Helen McCrory Quotes

The benefits of feminism for someone like my husband are fantastic. He can stay at home with the kids, he can take them to a park, he does the school run.

Literature is reflecting what is happening in life. More and more women are having relationships with younger men. It's partly that women are not losing their figures now.

I really love my food. My favourite thing is artichokes. I am not so much interested in desserts or chocolate, though. I also like to cook with my husband Damian.

I love London, and it's a privilege for my children to grow up here.

Music really influenced me when I was growing up. I did go through a Jimi Hendrix phase. My hair was naturally quite afro, and I wore low-slung jeans with very high heels. Siouxsie and the Banshees had a lot to answer for. I was in a top hat with peacock feathers and thigh-high black boots. I was 17
old enough to know better.

So often when you meet child actors, they're weird - they're freaks. No, I mean it, they're really odd people.

I think it's very important not to grow up with the unhealthy amount of attention that is sometimes put on people because they are 'actors'.

I use my awards as doorstops. Others are in the office or in little cubbyholes in our library - they go between the books, because they actually look like arty pieces.

If I were in politics, I'd make both left and right sit down and make good decisions about national health. It's a huge problem, and it is something we all should be part of.

I've become more confident as I have got older. I care less what others think.

I can sleep anywhere! I can come off stage during the interval of a play, lie down for four minutes then wake up feeling better.

You can be moved by a performance on set, but when you see it on screen, it does nothing. Yet there will be someone you simply didn't notice on set that on screen: bam!

I'm half Scottish, half Welsh and I regard red hair as perfectly ordinary. And to set the record straight, contrary to reports, he has never referred to himself as the 'Ginger Ninja'.

I used to say that theatre was my favourite thing. But the more I do film, the more I appreciate it.

You don't learn from good people - they've found what works for them and are completely original; you learn from the people who are bad. You think: 'Oh dear, I'm not going to do that.'

What really matters to me is what my peers think.

I was lucky to learn early in life that you need money for food and shelter, but there's no ambition in having money in the bank for the sake of it!

Every time, at any point of my life, I think now is always the best age to be.

I had a great start in television; the first thing I did was an episode of 'Performance' called 'The Entertainer' with Michael Gambon playing Archie Rice.

A script is only as good as the director who's making it.

I think change is good because it teaches you that it's nothing to be frightened of.

I love live performance and have huge admiration for people who can really do it. It's the same with music: I'll play a record and think that I'm not really into country or ragga. But, if it's live and the musicians are good, I'll listen to pretty much anything.

I love theatre because it's just me and the audience. It's the litmus test in acting, to be able to sustain a performance over one, two or three hours.

I spent my teenage years in Paris when my dad was stationed there, and I'd look at women in their forties and think, 'That's the age I want to be.'

My own parents were very un-neurotic, so I never thought that I had to change enormously in order to become a parent.

What interests me about life most is people, and the why of the world. That's what theatre looks at: it examines life, and gives it a cohesiveness that life doesn't have.

What I find most interesting about acting is transforming myself.

Appallingly, I hadn't thought about it one jot. I never daydreamed as a little girl of getting married and having children. I was as surprised to discover I was getting married as I was to discover I was up the duff.

If you think you are beautiful in a scene, you will come across as beautiful. I don't think looks are important; I think what's important is if someone is sexy.

I was very lucky. I left college, and Richard Eyre was in charge of the National Theatre. I was offered the lead in 'The Seagull' with no experience and went on to do five plays there.

If you're constantly frightened of being unhappy, how bloody exhausting must that be?

In the area we live, there's a large show of children who run from one house to another house to another house. That's lovely because it means all the children play together, and all the adults get to sit around and have coffees and read the papers or go to the park.

The only time I ever spend alone is when I am working or when my husband is away filming. I put the kids to bed and have an hour and a half in the evening for myself.

I think I was brought up with an innate sense of responsibility because my dad was in the Foreign Office where you were in somebody else's country, and you were aware of your behaviour. And my mum worked for the NHS, so you were aware of your responsibility to your country.