about a very colorful character named Moroni--not to be confused with the last survivor of the Nephites, who was also named Moroni. This man was a brilliant military commander, and he rose to be supreme commander of all the Nephite forces at the age of twenty-five. For the next fourteen years he was off to the wars continuously except for two very short periods of peace during which he worked feverishly at reinforcing the Nephite defenses. When peace finally came, he was thirty-nine years old, and the story goes that at the age of forty-three he died. Sometime before this he had given the chief command of the armies of the Nephites to his son Moronihah. Now, if he had a son, he had a wife. I've often wondered where she was and how she fared during those fourteen years of almost continuous warfare, and how she felt to have him die so soon after coming home. I am sure there are many, many stories of patience and sacrifice that have never been told. We each do our part, and we each have our story. ~ Marjorie Pay Hinckley

You understand. I don't know. I am not sure how I would feel in your shoes. My mother wanted me. ~ Donna K. Childree

When I was a child, an angel came to say,
A true friend is coming my warrior to sweep you away,
It won't be easy the path because it leads through hell,
But if you're faithful, it will be the greatest story to tell,
You will move God's daughters to a place of hope,
Your story will teach everyone there is nothing they can't cope,
You will suffer a lot, but not one tear will you waste,
Because for all that you do for me, you will be graced,
For I am bringing you someone that wants to travel your trail,
Someone you already met when you passed through heaven's veil,
A warrior, a friend that whispers your heart's song,
Someone that will run with you and pull your spirit along,
Don't you see the timing was love's fated throw,
Because I put you both there to help one another grow,
I am the writer of all great stories your chapters were written by me,
You suffered, you cried because I needed you to see,
That your faith in my ending goes far beyond two,
It was going to change more hearts than both of you knew,
So hush my child and wait for my loving hand,
The last chapter is not written and still in the sand,
It is up to you to finish, before the tide washes it away,
All that is in your heart, I've put there for you to say,
This is not about winning, loss or pain,
I made you the way you are because true love stories are insane,
I wrote you in heaven as I sat on its s ~ Shannon L. Alder

He does love prophesying a misfortune, does the average British ghost. Send him out to prognosticate trouble to somebody, and he is happy. Let him force his way into a peaceful home, and turn the whole house upside down by foretelling a funeral, or predicting a bankruptcy, or hinting at a coming disgrace, or some other terrible disaster, about which nobody in their senses would want to know sooner than they could possible help, and the prior knowledge of which can serve no useful purpose whatsoever, and he feels that he is combining duty with pleasure. He would never forgive himself if anybody in his family had a trouble and he had not been there for a couple of months beforehand, doing silly tricks on the lawn or balancing himself on somebody's bedrail.

("Introduction" to TOLD AFTER SUPPER) ~ Jerome K. Jerome

I have always been drawn to coming-of-age stories and books and movies featuring compelling young characters. ~ Emily Giffin

I'm mesmerized by lipstick prints on coffee cups.

By the lines of lips against white pottery. By the color chosen by the woman who sat and sipped and lived life. By the mark she leaves behind. Some people read tea leaves and others can tell your future through the lines on your palm. I think I'd like to read lipstick marks on coffee mugs.

To learn how to differentiate yearning from satiation. To know the curve of a deep-rooted joy or the line of bottomless grief. To be able to say, this deep blue red you chose and how firmly you planted your lips, this speaks of love on the horizon. But, darling, you must be sure to stand in your own truth. That barely-there nude that circles the entire rim? You are exploding into lightness and possibilities beyond what you currently know. The way the gloss only shows when the light hits it and the coffee has sloshed all over the saucer? people need to take the time to see you whole but my god, you're glorious and messy and wonderful and free. The deep purple bruise almost etched in a single spot and most of the cup left unconsumed? Oh love. Let me hold the depth of your ache. It is true. He's not coming back. I know you already know this, but do you also know this is not the end? Love. This is not the end.

I imagine that I can know entire stories by these marks on discarded mugs. Imagine that I know something intimate and true of the woman who left them. That I could take those mugs home one day and an entire ~ Jeanette LeBlanc