Larkin Grimm Quotes

Where you go to these really good schools, and it's all about preparing for the next step of success. That was never even on my radar. My job is to explore the world, because this is my one life, you know? That's totally how I see it. But I came to Yale just being like, Yeah, now I get to explore this place and meet all these people who are really smart. And I was just excited to be surrounded by people who were as smart as me or were probably smarter. And I just did not expect the level of competition and bitterness and anger, and, the tearing each other down.

You've got to deal with the world with all of its troubles, while you've still got this alternate image. It's not about being in a different place or being in heaven, it's about seeing the world through magical eyes for a moment, and then being back in that same world, and everything is dull and gray. Having to remember the color.

When I met someone who I thought was really talented, I would just be like, Wow! How did you get that way? And I met a lot of people who would just do anything to claw their way to the top, and it was just shocking and awful for me to see that for the first time. And now I live in Manhattan so I have become desensitized to that.

I remember reading a book that was on songwriting at some point that I found in my dad's store, and just ... I did not relate at all. I've always hated structure of all kinds, it just doesn't work for me. I can never fit into the schedules of other people. It's like putting a schedule on your song, and it doesn't allow you to be moved by your own music.

I remember there was this one lady shaman who said that having children puts a hole in your soul. And the only way to get it back is for your children to die. And, you know, monks don't have families.

Before I had a kid, I was off in some kind of cosmic state all of the time, and thinking about the world beyond, thinking about intellectual stuff. And then, after I had a kid, just the whole process of giving birth is just so earthy and grounding and insane and it's all just an intense physical ordeal.

Like the ability of all the musicians to end the song at the right time. Or when it's time for a chord change, but nobody knows what the chord should be, and you all, you know, it all just changes, magically, at the same time. It's when you pick up your phone to call someone and that person is calling you.

Like the oxytocin you get as a mom makes you forget everything constantly. And I'm a totally different person after having a kid.

Ayahuasca is a brew that's made from the vine, which is the hallucinogenic element. And then there's also this leaf from a bush. And the vine is supposed to be the masculine and the bush is supposed to be the feminine, and this female shaman did a tea drinking ceremony with us, where we drank Wyoosa. And the intention was to go and find pieces of your soul that were missing and bring them back to your body so you could live more fully with yourself and it's called soul retrieval.

I think everybody is psychic. I think it's one of the things in our subconscious that, for some reason, we've convinced ourselves that it's not real or possible, and luckily, we're getting closer and closer, I think we're using technology to give us these psychic powers that we already had. It's sort of like the idea that you can't dream up something unless it already exists.

Usually, I think it's best to play the song for them once and have them mix it up on the spot, because when the logical mind gets too involved, I think it kills a lot of magic. I just think the subconscious mind is so much smarter, and unfortunately, people do not trust their subconscious. A lot of people just don't access to all of that, the secret genius that's inside of them. And it's so much easier to get it out of a musician if you don't give them a chance to overthink.

I started off in architecture, and I just couldn't fit into the vibe there. I just felt more at home in the Art Department, so I just ended up there. But I would be an architect if it didn't require so much engineering.

I've always been curious about people's psychedelic experiences, and I kind of had this assumption that I was going to have some kind of crazy mindblowing psychedelia thing happening, but actually, it was very quiet, and I didn't have any hallucinations at all. Nothing changed, except that suddenly I could hear the voice of my conscience, which I didn't ever think of as being a real voice. And ever since having that experience, I've had that voice in my head and followed it occasionally.

It's about a love song to myself, and a love song to the universe, kind of like the way that Song of Solomon consists of love songs to God or like the way Sufi poems are erotic love songs to God, I kind of wanted something like that. Because I was getting to know myself more deeply at this point. I've always been on this track where I wanted to be enlightened.

I just know of so many musicians who burn out because they go on tour and they have to play their one-hit song over and over and over and over again. And they are not moved by their own song. And then when you go and see them perform there's something off.

Most of the musicians that I'm playing with now have jazz backgrounds, so they're comfortable with improvisation. And they all know to make eye contact with me, and I'll give them some kind of sign when I think that the song's ending. Or maybe I don't even have to, because they all sort of feel it at the same time.

When I was working at Omega, I took this Zen retreat, where you're quiet, you don't say anything for a week, and this guy there said, "You're going to be enlightened at the end of this week, that's my goal." I was the engineer, so I was recording everything at it was happening, but I was also participating, because I felt like it. So at the end of it, I did understand what enlightenment was, one-hundred percent.

The Muslim women that I have met are super-powerful and amazing and smart and they are, they're not allowing themselves to be held back by the laws that exist. And you know, the Internet exists now, and mobile phones are freeing up stuff. I have a really good friend who's from Iran and a really good friend who's from Kuwait, and they talk about getting music on the black market and how that's such an intense, amazing experience. And how they value the music so much more, because it's such a risk to own it.