Jack Gilbert Quotes

Tear It Down"

We find out the heart only by dismantling what
the heart knows. By redefining the morning,
we find a morning that comes just after darkness.
We can break through marriage into marriage.
By insisting on love we spoil it, get beyond
affection and wade mouth-deep into love.
We must unlearn the constellations to see the stars.
But going back toward childhood will not help.
The village is not better than Pittsburgh.
Only Pittsburgh is more than Pittsburgh.
Rome is better than Rome in the same way the sound
of racoon tongues licking the inside walls
of the garbage tub is more than the stir
of them in the muck of the garbage. Love is not
enough. We die and are put into the earth forever.
We should insist while there is still time. We must
eat through the wildness of her sweet body already
in our bed to reach the body within the body.

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But one can acquire a taste for love as for loneliness or ugliness as for saintliness. Each a special way of going down.

Horses At Midnight Without A Moon"

Our heart wanders lost in the dark woods.
Our dream wrestles in the castle of doubt.
But there's music in us. Hope is pushed down
but the angel flies up again taking us with her.
The summer mornings begin inch by inch
while we sleep, and walk with us later
as long-legged beauty through
the dirty streets. It is no surprise
that danger and suffering surround us.
What astonishes is the singing.
We know the horses are there in the dark
meadow because we can smell them,
can hear them breathing.
Our spirit persists like a man struggling
through the frozen valley
who suddenly smells flowers
and realizes the snow is melting
out of sight on top of the mountain,
knows that spring has begun.

The old women in black at early Mass in winter
are a problem for him. He could tell by their eyes
they have seen Christ. They make the kernel
of his being and the clarity around it
seem meager, as though he needs girders
to hold up his unusable soul. But he chooses
against the Lord. He will not abandon his life.
Not his childhood, not the ninety-two bridges
across the two rivers of his youth. Nor the mills
along the banks where he became a young man
as he worked. The mills are eaten away, and eaten
again by the sun and its rusting. He needs them
even though they are gone, to measure against.
The silver is worn down to the brass underneath
and is the better for it. He will gauge
by the smell of concrete sidewalks after night rain.
He is like an old ferry dragged on to the shore,
a home in its smashed grandeur, with the giant beams
and joists. Like a wooden ocean out of control.
A beached heart. A cauldron of cooling melt.

I believe that Icarus was not failing as he fell, but just coming to the end of his triumph.

It is convenient for the old men to blame Eve. To insist we are damned because a country girl talked to the snake one afternoon long ago. Children must starve in Somalia for that, and old women be abandoned in our greatest cities. It's why we will finally be thrown into the lakes of molten lead. Because she was confused by happiness that first time anyone said she was beautiful. Nevertheless, she must be the issue, so people won't notice that rocks and galaxies, mathematics and rust are also created in His image.

Going There

Of course it was a disaster.
The unbearable, dearest secret
has always been a disaster.
The danger when we try to leave.
Going over and over afterward
what we should have done
instead of what we did.
But for those short times
we seemed to be alive. Misled,
misused, lied to and cheated,
certainly. Still, for that
little while, we visited
our possible life.

I like ornament at the right time, but I don't want a poem to be made out of decoration ... When I read the poems that matter to me, it stuns me how much the presence of the heart-in all its forms-is endlessly available there. To experience ourselves in an important way just knocks me out. It puzzles me why people have given that up for cleverness. Some of them are ingenious, more ingenious than I am, but so many of them aren't any good at being alive.

I imagine the gods saying, We will
make it up to you. We will give you
three wishes, they say. Let me see
the squirrels again, I tell them.
Let me eat some of the great hog
stuffed and roasted on its giant spit
and put out, steaming, into the winter
of my neighborhood when I was usually
too broke to afford even the hundred grams
I ate so happily walking up the cobbles,
past the Street of the Moon
and the Street of the Birdcage-Makers,
the Street of Silence and the Street
of the Little Pissing. We can give you
wisdom, they say in their rich voices.
Let me go at last to Hugette, I say,
the Algerian student with her huge eyes
who timidly invited me to her room
when I was too young and bewildered
that first year in Paris.
Let me at least fail at my life.
Think, they say patiently, we could
make you famous again. Let me fall
in love one last time, I beg them.
Teach me mortality, frighten me
into the present. Help me to find
the heft of these days. That the nights
will be full enough and my heart feral.

We must risk delight. We can do without pleasure,
but not delight. Not enjoyment. We must have
the stubbornness to accept our gladness in the ruthless
furnace of this world. To make injustice the only
measure of our attention is to praise the Devil.

How could they think women a recreation? Or the repetition of bodies of steady interest? Only the ignorant or the busy could.

But anything
worth doing is worth doing badly.
Like being there by that summer ocean
on the other side of the island while
love was fading out of her, the stars
burning so extravagantly those nights that
anyone could tell you they would never last.

After Love"

He is watching the music with his eyes closed.
Hearing the piano like a man moving
through the woods thinking by feeling.
The orchestra up in the trees, the heart below,
step by step. The music hurrying sometimes,
but always returning to quiet, like the man
remembering and hoping. It is a thing in us,
mostly unnoticed. There is somehow a pleasure
in the loss. In the yearning. The pain
going this way and that. Never again.
Never bodied again. Again the never.
Slowly. No undergrowth. Almost leaving.
A humming beauty in the silence.
The having been. Having had. And the man
knowing all of him will come to the end.

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The heart is a foreign country whose language none of us is good at.

I'm vain enough to think that I've made a successful life. I've had everything I've ever wanted. You can't beat that.

The Japanese think it strange we paint our old wooden houses when it takes so long to find the wabi in them. They prefer the bonsai tree after the valiant blossoming is over, the leaves fallen. When bareness reveals a merit born in the vegetable struggling.

You can't work in a steel mill and think small. Giant converters hundreds of feet high. Every night, the sky looked enormous. It was a torrent of flames - of fire. The place that Pittsburgh used to be had such scale.

Walking in the dark streets of Seoul under the almost full moon. Lost for the last two hours. Finishing a loaf of bread and worried about the curfew. I have not spoken for three days and I am thinking, Why not just settle for love? Why not just settle for love instead?

A DESCRIPTION OF HAPPINESS IN KOBENHAVN
All this windless day snow fell
into the King's Garden
where I walked, perfecting and growing old,
abandoning one by one everybody:
randomly in love with the paradise
furnace of my mind. Now I sit in the dark,
dreaming of a marble sun
and its strictness. This
is to tell you I am not coming back.
To tell you instead of my private life
among people who must wrestle their hearts
in order to feel anything, as though it were
unnatural. What I master by day
still lapses in the night. But I go on
with the cargo cult, blindly feeling the snow
come down, learning to flower by tightening.

The Abandoned Valley
Can you understand being alone so long
you would go out in the middle of the night
and put a bucket into the well
so you could feel something down there
tug at the other end of the rope?

Once she said the world was an astonishing animal: light was its spirit and noise was its mind. That it was composed to feed on honor, but did not.

We are a singularity that makes music out of noise because we must hurry. We make a harvest of loneliness and desiring in the blank wasteland of the cosmos.

Without bravery, we will never be able to realize the vaulting scope of our own capacities. Without bravery, we will never know the world as richly as it longs to be known. Without bravery, our lives will remain small - far smaller than we probably want our lives to be.

Michiko Nogami (1946 - 1982)"

Is she more apparent because she is not
anymore forever? Is her whiteness more white
because she was the color of pale honey?
A smokestack making the sky more visible.
A dead woman filling the whole world. Michiko
said, "The roses you gave me kept me awake
with the sound of their petals falling.

The heart lies to itself because it must.

Having the Having"

I tie knots in the strings of my spirit
to remember. They are not pictures
of what was. Not accounts of dusk
amid the olive trees and that odor.
The walking back was the arriving.
For that there are three knots
and a space and another two
close together. They do not imitate
the inside of her body, nor her clean
mouth. They cannot describe, but they
can prevent remembering it wrong.
The knots recall. The knots
are blazons marking the trail
back to what we own and imperfectly
forget. Back to a bell ringing
far off, and the sweet summer darkening.
All but a little of it blurs and leaks
away, but that little is most of it,
even damaged. Two more knots
and then just straight string.

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There was no water at my grandfather's
when I was a kid and would go for it
with two zinc buckets. Down the path,
past the cow by the foundation where
the fine people's house was before
they arranged to have it burned down.
To the neighbor's cool well. Would
come back with pails too heavy,
so my mouth pulled out of shape.
I see myself, but from the outside.
I keep trying to feel who I was,
and cannot. Hear clearly the sound
the bucket made hitting the sides
of the stone well going down,
but never the sound of me.

When I was walking in the mountains with the Japanese man and began to hear the water, he said, 'What is the sound of the waterfall?' 'Silence,' he finally told me.

Fame is a lot of fun, but it's not interesting. I loved being noticed and praised, even the banquets. But they didn't have anything that I wanted. After about six months, I found it boring.

Let me fall in love one last time, I beg them. Teach me mortality, frighten me into the present.

We think the fire eats the wood. We are wrong. The wood reaches out to the flame. The fire licks at what the wood harbors, and the wood gives itself away to that intimacy, the manner in which we and the world meet each new day.

We must unlearn the constellations to see the stars.

Goodness is a triumph. And so it is / with love. Love is not the part / we are born with that flowers / a little and then wanes as we /
grow up. We cobble love together / from this and those of our machinery / until there is suddenly an apparition / that never existed before.

The women at Dachau knew they were about to be gassed when they pushed back the Nazi guard who wanted to die with them, saying he must live. And sang for a little while after the doors closed.

Suddenly this defeat.
This rain.
The blues gone gray
And the browns gone gray
And yellow
A terrible amber.
In the cold streets
Your warm body.
In whatever room
Your warm body.
Among all the people
Your absence
The people who are always
Not you.


I have been easy with trees
Too long.
Too familiar with mountains.
Joy has been a habit.
Now
Suddenly
This rain.

We must have the stubbornness to accept our gladness in the ruthless furnace of this world.

Poetry is a kind of lying, necessarily. To profit the poet or beauty. But also in that truth may be told only so. Those who, admirably, refuse to falsify (as those who will not risk pretensions) are excluded from saying even so much. Degas said he didn't paint what he saw, but what would enable them to see the thing he had.

The Poles rode out from Warsaw against the German
Tanks on horses. Rode knowing, in sunlight, with sabers,
A magnitude of beauty that allows me no peace.
And yet this poem would lessen that day. Question
The bravery. Say it's not courage. Call it a passion.
Would say courage isn't that. Not at its best.
It was impossib1e, and with form. They rode in sunlight,
Were mangled. But I say courage is not the abnormal.
Not the marvelous act. Not Macbeth with fine speeches.
The worthless can manage in public, or for the moment.
It is too near the whore's heart: the bounty of impulse,
And the failure to sustain even small kindness.
Not the marvelous act, but the evident conclusion of being.
Not strangeness, but a leap forward of the same quality.
Accomplishment. The even loyalty. But fresh.
Not the Prodigal Son, nor Faustus. But Penelope.
The thing steady and clear. Then the crescendo.
The real form. The culmination. And the exceeding.
Not the surprise. The amazed understanding. The marriage,
Not the month's rapture. Not the exception. The beauty
That is of many days. Steady and clear.
It is the normal excellence, of long accomplishment.

I would say Pittsburgh softly each time before throwing him up. Whisper Pittsburgh with my mouth against the tiny ear and throw him higher. Pittsburgh and happiness high up. The only way to leave even the smallest trace. So that all his life her son would feel gladness unaccountably when anyone spoke of the ruined city of steel in America. Each time almost remembering something maybe important that got lost.

Why do so manysettle for so little? I don't understand why they're not greedy for what's inside them.

We are resident inside with the machinery, a glimmering spread throughout the apparatus. We exist with a wind whispering inside and our moon flexing. Amid the ducts, inside the basilica of bones. The flesh is a neighborhood, but not the life.

We exist with a wind whispering inside and our moon flexing. Amid the ducts, inside the basilica of bones.

Being alive is so extraordinary I don't know why people limit it to riches, pride, security - all of those things life is built on. People miss so much because they want money and comfort and pride, a house and a job to pay for the house. And they have to get a car. You can't see anything from a car. It's moving too fast. People take vacations. That's their reward - the vacation. Why not the life?

We are surrounded by the absurd excess of the universe. By meaningless bulk, vastness without size, power without consequence. The stubborn iteration that is present without being felt. Nothing the spirit can marry. Merely phenomenon and its physics. An endless, endless of going on. No habitat where the brain can recognize itself. No pertinence for the heart. Helpless duplication.

It's not the dreams.
It's this love of you
that grows in me
malignant.

What can I do with these people? They come to the risk so dutifully. Are delighted by anecdotes that give them Poetry. Are grateful to be told of diagonals that give them Painting. Good people. But stubborn when warned the beast is not domestic. How can I persuade them that the dark, soulful Keats was five feet one? Liked fighting and bear-baiting? I can't explain the red hair. Nor say how you died so full of lust for Fanny Brawne. I will tell them of Semele.

The water nymphs who came to Poseidon
explained how little they desired to couple
with the gods. Except to find out
whether it was different, whether there was
a fresh world, another dimension in their loins.
In the old Pittsburgh, we dreamed of a city
where women read Proust in the original French,
and wondered whether we would cross over
into a different joy if we paid a call girl
a thousand dollars for a night. Or an hour.
Would it be different in kind or only
tricks and apparatus? I worried that a great
love might make everything else an exile.
It turned out that being together
at twilight in the olive groves of Umbria
did, indeed, measure everything after that.

The Great Fires"

Love is apart from all things.
Desire and excitement are nothing beside it.
It is not the body that finds love.
What leads us there is the body.
What is not love provokes it.
What is not love quenches it.
Love lays hold of everything we know.
The passions which are called love
also change everything to a newness
at first. Passion is clearly the path
but does not bring us to love.
It opens the castle of our spirit
so that we might find the love which is
a mystery hidden there.
Love is one of many great fires.
Passion is a fire made of many woods,
each of which gives off its special odor
so we can know the many kinds
that are not love. Passion is the paper
and twigs that kindle the flames
but cannot sustain them. Desire perishes
because it tries to be love.
Love is eaten away by appetite.
Love does not last, but it is different
from the passions that do not last.
Love lasts by not lasting.
Isaiah said each man walks in his own fire
for his sins. Love allows us to walk
in the sweet music of our particular heart.

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How astonishing it is that language can almost mean, and frightening that it does not quite.

Are the angels of her bed the angels who come near me alone in mine? Are the green trees in her window the color is see in ripe plums? If she always sees backward and upside down without knowing it what chance do we have? I am haunted by the feeling that she is saying melting lords of death, avalanches, rivers and moments of passing through, And I am replying, Yes, yes. Shoes and pudding.

It is foolish for Rubens to show her simpering. They were clearly guilty and did her much sorrow.