Characters Of Four Rubbings Quotes

I spend more time with the living, than the dead now. ~ Jennifer Hotes

Avoid generalizations. As a fiction writer, I distrust absolute truths, homilies, bromides, sound bites, and also shorthand advice of the sort I'm giving. I like specifics, the longhand version of a story in which it takes four hundred pages to answer a single question about a person's character. Literary writers, unless they are writing fairly tales, learn early never to have characters who are polar opposites, one "good," the other "evil." That's not believable. People are more than just good and evil. Intelligent readers will demand that you not reduce people to such simplistic terms, or resolve situations with "Good always conquers evil," "Might is always right," and so forth. And while such resolutions are common in murder mysteries and action stories, they are feeble in literary fiction, which is supposed to reflect subtle truths about the world. Better to be subtle rather than overbearing, subversive rather than didactic. ~ Amy Tan

'Sex and The City' was made to correct the myth that if you were single at a certain age, you were a leper. Its four characters are heroes to a lot of women; they run around New York, or Gotham - but they have fancy shoes instead of capes. ~ Michael Patrick King

When you start crafting a story and characters, there is something so crazy important that you must always keep it in the back of your mind: there is no single force on this planet more powerful than that of empathy ... Hulk knows your likely counter already: "Oh yeah, Hulk? Well what about Galactus! Galactus is totally the most powerful!!!!" Pssssh. How does Galactus get defeated? It's because Alicia Masters appeals to the Silver Surfer's sense of empathy, which causes him to join the Fantastic Four and defeat his former master! Empathy, bitches. Empathy. ~ Film Crit Hulk!

I would take lots of falls and you know, get shot three or four times and this sort of thing, so all that sort of stuff. And there are tussles with various characters. I like that kind of thing. ~ Marton Csokas

For four days straights, I sit at my typewriter in my bedroom. Twenty of my typed pages, full of slashes and red-circled edits, become thirty-one in thick Strathmore white. ~ Kathryn Stockett

Action and adventure on land and sea-you can't ask for more. But Robert Kurson raises the ante in Pirate Hunters with an array of mystery and a fleet of colorful characters spanning four centuries. This is a great summer read! ~ Michael Connelly

I steeled myself as best I could, and, with teeth gritted, using only one finger I typed:

C U there E.

I sat back, feeling a bit queasy. Illiterate communication was quicker, that was true, but not by much. I'd saved myself the trouble of typing four whole characters. Still, it was part of my new credo, trying new things. I'd tried it, and I very definitely did not like it. LOL could go and take a running jump. I wasn't made for illiteracy; it simply didn't come naturally. Although it's good to try new things and to keep an open mind, it's also extremely important to stay true to who you really are. I read that in a magazine at the hairdressers. ~ Gail Honeyman

On reading the first part of Anthony Powell's four-part masterpiece, 'A Dance to the Music of Time,' I was struck by one of the characters - an irritating peripheral character- who keeps showing up in the main protagonist's life. ~ Rebecca Pidgeon

I devote most of my day to writing, and try to turn out at least four pages a day. As for what triggers the creative process, it's a mystery to me! Characters often just walk on the page, and I wait to see what they do and say while I'm writing them. ~ Tess Gerritsen

As time passed there was no more buying food, no money, no supplies. On some days, we wouldn't even have a crumb to eat. There's a vivid scene in Nanni Loy's The Four Days of Naples, a movie made after the war about the uprising of the Neapolitans against the occupying Germans, in which one of the young characters sinks his teeth into a loaf of bread so voraciously, so desperately, I can still identify with him. In those four famous days in late September, when Naples rose up against the Germans - even before the Allies arrived, it was the climax of a terrible period of deprivation and marked the beginning of the end of the war in Italy. ~ Sophia Loren

In the sixties, in the middle sixties, suddenly comics became this hip thing, and college students and hippies were reading them. So I was one of them, and I started reading, basically it was the Marvel Renaissance at that point. It was all their new characters, Spiderman and the X-Men and the Fantastic Four. ~ Trina Robbins

Character is everything, especially these days when that's what publishers are asking for. Make sure that yours have child appeal. Also don't have a huge cast of characters. One or two is best, four, the maximum. ~ Kirby Larson

I have always loved the quote from John F. Kennedy: "When written in Chinese, the word crisis is composed of two characters. One represents danger and the other represents opportunity."
Looking back on my life, I can see that I have never had a crisis that didn't make me stronger. And here was all that I loved before me: great risk, but also great opportunity.
I had never felt so excited.
Neil was already preparing to come back up. Mick, so fortunate to be alive, was staying firmly, and wisely, at base camp.
But for me, my time had come.
That evening, camp two was again full of friends. Neil and Geoffrey were there along with Michael and Graham, Karla and Alan. But the weariness of coming back up to camp two again oozed painfully from Karla's gaunt face.
She was utterly exhausted, and you could see it.
Who wouldn't be after three months on Everest, and having got within four hundred feet of the summit only days earlier?
Tomorrow the biggest battle of our lives would begin. ~ Bear Grylls

If there's a character type I despise, it's the all-capable, all-knowing, physically perfect protagonist. My idea of hell would be to be trapped in a four-hundred page, first-person, first-tense, running monologue with a character like that. I think writers who produce characters along those lines should graduate from high school and move on. ~ Craig Johnson

I knew that I shouldn't have, but I did it all the same; and there you have my epitaph, or one of them, because my grave is going to require a monument inscribed on all four sides with rueful mottoes, in small characters, set close together. ~ Michael Chabon

Michael Bohn provides a rare opportunity to experience the American sporting scene in the Roaring Twenties. A constant stream of legendary characters marches across these pages. You'll meet them all: The Babe, The Four Horsemen, The Manassa Manassas Mauler, The Wheaton Iceman, Bill Tilden, Gertrude Ederle, and Grantland Rice, the sportswriter whose purple prose made them all come alive. ~ Peter Golenbock

Human education is concerned with certain changes in the intellects, characters and behavior of men, its problems being roughly included under these four topics: Aims, materials, means and methods. ~ Edward Thorndike

I've got a better idea," says my mother. "Tell me about what you did today. Tell me about New York." So I do, I tell the lifelong New Yorker who chucked it for the woods about the streets of the city: how the subway was so crowded this morning I had to let four trains pass in a row and I was a half hour late to work; how I had a meeting in Times Square and I saw an army of painted topless women posing with tourists for money; how I saw two people dressed up as Disney characters get into a fistfight; how I ate a hot dog from a stand after my client meeting bombed and when I finished it I ate another, on one of the chairs scattered in Bryant Park. A string quartet was playing nearby, under a sponsor banner. "The music part was the part that saved me," I say. "All of it would have saved me," says my mother. ~ Jami Attenberg

Margaret, the eldest of the four, was sixteen, and very pretty, being plump and fair, with large eyes, plenty of soft brown hair, a sweet mouth, and white hands, of which she was rather vain. Fifteen-year-old Jo was very tall, thin, and brown, and reminded one of a colt, for she never seemed to know what to do with her long limbs, which were very much in her way. She had a decided mouth, a comical nose, and sharp, gray eyes, which appeared to see everything, and were by turns fierce, funny, or thoughtful. Her long, thick hair was her one beauty, but it was usually bundled into a net, to be out of her way. Round shoulders had Jo, big hands and feet, a flyaway look to her clothes, and the uncomfortable appearance of a girl who was rapidly shooting up into a woman and didn't like it. Elizabeth, or Beth, as everyone called her, was a rosy, smooth-haired, bright-eyed girl of thirteen, with a shy manner, a timid voice, and a peaceful expression which was seldom disturbed. Her father called her 'Little Miss Tranquility', and the name suited her excellently, for she seemed to live in a happy world of her own, only venturing out to meet the few whom she trusted and loved. Amy, though the youngest, was a most important person, in her own opinion at least. A regular snow maiden, with blue eyes, and yellow hair curling on her shoulders, pale and slender, and always carrying herself like a young lady mindful of her manners. What the characters of the four sisters were we will leave to be ~ Louisa May Alcott

[Author's Note:] When I was sixteen, two of my cousins were brutally raped by four strangers and thrown off a bridge in St. Louis, Missouri. My brother was beaten and also forced off the bridge. I wrote about that horrible crime in my first book, my memoir, A Rip in Heaven. Because that crime and the subsequent writing of the book were both formative experience in my life, I became a person who is always, automatically, more interested in stories about victims than perpetrators. I'm interested in characters who suffer inconceivable hardship, in people who manage to triumph over extraordinary trauma. Characters like Lydia and Soledad. I'm less interested in the violent, macho stories of gangsters and law enforcement. Or in any case, I think the world has enough stories like those. Some fiction set in the world of the cartels and narcotraficantes is compelling and important - I read much of it during my early research. Those novels provide readers with an understanding of the origins of the some of the violence to our south. But the depiction of that violence can feed into some of the worst stereotypes about Mexico. So I saw an opening for a novel that would press a little more intimately into those stories, to imagine people on the flip side of that prevailing narrative. Regular people like me. How would I manage if I lived in a place that began to collapse around me? If my children were in danger, how far would I go to save them? I wanted to write about women, whose stories a ~ Jeanine Cummins

There are twenty-four characters in this book named Max. Let there be an end to this silly business of authors never giving their own names to characters in their novels. False modesty, faugh! ~ Max Shulman

In The Story you will see that the two mice do better when they are faced with change because they keep things simple, while the two Littlepeople's complex brains and human emotions complicate things. It is not that mice are smarter. We all know people are more intelligent than mice. However, as you watch what the four characters do, and realize both the mice and the Littlepeople represent parts of ourselves-the simple and the complex - you can see it would be to our advantage to do the simple things that work when things change. In ~ Spencer Johnson

We have a slate of four films. From Karen Young - the USA bestselling author - we have Blood Bayou. Again, we're relying on the story to tell itself and the characters tell it and not (relying on) shock value. It's a suspenseful drama ... The best way I can describe it is Pelican Brief meets Time to Kill. ~ Drew Waters

Little story that changed everything." "How so?" Nathan asked. "Well, the story changed the way I looked at change - from losing something to gaining something - and it showed me how to do it. After that, things quickly improved-at work and in my life. "At first I was annoyed with the obvious simplicity of the story because it sounded like something we might have been told in school. "Then I realized I was really annoyed with myself for not seeing the obvious and doing what works when things change. "When I realized the four characters in the story represented the various parts of myself, I decided who I wanted to act like and I changed. "Later, I passed the story on to some people in our company and they passed it on to others, and soon our business did much better, because most of us adapted to change better. And like me, many people said it helped them in their personal lives. "However there were a few people who said they ~ Spencer Johnson

Saying goodbye to Nina is both bittersweet and beautiful. After six-plus years together, the entire cast and crew of The Vampire Diaries has reached a level of closeness that I don't think any of us ever expected. Nina is excited to spread her wings, get some rest, travel the world and also take it by storm, and we support her a thousand-fold. We will miss Nina and the four hundred characters she played, but we look forward to the insane and exciting challenge of continuing to tell stories of our Salvatore Brothers and our much-loved and gifted ensemble. ~ Julie Plec

My writing's like a journey. I'll know some of the stops ahead of time, and I'll make some of those stops and some of them I won't. Some will be a moot point by the time I get there. You know every script will have four to six basic scenes that you're going to do. It's all the scenes where your characters really come from. ~ Quentin Tarantino

An elevator pitch for an entertainment product should also consist of four components: 1. Your product name and category 2. The main character's ambition 3. The conflict he or she encounters 4. The real significance of the story Here's ~ Michael Hyatt

Bad horror stories concern themselves with six ways to kill a vampire, and graphic accounts of how the rats ate Billy's genitalia. Good horror stories are about larger things. About hope and despair. About love and hatred, lust and jealousy. About friendship and adolescence and sexuality and rage, loneliness and alienation and psychosis, courage and cowardice, the human mind and body and spirit under stress and in agony, the human heart in unending conflict with itself. Good horror stories make us look at our reflections in dark distorting mirrors, where we glimpse things that disturb us, things that we did not really want to look at. Horror looks into the shadows of the human soul, at the fears and rages that live within us all.
But darkness is meaningless without light, and horror is pointless without beauty. The best horror stories are stories first and horror second, and however much they scare us, they do more than that as well. They have room in them for laughter as well as screams, for triumph and tenderness as well as tragedy. They concern themselves not simply with fear, but with life in all its infinite variety, with love and death and birth and hope and lust and transcendence, with the whole range of experiences and emotions that make up the human condition. Their characters are people, people who linger in our imagination, people like those around us, people who do not exist solely to be the objects of violent slaughter in chapter four. The best horror stori ~ George R.R. Martin

At the end of the day, it's all one version of telling a story. I treated this as if it was a two million dollar independent film. I did a lot more physical work than I'd probably have to do for a two million dollar independent film with four months of training and stuff. But as far as the character's psychology or emotional life goes, I treat it just the same. ~ Colin Farrell

When you're doing a single-camera show, it's more buying into a level of reality. I think a sitcom, a four-camera show, doesn't require that so much. I think with a film show, you just need the characters to grow. ~ Darren Star

If I wrote a play with four characters every single one of them would talk like me regardless of age or sex. ~ Norman MacCaig

Because I didn't have brothers, I was always interested in the kids down the street that had four brothers in their family, so I became one of them - but it was not my family. I've always been attracted to temporary families. They tend to be lost characters. ~ Gus Van Sant

None of the male characters are as powerful or as interesting as the four central female characters. The men work best as representations of the current stage of a particular female's psyche. The men function as catalysts, and are certainly important to the development of the story, but the relationships are not the goal. I do not see romance as being what's central to the success of PRETTY LITTLE LIARS. ~ Norman Buckley

In fiction, characters could punch their bosses and get away with it.
In real life, you lost your job, and then you were dining on Cup-a-Soup seven nights a week instead of four. ~ Sarah Morgan