Bohumil Hrabal Quotes

It's interesting how young poets think of death while old fogies think of girls.

I always loved twilight: it was the only time of day I had the feeling that something important could happen. All things were more beautiful bathed in twilight, all streets, all squares, and all the people walking through them; I even had the feeling that I was a handsome young man, and I liked looking at myself in the mirror, watching myself in the shop windows as I strode along, and even when I touched my face, I felt no wrinkles at my mouth or forehead.

Through the station went a goods train, spitting sparks from its chimney. Viktoria stood at the window and combed those sparks out of her hair.

So I walk home like a burning house, like a burning stable, the light of life pouring out of the fire, fire pouring out of the dying wood, hostile sorrow lingering under the ashes

As I helped him up, I felt him shake all over, so I asked him to forgive me, without knowing what for, but that was my lot, asking forgiveness, I even asked forgiveness of myself for being what I was, what it was my nature to be.

... whichever of my friends was and is sensitive, touchy even, had to choose... emigration... and I emigrated inwardly, here to the pub for example...

When I start reading I'm somewhere completely different, I'm in the text, it's amazing, I have to admit I've been dreaming, dreaming in a land of great beauty, I've been in the very heart of truth. Ten times a day, every day, I wonder at having wandered so far, and then, alienated from myself, a stranger to myself, I go
home, walking the streets silently and in deep meditation, passing trams and cars and pedestrians in a cloud of books, the books I found that day and am carrying home in my briefcase

Not until we're totally crushed do we show what we are made of.

Even in my bad luck I have always been lucky.

Because when I read, I don't really read; I pop a beautiful sentence into my mouth and suck it like a fruit drop, or I sip it like a liqueur until the thought dissolves in me like alcohol, infusing brain and heart and coursing on through the veins to the root of each blood vessel.

I pop a beautiful sentence into my mouth and suck it like a fruit drop.

It never ceased to amaze me, until suddenly one day I felt beautiful and holy for having had the courage to hold on to my sanity after all I'd seen and been through, body and soul, in too loud a solitude, and slowly I came to the realization that my work was hurtling me headlong into an infinite field of omnipotence.

I went up the stairs of the little hotel, that time in Bystřice by Benešov, and at the turn of the stairs there was a bricklayer at work, in white clothes; he was chiselling channels in the wall to cement in two hooks, on which in a little while he was going to hang a Minimax fire-extinguisher; and this bricklayer was already and old man, but he had such an enormous back that he had to turn round to let me pass by, and then I heard him whistling the waltz from The Count of Luxembourg as I went into my little room. It was afternoon. I took out two razors, and one of them I scored blade-up into the top of the bathroom stool, and the other I laid beside it, and I, too, began to whistle the waltz from The Count of Luxembourg while I undressed and turned on the hot-water tap, and then I reflected, and very quietly I opened the door a crack. And the bricklayer was standing there in the corridor on the other side of the door, and it was as if he also had opened the door a crack to have a look at me and see what I was doing, just as I had wanted to have a look at him.

And I slammed the door shut and crept into the bath, I had to let myself down into it gradually, the water was so hot; I gasped with the sting of it as carefully and painfully I sat down. And then I stretched out my wrist, and with my right hand I slashed my left wrist ... and then with all my strength I brought down the wrist of my right hand on the upturned blade I'd grooved into the stool for that purpose.

For thirty-five years now I've been compacting old paper and books, living as I do in a land that has known how to read and write for fifteen generations; living in a onetime kingdom where it was and still is a custom, an obsession, to compact thoughts and images patiently in the heads of the population, thereby bringing them ineffable joy and even greater woe; living among people who will lay down their lives for a bale of compacted thoughts.

Like a flash of lightning Arthur Schopenhauer appeared to me and said, The highest law is love, the love that is compassion,

Because this week I've started in on a hundred reproductions of Rembrandt van Rijn, a hundred portraits of the old artist with the mushroom face, the face of a man pushed to the brink of eternity by art and drink, the door handle starting to turn, the final door pushed open from without by an unknown hand, and I'm beginning to have his puff-paste face, that peeling, piss-soaked wall of a face, I'm beginning to smile his half-moronic smile, to look at the world from the other side of human causes and events, and all my bales these days are framed with that portrait of Rembrandt van Rijn as an old man while I keep filling my drum with wastepaper and open books.

Today's Gypsies, who have lived in Prague for only two generations, light a ritual fire wherever they work, a nomads' fire crackling only for the joy of it, a blaze of rough-hewn wood like a child's laugh, a symbol of the eternity that preceded human thought, a free fire, a gift from heaven, a living sign of the elements unnoticed by the world-weary pedestrian, a fire in the ditches of Prague warming the wanderer's eye and soul.

Lost in my dreams, I somehow cross at the traffic signals, bumping into street lamps or people, yet moving onward, exuding fumes of beer and grime, yet smiling, because my briefcase is full of books and that very night I expect them to tell me things about myself I don't know.

No book worth its salt is meant to put you to sleep, it's meant to make you jump out of your bed in your underwear and run and beat the author's brains out.

I kept working and...reading The Theory of The Heavens a sentence at a time, savoring each sentence like a cough drop and brimming with a sense of the immensity, grandeur, and infinite beauty streaming at me from all sides

one of her eyes was lower than the other, which gave her a distinguished look, and if she seemed to squint a little, it was not because she had bad vision but because one of her eyes had simply got stuck while staring beyond the treshold of the infinite into the very center of an equilateral triangle, into the very heart of being, or, as a chatolic existentialist put it, her defective eye symbolized the diamond's eternal blemish.

I have calmed down a little and my work is going better than yesterday, so well, in fact, that it does itself and I can slip back into the womb of time, into my youth, when I ironed my trousers and shined my shoes, soles included, every Saturday, because when you're young you love keeping clean, you love your self-image, an image you still have time to improve.

Writing is a defence against boredom, but it's also a cure for melancholy.

He was a gentle and sensitive soul, and therefore had a short temper, which is why he went straight after everything with an ax ...

Sometimes when I get up and emerge from the mists of slumber, my whole room hurts, my whole bedroom, the view from the window hurts, kids go to school, people go shopping, everybody knows where to go, only I don't know where I want to go, I get dressed, blearily, stumbling, hopping about to pull on my trousers, I go and shave with my electric razor - for years now, whenever I shave, I've avoided looking at myself in the mirror, I shave in the dark or round the corner, sitting on a chair in the passage, with the socket in the bathroom, I don't like looking at myself any more, I'm scared by my own face in the bathroom, I'm hurt even by my own appearance, I see yesterday's drunkenness in my eyes, I don't even have breakfast any more, or if I do, only coffee and a cigarette, I sit at the table, sometimes my hands give way under me and several times I repeat to myself, Hrabal, Hrabal, Bohumil Hrabal, you've victoried yourself away, you've reached the peak of emptiness, as my Lao Tzu taught me, I've reached the peak of emptiness and everything hurts, even the walk to the bus-stop hurts, and the whole bus hurts as well, I lower my guilty-looking eyes, I'm afraid of looking people in the eye, sometimes I cross my palms and extend my wrists, I hold out my hands so that people can arrest me and hand me over to the cops, because I feel guilty even about this once too loud a solitude which isn't loud any longer, because I'm hurt not only by the escalator which takes me down to the infern

The heavens are not humane, nor is any man with a head on his shoulders. Here

…and as I was saying, one won't have it easy with him, when Uncle Pepin worked the malt house, that son of mine took up with him, to not be at home, when dark came and we couldn't find him, he would be in the stables, at the troughs with oxen breathing down on him, happier hobnobbing with oxen than in his own home, as I say, one will not have it in any way easy with him.

Sometimes I felt so badly about those cats that I'd find myself wishing that both I and the cats could simply cease to exist.

Most of all I enjoy central-heating control rooms, where men with higher education, chained to their jobs like dogs to their kennels, write the history of their times as a sort of sociological survey and where I learned how the fourth estate was depopulated and the proletariat went from base to superstructure and how the university-trained elite now carries on its work.

If a book has anything to say, it burns with a quiet laugh, because any book worth its salt points up and out of itself.

I can be by myself because I'm never lonely; I'm simply alone, living in my heavily populated solitude, a harum-scarum of infinity and eternity, and Infinity and Eternity seem to take a liking to the likes of me.

Our heads met, our eyes crossed paths, the window to the courtyard lay open, I whispered in his ear and he started crying in my hair, wept like a child, I stroked him, touched by his crying, that he opened up, as he truly was, rent his shirt and exposed his heart like the paintings of Jesus hung over the beds in country houses.

Ten times a day, every day, I wonder at having wandered so far, and then, alienated from myself, a stranger to myself, I go home