Robert Osborne Quotes

I think there's something about traveling in airplanes all the time that's not the healthiest thing in the world for you.

Lana Turner was adorable and funny. Jimmy Stewart was such a nice person. I quickly realized that if you're not a nice person, you're not going to last in this business. I mean, once your box office starts to drop off, like Veronica Lake, they'll get rid of you fast.

I did see 'Gravity,' but I don't have the enthusiasm to go see a movie as often as I used to go.

My folks were busy. My dad was a teacher, and it was during the Second World War, and my mother was working. So I got my stories from films and books. I read a lot, and I love to read to this day.

I love to be able to meet people who are successful, and I love them not because they're successful, but usually people who are successful have qualities that make them interesting to be around.

Seeing New York in the movies is what made me want to live in Manhattan one day. I eventually got my wish, and the city has never disappointed me.

When a movie opened - if you lived in New York, you would see it at Radio City Music Hall where it would play a couple of weeks, and then you moved on to the next movie. Now you can see it the rest of your life - it's going to be on Netflix and DVD.

I think that no matter whether you're Quentin Tarantino or any other kind of a rebel, or whatever, everyone who makes movies still wants to win an Academy Award, because it's like the Pulitzer Prize or the Congressional Medal of Honor.

The weird thing with 'Kismet' is that Vincente Minnelli didn't know what to do with a Cinemascope camera for that film - so he never moved it! It's like in the old days when sound first came in and was so complicated that the camera just sat there. There are hardly any close-ups in 'Kismet,' so everything's at a bit of a distance.

I'm 77. The only reason I'm ever shy about it is that people tend to think of you in terms of what they think that age is. I certainly don't feel any different than I did when I was 35, and my energy seems to be more than it was then.

I did love 'The Artist.' I've seen it four times, and every time I see it, it gets better and better.

If they didn't have an Oscar for people to shoot for, all they'd do is be making 'Dumb And Dumber' again and again.

There's something about Olivia de Havilland that has always set her apart from other actresses. Maybe it's the combination of warmth, sensitivity and intelligence she conveys, or the way her good looks have always been further enhanced by the ever-present twinkle in her eyes or the wisdom you sense behind those orbs.

Of all the jaw-droppingly beautiful women who've become genuine movie stars, none has had a longer film career (62 years), has been filmed in Technicolor more often (34 times), has had a more versatile group of leading men (from John Wayne to John Candy) or has spent more time held captive on a pirate ship than our TCM Star of the Month for July, the magnificent red-headed Maureen O'Hara.

For some reason, the movies in the '40s have the best personalities: Jimmy Stewart, Gary Cooper, Betty Grable, Gene Tierney, and all those people. For some reason, I seem to gravitate more toward the '40s, and I don't necessarily know why. I just love the people.

The British 'A Night to Remember' is so beautifully done and so well-constructed.

You see a Clint Eastwood movie, and you might not know if it's from Universal or Warner Bros. or another studio. He has affiliations with so many studios now, but there was a time when you'd just look at a movie and think, 'Oh, that's a Warner Bros. film.'

I always knew I was going to be successful in some way with films. I don't know why. I had no particular talent, but I always knew I was going to be sitting in a dining room with Lucille Ball and at a cocktail party with Bette Davis.

I always felt that Bette Davis was one of the great screen actresses who never really got her due - she won two Oscars, but the last was in 1938, and that was really before all the great work that she did.

'The Hollywood Reporter' was always in. You always got great tables. You always got great seats at screenings. You always got treated well if you were at the paper.

I used to write stories a lot because you had to fill your hours some other way than watching television. So my imagination was vivid, and I used to write a lot of stories. I wrote a novel, which I still have, which is so awful.

I think 'Elf' is funny, with Will Ferrell. That's a great Christmas movie.

I can't imagine any one more delightful to sit and talk with about movies on a regular basis.

I would be surprised if they gave Meryl Streep her third Oscar for a film as light as 'Julie and Julia,' although, of course, Katharine Hepburn's third Oscar came with a very light performance from her in 'Guess Who's Coming to Dinner.'