Darren Star Quotes

Cable's on fire. Traditional broadcast TV's hearing a death knell. I sample as much television as possible. I like 'Homeland,' 'Game of Thrones,' 'Veep.' Now reinvention's important.

'Younger' is about reinvention and how age is very much a state of mind. I think the show is ultimately about reinvention. I do think it explores, ultimately, the differences between generations, through the prism of reinvention. That reinvention is possible.

Network's rating dependent. A show might not stick. A lot's timing. Like, my Bradley Cooper in 'Kitchen Confidential' didn't always work. Cable supports young shows. TV Land, which you can find on Hulu, Amazon, iTunes, wanted 'Younger.' They came to me.

I realized early on I was not an actor. And it was a great thing to have that realization. To see actors and see what that talent is ... it wasn't me.

I love the idea of modern art in a home that isn't totally modern. There's a certain energy that comes out of that juxtaposition.

I never did theater. I was a theater major at USC my first year because I didn't get into the film school. I was biding my time, hoping to be accepted to film school, and I ended up transferring to UCLA my sophomore year.

When I brought 'Sex and the City' to HBO, I wanted to do something independent, where I could be like, 'I don't care if anybody watches this thing. Just let me do something that I would love to see.' Honestly, the success of 'Sex and the City' was what was most surprising to me. It was sort of like the anti-TV-show in my mind.

Women are really emotional creatures, and men are kind of closed in terms of emotions. I think women are just a lot more out there.

When 'Sex and the City' aired its first season, people didn't know about HBO as a place for original series. People weren't saying, 'Oh I've got to watch 'Sex and the City'!' They found it later. In some ways, it helped change what people thought of HBO.

I think women have such rich emotional lives that they are expressive about. I also think they're funny. I like watching strong female characters, and I like writing them. I don't know if it's conscious that I gravitate towards women, but it's certainly evolved that way.

When you're doing a single-camera show, it's more buying into a level of reality. I think a sitcom, a four-camera show, doesn't require that so much. I think with a film show, you just need the characters to grow.

I've been on the board of UCLA Film and TV School, and I went to UCLA. I realized that the same movie theater that was there when I went to school, 30 years later is the same movie theater in the same condition. There was an opportunity to refurbish an existing room, and I jumped at the opportunity.

'90210' was looking at teenagers from a perspective that hadn't really been seen on television, though it had been seen in movies like some John Hughes films. I don't know if you want to say '90210' was real, but what the characters were going through was relatable - in a very glamorous environment.

I grew up in D.C. but always had a love affair with New York. I did 'Central Park West,' 'Sex and the City,' 'Law & Order.'

I grew up feeling Israel is very important, and I'm very supportive of Israel. At the same time, I think you can be really supportive of Israel and not look at it as a black-and-white situation.

I'm used to pressure. When writing must get done, I work in bed, on a bus, a train.

I think L.A. has got a great lifestyle, but I love New York. You couldn't do 'Broad City' in L.A. because L.A. is a much gentler place. The standard of living is so different.