David Lehman Quotes

Obscurantism is the academic theorist's revenge on society for having consigned him or her to relative obscurity - a way of proclaiming one's superiority in the face of one's diminished influence.

Someday I'd like to go
to Atlantic City with you
not to gamble (just being
there with you is enough
of a gamble) but to ride
the high white breakers
have a Manhattan and listen
to a baritone saxophone
play a tune called "Salsa
Eyes" with you beside me
on a banquette but why
stop there let's go to
Paris in November when
it's raining and we read
the Tribune at La Rotonde
our hotel room has a big
bathtub I knew you'd like
that and we can be a couple
of unknown Americans what
are we waiting for let's go

Words have no single fixed meaning. Like wayward electrons, they can spin away from their initial orbits and enter a wider magnetic field. No one owns them or has a proprietary right to dictate how they will be used.

Jargon is the verbal sleight of hand that makes the old hat seem newly fashionable; it gives an air of novelty and specious profundity to ideas that, if stated directly, would seem superficial, stale, frivolous, or false. The line between serious and spurious scholarship is an easy one to blur, with jargon on your side.

If you have too good a time writing hostile reviews, you'll injure not only your sensibility but your soul.

There is an air of last things, a brooding sense of impending annihilation, about so much deconstructive activity, in so many of its guises; it is not merely postmodernist but preapocalyptic.

If you're not paying for it through the health plan, you pay for it in the emergency room.

Poetry criticism at its worst today is mean in spirit and spiteful in intent, as if determined to inflict the wound that will spur the artist to new heights if it does not cripple him or her.

When she says margarita she means daiquiri.
When she says quixotic she means mercurial.
And when she says, "I'll never speak to you again,"
she means, "Put your arms around me from behind
as I stand disconsolate at the window."

He's supposed to know that.

When a man loves a woman he is in New York and she is in Virginia
or he is in Boston, writing, and she is in New York, reading,
or she is wearing a sweater and sunglasses in Balboa Park and he
is raking leaves in Ithaca
or he is driving to East Hampton and she is standing disconsolate
at the window overlooking the bay
where a regatta of many-colored sails is going on
while he is stuck in traffic on the Long Island Expressway.

When a woman loves a man it is one ten in the morning
she is asleep he is watching the ball scores and eating pretzels
drinking lemonade
and two hours later he wakes up and staggers into bed
where she remains asleep and very warm.

When she says tomorrow she means in three or four weeks.
When she says, "We're talking about me now,"
he stops talking. Her best friend comes over and says,
"Did somebody die?"

When a woman loves a man, they have gone
to swim naked in the stream
on a glorious July day
with the sound of the waterfall like a chuckle
of water rushing over smooth rocks,
and there is nothing alien in the universe.

Ripe

I am completing a book I began back in 2002 called 'Poems in the Manner of.' 'The Matador of Metaphor' is from this manuscript. It is an homage to Wallace Stevens that appropriates certain of his techniques.

How like a winter has been my hard spring away from you, my harp.
Psalm