Joyce Tenneson Famous Quotes
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Over the years I have photographed thousands of people. I have never stopped being curious and trying to discover new worlds. I have used my camera as a mirror for my subjects as well. I remember photographing a woman in her 80s for my book, Wise Women, who told me it had been a long time since anyone had really been interested in "seeing" or photographing her. When she saw the picture, she burst into tears. She saw something in the photograph, an inner beauty and soul, she felt had long ago vanished.
I've heard many times that with all good artists it's ultimately a self-portrait even if it's an abstraction. I feel my work is very much who I am. I didn't try to make it that way; it just is. It reflects who I am and also my interests.
The people I work with, the people I photograph, become a kind of family for me.
If I had to pick a single word to describe what my pictures are all about, I would say 'secrets.' As a child I always had a secret world and my favorite book was A Secret Garden.
My whole artistic life has been devoted to battling myself and my ability to externalize my deepest emotions. As I have gotten older, the work has become more direct, perhaps reflecting the fact that for the first time in my life I feel really free. I have been fascinated with wings all my life. I have had an obsession with transcendence, the need to push forward and metaphorically fly.
I have the same themes over and over again. How I'm saying it keeps changing or growing.
I very strongly believe that if you go back to your roots, if you mine that inner territory, you can bring out something that is indelibly you and authentic - like your thumbprint. It's going to have your style because there is no one like you.
I try to neutralize my figures; I want them to be mythic and timeless. I want them to exist beyond time. I've used the skull caps or cowls to banish hair, which is distracting. I want to isolate the face and concentrate on what is really going on deep within my subjects.
Have the utmost respect for your subjects. Love them.
I want to allow others to reveal and celebrate aspects of themselves that are usually hidden. My camera is a witness. It holds a light up for my subjects to help them feel their own essence, and gives them the courage to collaborate in the recording of these revelations.
Photographing these flowers has made me see the world differently. It was as if I had lifted a secret veil from a subject I had loved and appreciated my whole life. I offer these photographs with the hope that they will open a new visual or meditative universe for you as well.
Our best pictures happen by grace.
I love feeling that I am opening new worlds for people who don't have time to investigate these things themselves.
Through a portrait, we can potentially see everything - the history and depth of a person's life, as well as evidence of a primal universal presence. I have dedicated my life and creative energy to capturing these transcendent moments in which a connection is made between the subject, the photographer, and the viewer.
My early self-portraits appeared effortlessly and seemed like equivalents for my deeper emotions. Many critics remarked that the images had an almost other-worldly haunting presence. For me, they were simply my own reality at that point in my life. What I was trying to reveal was my inner soul in all its fragile complexity. Without knowing it, I was trying to peel back the layers that shroud and bind us all as we struggle to reveal our own authentic selves.
Find the one thing you're good at and FOCUS on it.