Jaimy Sculptures Quotes

I left Kurdistan in April 2003 with the peshmerga, following their excited advance as Saddam's forces crumbled. First Kirkuk, then Mosul - where looters broke into the city museum and seized its Parthian sculptures - then Tikrit. I reported from Baghdad in month-long stints until the end of 2004. ~ Luke Harding

Even as we improved as teachers and as students, the children continued to have raging impulse-control problems; the very thing that made them spontaneous and immediate could also make them mean ... The other teachers and I had dreamed of taking the kids on field trips, to remove them from the grip and tangle of life
of a day on the beach; of sandy, sacramental hot dogs; of playing in the ocean, making sculptures, and drawing with sticks. But we could barely manage them in class. ~ Anne Lamott

As paradoxical as it may seem a great sculptor is as much a colourist as the best painter, or rather the best engraver. He plays so skillfully with all the resources of relief, he blends so well the boldness of light with the modesty of shadow, that his sculptures please one, as much as the most charming etchings. ~ Auguste Rodin

My sculptures cause an uproar, astonishment, and put a smile on your face. ~ Florentijn Hofman

I never sold any of my pieces. I had all the money I wanted. Then I would have lost my sculptures and just had more money. ~ Irving Harper

Drawings, paintings, and sculptures. That's the three pillars of art academia. ~ Barry McGee

My art originates from hallucinations only I can see. I translate the hallucinations and obsessional images that plague me into sculptures and paintings. ~ Yayoi Kusama

I used to know a sculptor ... He always said that if you looked hard enough, you could see where each person carried his soul in his body. It sounds crazy, but when you saw his sculptures, it made sense. I think the same is true with those we love ... Our bodies carry our memories of them, in our muscles, in our skin, in our bones. My children are right here." She pointed to the inside curve of her elbow. "Where I held them when they were babies. Even if there comes a time when I don't know who they are anymore. I believe I will feel them here. ~ Erica Bauermeister

Never far from a dining table, the characters in Heather A. Slomski's limpid and elegant debut collection are not given to melodramatics. Civility reigns, voices are not raised, much goes unsaid. But just beneath the sophisticated composure are longing, loss, heartbreak. And how intensely familiar is the table itself, which made this reader suddenly understand how much of our real life takes place there. Heather A. Slomski is truly a fresh voice on the scene, and The Lovers Set Down Their Spoons is that rare thing, a new book as innovative in its design as it is compulsively readable. ~ Jaimy Gordon

Even though the museums guarding their precious property fence everything off, in my own studio, I made them so you and I could walk in and around, and among these sculptures. ~ George Segal

They don't send people from large corporations to hire people to make sculptures. ~ Chris Van Allsburg

I am not a performer but occasionally I deliberately work in a public context. Some sculptures need the movement of people around them to work. ~ Andy Goldsworthy

Cars are the sculptures of our everyday lives. ~ Chris Bangle

Like in the paintings, there has to be moments that are completely right to be able to feel how wrong it is when the space gets flattened or the space collapses. It's the same with the technique in the sculptures: for some to feel really wrong, you have to have parts be really right. ~ Francesca DiMattio

All my early memories are of forms and shapes and textures. Moving through and over the West Riding landscape with my father in his car, the hills were sculptures; the roads defined the form. Above all, there was the sensation of moving physically over the contours of fullnessess and concavities, through hollows and over peaks - feeling, touching, seeing, through mind and hand and eye. This sensation has never left me. I, the sculptor, am the landscape. I am the form and the hollow, the thrust and the contour. ~ Barbara Hepworth

I always thought that would be really neat if black people ever got control of the United States we would, of course, tear down some of the statues because we just don't like them...like all of Richmond would probably not have a statue standing. ~ Nikki Giovanni

Those who are esteemed umpires of taste, are often persons who have acquired some knowledge of admired pictures or sculptures, and have an inclination for whatever is elegant; but if you inquire whether they are beautiful souls, and whether their own acts are like fair pictures, you learn that they are selfish and sensual. Their cultivation is local, as if you should rub a log of dry wood in one spot to produce fire, all the rest remaining cold. Their knowledge of the fine arts is some study of rules and particulars, or some limited judgment of color or form which is exercised for amusement or for show. It is a proof of the shallowness of the doctrine of beauty, as it lies in the minds of our amateurs, that men seem to have lost the perception of the instant dependence of form upon soul. ~ Ralph Waldo Emerson

Dressing well is a kind of good manners, if you ask me. When you're standing in a room, your effect is the same as a chair's effect, or a sculpture's. You're part of someone's view, you're part of that world, and so you should dress well. I find it's a show of respect to try to put on your best face and look as good as you can. ~ Tom Ford

Let us not be too much acquainted. I would have a man enter his house through a hall filled with heroic and sacred sculptures, that he might not want the hint of tranquillity and self-poise. ~ Ralph Waldo Emerson

Nobody complains that Bernini's sculptures are too darn real, right? Or that Norman Rockwell's paintings are too creepy. Well, robots can seem real and be loved, too. We're trying to make a new art medium out of robotics. ~ David Hanson

Say your husband wants to start a business creating topiary sculptures for clients. You think the idea is bonkers, but you admire his passion, so it seems cruel to veto it. Instead, set a tripwire. Okay, dear, let's give the topiary-sculpture business a shot, but can we agree that we won't invest more than $10,000 of our savings in it? Alternatively, you might say: Go for it, but if you don't have a paying customer within three months, let's talk seriously about Plan B. ~ Chip Heath

We say to the British government: you have kept those sculptures for almost two centuries. You have cared for them as well as you could, for which we thank you. But now in the name of fairness and morality, please give them back. ~ Melina Mercouri

Clothes are unique sculptures, dependent on a supporting human form and created to move. ~ Virginia Postrel

From the women in this book, I realized that I had been broken open by becoming a mother, and it was time to build myself back up, and discover the new version of who I was becoming. I think I may be recognizing myself again, if only in short glimpses from a reflection in the glass window. By researching this book, I was inspired by the theory of metta, which is described in some Buddhist circles as mother love. Similar notions of mother love may be found in Christianity, as seen through the stories and sculptures of Mary embracing Jesus. Metta is unlike any other type of love. Because it is metta, it brings out the very best and the very worst in us. Metta is forever - there is no "happily ever after," and there is no finish line. ~ Christine Woodcock

In Rome, I particularly love the history, churches, sculptures and architecture and the fact that you can walk along a tiny cobbled street and turn the corner to find the Trevi Fountain. London is evocative of other eras and full of history. ~ Philip Treacy

I was dissatisfied with my 1967 manuscript and decided to rewrite the book. It was the first of September, and I said to myself, "If I do not have the finished manuscript in Faber's hands by September 10, I shall have to kill myself." And under this threat, I started writing. Within a day or so, the feeling of threat had disappeared, and the joy of writing took over. I was no longer using drugs, but it was a time of extraordinary elation and energy. It seemed to me almost as though the book were being dictated, everything organizing itself swiftly and automatically. I would sleep for just a couple of hours a night. And a day ahead of schedule, on September 9, I took the book to Faber & Faber. Their offices were in Great Russell Street, near the British Museum, and after dropping off the manuscript, I walked over to the museum. Looking at artifacts there - pottery, sculptures, tools, and especially books and manuscripts, which had long outlived their creators - I had the feeling that I, too, had produced something. Something modest, perhaps, but with a reality and existence of its own, something that might live on after I was gone.

I have never had such a strong feeling, a feeling of having made something real and of some value, as I did with that first book, which was written in the face of such threats from Friedman and, for that matter, from myself. Returning to New York, I felt a sense of joyousness and almost blessedness. I wanted to shout, "Hallelujah! ~ Oliver Sacks

His personal fulfillment did not lead him to evolve a cheerful Madonna; on the contrary this Madonna was sad; she had already, through his sculptures, known the Descent. The tranquility of his early bas-relief, when Mary still had her decision to make, could never be recaptured. This young mother was committed; she knew the end of her boy's life. That was why she was reluctant to let him go, this beautiful, husky,healthy boy, his hand clasped for protection in hers. That
was why she sheltered him with the side of her cloak.
The child, sensitive to his mother's mood, had a touch of melancholy about the eyes. He was strong, he had courage, he would step forth from the safe harbor of his mother's lap, but just now he gripped her hand with the fingers of one hand, and with the
other held securely to her side. Or was it his own mother he was thinking about, sad because she must leave her son alone in the world? Himself, who clung to her? ~ Irving Stone

I'm showing some of my sculptures in Holland in the spring, so we'll see. ~ Alan Vega

I learned about Chinese ceramics and African sculptures, I aired my scanty knowledge of the French Impressionists, and I prospered. ~ Bruce Chatwin

Three years earlier her father had been buried (irritable and impatient as he always had been) in the Fladstrand Church cemetery that bordered the lovely park, Plantagen, which shared with the cemetery its trees, shared its beech and ash and maple, in the same plot where her mother, wide eyed and confused, had lain down almost willingly two years before, where her brother had lain for thirty-five years, dazed and unwillingly after too short a life.
A dove was looking down from atop the family gravestone. It was made from metal so it could not fly away, but sometimes it went missing all the same and only a spike would remain. Someone had taken that dove, someone out there maybe had an entire collection of doves and angels and other small, Christian bronze sculptures in a cupboard at home and on long evenings would close the curtains and take them out and run his fingers gently over the smooth, cold bodies. ~ Per Petterson

I've been making bronze sculptures for a long time. My sculptures are wholly unsuccessful and uncommercial. No one is even the remotest bit interested in them. So it's almost like my hobby. ~ Tracey Emin

Then they began saying, "Get hold of him. Put him in Mercury." Now as you know I have two sculptures by Brancusi and several pretty things and I did not want them to start getting rough, so I said, pacifically, "Dear sweet clodhoppers, if you knew anything of sexual psychology you would know that nothing could give me keener pleasure than to be manhandled by you meaty boys. It would be an ecstasy of the very naughtiest kind. So if any of you wishes to be my partner in joy come and seize me. If, on the other hand, you simply wish to satisfy some obscure and less easily classified libido and see me bathe, come with me quietly, dear louts, to the fountain. ~ Evelyn Waugh

It is hard to think of any work of art of which one can say 'this saved the life of one Jew, one Vietnamese, one Cambodian'. Specific books, perhaps; but as far as one can tell, no paintings or sculptures. The difference between us and the artists of the 1920's is that they they thought such a work of art could be made. Perhaps it was a certain naivete that made them think so. But it is certainly our loss that we cannot. ~ Robert Hughes

I would like to go to Kalimantan island in Sumatra to see the carvings and longhouse sculptures. I've also always wanted to look at the wood carvings along the Sepik River in New Guinea. ~ Antony Gormley

Male leads in love stories need to be devoted, need to chase trains, cross continents, give up fortunes and thrones, defy convention, face prosecution, take apart rooms and break the backs of angels, sketch the beloved all over the cement walls of their studios, build sculptures as homages. They don't flirt shamelessly with the likes of me when they have Transylvanian girlfriends. What an effing jerk. ~ Jandy Nelson

Because we are not brittle like glass, but more like the light that shines through it, bright and unending, without hierarchy or reason.
We are not sculptures, still and unyielding - we are alive and unfinished.
We are in love.
And it is enough ~ Suki Fleet

There is so much to see - little alleys and passageways leading to courtyards with intricate stone fountains, ancient and modern sculptures, and fascinating little boutiques and shops. ~ E.L. James

In poetry we pare down our thoughts into their most graceful shapes, like minimalist sculptures. ~ Patricia Robin Woodruff

They passed a succession of granite monuments to the conquering magicians of the late Victorian age and the fallen heroes of the Great War, then a few monolithic sculptures representing Ideal Virtues (Patriotism, Respect for Authority, the Dutiful Wife). ~ Jonathan Stroud

I have been carrying on a dialogue between the landscape and the female body (based on my own silhouette) I am overwhelmed by the feeling of having been cast from the womb (nature). Through my earth/body sculptures I become one with the earth I become an extension of nature and nature becomes an extension of my body ~ Ana Mendieta

Publicity images often use sculptures or paintings to lend allure or authority to their own message. Framed oil paintings often hang in shop windows as part of their display.
Any work of art 'quoted' by publicity serves two purposes. Art is a sign of affluence; it belongs to the good life; it is part of the furnishing which the world gives to the rich and the beautiful.
But a work of art also suggests a cultural authority, a form of dignity, even of wisdom, which is superior to any vulgar material interest; an oil painting belongs to the cultural heritage; it is a reminder of what it means to be a cultivated European. And so the quoted work of art (and this is why it is so useful to publicity) says two almost contradictory things at the same time: it denotes wealth and spirituality: it implies that the purchase being proposed is both a luxury and a cultural value. Publicity has in fact understood the tradition of the oil painting more thoroughly than most art historians. It has grasped the implications of the relationship between the work of art and its spectator-owner and with these it tries to persuade and flatter the spectator-buyer.
The continuity, however, between oil painting and publicity goes far deeper than the 'quoting' of specific paintings. Publicity relies to a very large extent on the language of oil painting. It speaks in the same voice about the same things. (P. 129) ~ John Berger

Written works do not produce fast reactions as pictures and sculptures and music do. it takes no effort to see or hear. but to read - to grasp what the writer has done - requires commitment. engagement. as is the case with most art, the relationship between the maker and the audience is remote in time and space. the writer is nowhere to be seen when the reader takes up the book, or even dead. but most often, books go unread ... thus the writer, knowing this as writers do, is even more alone ... yet writers write. and knowing what they know makes their isolation almost a sacrament. ~ Anneli Rufus

Somehow, all the talk about tenure and anthropology had given her visions of a thick-walled, libraried adobe, the kind of place that was covered with kilim rugs and fertility sculptures. The white stucco in front of her looked only slightly more substantial than a roadside weigh station. ~ Mira Jacob

Time gives growth, it gives continuity and it gives change. And in the case of some sculptures, time gives a patina to them. ~ Andy Goldsworthy

Among the clay tablets brought back by Rassam from Ashurbanipal's library, were fragments of the Babylonian story of the Deluge. These, as translated by George Smith, aroused immense interest, which led to the desire that search be made for the missing fragments. The explorers of the Heroic Period had uncovered palaces, bas-reliefs, and statues, but had given the insignificant tablets secondary consideration. From the library chamber of Ashurbanipal's palace Rassam had extracted only those tablets which could be conveniently reached. With the power to read attained meanwhile, the tablets had become fully as important as the sculptures, if not more so. George Smith's expedition indicated, therefore, that the Modern Scientific Period of excavation had begun. Its end is not yet in sight, since its goal is the investigation of all feasible localities in the Mesopotamian valley, with the purpose of throwing all available light upon the history and life of these ancient peoples. ~ George Stephen Goodspeed

Ornamentation, festoons, carvings, cartouches, bas-reliefs, countless surprises among the sculptures - and the tones of the facades weathered by time and rain, the pinks of fading twilight, smoky blues, misty greys, a richness of mildew, brickwork ripened by the years, the hues of a ruddy or anaemic complexion. ~ Georges Rodenbach

There could be a powerful international women's rights movement if only philanthropists would donate as much to real women as to paintings and sculptures of women. ~ Nicholas D. Kristof

Art is central to all our lives, not just the better-off and educated ... I know that from my own story, and from the evidence of every child ever born - they all want to hear and to tell stories, to sing, to make music, to act out little dramas, to paint pictures, to make sculptures. This is born in and we breed it out. And then, when we have bred it out, we say that art is elitist, and at the same time we either fetishize art - the high prices, the jargon, the inaccessibility - or we ignore it. The truth is, artist or not, we are all born on the creative continuum, and that is a heritage and a birthright of all of our lives. ~ Jeanette Winterson

The ancient Greeks who created the magnificent sculptures and structures were the same people who could be utterly cruel and barbaric. ~ Julia Vickers