Adam Mansbach Famous Quotes
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One of the pleasures of getting older and making a living the way you want to is that your social circle becomes rarified, and the people who enter have been vetted.
While I'm working, I stick with music that won't distract me - the dub stylings of Scientist and King Tubby, maybe some Beethoven string quartets.
I know you're not thirsty. That's bullshit. Stop lying. Lie the fuck down, my darling, and sleep.
Sometimes, it's best to let the kids take control - and it's never too early to instill positive eating habits or self-confidence in the kitchen.
I was a rapper and a DJ, and if you wanted to be involved in hip-hop, you had to be involved in the sonic, the kinetic and the visual aspects. The visual was graffiti.
If anything, I was a prodigious eater of everything that was put in front of me. That was probably the only thing my parents wouldn't complain about.
I've always been really involved in figuring out who my audience is and how to reach them.
Vinyl is democratic, as surely as the iPod is fascist. Vinyl is representational: It has a face. Two faces, in fact, to represent the dualism of human nature. Vinyl occupies physical space honestly, proud as a fat woman dancing.
To me, 'The End of the Jews' - both the title and the novel itself - is about the end of pat, uncritical ways of understanding oneself in the world.
How do you sustain yourself when all the old structures people looked to for support - religion, family, ethnic solidarity - are crumbling, or feel so false that you refuse to avail yourself of them? What comes next?
My mother is really the person I learned to curse from. She discourages me from saying that in interviews. But it's true.
The trains were the beating heart of the New York graffiti scene.
My wife likes me to point out that she puts our daughter down to sleep more often than I do, which gives me time to write stupid books about it.
The city fought a $300 million, 18-year war on graffiti. New York Mayor John Lindsay declared war in 1972, and the battle for the transit system came later.
If you're a novelist, as I am in real life, you're usually so desperate for any kind of feedback.
You know you're a hopeless record nerd when your time travel fantasies always come around to how cool it would be to go back to 1973 and buy all the great funk and jazz and salsa records that came out that year on tiny obscure labels and are now really rare and expensive.
When it comes right down to it, developing a critical sensibility about parenting isn't really about disapproval; it's about honing your own sensibilities, figuring out how you want to parent.
'The Pushcart War' is presented as a history of a conflict that has not yet taken place; in each edition of the book, the date on which the hostilities commenced is nudged forward.
For me, most of the anxiety and difficulty of writing takes place in the act of not writing. It's the procrastination, the thinking about writing that's difficult.
It's hilarious to me that by writing an obscene fake children's book I am mistaken for a parenting expert.
All the kids from daycare are in dreamland.
The froggie has made his last leap.
Hell no you can't go to the bathroom.
You know where you can go?
The f**k to sleep.
Children crave routine and find listening to the same stories over and over again soothing. If you've grown weary of the holiday books you've read your kid 7,883 times, try adding 'dude' to the end of every line of dialogue.
Of course, the opposite of white privilege is not blackness, as many of us seemed to think then; the opposite of white privilege is working to dismantle that privilege. But my particular hip-hop generation proved to be very serious about figuring it all out and staying engaged.
There is perhaps no better way to appreciate the dizzying stupidity of the United States than to chat with 25 consecutive morning radio hosts.
We had a kid. The kid was awesome. She didn't fall asleep easily. We complained about it. We got frustrated. But we didn't look for an out. We just accepted that this was part of parenting.
Eating is one of the great pleasures of life.
When the kid goes to bed, you get a little bit of time for yourself and maybe your partner, so being delayed in that departure can be particularly frustrating.
As a writer, I've always been somebody who's been productive and hustled hard.
Sleeping is one of the more private aspects of parenting; it happens in a quiet room, whereas eating is a more public aspect of parenting. Other people can see it and compare it to what their kids eat.
No one in my family has been observant for generations, but we all identify with being Jewish.
The genius of vinyl is that it allows - commands! - us to put our fingerprints all over that history: to blend and chop and reconfigure it, mock and muse upon it, backspin and skip through it.
To capture sound is to isolate a moment, canonize it, enter it into the historical register.
I would like to think that I curse expertly - it's not something that I do without considering it. I never curse without intending to; it's not something I resort to because of inability to articulate or find the correct word.
For me, graffiti writers were always the fascinating eccentrics of hip-hop culture. What they do is secretive by definition, and not remunerative in any way.
One thing any DJ needs in his crate, especially at a barbecue, is a selection of 15-minute-plus jams.
In theory, parents are supposed to empathize with one other - find common cause in the fervent desire to preserve and protect the world for the next generation, and connect on some deep, almost mystical level that those poor souls who have not experienced this kind of all-consuming love cannot possibly comprehend.
Being Jewish is a big part of my artistic sensibility and my humor ... I think it gives me a certain take on the world on a literary level.
I like to write in coffee shops in countries in which languages I do not speak are spoken. That way, you're surrounded by the buzz of humanity, but you aren't distracted by people's conversations.
Writing novels is largely about endurance and patience. I take a lot of breaks, hit walls, and go do something else while I think things through. But I do it every day, and I try to treat it as a job, something that is not dictated by whimsy or muses.
My approach is to treat writing very much as a job.