Classicism Quotes

Classicism, a brief, perfectly balanced instant of complete possession of forms; not a slow and monotonous application of 'rules,' but a pure, quick delight, like the acme of the Greeks, so delicate that the pointer of the scale scarcely trembles … ~ Henri Focillon

I am tired of this city. I am tired of its pagan pretensions and false histories. Hyperion is a poet's world devoid of poetry. Keats itself is a mixture of tawdry, false classicism and mindless, boomtown energy. ~ Dan Simmons

Through style, the creative effort reconstructs the world, and always with the same slight
distortion that is the mark of both art and protest. Whether it is the enlargement of the microscope which
Proust brings to bear on human experience or, on the contrary, the absurd insignificance with which the
American novel endows its characters, reality is in some way artificial. The creative force, the fecundity
of rebellion, are contained in this distortion which the style and tone of a work represent. Art is an
impossible demand given expression and form. When the most agonizing protest finds its most resolute
form of expression, rebellion satisfies its real aspirations and derives creative energy from this fidelity to
itself. Despite the fact that this runs counter to the prejudices of the times, the greatest style in art is the
expression of the most passionate rebellion. Just as genuine classicism is only romanticism subdued,
genius is a rebellion that has created its own limits. That is why there is no genius, contrary to what we
are taught today, in negation and pure despair. ~ Albert Camus

As I see it, all of them - Tachists, Action Painters, Informel artists, and the rest - are only part of an Informel movement that covers a lot of other things as well. I think there's an Informel element in Beuys, as well; but it all began with Duchamp and chance, or with Mondrian, or with the Impressionists. The Informel is the opposite of the constructional quality of classicism - the age of kings, or clearly formed hierarchies. ~ Gerhard Richter

At last, in the gray dawn of Civilization the fire in the Soul dies down. The dwindling powers rise to one more, half-successful, effort of creation, and produce the Classicism that is common to all dying Cultures. The soul thinks once again, and in Romanticism looks back piteously to its childhood; then finally, weary, reluctant, cold, it loses its desire to be, and, as in Imperial Rome, wishes itself out of the overlong daylight and back in the darkness of protomysticism in the womb of the mother in the grave. ~ Oswald Spengler

Elegance is reduction, simplification, condensation. It is spare, stark, sleek. Elegance is cultivated abstraction. The source of Greek and Roman classicism - clarity, order, proportion, balance - is in Egypt. ~ Camille Paglia

The temptation is to stay inside; to subside into the kind of recluse whom neighborhood children regard with derision and little awe; to let the hedges and weeds grow up, to allow the doors to rust shut, to lie on my bed in some gown-shaped garment and let my hair lengthens and spread out over the pillow and my fingernails to sprout into claws, while candle wax drips onto the carpet. But long ago I made a choice between classicism and romanticism. I prefer to be upright and contained - an urn in daylight. ~ Margaret Atwood

We would pay the bills. We would pretend to be high-class. This was compromise. This, I guessed, was business. ~ Aryn Kyle

In aesthetic theory it might be extremely difficult, if not quite impracticable, to draw a line between the canon of classicism, or regard for the archaic, and the canon of beauty. ~ Thorstein Veblen

The scientific spirit, the contempt of tradition, the lack of discipline and the exaltation of the individual have very nearly made an end of art. It can only be restored by the love of beauty, the reverence for tradition, the submission to discipline and the rigor of self-control. ~ Kenyon Cox

It was hard to imagine the icy water thawed and re-sealing, or the sky returning to a lively blue. She had a sense of contraction, of huddling against the weather. Later, it figured in her mind as Stalinist classicism, the wind tunnel of the vast and inhuman Karl-Marx-Allee, and the shapes of people in padded jackets bending against the cruel air. A scene from Eisenstein, perhaps, with a gelid lens and the special effects of monumental vision, swollen by an aerial view and historical misery. Black outlines on white snow, impersonality, extinguishment. Exaggeration of this kind was irresistible. In that early, fierce cold, Berliners coped better. ~ Gail Jones

Feeling the inevitable claim of the this desert, he experienced a desire to throw off his civilized costume, hurl himself upon Josephina, either succumb, or return to Guadalajara, where men could only complain of having too many buttons to button or unbutton... ~ Warren Eyster

All classicism presupposes a romanticism that went before. ~ Paul Valery

Dear, dear, it only shows that there is nothing diviner about a king than there is about a tramp, after all. He is just a cheap and hollow artificiality when you don't know he is a king. But reveal his quality, and dear me it takes your very breath away to look at him. I reckon we are all fools. Born so, no doubt. ~ Mark Twain

It is in this sense that Nietzsche is driven, against many explicit resolutions to the contrary, to be a No-sayer. For what the décadents who surround him are doing is to say No where they should be saying Yes, where they should be Dionysian; and what is leading them to this life-denying perversity, mostly of course unconsciously, is that they subscribe to a set of values that puts the central features of *this* world at a discount. Where they find suffering, they immediately look for someone to blame, and end up hating themselves, or generalize that into a hatred of "human nature". They look for "peace of mind", using it as a blanket term and failing to see the diversity of states, some of them desirable and some of them the reverse, which that term covers. They confuse cause and effect, thinking that the connection between virtue and happiness is that the former leads to the latter, whereas in fact the reverse is the case. They have, in Nietzsche's cruelly accurate phrase, "the vulgar ambition to possess generous feelings" ("Expeditions of an Untimely Man, number 6). They confuse breeding fine men with taming them. Throughout the major part of Twilight this devastating list of our vulgarities continues. ~ Michael Tanner

Despite the rigid classicism of the famous Paris Opera school and company, the French have done more than their share to unmoor la Danse from its traditions and standards. ~ Robert Gottlieb

Thus, Symbolism and Decadence are not a separate new school which arose in France and spread throughout all of Europe: they represent the end and culmination of a certain other school whose links were very extensive and whose roots go back to the beginning of the modern age. Symbolism, easily deduced from Maupassant, can also be deduced from Zola, Flaubert, and Balzac, from Ultra-realism as the antithesis of the previous Ultra-idealism Romanticism and "renascent" Classicism. It is precisely this element of ultra - the result of ultra manifested in life itself, in its mores, ideas, proclivities, and aspirations - that has wormed into literature and remained there ever since, expressing itself, finally, in such a hideous phenomenon as Decadence and Symbolism. The ultra without its referent, exaggeration without the exaggerated object, preciosity of form conjoined with total disappearance of content, and "poetry" devoid of rhyme, meter, and sense - that is what constitutes Decadence. ~ Vasily Rozanov

A Classical style ... is the syllogism of art, the only legitimate process from one world to another. Classicism is not the manner of any fixed age or of any fixed country; it is a constant state of the artistic mind. It is a temper of security and satisfaction and patience. ~ James Joyce

I came to the Greeks early, and I found answers in them. Greece's great men let all their acts turn on the immortality of the soul. We don't really act as if we believed in the soul's immortality and that's why we are where we are today. ~ Edith Hamilton

Museum architectural search committees have invariably included the Kimbell in their international scouting tours of exemplary art galleries (a practice pioneered by Velma Kimbell, the founder's widow, in 1964). Those groups no doubt respond to the Kimbell with suitable reverence, but given the buildings they later commissioned, many post-Bilbao museum patrons obviously wanted something quite different. The disparity between Kahn's museums and recent examples of that genre parallels the discrepancy he saw between postwar Modernism and ancient Classicism: "Our stuff looks tinny compared to it." At a time when commercial values are systematically corrupting the museum - one of civilized society's most elevating experiences - the example of Kahn, among the most courageous and successful architectural reformers of all time, seems more relevant and cautionary than ever. ~ Martin Filler

Everything I loved had been dead for two centuries
or, as in the case of Graeco-Roman classicism, for two milenniums. I am never a part of anything around me
in everything I am an outsider. Should I find it possible to crawl backward through the Halls of Time to that age which is nearest my own fancy, I should doubtless be bawled out of the coffee-houses for heresy in religion, or else lampooned by John Dennis till I found refuge in the deep, silent Thames, that covers many another unfortunate. ~ H.P. Lovecraft

Let me recall at this point Nietzsche's statements regarding classic and romantic art. He identified two types or orders of each. There is the romanticism of true power that shatters contemporary forms to go beyond these to new forms; and there is, on the other hand, the romanticism that is unable to achieve form at all, and so smashes and disparages out of resentment. And with respect to classicism likewise, there is the classicism that finds an achievement of the recognized forms easy and can play with them at will, expressing through them its own creative aims in a rich and vital way; and there is the classicism that clings to form desperately out of weakness, dry and hard, authoritarian and cold. The point I would make - and which I believe was also Nietzsche's - is that form is the medium, the vehicle, through which life becomes manifest in its grand style, articulate and grandiose, and that the mere shattering of form is for human as well as for animal life a disaster, ritual and decorum being the structuring forms of all civilization. ~ Joseph Campbell

Classicism is health, romanticisim is sickness. ~ Johann Wolfgang Von Goethe

The fact is, man has never stayed by a single ideal. The mass enthusiasm when you were young gave way to cool, rationalistic classicism. Today that's being drowned in turn by a kind of neoromanticism. God knows where that will lead. I probably won't approve. Regardless, new generations grow up. We've no right to freeze them into our own mold. The universe is too wide. ~ Poul Anderson