Traduced In A Sentence Quotes

If a writer has to find a rhythm if his novel is to come 'right', a rhythm which he may well discover in the rhythm of an individual sentence, then likewise a reader has to find a corresponding rhythm in his reading, which may equally well be discovered in responding to local effect.
The intimacy of this relationship between writer and reader is well caught in a recent observation made by Graham Greene, 'Novels should always have, if not dull, then at least level patches. That's where the excessive use of film technique, cutting sharply from intensity
to intensity is harmful. . . . The writer needs level passages for his subconscious to work up to the sharp scenes . . . and the reader needs those level patches too, so that he can share in the processes of creation - not by conscious analysis, but by absorption?'
To reflect on the wide-ranging effects of rhythm
in reading would seem to be one way of making a start on tracing that obscure route that leads from 'absorption' to 'conscious analysis'. ~ Ian Gregor

It was a short one-paragraph item in the morning edition. ~ Haruki Murakami

You can't bribe me with pie." Before he'd finished the sentence, his stomach grumbled loudly in a plea for the pie.
The men grinned.
"We all know you're a pie ho," Mr. Elroy said. ~ Jill Shalvis

In the case of a man and a woman [accused of commiting a crime together], both will often agree to the man taking the rap despite the man being more likely to receive a longer sentence and more likely to be raped in prison. If blacks were agreeing to do that for whites, the black community would be smart enough to call that 'learned subservience. ~ Warren Farrell

Maybe I can do some writing then. The phrase made him sick. It had no meaning anymore. Like a word that is repeated until it becomes gibberish that sentence, for him, had been used to extinction. It sounded silly; like some bit of cliché from a soap opera. Hero saying in dramatic tones – Now, by God, maybe I can do some writing. Senseless. For a moment, though, he wondered if it was true. Now that she was leaving could he forget about her and really get some work done? Quit his job? Go somewhere and hold up in a cheap furnished room and write? You have $123.89 in the bank, his mind informed him. He pretended it was the only thing that kept him from it. But, far back in his mind, he wondered if he could write anything. Often the question threw itself at him when he was least expecting it. You have four hours every morning, the statement would rise like a menacing wraith. You have time to write many thousands of words. Why don't you? And the answer was always lost in a tangle of becauses and wells and endless reasons that he clung to like a drowning man at straws.("Mad House") ~ Richard Matheson

You've got a lifetime to mull over the Buddhist understanding of interconnectedness." He spoke every sentence as if he'd written it down, memorized it, and was now reciting it. "But while you were looking out the window, you missed the chance to explore the equally interesting Buddhist belief in being present for every facet of your daily life, of being truly present. Be present in this class. And then, when it's over, be present out there," he said, nodding toward the lake and beyond.'
~Dr. Hyde, pg 50 ~ John Green

The days rolled by in the camp - they were over before you could say "knife." But the years, they never rolled by; they never moved by a second. ~ Aleksandr Solzhenitsyn

Now lend me your ears. Here is Creative Writing 101:

1. Use the time of a total stranger in such a way that he or she will not feel the time was wasted.
2. Give the reader at least one character he or she can root for.
3. Every character should want something, even if it is only a glass of water.
4. Every sentence must do one of two things - reveal character or advance the action.
5. Start as close to the end as possible.
6. Be a sadist. No matter sweet and innocent your leading characters, make awful things happen to them - in order that the reader may see what they are made of.
7. Write to please just one person. If you open a window and make love to the world, so to speak, your story will get pneumonia.
8. Give your readers as much information as possible as soon as possible. To heck with suspense. Readers should have such complete understanding of what is going on, where and why, that they could finish the story themselves, should cockroaches eat the last few pages.

The greatest American short story writer of my generation was Flannery O'Connor (1925-1964). She broke practically every one of my rules but the first. Great writers tend to do that. ~ Kurt Vonnegut Jr.

I've come out many times publicly in support of the death penalty. I've stated that I'd be more than willing personally to pull the switch on some of the monsters I've hunted in my career with the FBI. But Bruno Hauptmann just doesn't fit into this category -- the evidence just wasn't, and isn't, there to have confidently sent him to the electric chair. To impose the one sentence for which there is no retroactive correction requires a far higher standard of proof than was seen here. Blaming him for the entire crime was, to my mind, an expedient and simpleminded solution to a private horror that had become a national obsession. ~ John E. Douglas

A preposition is a word that shows a relationship between its object and another word in the sentence. Examples: By grace are ye saved through faith. (Ephesians 2:8a) These two prepositions introduce phrases that tell us how individuals are saved: By grace and through faith. Both prepositional phrases are used as adverbs because they modify the verb are saved. ~ Shirley M. Forsen

I used to get stuck trying to find the first sentence of a story, then I realised that it was often because I didn't know what problem a character was facing in the story. As soon as I did, I could have the character trying to do something about it or have the problem whack him between the eyes. ~ Morris Gleitzman

Write the truest sentence you know. Then write another."
Hemingway's advice to other young writers in "A Moveable Feast. ~ Ernest Hemingway,

In one sentence, I'd describe myself as indescribable. But, I wouldn't end it with a period. I'd end it with three dots. ~ Jason Schwartzman

Listen, then, Jane Eyre, to your sentence: tomorrow, place the glass before you, and draw in chalk your own picture, faithfully, without softening one defect; omit no harsh line, smooth away no displeasing irregularity; write under it, 'Portrait of a Governess, disconnected, poor, and plain.'

"Afterwards, take a piece of smooth ivory--you have one prepared in your drawing-box: take your palette, mix your freshest, finest, clearest tints; choose your most delicate camel-hair pencils; delineate carefully the loveliest face you can imagine; paint it in your softest shades and sweetest lines, according to the description given by Mrs. Fairfax of Blanche Ingram; remember the raven ringlets, the oriental eye;--What! you revert to Mr. Rochester as a model! Order! No snivel!--no sentiment!--no regret! I will endure only sense and resolution. Recall the august yet harmonious lineaments, the Grecian neck and bust; let the round and dazzling arm be visible, and the delicate hand; omit neither diamond ring nor gold bracelet; portray faithfully the attire, aerial lace and glistening satin, graceful scarf and golden rose; call it 'Blanche, an accomplished lady of rank. ~ Charlotte Bronte

I had passed from the subject to the direct object of every sentence in my life. In fourteenth century philosophy, the word patient simply meant "the object of an action," and I felt like one. As a doctor, I was an agent, a cause; as a patient, I was merely something to which things happened ~ Paul Kalanithi

But James, as an artist, was deeply suspicious of what gave him pleasure, or indeed satisfaction. In his own complex sensibility, there was an ambiguity about most things, and this moved him towards subtlety when he approached character, drama, and scene, and nudged him towards many modifying subclauses when he wrote a sentence. Nothing came to him simply. ~ Henry James

A sentence from Psalm 101 has been both challenging and convicting for me: 'I will walk in my house with blameless heart' (Psalm 101-2, NIV). When God speaks to me about being more loving, this verse reminds me to make application in my family first-and then to others. It forces me to ask, 'Am I more spiritual, more loving, or more fun somewhere else? Who gets my best-my family or others?' ~ Jean Fleming

Don't use 'tea' and 'manure' in the same sentence or I'll have to pound you into the ground." "You're such a baby," Lexi said. "It's science. You're supposed to love science." "I draw the line at foul-smelling llama-manure tea. ~ Christine Feehan

Don't look back until you've written an entire draft, just begin each day from the last sentence you wrote the preceding day. This prevents those cringing feelings, and means that you have a substantial body of work before you get down to the real work which is all in ... the edit.
[Ten rules for writing fiction (part two), The Guardian, 20 February 2010] ~ Will Self

Confronted by an absolutely infuriating review, it is sometimes helpful for the victim to do a little personal research on the critic. Is there any truth to the rumor that he had no formal education beyond the age of eleven? In any event, is he able to construct a simple English sentence? Do his participles dangle? When moved to lyricism, does he write "I had a fun time"? Was he ever arrested for burglary? I don't know that you will prove anything this way, but it is perfectly harmless and quite soothing. ~ Jean Kerr

Nobody seems to bore you," he objected
"About half the world do," she admitted, "but I think that's a pretty good average, don't you?" and she turned to find something in Browning that bore on the subject. She was the only person he ever met who could look up passages and quotations to show him in the middle of conversation, and yet not be irritating to distraction. She did it constantly, with such serious enthusiasm that he grew fond of watching her golden hair bent over a book, brow wrinkled so little at hunting her sentence. ~ F. Scott Fitzgerald

Soon enough my mind hooked onto the missing guitars and the locked door and the hole filled up with clues and suspects and all the detective stuff and I could pretend it was just another case.
The guitars. The lock. The keys. The gun. The musician in the drawing room with the gun. The duchess in the kitchen with the guitar. I let my mind fill with the case. It was only a case. Only another case. Another sentence of words to arrange.
Maybe that was all there was to life. One long case, only you kept switching roles. Detective, witness, client, suspect. Then one day I'd be the victim instead of the detective or the client and it would all be over. Then I'd finally have a fucking day off. ~ Sara Gran

Karma," he said once, "is not a sentence already printed. It is a series of words the author can arrange as she choses."
Love. Murder. A broken heart. The professor in the drawing room with candlestick. The detective in the bar with the gun. The guitar player backstage with the pick.
Maybe it was true: Life was a series of words we'd been given to arrange as we pleased, only no one seemed to know how. A word game with no right solution, a crossword puzzle where we couldn't quite remember the name of that song. ~ Sara Gran

You get good at being by yourself and you're condemned to a life sentence of solitude. You think, "Wait a minute! I should have been a tap dancer or something". But in my life, I feel like I take my stories to people orally. ~ Sandra Cisneros

…egalitarianism and despotism do not exclude each other, but usually go hand in hand. To a certain degree, equality invites despotism, because in order to make all members of a society equal, and then to maintain this equality for a long period of time, it is necessary to equip the controlling institutions with exceptional power so they can stamp out any potential threat to equality in every sector of the society and any aspect of human life: to paraphrase a well-known sentence by one of Dostoyevsky's characters, 'We start with absolute equality and we end up with absolute despotism.' Some call it a paradox of equality: the more equality one wants to introduce, the more power one must have; the more power one has, the more one violates the principle of equality; the more one violates the principle of equality, the more one is in a position to make the world egalitarian. ~ Ryszard Legutko

You know, in the sentence of humanity this place needs to be a parentheses. And when I say parentheses I mean I'm talking like you go around it. Leave it alone. Let it exist. And what I want people to see with this film is not only a respect for this place from the bottom of my heart. ~ DJ Spooky

I picked up a book on wilderness survival by Laurence Gonzalez and found in it this telling sentence: "The plan, a memory of the future, tries on reality to see if it fits." His point is that when the two seem incompatible, we often hang onto the plan, ignore the warnings reality offers us and plunge into trouble. Afraid of the darkness of the unknown, the spaces in which we see only dimly, we often choose the darkness of closed eyes, of obliviousness. (Woolf's Darkness) ~ Rebecca Solnit

In a sentence: Nature beatified the neurotic. A tendency to make quick albeit mostly false associations was deemed more evolutionarily beneficial than more reliable but equally more time-consuming rational cynicism. ~ John Zande

Productiveness is your acceptance of morality, your recognition of the fact that you choose to live--that productive work is the process by which man's consciousness controls his existence, a constant process of acquiring knowledge and shaping matter to fit one's purpose, of translating an idea into physical form, of remaking the earth in the image of one's values--that all work is creative work if done by a thinking mind, and no work is creative if done by a blank who repeats in uncritical stupor a routine he has learned from others--that your work is yours to choose, and the choice is as wide as your mind, that nothing more is possible to you and nothing less is human--that to cheat your way into a job bigger than your mind can handle is to become a fear-corroded ape on borrowed motions and borrowed time, and to settle down into a job that requires less than your mind's full capacity is to cut your motor and sentence yourself to another kind of motion: decay--that your work is the process of achieving your values, and to lose your ambition for values is to lose your ambition to live--that your body is a machine, but your mind is its driver, and you must drive as far as your mind will take you, with achievement as the goal of your road--that the man who has no purpose is a machine that coasts downhill at the mercy of any boulder to crash in the first chance ditch, that the man who stifles his mind is a stalled machine slowly going to rust, that the man who lets a leader pres ~ Ayn Rand

We stand for organized terror - this should be frankly admitted. Terror is an absolute necessity during times of revolution. Our aim is to fight against the enemies of the Soviet Government and of the new order of life. We judge quickly. In most cases only a day passes between the apprehension of the criminal and his sentence. When confronted with evidence criminals in almost every case confess; and what argument can have greater weight than a criminal's own confession. ~ Felix Dzerzhinsky

Ponder and his fellow students watched Hex carefully.
'It can't just, you know, stop,' said Adrian 'Mad Drongo' Tumipseed.
'The ants are just standing still,' said Ponder. He sighed. 'All right, put the wretched thing back.'
Adrian carefully replaced the small fluffy teddy bear above Hex's keyboard. Things immediately began to whirr. The ants started to trot again. The mouse squeaked.
They'd tried this three times.
Ponder looked again at the single sentence Hex had written.
+++ Mine! Waaaah +++
'I don't actually think,' he said, gloomily, 'that I want to tell the Archchancellor that this machine stops working if we take its fluffy teddy bear away. I just don't think I want to live in that kind of world.'
'Er,' said Mad Drongo, 'you could always, you know, sort of say it needs to work with the FTB enabled...
'You think that's better?' said Ponder, reluctantly. It wasn't as if it was even a very realistic interpretation of a bear.
'You mean, better than "fluffy teddy bear"?'
Ponder nodded. 'It's better,' he said. ~ Terry Pratchett

I would have thought even you could understand such a simple sentence, Father. Shall I repeat it in Latin for you? ~ L.J.Smith

I learned in therapy the word "No" is a complete sentence. ~ Jaycee Dugard

The last sort I shall mention are verbal critics - mere word-catchers, fellows that pick out a word in a sentence and a sentence in a volume, and tell you it is wrong. The title of Ultra-Crepidarian critics has been given to a variety of this species. ~ William Hazlitt

This was a really amazing part of your adventure, Hamlet. You're sure that, should you ever one day write a book about this story or perhaps a stage production, you'd DEFINITELY include this scene. Why, you'd have to be literally crazy to write a story where you journey to England, get attacked by pirates - actual pirates! - but then just sum up that whole adventure in a single sentence. Hah! That'd be the worst. Who puts a pirate-attack scene in their story and doesn't show it to the audience? Hopefully nobody, that's who! Even from a purely structural viewpoint, you've got to give the audience something awesome to make up for all the introspection you've been doing; that just seems pretty obvious is all. ~ Ryan North

A sentence is like a tune. A memorable sentence gives its emotion a melodic shape. You want to hear it again, say it - in a way, to hum it to yourself. You desire, if only in the sound studio of your imagination, to repeat the physical experience of that sentence. That craving, emotional and intellectual but beginning in the body with a certain gesture of sound, is near the heart of poetry. ~ Robert Pinsky

The boy who first entered a classroom barely able to speak English, twenty years later concluded his studies in the stately quiet of the reading room in the British Museum. Thus with one sentence I can summarize my academic career. It will be harder to summarize what sort of life connects the boy to the man. ~ Richard Rodriguez

Take a soldier and put him right in front of a cannon in a battle and fire it at him, and he'll go on hoping, but read out a certain death sentence to that same soldier, and he'll go mad, or start to weep. ~ Fyodor Dostoyevsky

And therefore, as when there is a controversy in an account, the parties must by their own accord, set up for right Reason, the Reason of some Arbitrator, or Judge, to whose sentence, they will both stand, or their controversy must either come to blows, or be undecided, for want of a right Reason constituted by Nature; so is it also in all debates of what kind soever. ~ Thomas Hobbes

[F]rom the perspective of outsiders to the Christian tradition, Paul has sometimes been ridiculed for having abandoned monotheism. Such ridicule is part of a more general theological critique, advanced for centuries by Muslims and Jews, against the Christian doctrine of the incarnation, namely that God became human, and the notion of a triune God, namely that God is three-in-one, Father, Son, and Holy Ghost. To reduce a long tradition of theological dialogue and debate to one sentence, Muslims and Jews believe that devotion to Christ renders the Christian claim to monotheism misguided at best and idolatry at worst, while Christians see no contradiction between their affirmation of the oneness of God and the doctrine of the Trinity.

But, to once again reiterate a point made several times already in this book, Christianity does not yet exist as an independent religious system in Paul's time. Paul is not operating with the doctrine of the incarnation as it was defined in the Council of Nicea (CE 325) or the Christian doctrine of the Trinity as it was hammered out in the Council of Chalcedon (CE 451). At the same time, Paul's letters already reflect a surprisingly high Christology that appears to anticipate later orthodox views. That is to say, Paul's letters manifest a belief in Jesus' divinity that came to characterize the full-out identification between Jesus and God of later official Christian doctrine. Jesus is clearly a divine figure of unique status in Paul's le ~ Pamela Eisenbaum

Every writer is necessarily a critic - that is, each sentence is a skeleton accompanied by enormous activity of rejection; and each selection is governed by general principles concerning truth, force, beauty, and so on. The critic that is in every fabulist is like the iceberg - nine-tenths of him is under water. ~ Thornton Wilder

Do you ever think about him?" Elise asks. "The baby?"
I nod slowly. "I wonder how much would have been different, if he'd-"
"Don't say it." There are tears in her eyes. "Let's do it this way, Charlie, all right? Let's just pick one sentence out of all of the ones we should have said
the best, most important sentence
and let's say just that."
This is my old Elise
whimsical, loopy
the one I couldn't help but fall for. And because I know she is sinking in the quicksand of regret just like me, I nod. "Okay. But I go first." I try to remember what it was like to be loved by someone who did not know limits, and had not yet been ruined by that. "I forgive you," I whisper; a gift.
"Oh, Charlie," Elise says, and she gives me one right back. "She turned out absolutely perfect. ~ Jodi Picoult

I've been accused of not really paying attention to a sentence unless my name comes up in it twice. ~ Matthew Perry

He was so excited by this little bit of intelligence that he might have gone off, perplexed, pondering for a long time. It was like reading a wonderful sentence in a book, and not being able to continue because so many possibilities were crowding his mind. ~ Anne Rice

Poems are surmountable. They have rhymes and rhythms to help you make meaning. They're short enough. . . to read and reread until you've made some sense of them. Short stories are a different ballgame. You read them and understand the words completely. You know what happens in each sentence. You follow the dialogue and action. at the end, you know exactly what's happened. And also you have no idea. ~ Laurie Frankel

A perception of empire is found in an early Christian acrostic. An acrostic is a word made up of the first letters of each word in a phrase or sentence. In this case, the phrase is an early Christian saying in Latin: radix omnium malorum avaritia. Radix means "root," omnium means "all," malorum means "evil," and avaritia means "avarice" (or "greed"). Putting it together, it says, "Avarice (or greed) is the root of all evil." And the first letters of each word produce Roma, the Latin spelling of Rome. It makes a striking point: Roma - empire - is the embodiment of avarice, the incarnation of greed. That's what empire is about. The embodiment of greed in domination systems is the root of all evil. ~ Marcus J. Borg