First Line In Book Quotes

That you should not be here when something we've both wanted happens is no new thing for me. Today too, as always, you're not here. ~ Sachin Kundalkar

Whether a gastronomic tour of Italy, an elegant meal at the home of an Italian acquaintance, or "cooking Italian" back in one's own kitchen, the prospect is mouth-watering. ~ Claudia Piras

Feathers fell from the sky. Like black snow, they drifted onto an old city called Bath. ~ Stefan Bachmann

My watch buzzed and told me I had ten minutes left to live. I turned my wrist to glance at it. Yep. This sucks.

J.M. Friedman. Succubus in Seattle (Kindle Locations 28-29). ~ J.R. Thorn

Some had hurled spears first. Those spears thumped into our shields, making them unwieldy, but it hardly mattered. The leading Danes tripped on the hidden timbers and the men behind pushed the falling men forward. I kicked one in the face, feeling my iron-reinforced boot crush bone. Danes were sprawling at our feet while others tried to get past their fallen comrades to reach our line, and we were killing. Two men succeeded in reaching us, despite the smoking barricade, and one of those two feel to Wasp-Sting coming up from beneath his shield-rim. He had been swinging an ax that the man behind me caught on his shield and the Dane was still holding the war ax's shaft as I saw his eyes widen, saw the snarl of his mouth turn to agony as I saw his eyes widen, saw the snarl of his mouth turn to agony as I twisted the blade, ripping it upward, and as Cerdic, beside me, chopped his own ax down. The man with the crushed face was holding my ankle and I stabbed at him as the blood spray from Cerdic's ax blinded me. The whimpering man at my feet tried to crawl away, but Finan stabbed his sword into his thigh, then stabbed again. A Dane had hooked up his ax over the top rim of my shield and hauled it down to expose my body to a spear-thrust, but the ax rolled off the circular shield and the spear was deflected upward and I slammed Wasp-Sting forward again, felt her bite, twisted her, and Finan was keening his mad Irish song as he added his own blade to the slaughter. "Keep the shields to ~ Bernard Cornwell

If you outlaw guns, only outlaws will have guns. The first people who are going to be in line to turn in their guns are law-abiding citizens. Criminals are going to be left with guns. I believe that concealed carry is a way of reducing gun violence. ~ Gary Johnson

It was the first time the chief of police, a kindly family man whose name was Hook, had ever been required to visit a girls' camp; his daughters had not gone in much for that sort of thing, and Mrs. Hook distrusted night air; it was also the first time that Chief Hook had ever been required to determine facts. He had been allowed to continue in office this long because his family was popular in town and the young men at the local bar liked him, and because his record for twenty years, of drunks locked up and petty thieves apprehended upon confession, had been immaculate. In a small town such as the one lying close to the Phillips Education Camp for Girls Twelve to Sixteen, crime is apt to take its form from the characters of the inhabitants, and a stolen dog or broken nose is about the maximum to be achieved ordinarily in the sensational line. No one doubted Chief Hook's complete inability to cope with the disappearance of a girl from the camp.

'You say she was going somewhere?' he asked Betsy, having put out his cigar in deference to the camp nurse, and visibly afraid that his questions would sound foolish to Old Jane; since Chief Hook was accustomed to speaking around his cigar, his voice without it was malformed, almost quavering.

("The Missing Girl") ~ Shirley Jackson

GIRL, write YOUR book dammit.
Who cares what people think?
If writers in the past cared what other people thought we'd still be glossing over 'inappropriate' kissing scenes.
Break the fucking rules.
Push yourself to the edge.
Show the world what YOU can do.
This is YOUR book. YOUR blood and guts.
AND, don't you EVER, EVER, write one single line for SOMEONE ELSE. ~ Madeline Sheehan

Bureaucrats -- monkeys who hear no evil and see no evil -- are first in line for promotion. ~ Nevada Barr

I always thought the front line was the bookstores. And bookstores around America, around the world did astonishingly well. They held the line. They didn't chicken out. You know, they defended the book. They kept it in the front of the store. ~ Salman Rushdie

We stood in the wings together, side by side. Reed's mouth was still agape.
"It makes sense when you think about it," I mused. "You get two people together who have you-know-what, and sparks are going to fly."
Reed's cue was about to start. He pointed at me and said, "Tonight. There's a party. And we're going to talk."
"Yes"
"Because this is crazy."
"Totally."
"Okay. Well." He tugged a strand of my hair. "Good luck out there."
"You're not supposed to say that."
"Fine. How about..." He squinted at me. "Here's looking at you kid."
The smile melted off my face. "What did you say?"
"It's a line. From a movie." He shrugged and burst onto the stage with a hee-haw.
It was a line. From Casablanca. The same line KARL had said to me when I was Elsa. The same like Karl didn't recognize when I said it to him as Floressa. Which meant... nothing. Right? Lots of people know that line. Just because Reed said it, and Reed was a sub, it didn't mean he was... he was...
"You're on," the stage manager whispered.
I stumbled onto the stage. The lights were too bright. The theater was packed. Reed gave me a quick, crooked smile, and I knew.
My crush on Karl was less complicated than I thought, because it wasn't Karl I'd been with that day in the garden.
Now my crush on Reed... ?
THAT was a scandal all on its own. ~ Lindsey Leavitt

I called her two days later, never having believed more firmly in love at first sight, in destiny. When she laughed on the other end of the line, something inside of me cracked open, and I let her step inside. ~ Carmen Maria Machado

I fell deeply in love with the books of Kurt Vonnegut Jr. They parented me, and gave me a sense of what it was to be a decent person, without any of the usual hypocritical rhetoric. They fired my imagination and opened me up... they gave me the soul nutrients I needed... He taught me that it was fun and beautiful to be humble, and that human beings are no more important than rutabagas. That we've got to love with all we are, not for some reward down the line, but purely for the sake of being a loving person, and that creativity was the highest part of ourselves to engage... His humorous detachment from the world's insane and egotistical violence - "So it goes" - my first hint of a spiritual concept. ~ Flea

THE JOURNEY

Above the mountains
the geese turn into
the light again

Painting their
black silhouettes
on an open sky.

Sometimes everything
has to be
inscribed across
the heavens

so you can find
the one line
already written
inside you.

Sometimes it takes
a great sky
to find that

first, bright
and indescribable
wedge of freedom
in your own heart.

Sometimes with
the bones of the black
sticks left when the fire
has gone out

someone has written
something new
in the ashes of your life.

You are not leaving.
Even as the light fades quickly now,
you are arriving. ~ David Whyte

There's a table with some catalogues and a guest book in the corner; there are artworks. Today, I need so badly to be inspired by them, even though I hate that word: inspiration. It crops up in too many advertisements, politcians' speeches, Disney films, its meaning obliterated. I refuse to be 'inspired' in the same insipid way that ad executives and politicians and Hollywood producers suggest I should be. What I need from these works is to be reminded of why I used to care about art - so much that I'd try and make it for myself. ~ Sara Baume

Nine-Line Triolet
Here's a fine mess we got ourselves into,
My angel, my darling, true love of my heart
Etcetera. Must stop it but I can't begin to.
Here's a fine mess we got ourselves into -
Both in spin with nowhere to spin to,
Bound by the old rules in life and in art.
Here's a fine mess we got ourselves into,
(I'll curse every rule in the book as we part)
My angel, my darling, true love of my heart. ~ Wendy Cope

The website didn't say how much brains
or even how many
I should eat, only that I should eat them in 48 hours OR ELSE. Why doesn't anyone pay attention to details anymore? Would it be so hard to add a simple line like, BTW, Maddy, 3 pounds of brains per week is plenty?
Seriously, am I the first new zombie ever to ask? ~ Rusty Fischer

Why did Ted Geisel end up writing and illustrating for young minds? He has specific imagery in the book, and we never would have moved beyond the discussion phase, if we couldn't have found an expression for The Lorax, dimensionally, that was true to the soul of what comes through in his simple line drawings, on the page. ~ Christopher Meledandri

Wave after wave of an orgasm broke over her, but soon it would be over for him. "Stop," Livia panted.
Blake paused as Livia swallowed to try to compose herself. She was here for a reason. "The mask. Take it off. I want you to kiss me." Livia watched his eyes. He was scared.
"Blake, you're inside of me. I'll keep you safe. You're inside of me." Livia squeezed him again, reminding him exactly where he was.
Blake smiled at the sensation. "Do it for me, Livia. Please."
And even though they were naked and locked in the most intimate embrace, this was the striptease.
Livia went slowly, rolling up the knit ski mask like a stocking. First his jaw came into the light. Livia slowed, tracing its strong line with her finger. Next, his lips lost their frame, then his eyes left their prison. He closed them. Finally, his wild, messy hair was free. Livia tossed the mask aside. And waited.
Open your eyes.
After a moment Blake looked around his sunny meadow. A breeze stirred the trees high up, and they released a shower of fall colors. In the silence of the day, the leaves hitting the ground sounded like applause. Quiet applause for a quiet victory.
The o in sorry vanished.
Blake looked at Livia beneath him. She smiled.
"Five hundred ninety-eight," he whispered.
Still counting. "Yes! Yes. I knew you could do this. I knew you could do this." Livia beamed with pride.
Blake blurred as her eyes became two pools of tears. He kissed her sof ~ Debra Anastasia

I like to see the long line we each leave behind, and I sometimes imagine my whole life that way, as though each step was a stitch, as though I was a needle leaving a trail of thread that sewed together the world as I went by, crisscrossing others' paths, quilting it all together in some way that matters even though it can hardly be traced. A meandering line sutures together the world in some new way, as though walking was sewing and sewing was telling a story and that story was your life.

A thread now most often means a line of conversation via e-mail or other electronic means, but thread must have been an even more compelling metaphor when most people witnessed or did the women's work that is spinning. It is a mesmerizing art, the spindle revolving below the strong thread that the fingers twist out of the mass of fiber held on an arm or a distaff. The gesture turns the cloudy mass of fiber into lines with which the world can be tied together. Likewise the spinning wheel turns, cyclical time revolving to draw out the linear time of a thread. The verb to spin first meant just this act of making, then evolved to mean anything turning rapidly, and then it came to mean telling a tale.

Strands a few inches long twine together into a thread or yarn that can go forever, like words becoming stories. The fairy-tale heroines spin cobwebs, straw, nettles into whatever is necessary to survive. Scheherazade forestalls her death by telling a story that is like a thre ~ Rebecca Solnit

But the actual mail was delivered to the little brick post office on the main drag and distributed to the keyed, ornate boxes inside. My family had one of the lower numbers because we'd inherited our box as it was passed down through the Shepherd line.
"So your family is Levan royalty, then?" Moses had teased.
"Yes. We Shepherds rule this town," I replied.
"Who has PO Box number 1?" he inquired immediately.
"God," I said, not missing a beat.
"And box number 2?" He was laughing as he asked.
"Pam Jackman."
"From down the street?"
"Yes. She's like one of the Kennedys."
"She drives the bus, right?" he asked.
"Yes. Bus driver is a highly lauded position in our community." I didn't even crack a smile.
"So boxes 3 and 4?"
"They are empty now. They are waiting for the heirs to come of age before they inherit their mailboxes. My son will someday inherit PO Box #5. It will be a proud day for all Shepherds."
"Your son? What if you have a daughter?" His eyes got that flinty look that made my stomach feel swishy. Talking about having children made me think about making babies. With Moses.
"She's going to be the first female bull-rider who wins the national title. She won't be living in Levan most of the time. Her brothers will have to look after the family name and the Shepherd line . . . and our post office box," I said, trying not to think about how much I would enjoy making little bull-riders with Moses. ~ Amy Harmon

What benefits new books bring us! I would like a basket full of books telling the youth of images which fall from heaven for me every day. This desire is natural. This prodigy is easy. For, up there, in heaven, isn't paradise an immense library?

But it is not sufficient to receive; one must welcome. One must, say the pedagogue and the dietician in the same voice, 'assimilate.' In order to do that, we are advised not to read too fast and to be careful not to swallow too large a bite. We are told to divide each difficulty into as many parts as possible, the better to solve them. Yes, chew well, drink a little at a time, savor poems line by line. All these precepts are well and good. But one precept orders them. One first needs a good desire to eat, drink and read. One must want to read a lot, read more, always read.

Thus, in the morning, before the books piled high on my table, to the god of reading, I say my prayer of the devouring reader: 'Give us this day our daily hunger . . .'" - Gaston Bachelard, "Introduction", The Poetics of Reverie: Childhood, Language, and the Cosmos, Pages 25-26 ~ Gaston Bachelard

sprinkled salt in a line ringing Kelsie's bed first, then grabbed candles from a box in the closet. They weren't the kind I had in my trailer. They were the kind with edible wax that smelled like molten candy. ~ Vivian Arend

Tell me not, sweet, I am unkind," he said, "That from the nunnery, Of they chaste breast and quiet mind."
I looked up at him, and said the next line, "To war and arms I fly."
"True, a new mistress now I chase," he said.
"The first foe in the field," I said, and let him draw me closer.
"And with a stronger faith embrace," he said.
"A sword, a horse, a shield." And the last word was whispered against his chest, still looking up into those eyes, searching his face.
"Yet this inconstancy is such, As thou too shalt adore," he whispered against my hair.
I finished the poem with my face pressed against his chest, listening to the beat of his heart, that truly beat with my blood. "I could not love thee, dear, so much, Loved I not honor more. ~ Laurell K. Hamilton

The Chinese, on the other hand, were in the position of having an American military spy plane on a Chinese military base and they had their own internal problems to deal with. At first, the Chinese weren't all that belligerent. They were just stalling to get their own bureaucracy in line. ~ Henry A. Kissinger

Matisse makes a drawing, then he makes a copy of it. He copies it five times, ten times, always clarifying the line. He's convinced that the last, the most stripped down, is the best, the purest, the definitive one; and in fact, most of the time, it was the first. In drawing, nothing is better than the first attempt. ~ Pablo Picasso

But when the wizard is onstage as the main character, you have to adopt what I call the Jack Vance Rule. I call it this because Jack Vance is the first author successfully and adroitly to have applied this rule in his The Dying Earth. The Jack Vance Rule is: (1) The wizard has to be able to do something unusual, or else he is not a wizard, (2) he cannot do everything, or else there is no drama; therefore (3) the story teller has to communicate to the reader whatever the dividing line is that separates what the wizard can do from what he cannot do, so that the reader can have a reasonable expectation of knowing what the wizard can and cannot do. ~ John C. Wright

Philip remembered the story of the Eastern King who, desiring to know the history of man, was brought by a sage five hundred volumes; busy with affairs of state, he bade him go and condense it; in twenty years the sage returned and his history now was in no more than fifty volumes, but the King, too old then to read so many ponderous tomes, bade him go and shorten it once more; twenty years passed again and the sage, old and gray, brought a single book in which was the knowledge the King had sought; but the King lay on his death-bed, and he had no time to read even that; and then the sage gave him the history of man in a single line; it was this: he was born, he suffered, and he died. ~ W. Somerset Maugham

In order to escape accountability for his crimes, the perpetrator does everything in his power to promote forgetting. Secrecy and silence are the perpetrator's first line of defense. If secrecy fails, the perpetrator attacks the credibility of his victim. If he cannot silence her absolutely, he tries to make sure that no one listens. To this end, he marshals an impressive array of arguments, from the most blatant denial to the most sophisticated and elegant rationalization. After every atrocity one can expect to hear the same predictable apologies: it never happened; the victim lies; the victim exaggerates; the victim brought it upon herself; and in any case it is time to forget the past and move on. The more powerful the perpetrator, the greater is his prerogative to name and define reality, and the more completely his arguments prevail. JUDITH LEWIS HERMAN Trauma and Recovery ~ Jon Krakauer

I realised something else tonight. Something about pancakes.'

'What about them?'

'We both got so obsessed about that first pancake being thrown away that we forgot something really important,' Max explained. 'That first pancake tastes just as good as all the other ones. It's not its fault that it was first in line and the pan wasn't hot enough so it got a bit lumpy and misshapen.'

'And when you're really famished that first pancake tastes better than all the ones that come after it,' Neve said, and then she couldn't wait any longer. Her arms were around Max before she'd even finished forming the thought, but his arms were around her too in that exact same moment.

Just having him there to hold, warm and solid and real, was enough for five seconds, and then she was peppering his face with kisses – his forehead, his eyebrows, the tip of his crooked nose, along his cheekbones until she reached the glittering prize of his mouth.

Sometimes Neve thought that her appetite was the most robust thing about her, and she didn't kiss Max so much as she devoured him. Graceless, messy kisses without any thought or reason, but simply because she hungered for him. Kissed him with everything she had and everything she was, and she didn't know why she could kiss Max and have him kiss her back with the same fierceness but still be greedy for the next kiss and the one after that and the one after that and the one… ~ Sarra Manning

I loved coming to school late because I hated morning assemblies so much. I hate whoever invented that. Why would you line kids up according to their height? What are you trying to prove? Why must the short come first, and not the other way round? It's a queue - whoever comes first to the assembly ground should stay first in line. Common sense dictates that. ~ Nick Nwaogu

Then Er Lang was looking at me ruefully. "You have taken at least fifty years of my life!"
I was stricken. "Take it back!"
"I can't. But fortunately, my life span is many times yours."
"How long can a dragon live?"
"A thousand years, if he is lucky. Not all of us are, of course." He raised an eyebrow.
"I'm sorry." I couldn't look him in the eye. Instead, my gaze was drawn to the strong line of his throat. If he had given me blood, I would surely have killed him. But Er Lang was struggling to sit up.
"I should have stopped you sooner. Though I now understand why men succumb to ghosts." He spoke lightly, but my ears blazed with mortification.
"You were the one who put your tongue in my mouth!" I blurted out, regretting it instantly. To talk about other people's tongues was the worst, revealing the depths of my inexperience. And yet, the memory of his made me shiver and burn, as though I had a fever. It hadn't been like this with Tian Bai; it was easy to understand where I stood with him. But he had been courting me, whereas Er Lang was an entirely different commodity. We did not have that sort of relationship, I reminded myself.
But he merely gave me a wry glance. "I was a little carried away."
"Thank you," I said at last. I realized it was the first time I had thanked him formally. ~ Yangsze Choo

All great masters are chiefly distinguished by the power of adding a second, a third, and perhaps a fourth step in a continuous line. Many a man has taken the first step. With every additional step you enhance immensely the value of your first. ~ Ralph Waldo Emerson

Well, this. That we're ashamed to say we've refused a posting. That the social conscience completely dominates the individual conscience, instead of striking a balance with it. We don't cooperate - we obey. We fear being outcast, being called lazy, dysfunctional, egoizing. We fear our neighbor's opinion more than we respect our own freedom of choice. You don't believe me, Tak, but try, just try stepping over the line, just in imagination, and see how you feel. You realize then what Tirin is, and why he's a wreck, a lost soul. He is a criminal! We have created crime, just as the propertarians did. We force a man outside the sphere of our approval, and then condemn him for it. We've made laws, laws of conventional behavior, built walls all around ourselves, and we can't see them, because they're part of our thinking. Tir never did that I knew him since we were ten years old. He never did it, he never could build walls. He was a natural rebel. He was a natural Odonian - a real one! He was a free man, and the rest of us, his brothers, drove him insane in punishment for his first free act. ~ Ursula K. Le Guin

The next millisecond demonstrated how much faster I can think than react. First I thought Blitzen had spotted an actual duck. Blitzen likes ducks. Then I realized he was telling me to get down, which is hard to do when you're the last in a line of three people on horseback. ~ Rick Riordan

August was almost over. The first cool touch of autumn moved slowly through the town and there was a softening and the first gradual burning fever of color in every tree, a faint flush and coloring in the hills, and the color of lions in the wheat fields. Now the pattern of days was familiar and repeated like a penman beautifully inscribing again and again, in practice, a series of it's and w's and m's, day after day the line repeated in delicate rills. ~ Ray Bradbury

Sunday night is my personal weekly Halloween.

I walk along slowly and drag my fingertips along the bars of chocolate. Goddamn, you sexy little squares. Dark, milk, white, I do not discriminate. I eat it all. Those fluorescent sour candies that only obnoxious little boys like. I suck candy apples clean. If an envelope seal is sweet, I'll lick it twice. Growing up, I was that kid who would easily get lured into a van with the promise of a lollipop.

Sometimes, I let the retail seduction last for twenty minutes, ignoring Marco and feeling up the merchandise, but I'm so tired of male voices.

"Five bags of marshmallows," Marco says in a resigned tone. "Wine. And a can of cat food."

"Cat food is low carb." He makes no move to scan anything, so I scan each item myself and unroll a few notes from my tips. "Your job involves selling things. Sell them. Change, please."

"I just don't know why you do this to yourself." Marco looks at the register with a moral dilemma in his eyes. "Every week you come and do this."

He hesitates and looks over his shoulder where his sugar book sits under a layer of dust. He knows not to try to slip it into my bag with my purchases.

"I don't know why you care, dude. Just serve me. I don't need your help." He's not entirely wrong about my being an addict. I would lick a line of icing sugar off this counter right now if no one were around. I would walk into a cane plantation and ~ Sally Thorne

There was nothing that can make Gray Preston's motor revving more than a well-running engine, a fast car crossing the finish line in first place, and a hot, willing woman waiting for him at the end of a great day.
- One Sweet Ride ~ Jaci Burton

Before that first line of pale chalk, before the underdrawing fleshes out into shapes and proportions, there is a stab of grief for all the things she didn't get to paint. The finches wheeling in the rafters of the barn, Cornelis reading in the arbor, Tomas bent over in his roses in the flower garden, apple blossoms, walnuts beside oysters, Kathrijn in the full bloom of her short life, Barent sleeping in a field of lilacs, the Gypsies in the market, late-night revelers in the taverns…. Every work is a depiction and a lie. We rearrange the living, exaggerate the light, intimate dusk when it's really noonday sun. ~ Dominic Smith

It is a sad but undeniable reality that people have died in the line of duty since the earliest days of the United Nations. The first was Ole Bakke, a Norwegian member of the United Nations guard detachment, shot and killed in Palestine in 1948. The toll since then has included colleagues at all levels. ~ Ban Ki-moon

I was Juliet and Quinn was Romeo, and the lines weren't dead black-and-white words on a page but somehow alive, as natural and real as the argument we'd had about the spider and the fly. The rows of empty seats were gone, and we were in a candlelit ballrooom, wrapped in our own cocoon of words. But the playful banter of our words couldn't mask what we both knew
that after this, nothing would be the same .
And then we got to the kissing part, which we'd only read through together and had never really rehearsed. But it didn't matter, because I was still Juliet and Quinn was still Romeo, his gray-green eyes fixed on mine. And when he bent to kiss me, it was Romeo's lips on Juliet's.
Even so, Juliet was just as stunned as I would've been. When I said the last line, I was speaking for both of us. You kiss by the book. ~ Jennifer Sturman

This is a book for any girl who ever felt she didn't fit in. You are not alone. You come from a long line of bold, strong, fearless women. Glory in that. ~ Jason Porath

When you want to put something into your part that is not in the play, you must ask the author-or some other author-to lead up to the interpolation for you. Never forget that the effect of a line may depend not on its delivery, but on something said earlier in the play, either by somebody else or by yourself, and that if you change it, it may be necessary to change the whole first act as well. ~ George Bernard Shaw