I Would Like Novels Better Quotes

She'd obviously read the book many times before, and so she read flawlessly and confidently, and I could hear her smile in the reading of it, and the sound of that smile made me think that maybe I would like novels better if Alaska Young read them to me. ~ John Green

I've always been really impressed with some of the longer graphic novels and thought it would be really amazing if one day I could try something like that. ~ Adrian Tomine

She was like a star in the sky and I would imagine how she could be mine ... ~ I.R. Shankar

I'm always astonished when readers suggest that I must write my novels while high on pot or (God forbid!) LSD. Apparently, there are people who confuse the powers of imagination with the effects of intoxication. Not one word of my oeuvre, not one, has been written while in an artificially altered state. Unlike many authors, I don't even drink coffee when I write. No coffee, no cola, no cigarettes. There was a time when I smoked big Havana cigars while writing, not for the nicotine (I didn't inhale) but as an anchor, something to hold on to, I told myself, to keep from falling over the edge of the earth. Eventually, I began to wonder what it would be like to take that fall. So one day I threw out the cigars and just let go. Falling, I must say, has been exhilarating
though I may change my mind when I hit bottom. ~ Tom Robbins

This was because their English teachers would wince and cover their ears and give them flunking grades and so on whenever they failed to speak like English aristocrats before the First World War. Also: they were told that they were unworthy to speak or write their language if they couldn't love or understand incomprehensible novels and poems and plays about people long ago and far away, such as Ivanhoe. *** The black people would not put up with this. They went on talking English every which way. They refused to read books they couldn't understand - on the grounds they couldn't understand them. They would ask such impudent questions as, Whuffo I want to read no Tale of Two Cities? Whuffo? ~ Kurt Vonnegut

I never thought I would become amazing. I never thought I would be as great as my father. I would like to continue writing novels, and hopefully, at some point, I would like to make the switch from being 'Stephen Hawking's daughter' to 'novelist Lucy Hawking,' and that will be a fabulous day. ~ Lucy Hawking

I guess that isn't the right word, she said. She was used to apologizing for her use of language. She had been encouraged to do a lot of that in school. Most white people in Midland City were insecure when they spoke, so they kept their sentences short and their words simple, in order to keep embarrassing mistakes to a minimum. Dwayne certainly did that. Patty certainly did that.
This was because their English teachers would wince and cover their ears and give them flunking grades and so on whenever they failed to speak like English aristocrats before the First World War. Also: they were told that they were unworthy to speak or write their language if they couldn't love or understand incomprehensible novels and poems and plays about people long ago and far away, such as Ivanhoe. ~ Kurt Vonnegut

Middlemarch is a novel that is diminished by being put on the screen. It can't help but be, because so much of what we enjoy in Middlemarch is the interplay between what the characters do and what we know about them because of the telling voice.

It's less of a problem for the cinema when it deals with novels that are purely concerned with action and what people do. I haven't thought this through, and I'm just trying it now to see what it sounds like. But maybe it would be less a problem with novels that are told in the first person. The interesting thing to me about Middlemarch, and Thackeray's Vanity Fair, and several other great novels, is precisely this omniscient, as we call it, third person, which naive readers mistake for the author. It isn't George Eliot who is saying this; it's a voice that George Eliot adopts to tell this story.

There can be something very interesting in a novel like Bleak House, which was also done very well on the television by the same adapter, Andrew Davis. Now, Bleak House is told in two voices, as you remember. One is the somewhat trying Esther Summerson, who is a paradigm of every kind of virtue, and the other is a different sort of voice entirely, a voice that tells the story in the present tense, which was unusual for the time, a voice that doesn't seem to have a main character attached to it.

But I think that Dickens is playing a very subtle game here. I've noticed a couple of things about that second narrat ~ Philip Pullman

I lived in New York City back in the 1980s, which is when the Bordertown series was created. New York was a different place then -- dirtier, edgier, more dangerous, but also in some ways more exciting. The downtown music scene was exploding -- punk and folk music were everywhere -- and it wasn't as expensive to live there then, so a lot of young artists, musicians, writers, etc. etc. were all living and doing crazy things in scruffy neighborhoods like the East Village.

I was a Fantasy Editor for a publishing company back then -- but in those days, "fantasy" to most people meant "imaginary world" books, like Tolkien's Lord of the Rings. A number of the younger writers in the field, however, wanted to create a branch of fantasy that was rooted in contemporary, urban North America, rather than medieval or pastoral Europe. I'd already been working with some of these folks (Charles de Lint, Emma Bull, etc.), who were writing novels that would become the foundations for the current Urban Fantasy field. At the time, these kinds of stories were considered so strange and different, it was actually hard to get them into print.

When I was asked by a publishing company to create a shared-world anthology for Young Adult readers, I wanted to create an Urban Fantasy setting that was something like a magical version of New York...but I didn't want it to actually be New York. I want it to be any city and every city -- a place that anyone from anywhere could go to or rela ~ Terri Windling

It had always been my habit-- privately I felt it to be an ecstasy-- to enter, as into a mysterious vault, any public library. I was drawn to books that had been read before, novels that girls like myself had cradled and cherished. In my mind-- I suppose in my isolation-- I seized on all those previous readers, and everyone who would read after me, as phantom companions and secret friends. ~ Cynthia Ozick

I don't wish to marry, ever. I like men quite well- at least the ones I've been acquainted with- but I shouldn't like to have to obey a husband and serve his needs. It wouldn't make me at all happy to have a dozen children, and stay at home knitting while he goes out romping with his friends. I would rather be independent."
The room was silent. Lady Berwick's expression did not change, nor did she blink even once as she stared at Pandora. It seemed as if a soundless battle were being waged between the authoritative older woman and the rebellious girl.
Finally Lady Berwick said, "You must have read Tolstoy."
Pandora blinked, clearly caught off guard by the unexpected comment. "I have," she admitted, looking mystified. "How did you know?"
"No young woman wants to marry after reading Tolstoy. That is why I never allowed either of my daughters to read Russian novels. ~ Lisa Kleypas

Some writers are the kind of solo violinists who need complete silence to tune their instruments. Others want to hear every member of the orchestra - they'll take a cue from a clarinet, from an oboe, even. I am one of those. My writing desk is covered in open novels. I read lines to swim in a certain sensibility, to strike a particular note, to encourage rigour when I'm too sentimental, to bring verbal ease when I'm syntactically uptight. I think of reading like a balanced diet; if your sentences are baggy, too baroque, cut back on fatty Foster Wallace, say, and pick up Kafka, as roughage. If your aesthetic has become so refined it is stopping you from placing a single black mark on white paper, stop worrying so much about what Nabokov would say; pick up Dostoyevsky, patron saint of substance over style. ~ Zadie Smith

I like to give people novels I think they would like, on no particular occasion - just when we're in a bookstore together. I like to receive reference books on my birthday. ~ Daniel Handler

I have a weird graphic I made for myself once, and it's the "lineage tree" of everyone that has inspired me and more importantly given me the permission to be myself in my work. There's a slew of people from theater: Erwin Piscator, Chekhov, Mac Wellman, Stein; and then a whole lot of wonderful works that are called novels: everything from Tristram Shandy to Bouvard and Pecuchet, to Virginia Woolf's Three Guineas, and Finnegan's Wake and Invisible Man, and then contemporary writers I'm currently reading like Renee Gladman and Anakana Schofield. There are many more in my graphic also: there's Beckett's novels and Melancholy of Resistance, and there's Reznikoff and Dos Passos, there are contemporary poets I admire like Jena Osman, dance-writers like Michelle Ellsworth, and books I can't help read for fun like Muriel Spark. But there's Groucho Marx and Oscar Wilde. It's a huge question and the answers would likely change daily. But these I'm talking about here are in the pantheon. ~ Thalia Field

I would have told you earlier, but as it was your birthday ... What do you give the man who has everything? I thought I'd give you ... me."
He puts the keychain down on the bedside table and snuggles in beside me, pulling me into his arms against his chest so that we're spooning.
"It's perfect. Like you. ~ E.L. James

If I did only one thing at a time I'd think I was wasting my time. If, for example, I only wrote novels I would feel like a charlatan and a fraud. ~ Peter Ackroyd

I suppose it means that I will be free to travel with my maid, or to live in the country while you are in town, or I may live in town while you are in the country if I wish. I mean if I find your company...er...unpleasant."
"I see," Daniel said dryly. "And if we are always apart, how exactly are we to gain heirs?"
"Oh." Suzette flushed. "Well, I suppose we could arrange for occasional visits for...er...procreative purposes."
"Occasional visits for procreative purposes?" he achoed with disbelief, and then muttered dryly, "My, how scintillating that sounds."
Suzette frowned, for really it did sound rather cold, nothing like the passionate delirium she had read about in one of Lisa's novels. But then, truthfully,she simply couldn't fathom the ecstasies described in that book. She'd never even been kissed and what if she didn't enjoy his kisses? Just because he didn't have bad breath didn't mean she would enjoy these visits she spoke of so boldly. Coming to a decision, she straightened abruptly, and said, "We must kiss."
That caught his attention and he asked with amazement, "What?"
"Well, we should see if we would deal well together in...er...that regard," she muttered, blushing hotly. Swallowing, she forced herself to add firmly, "You should kiss me. Then we will know."
"My dear young lady," Daniel began seeming half amused and half horrified, "I really do not think-"
"Oh,for pity's sake," Suzette interuppted impatiently, and then leaned ~ Lynsay Sands

It occurred to me that falling in love was like jumping off a cliff. You know it's gonna hurt like hell, but you do it anyway, hoping you'll sprout wings and fly. I was still waiting to see if I would plunge to an agonizing death or grow wings and soar. ~ Densie Webb

Do you like novels?"
He shook his head. "I usually read for information, not entertainment."
"You disapprove of reading for pleasure?"
"No, it's just that I don't often manage to find the time for it."
"Perhaps that's why you don't sleep well. You need an interlude between work and bedtime."
There was a dry, perfectly timed pause before Harry asked, "What would you suggest?"
Aware of his meaning, Poppy felt a bloom of color emerge from head to toe. Harry seemed to enjoy her discomfiture, not in a mocking way, but as if he found her charming. ~ Lisa Kleypas

A pale, bored woman in white ankle-socks and a white tasselled beret was sitting on a bentwood chair at the corner entrance to the verandah of the writer's club, where there was an opening in the creeper-grown trellis. In front of her on a plain kitchen table lay a large book like a ledger, in which for no known reason the woman wrote the names of the people entering the restaurant. She stopped Koroviev and Behemoth.

'Your membership cards?' she said, staring in surprise at Koroviev's pince-nez, at Behemoth's Primus and grazed elbow.

'A thousand apologies, madam, but what membership cards?' asked Koroviev in astonishment.

'Are you writers?' asked the woman in return.

'Indubitably,' replied Koroviev with dignity.

'Where are your membership cards?' the woman repeated.

'Dear lady...' Koroviev began tenderly.

'I'm not a dear lady,' interrupted the woman.

'Oh, what a shame,' said Koroviev in a disappointed voice and went on: 'Well, if you don't want to be a dear lady, which would have been delightful, you have every right not to be. But look here - if you wanted to make sure that Dostoyevsky was a writer, would you really ask him for his membership card? Why, you only have to take any five pages of one of his novels and you won't need a membership card to convince you that the man's a writer. I don't suppose he ever had a membership card, anyway! What do you think?' said Koroviev, turning to ~ Mikhail Bulgakov

I don't understand."
"How can you not understand?" He pointed at her books. "You read novels. Obviously, I'm here to rescue you. Don't I look like Sir Galahad? ... My strength is as the strength of ten, Because my heart is pure - "
Something echoed, far away inside the house - the sound of a door slamming.
Will said a word Sir Galahad would never have said, and sprang away from the window. ~ Cassandra Clare

I don't know why the publishers in New York don't take a tip from Hollywood and just publish the outlines of novels rather than the completed books. Let the audience use their imaginations, as my Maw always says about radio. I would much prefer to read an outline of War and Peace than slog through eight hundred thousand words. Why do I need Tolstoy to describe snow? I can imagine snow, whether Russian snow or just regular snow. But book publishers seem to think that the authors should do all the work, and the readers should be waited on hand-and-foot like a buncha goddamn prima donnas. ~ Gary Reilly

At the time of solitude, I went where Narmada was sleeping. She got awake and sat up. She neither got scared nor nervous but she immediately got off the bed. She kept both her hands tied on her chest. I was standing so close to her that my face was near her face. We could sense each other's breath.

I called out her name and could not speak anything else.

After a moment, I started - "I love you Narmada…I like to be with you…I want to marry you."

She got nervous and said - "Please, go to your room, why have you come here? It may cause trouble if Jaanki sees us like this." She was neck down. Her eyes were on the floor. Her heart was beating fast.

"Don't you want to talk to me? Why are you angry with me? Why don't you trust on my feelings for you?" - I softly asked her.

"I guess you don't like my friendship with Varsha. You and Varsha are poles apart." - I added.

She said - "You please go. It would not be nice if someone sees us like this. I do not want anything from you."

I said - "But I am dying for you and I know you too are made for me."

Her eyes suddenly fell on maid behind the curtains of the door who was trying to listen to our conversation. Narmada said - "You please leave right now, we'll talk later. Mom is not at home."

I went by on her prescriptive tone.

She was fighting for her self-being and the reason was only Varsha. She felt suffocated with my friendshi ~ Laxman Rao

And because I am an artist I find any passage of a novel interesting even when it is out of context. I find it interesting talking to you - so much so in fact that I'd like to talk to you every day while I'm here. I'll even fall in love with you if you'd like; that would be particularly interesting. But however deeply I were to fall in love with you it would not mean that we had to get married. If you think that marriage is the logical conclusion to falling in love, then it becomes necessary to read novels through from beginning to end. ~ Soseki Natsume

You were like reading a good novel. The kind were you wanted to turn every page, & never put it down... And absorb every second. But for whatever reason, that novel isn't there for me to read, & so, it's endless chapters are gone from my reach. And I don't dare to pretend to be surprised. But I do dare to wonder why.

And though it's gone, I smile because it was the best novel I ever read. In those brief moments the novel of you possessed me, mind, body, & soul alike.
I felt joy & adoration in such a degree, that if I never do again it'll be okay.

When you read a great novel, you never forget it. And you never let go of the feeling of it in your mind. The captivating nature of it. But greater than a novel, not mere words on a page, but a reality. Reality in a vivid form that can't begin to be put into words. That words, could not touch.

You're the kind of novel one would desperately want to finish. To keep near at hand & close at heart.
But it can't be. And though it's a mournful & somber thought, there's enjoyment in the knowledge that for a brief moment in time, it was there.

The novel of her, was a novel of breathtaking wonder. And if I never get to read another page, I'll cherish those I had the privilege of reading. And you can only hope that whoever reads it next, values it in the way you so know is deserved. ~ Trevor Driggers

I like Victorian children's novels extremely a lot. If I would say I collect anything, that's what I'll hunt for now and again at old book stores. ~ Joss Whedon

That's something that would really sell. I mean, I admire that you tell stories of make-believe people in worlds that don't exist and that have no relevance to how we live. That can be nice, but people also like things that are uplifting and practical.
(From the short story: The Late Novels of Gene Hackman) ~ Rivka Galchen

Down the road a bit, I would like to write a couple of stand-alone adult novels, especially in the horror genre. I've got lots of things up my sleeve. ~ James Dashner

After ten whole minutes of painful silence, I finally raised my hand and told Mr. O'Hara I loved Miranda Blythe's romance novels, and I decided I liked him immediately when he didn't laugh or reassure me that we'd be reading real books. Like Mrs. Andrews had last year.
He did say, 'I'm afraid Ms. Blythe is not on the curriculum this semester. We'll be starting your education with the epic poets - boring, I know, but necessary building blocks. However, an extra-credit book report is always welcome, and you're free to choose whatever topic you like.'
Then Mr. O'Hara added, 'I think Ms. Blythe's works would be a particularly interesting topic for a report. In fact, if you want an example of the archetypal hero journey - '
'Wait, wait, wait.' Fred raised his hand. 'You read romance novels?'
'My dear boy,' Mr. O'Hara replied, 'I read everything. ~ Caitlen Rubino-Bradway

Mom made me say it over and over, Keep it hidden, keep it safe. If anyone truly knew everything, it would freak them out in a large way. It freaks the shit out of me too, so I get it. I have no clue how I know this stuff, I just do. Like how I know the orders of angels and demons, or can tell on sight if an apparition is a ghost or a time slip, or if someone's a virgin, or if they've ever killed anyone.
Why can't I just know how to play Xbox or baseball?
It's like I fell from the fucking sky. ~ Rachel A. Marks

I would like to write a novel, or at least try to write one, although my motives are not entirely pure. For one thing, I get asked about writing novels so much that I feel guilty about never having written one. And although I have no strong desire to write a novel, I would hate not to try. That would just be silly. On the other hand, I hate the idea of slogging through something that turns out to be not good. ~ Kelly Link

Siobhan said that I should write something I would want to read myself. Mostly I read books about science and maths. I do not like proper novels. In proper novels people say things like, "I am veined with iron, with silver and with streaks of common mud. I cannot contract into the firm fist which whose clench who do not depend on stimulus." What does this mean? I do not know. Nor does Father. Nor does Siobhan or Mr. Jeavons. I have asked them. ~ Mark Haddon

[Author's Note:] When I was sixteen, two of my cousins were brutally raped by four strangers and thrown off a bridge in St. Louis, Missouri. My brother was beaten and also forced off the bridge. I wrote about that horrible crime in my first book, my memoir, A Rip in Heaven. Because that crime and the subsequent writing of the book were both formative experience in my life, I became a person who is always, automatically, more interested in stories about victims than perpetrators. I'm interested in characters who suffer inconceivable hardship, in people who manage to triumph over extraordinary trauma. Characters like Lydia and Soledad. I'm less interested in the violent, macho stories of gangsters and law enforcement. Or in any case, I think the world has enough stories like those. Some fiction set in the world of the cartels and narcotraficantes is compelling and important - I read much of it during my early research. Those novels provide readers with an understanding of the origins of the some of the violence to our south. But the depiction of that violence can feed into some of the worst stereotypes about Mexico. So I saw an opening for a novel that would press a little more intimately into those stories, to imagine people on the flip side of that prevailing narrative. Regular people like me. How would I manage if I lived in a place that began to collapse around me? If my children were in danger, how far would I go to save them? I wanted to write about women, whose stories a ~ Jeanine Cummins

While I have the floor, here's a question that's been bothering me for some time. Why do so few writers of heroic or epic fantasy ever deal with the fundamental quandary of their novels . . . that so many of them take place in cultures that are rigid, hierarchical, stratified, and in essence oppressive? What is so appealing about feudalism, that so many free citizens of an educated commonwealth like ours love reading about and picturing life under hereditary lords?

Why should the deposed prince or princess in every clichéd tale be chosen to lead the quest against the Dark Lord? Why not elect a new leader by merit, instead of clinging to the inbred scions of a failed royal line? Why not ask the pompous, patronizing, "good" wizard for something useful, such as flush toilets, movable type, or electricity for every home in the kingdom? Given half a chance, the sons and daughters of peasants would rather not grow up to be servants. It seems bizarre for modern folk to pine for a way of life our ancestors rightfully fought desperately to escape. ~ David Brin

I'm Tiny And My Reach Is Limited. I Can Give YOU Only What I Have And Surely When I Give, I Don't Keep Anything For Me. To YOU, It's Nothing Probably As YOU've Got Everything. My Everything Would Be Unnoticed. It Seems Like "A Rain Drop To The Ocean" ... (From The Romantic Story "Reflection of The Rainbow") ... ~ Muhammad Imran Hasan

I love to write. I write everything across the board - kids' stories and novels and scripts. I actually would like to give that a go; I'd like to try to be a writer. ~ Evangeline Lilly

Kneel before the king, Griff." I look around for the king. "Me, asshole. I'm the king. Who else would be the king? Wade?"
[...]
"On this rainy Thursday, I, King Theo of New York City, praise you, Sir Griffin of New York City, for your vast knowledge of fantasy novels I"ll never take the time to read myself. And for having the kind of laugh that I like hearing so much I would punch myself over and over if you found it funny. ~ Adam Silvera

Not long ago, after my last trip to Russia, I had a conversation with an American very eminent in the field of politics. I asked what he read, and he replied that he studied history, sociology, politics and law.

"How about fiction - novels, plays poetry?" I asked.

"No," he said, "I have never had time for them. There's so much else I have to read."

I said, "Sir, I have recently visited Russia for the third time and don't know how well I understand Russians; but I do know that if I only read Russian history I could not have had the access to Russian thinking I have had from reading Dostoevsky, Tolstoy, Chekhov, Pushkin, Turgenev, Sholokhov, and Ehrenburg. History only recounts, with some inaccuracy, what they did. The fiction tells, or tries to tell, why they did it and what they felt and were like when they did it."

My friend nodded gravely. "I hadn't though of that," he said. "Yes, that might be so; I had always thought of fiction as opposed to fact."

But in considering the American past, how poor we would be in information without Huckleberry Fin, An American Tragedy, Winesburg, Ohio, Main Street, The Great Gatsby, and As I Lay Dying. ~ John Steinbeck

I can't change the past, and I don't think I would. I don't expect to be understood. I like what I've written, the stories and two novels. If I had to give up what I've written in order to be clear of this disease, I wouldn't do it. ~ Harold Brodkey

What is the matter with her?" Lillian asked Daisy, bewildered by her mother's docile manner. It was nice not to have to scrap and spar with Mercedes, but at the same time, now was when Lillian would have expected Mercedes to mow her over like a charging horse brigade.
Daisy shrugged and replied puckishly, "One can only assume that since you've done the opposite of everything she has advised, and you seem to have brought Lord Westcliff up to scratch, Mother has decided to leave the matter in your hands. I predict that she will turn a deaf ear and a blind eye to anything you do, so long as you manage to keep the earl's interest."
"Then… if I steal away to Lord Westcliff's room later this evening, she won't object?"
Daisy gave a low laugh. "She would probably help you to sneak up there, if you asked." She gave Lillian an arch glance. "Just what are you going to do with Lord Westcliff, alone in his room?"
Lillian felt herself flush. "Negotiate."
"Oh. Is that what you call it?"
Biting back a smile, Lillian narrowed her eyes. "Don't be saucy, or I won't tell you the lurid details later."
"I don't need to hear them from you," Daisy said airily. "I've been reading the novels that Lady Olivia recommended… and now I daresay I know more than you and Annabelle put together."
Lillian couldn't help laughing. "Dear, I'm not certain that those novels are entirely accurate in their depiction of men, or of… of that."
Daisy frowned. "In what ~ Lisa Kleypas

The loss, the harshness, the unpredictability of the Australian country. Can I deal with this? Maybe only with Aiden by my side. What would that life be like? The pleasure, the satisfaction, the love. ~ Stella Knights