Body That I Used To Know Quotes

I really embrace things that I think people who like music can relate to, they grew up with the same stuff and know the same references so when they hear it being used as a metaphor to something else they'll be like that's unique, or funny or something that's relatable to me. ~ Hoodie Allen

I wiped the blade against my jeans and walked into the bar. It was mid-afternoon, very
hot and still. The bar was deserted. I ordered a whisky. The barman looked at the blood
and asked:
'God?'
'Yeah.'
'S'pose it's time someone finished that hypocritical little punk, always bragging about
his old man's power…'
He smiled crookedly, insinuatingly, a slight nausea shuddered through me. I replied
weakly:
'It was kind of sick, he didn't fight back or anything, just kept trying to touch me and
shit, like one of those dogs that try to fuck your leg. Something in me snapped, the
whingeing had ground me down too low. I really hated that sanctimonious little creep.'
'So you snuffed him?'
'Yeah, I've killed him, knifed the life out of him, once I started I got frenzied, it was
an ecstasy, I never knew I could hate so much.'
I felt very calm, slightly light-headed. The whisky tasted good, vaporizing in my
throat. We were silent for a few moments. The barman looked at me levelly, the edge of
his eyes twitching slightly with anxiety:
There'll be trouble though, don'tcha think?'
'I don't give a shit, the threats are all used up, I just don't give a shit.'
'You know what they say about his old man? Ruthless bastard they say. Cruel…'
'I just hope I've hurt him, if he even exists.'
'Woulden wanna cross him merself,' he muttered.
I wanted to say 'yeah, well that's where we differ', ~ Nick Land

I'm not the same person I was. I used to act dumb. It was an act. I am 26 years old, and that act is no longer cute. It is not who I am, nor do I want to be that person for the young girls who looked up to me. I know now that I can make a difference, that I have the power to do that. ~ Paris Hilton

Listen. I don't know how to do this right, but I really, really love you," he said, and cleared his throat. He licked his lips and started talking fast. "I think you're the sweetest, most beautiful girl in the world, and I've been living for our telephone conversations. It's the only thing that gets me through these days, knowing that I get to talk to you every night. Keeping the secret about this job was the hardest thing for me to do, but I wanted to tell you in person. And ever since I knew I was going to come here and ask you this, I couldn't eat or drink anything. And I know I'm different from you, and I'm probably never going to be cool, but I love yourpaintings, I love that you do art, I get it, and I won't ever tell you that you should do paintings that match somebody's couch. I will keep you in paint and canvases for the rest of your life, and if you really want to teach elementary school, then I think you'll be the best teacher there ever was. And I love that you dress so cute, and I love the way you smell and the way you sing in the shower. I used to camp out on the floor outside the door when you were showering just so I could hear you, and the first time we made love was the best thing that ever happened to me, and I was so afraid you were going to say it couldn't happen again. I just want to spend all my time looking at you and telling you things, and even though I'm just some nerd who thinks about strikes and contracts all the time, I want you to know that I'm ~ Maddie Dawson

It [the trip] captured five very long hours. If you want to know why, it is because Grandfather is Grandfather first and a driver second. He made us lost often and became on his nerves. I had to translate his anger into useful information for the hero. "Fuck," Grandfather said. I said, "He says that if you look at the statues, you can see that some no longer endure. Those are where Communist statues used to be." "Fucking fuck, fuck!" Grandfather shouted. "Oh," I said, "he wants you to know that that building, that building, and that building are all important." "Why?" the hero inquired. "Fuck!" Grandfather said. "He cannot remember," I said. ~ Jonathan Safran Foer

Since the 1980s, I've been known more for my TV work, I used to host 'Live at Jongleurs' and of course 'Grumpy Old Men,' and so it's really all come from there. It's been a funny career really, there are people that know me now as a TV person, a comedian, an interviewer - I've had people genuinely gobsmacked to find out I am a musician. ~ Rick Wakeman

In explaining the growth of his faith, psychiatrist Gerald May writes, "I know that God is loving and that God's loving is trustworthy. I know this directly, through the experience of my life. There have been plenty of times of doubt, especially when I used to believe that trusting God's goodness meant I would not be hurt. But having been hurt quite a bit, I know God's goodness goes deeper than all pleasure and pain it embraces them both." Ruthless Trust, pg 22 ~ Brennan Manning

I used to be in school, like a good boy. Medieval Literature. Von Eschenbach, Chaucer, Milton... Yes, sir, no, sir. Then I had that... Crisis. You know it? Wake up one morning and everything's all wrong? Wake up one morning and it occurs to you the milk's spoiled and the bread is getting moldy. Wake up and it just hits you. Someday you're gonna die. Maybe like that girl last night died. Face down in an alley with a caved in head. Such a terrible thing and what for? Why life? Why This life? Why This soap? Why these hands? What's it all mean? Deep down you fear nothing. But you still hope something. Either way, you're not really sure. That's my crisis. I don't wanna die. But if I'm gonna die, first I'm gonna live. I'm gonna peel life like fruit, and use it up. I'm gonna light up an' burn. I'll burn and burn until I'm snuffed out. Then I'll just fade away. But until then I'm gonna live! I'm ready. I'm gonna do it. Come what may, one hundred percent. ~ Paul Pope

In my younger days, I used to pick up sluts, and I don't mean that nastily. It's more a term of endearment, really, for girls who know how to speak their minds. ~ Kevin Costner

I always have a feeling of awe and wonder at what God can do - using me as an instrument. I believe that anyone who is fully surrendered to God's will can be used gloriously - and will really know some things - and will probably be called self-righteous. You're called self-righteous if you are self-centered enough to think you know everything - but you may also be called self-righteous by the immature if you are God-centered enough to really know some things. ~ Peace Pilgrim

I'm good at reading people, Lexi. When we're together, I know what you like and what you don't. I know what you think you don't like and are scared to try. I know how to push you further than you're used to." Allowing that to sink in a moment,
I tell her, "I will spank you. I will be rough with you. I will push you to your limits. But I promise that if you give it a chance, you'll enjoy taking it as much I like to deliver it. ~ Belle Aurora

They're a-"
"-band," Patrick finished. "I know."
"They're not just a band," Orestes said with reverence, his fingers flying over the keyboard.
"They're the modern voice of the collective human conscience."
"Tell that to Tipper Gore."
"Who?"
Patrick laughed. "She was before your time, I guess."
"What did you used to listen to when you were a kid?"
"The cavemen, banging rocks together," Patrick said dryly ~ Jodi Picoult

One evening when we were sitting out in the garden she wanted to know whether she would be able to see the border between India and East Pakistan from the plane. When my father laughed and said, why, did she really think the border was a long black line with green on one side and scarlet on the other, like it was in a school atlas, she was not so much offended as puzzled.

'No, that wasn't what I meant', she said. Of course not. But surely there's something - trenches perhaps, or soldiers, or guns pointing at each other, or even just barren strips of land. Don't they call it no-man's land?...[I]f there aren't any trenches or anything, how are people to know? I mean, where's the difference then? And if there's no difference, both sides will be the same; it'll be just like it used to be before, when we used to catch a train in Dhaka and get off in Calcutta the next day without anybody stopping us. What was it all for then - Partition and all the killing and everything - if there isn't something in between? ~ Amitav Ghosh

Are you mad at me?" Her brow was wrinkled and her eyes were worried, and she wasn't smiling anymore. "I thought you would laugh." She shrugged. "I told Kathleen I was going to surprise you. And she said, 'Go right ahead!' So I did. I used your paints, but I put everything back."
"Why are you kicking me in the head?"
"It's our story. We meet. You save me. I kiss you. You kiss me back, but you keep acting like you don't like me even though I know you do. So I'm kicking some sense into you. And man, does it feel good." She grinned cheekily, and I looked back at her depiction. That was some kick to the head.
"It's a terrible mural." It was terrible. And funny. And very Georgia.
"Well, we can't all be Leonardo DiCaprio. You painted on my walls, I'm painting on yours. And you don't even have to pay me. I'm just trying to bond with you over art."
"Leonardo da Vinci, you mean?"
"Him too." She smiled again and laid back on my bed, patting the spot beside her.
"You could have at least given me some biceps. That doesn't look anything like me. And why am I saying, 'Don't hurt me, Georgia!'"
I plopped down on the bed and purposely landed partially on top of her. She wiggled and scooted breathlessly, trying to free herself from my intentional squishing...
She stroked my head and I breathed against her skin.
"Are we bonding over art?" she whispered in my ear.
"No. ~ Amy Harmon

What I am going to propose is that you write a novel.
As you know, the practical advantages of being able to write out your thoughts fluently are very great. For one thing, when you are used to writing them out, they present themselves, one after another. When you are not used to writing them out, they mill around among themselves usually and you see nothing but heads and tails of them when you sit down to get them on paper. I know from my own experience that the first two or three hours of every exam I ever took were spent simply getting my pen warmed up, and by then it was too late. ~ Ted Hughes

You'd better get busy, though, buddy. The goddamn sands run out on you every time you turn around. I know what I'm talking about. You're lucky if you get time to sneeze in this goddamn phenomenal world. {...} I used to worry about that. I don't worry about it very much any more. At least I'm still in love with Yorick's skull. At least I always have time enough to stay in love with Yorick's skull. I want an honorable goddamn skull when I'm dead, buddy. I hanker after an honorable goddamn skull like Yorick's. ~ J.D. Salinger

She [Hillary Clinton] says I know that this is the first time that one of our two major parties has ever nominated a woman, and that takes some getting used to even for me. And I think that she has to somehow figure out a way to talk about it. She doesn't like being a symbol, but in many ways, that's what tonight is about. ~ Tamara Keith

I don't know what has happened to movies, but lately every movie is at least 20 minutes too long. It used to be that if you were three hours long it was because it was epic - a movie about Gandhi; something with very important subject matters. ~ Ethan Hawke

Everybody says: the Kremlin, the Kremlin. They all go on about it, but I've never seen it. The number of times (thousands) I've been drunk or hung over, traipsing round Moscow, north-south, east-west, end to end, straight through or any old way - and I've never once seen the Kremlin.

For instance, yesterday - yesterday I didn't see it again, though I was buzzing round that area the whole evening and it's not as if I was particularly drunk. I mean, as soon as I came out onto Savyelov Station, I had a glass of Zubrovka for starters, since I know from experience that as an early-morning tipple, nobody's so far dreamed up anything better.

Anyway, a glass of Zubrovka. Then after that - on Kalyaev Street - another glass, only not Zubrovka this time, but coriander vodka. A friend of mine used to say coriander had a dehumanizing effect on a person, i.e, it refreshes your parts but it weakens your spirit. For some reason or other it had the opposite effect on me, i.e., my spirit was refreshed, while my parts all went to hell. But I do agree it's dehumanizing, so that's why I topped it up with two glasses of Zhiguli beer, plus some egg-nog straight from the bottle, in the middle of Kalyaev Street.

Of course, you're saying: come on, Venya, get on with it - what did you have next? And I couldn't say for sure. I remember - I remember quite distinctly in fact - I had two glasses of Hunter's vodka, on Chekhov Street. But I couldn't have made it across th ~ Venedikt Erofeev

Are these black cats like the hare?"

"No. They're smaller; they only want me to play with them. Fly away with them to a place on the other side of the moon. There's a garden there, all silvery-gold, and the cats and hares dance and jump round and round. They can jump so much farther than they can on earth; it's like flying, and they love it so. Sometimes I've felt as if I'd like to dance and jump through the air too, they looked so happy, and I've thought maybe if I did I wouldn't be afraid any more, but when I look they're all dancing round a Figure that sits still in the middle of the garden. A big black Figure with a hood on. And It hasn't got any face. Its face is so awful that It keeps it covered. And then I get so terribly afraid. And everything stops."

"And you see all that in the picture?"

"I don't know." She hesitated again. "I think it's partly dreams. After I've thought they were at the windows - the cats and the big hare. They sit there and watch, you see, after I've gone to sleep. But they don't come often. I don't usually know what's there."

She came closer and whispered, her blue eyes earnest and weird, "I don't think it's an animal hare. I think it's Aunt Sarai's hare, that maybe it came from hell. It isn't swearing to say that word just as the name of a place, is it? That's why people used to be so scared of witches' black cats, isn't it, because they thought they weren't earth-cats, they were from the devil? Mothe ~ Evangeline Walton

My students still don't know what they will never be. Their hope is so bright I can almost see it.

I used to value the truth of whether this student or that one would achieve the desired thing. I don't value that truth anymore as much as I value their untested hope. I don't care that one in two hundred of them will ever become what they feel they must become. I care only that I am able to witness their faith in what's coming next.

I no longer believe in anything other than the middle, but my students still believe in beginnings. Ask them, and they will tell you that everything is about to start in just a moment, just one more moment. ~ Sarah Manguso

When I was in junior high, I used to think I would turn out to be one of the guys, and boys would say, 'Oh, you're so great,' but they wouldn't date me. I thought I wasn't pretty enough. But then I got to Ault and first of all, I'm not really friends with any guys. And then, with you this year, I thought, if Cross will keep hooking up with me, maybe I'm okay after all. But time passed and I never became your girlfriend. And so then I thought, not only was I wrong, but my life turned out to be the opposite of what I expected. Meaning, it wasn't my appearance--that's not the bad thing about me. It's my personality. But how do I know which part? I have no idea. I've tried to think about if it's one thing in isolation or everything together, or what can I do to fix it, or how can I convince you. Then I thought, maybe it is my looks, maybe I was right before. And I never figured it out. Obviously, I didn't. But I've spent a lot of time this year trying. And the reason I'm telling you all this is that I want you to know no one in my life has ever made me feel worse about myself than you. ~ Curtis Sittenfeld

I grow tired of your mouth." Bones shifted under Curran's skin. The nose widened, the jaws grew, the top lip split, displaying enormous teeth. I was staring into the face of a nightmare, a horrible meld of human and lion. If a thing that weighed over six hundred pounds in beast-form could be called a lion. His eyes never changed. The rest of him - the body, the arms, the legs, even his hair and skin remained human. The shapeshifters had three forms: beast, human, and half. They could shift into any of the three, but they always changed shape completely. Most had to strain to maintain the half-form and to be able to speak in it was a great achievement. Only Curran could do this: turn part of his body into one shape while keeping the rest in another.
Normally, I had no trouble with Curran's face in half-form. It was well-proportioned, even - many shapeshifters suffered the "my jaws are way too big and don't fit together" syndrome - but I was used to that half-form face being sheathed in gray fur. Having human skin stretched over it was nausea inducing.
He noticed my heroic efforts not to barf. "What is it now?"
I waved my hand around my face. "Fur."
"What do you mean?"
"Your face has no fur."
Curran touched his chin. And just like that all traces of the beast vanished. He sat before me fully human.
He massaged his jaw.
The beast grew stronger during the flare. Curran's irritation caused his control to slip just a hair.
"Having techn ~ Ilona Andrews

And the ladies dressed in red for my pain and with my pain latched onto my breath, clinging like the fetuses of scorpions in the deepest crook of my neck, the mothers in red who sucked out the last bit of heat that my barely beating heart could give me - I always had to learn on my own the steps you take to drink and eat and breathe, I was never taught to cry and now will never learn to do this, least of all from the great ladies latched onto the lining of my breath with reddish spit and floating veils of blood, my blood, mine alone, which I drew myself and which they drink from now after murdering the king whose body is listing in the river and who moves his eyes and smiles, though he's dead and when you're dead, you're dead, for all the smiling you do, and the great ladies, the tragic ladies in red have murdered the one who is floating down the river and I stay behind like a hostage in their eternal custody.

I want to die to the letter of the law of the commonplace, where we are assured that dying is the same as dreaming. The light, the forbidden wine, the vertigo. Who is it you write for? The ruins of an abandoned temple. If only celebration were possible. A mournful vision, splintered, of a garden of broken statues.

Numb time, time like a glove upon a drum. The three who compete in me remain on a shifting point and we neither are nor is. My eyes used to find rest in humiliated, forsaken things. Nowadays I see with them; I've seen and approved of no ~ Alejandra Pizarnik

I was mortified that I could spend a lifetime with someone and not know them at all - that I could love someone so blindly and never question who they really were. Was it stupidity? Or is that merely what love actually is - to see the good, to love the good and wonderful and ignore the rest? I think that is what I used to believe…I don't believe that anymore.

Love is seeing every damn rotten thing about someone and loving them anyway. It's not being too afraid to look deep inside another person and still being able to see all the good messed up in with the bad. Love is accepting the shit as well as the roses. I think I failed to ever smell the bullshit. I only smelled the roses and never realized that it is the shit that makes the roses bloom. ~ Monika Basile

The main vehicle for nineteenth-century socialization was the leading textbook used in elementary school. They were so widely used that sections in them became part of the national language. Theodore Roosevelt, scion of an elite New York family, schooled by private tutors, had been raised on the same textbooks as the children of Ohio farmers, Chicago tradesman, and New England fishermen. If you want to know what constituted being a good American from the mid-nineteenth century to World War I, spend a few hours browsing through the sections in the McGuffey Readers. ~ Charles Murray

Whether or not science can be applied to that mental construct [i.e. the designed entity] is a matter of availability. If there is body of scientific knowledge that can be applied, then it would be foolish not to exploit it. However, if there is none, it does not mean that the thing cannot be designed, made, and used safely. ~ Henry Petroski

It seems a simple task. We all know what water looks like, feels like in our mouth. Water is ubiquitous. Describing a cup of water feels a little like doing a still life painting. As a child I used to wonder: Why do people spend so much time painting bowls of fruit, when they could be painting dragons? Why learn to describe a cup of water, when the story is about cool magic and (well) dragons?

It's a thing I had trouble with as a teenage writer - I'd try to rush through the "boring" parts to get to the interesting parts, instead of learning how to make the boring parts into the interesting parts. And a cup of water is vital to this. Robert Jordan showed me that a cup of water can be a cultural dividing line–the difference between someone who grew up between two rivers, and someone who'd never seen a river before a few weeks ago.

A cup of water can be an offhand show of wealth, in the shape of an ornamented cup. It can be a mark of traveling hard, with nothing better to drink. It can be a symbol of better times, when you had something clean and pure. A cup of water isn't just a cup of water, it's a means of expressing character. Because stories aren't about cups of water, or even magic and dragons. They're about the people painted, illuminated, and changed by magic and dragons. ~ Brandon Sanderson

Don't all women feel the same? The only difference is how much we know we feel it, how in touch we are with our fury. We're all furies, except the ones who are too damned foolish, and my worry now is that we're brainwashing them from the cradle, and in the end even the ones who are smart will be too damned foolish. What do I mean? I mean the second graders at Appleton Elementary, sometimes the first graders even, and by the time they get to my classroom, to the third grad, they're well and truly gone -- they're full of Lady Gaga and Katy Perry and French manicures and cute outfits and they care how their hair looks! In the third grade. They care more about their hair or their shoes than about galaxies or caterpillars or hieroglyphics. How did all that revolutionary talk of the seventies land us in a place where being female means playing dumb and looking good? Even worse on your tombstone than "dutiful daughter" is "looking good"; everyone used to know that. But we're lost in a world of appearances now. ~ Claire Messud

I love you." He combed her fingers through her hair,drawing her head back so that their eyes met. "I don't like it, I may never get used to it, but I love you." With a sigh,he brought her close again. "You make my head swim."
With her cheek against his chest, Gennie closed her eyes. "You can take time to get used to it," she murmured. "Just promise you won't ever be sorry it happened."
"Not sorry," he agreed on a long breath. "A little crazed, but not sorry." As he ran a hand down her hair, Grant felt a fresh need for her, softer, calmer than before and no less vibrant. He nuzzled into her neck because he seemed to belong there. "Are you really in love with me, or did you say that because I made you mad?"
"Both.I decided this morning I'd have to bend to your ego and let you tell me first."
"Is that so?" With his brows drawn together, he tilted her head back again. "My ego."
"It tends to get in the way because it's rather oversized." She smiled, sweetly.In retaliation, he crushed his mouth to hers.
"You know," he managed after a moment. "I've lost my appetite for breakfsat."
Smiling again, she tilted her face back to his. "Have you reall?"
"Mmm. And I don't like to mention it..." He took his fingertips to the lapel of the robe,toying with it before he slid them down to the belt. "But I didn't say you could use my robe."
"Oh, that was rude of me." The smile became saucy. "Would you like it back now?"
"No hurry." He slipped his h ~ Nora Roberts

I think most Christians hear these urgent calls to do more (or feel them internally already) and learn to live with a low-level guilt that comes from not doing enough. We know we can always pray more and give more and evangelize more, so we get used to living in a state of mild disappointment with ourselves. ~ Kevin DeYoung

Two- to four-finger waves are commonly used between fast-moving vehicles, but the nicely executed single-finger wave is a thing of beauty and a joy forever. To me, it perfectly sums up the Minnesota character that I love so much. The finger wave from the steering wheel: when you get it right, you'll know you've arrived and you don't ever have to leave again if you don't want to. ~ Howard Mohr

I count a hundred steps and start again. My da used to say it's good to test your limits now and then, learn what the body is capable of, what you can endure. He said this when we were in the throes of sickness on the Agnes Pauline, and again in the bitter first winter in New York, when four of us, including Mam, came down with pneumonia. Test your limits. Learn what you can endure. I am doing that. ~ Christina Baker Kline

I see,' agreed Rule. 'You are going to be the Sacrifice.'

She looked up at him rather shyly. 'It c-can't signify to you, can it? Except that I know I'm not a Beauty, like L-Lizzie. But I have got the Nose, sir.'

Rule surveyed the Nose. 'Undoubtedly, you have the Nose,' he said.

Horatia seemed determined to make a clean breast of her blemishes. 'And p-perhaps you could become used to my eyebrows?'

The smile lurked at the back of Rule's eyes. 'I think, quite easily.'

She said sadly: 'They won't arch, you know. And I ought to't-tell you that we have quite given up hope of my g-growing any taller.'

'It would certainly be a pity if you did,' said his lordship.

'D-do you think so?' Horatia was surprised. 'It is a great trial to me, I can assure you.' She took a breath, and added, with difficulty: 'You m-may have n-noticed that I have a - a stammer.'

'Yes, I had noticed,' the Earl answered gently.

'If you f-feel you c-can't bear it, sir, I shall quite understand,' Horatia said in a small, anxious voice.

'I like it,'said the Earl. ~ Georgette Heyer

I'm not used to girls, or familiar with their customs. I feel awkward around them, I don't know what to say. I know the unspoken rules of boys, but with girls I sense that I am always on the verge of some unforeseen, calamitous blunder. ~ Margaret Atwood

As soon as you begin a film, and the idea begins to germinate, you enter into what I'd call a state of grace in your active relationship to chance. I can say that it's really chance and I that make the film together. (...) You know artists used to talk about inspiration and the muse. The muse! That's amusing! But it's not your muse, it's your relationship with the creative forces that makes things things appear when you need them. Those are the mysteries of my passion for the cinema. ~ Agnes Varda

I used to do that routine about my daughter being a hippy with the dirty sneakers and dirty blue jeans, but why a beard? And you know people would actually come to me and say, 'Does your daughter really have a beard?' I'd say, 'No, I made her shave it, but I let her keep the mustache. ~ Jean Carroll