To Dance In The Wake P 190 Quotes

The identity of the model for the Syra-Cusa has been debated. Terrance Killeen, in an article in the Irish Times, thought her to be Nancy Canard, but Knowlson considered Lucia Joyce more likely.
...

The most profound "clue" is simply the character's name, for Lucia Joyce had been named for Lucia, martyr of Syracuse, patron saint of eyes, light, and lucidity. ~ Carol Loeb Shloss

You deserve a lover who wants you disheveled, with everything and all the reasons that wake you up in a haste and the demons that won't let you sleep.
You deserve a lover who makes you feel safe, who can consume this world whole if he walks hand in hand with you; someone who believes that his embraces are a perfect match with your skin.
You deserve a lover who wants to dance with you, who goes to paradise every time he looks into your eyes and never gets tired of studying your expressions.
You deserve a lover who listens when you sing, who supports you when you feel shame and respects your freedom; who flies with you and isn't afraid to fall.
You deserve a lover who takes away the lies and brings you hope, coffee, and poetry. ~ Frida Kahlo

O Moon that rid'st the night to wake
Before the dawn is pale,
The hamadryad in the brake,
The Satyr in the vale,
Caught in thy net of shadows
What dreams hast thou to show?
Who treads the silent meadows
To worship thee below?
The patter of the rain is hushed,
The wind's wild dance is done,
Cloud-mountains ruby-red were flushed
About the setting sun:
And now beneath thy argent beam
The wildwood standeth still,
Some spirit of an ancient dream
Breathes from the silent hill.

Witch-Goddess Moon, thy spell invokes
The Ancient Ones of night,
Once more the old stone altar smokes,
The fire is glimmering bright.
Scattered and few thy children be,
Yet gather we unknown
To dance the old round merrily
About the time-worn stone.
We ask no Heaven, we fear no Hell,
Nor mourn our outcast lot,
Treading the mazes of a spell
By priests and men forgot. ~ Gerald Gardner

You Don't Know What Love Is
But you know how to raise it in me
like a dead girl winched up from a river. How to
wash off the sludge, the stench of our past.
How to start clean. This love even sits up
and blinks; amazed, she takes a few shaky steps.
Any day now she'll try to eat solid food. She'll want
to get into the fast car, one low to the ground, and drive
to some cinderblock shithole in the desert
where she can drink and get sick and then
dance in nothing but her underwear. You know
where she's headed, you know she'll wake up
with an ache she can't locate and no money
and a terrible thirst. So to hell
with your warm hands sliding inside my shirt
and your tongue down my throat
like an oxygen tube. Cover me
in black plastic. Let the mourners through. ~ Kim Addonizio

If I was going to do something, I wanted to give my life over to it, to love it, to wake up in the morning for it like I had for dance. ~ Melissa Kantor

My soul will dance with Athena's soul; I'll be with her while I sleep; I'll wake up sweating and go into the kitchen for a glass of water. I'll understand that in order to combat ghosts you must use weapons that form no part of reality. Then, following the advice of my grandmother, I'll place an open pair of scissors on my bedside table to snip off the end of the dream. The next day, I'll look at the scissors with a touch of regret, but I must adapt to living in the world again or risk going mad. ~ Paulo Coelho

He was not her sole companion. She had her demons, too.

You can't run from them, as Lexi discovered. Changing cities doesn't help either; you carry them along inside you. You just wake up one day, fed up, and decide to snuggle with them instead. You invite them along as you go about your day, balancing them on your shoulder as you would a toddler, but with very strict conditions: You will not set fire to my hair. You will not take candy from strangers. You will not tie me up in chains while I sleep. You will behave.

And Lexi's demons, allowed to come close, sat on her shoulder. They waved to the angels perched on her other shoulder and struck up a conversation with Lexi.

'What's that noise?' her demons asked, sidling close to her ear.

'Oh, that?' Lexi massaged her temples. 'It's the air whistling through the hole in my heart.'

'You're afraid,' they taunted.

'I am,' she admitted. 'Afraid of the sky falling. Afraid of the tight-rope snapping. Afraid I can't dance well enough on the edge. Afraid there are no hands to steady my body. Afraid of hands that wish to cage my heart.'

'Coward,' the demons goaded. ~ Angela Panayotopulos

Two Songs For The World's End

I
Bombs ripen on the leafless tree
under which the children play.
And there my darling all alone
dances in the spying day.

I gave her nerves to feel her pain,
I put her mortal beauty on.
I taught her love that hate might find,
its black work the easier done.

I sent her out alone to play;
and I must watch, and I must hear,
how underneath the leafless tree,
the children dance and sing with Fear.

II
Lighted by the rage of time
where the blind and dying weep,
in my shadow take your sleep,
though wakeful I.

Sleep unhearing while I pray -
Should the red tent of the sky
fall to fold your time away,
wake to weep before you die.

Die believing all is true
that love your maker said to you
Still believe
that had you lived you would have found
love, world, sight, sound,
sorrow, beauty - all true.
Grieve for death your moment - grieve.

The world, the lover you must take,
is the murderer you will meet.
But if you die before you wake
never think death sweet. ~ Judith A. Wright

Pauline Trio

One could sing October rain,
and one had a gift for plain
chant and prayer, a domain
unsettled by love or its
intimate other. What fits

with this theology no
one dares to say. These twins so
perfectly in tune must know
"the modesty of nature,"
the perfect art and texture

that sustains the other name.
Paris could not be the frame
for loyal Romans, their shame
worn upon their bodies light
as air, and nothing is quite

as endurable as death.
Those who have taken this path
move with an abiding breath.
Such a common dance this dense
intention of love's expense.

Keep this for that special hour
when the Roman drops his sour
gift for abandoned splendour;
et c'est la nuit, the footfall
that troubles that other Paul.


I have learned the felicity of fire,
how in its wake
something picks at buried seed.
Think this a most festive deed,
nature's mistake,
borrowed flare of a village dance, satire
of the sun's course, light you read
through waste, repair. Death had freed
that first opaque
habitation (what a widening gyre),
an aspen ache,
a lustrous scar that might lead
to a hidden grove, or breed
astonishment in its loss; all entire,
a shaping breath proposes its own pyre.

Solitude guides me
Jay Wright

The autopilot is a hands-free piece of electronic wizardry. It's not some brutal application of electricity like one of the Pubyok's car batteries ... Think of its probing as a conversation with the mind, imagine it in a dance with identity. Yes, picture a pencil and eraser engaged in a beautiful dance across the page. The pencil's tip bursts with expression - squiggles, figures, words - filling the page, as the eraser measures, takes note, follows in the pencil's footsteps, leaving only blankness in its wake. The pencil's next seizure of scribbles is perhaps more intense and desperate, but shorter lived, and the eraser follows again. They continue in lockstep this way, the self and the state, coming closer to one another until finally the pencil and the eraser are almost one, moving in sympathy, the line disappearing even as it's laid down, the words unwritten before the letters are formed, and finally there is only white. ~ Adam Johnson

In the morning, I wake up and salute the sun. I am grateful for the sun; it gives me hope that after every scary night it will rise to brighten me - The Beggar's Dance. ~ Farida Somjee

Some people on bus seats shake at the shoulders,
Stoned Elvises trying to dance after the gig.

Some walk into the rain and look like they're smiling,
Running mascara writes sad bitter letters on their faces.

Some drive their cars into lay-bys or park edges
And cradle the steering-wheel looking like headless drivers.

Some sink their open mouths into feather pillows
And tremble on the bed like beached dolphins.

Some people are bent as question marks when they weep
And some are straight as exclamation marks.

Some are soaking in emotional dew when they wake,
Salt street maps etched into their faces.

Some find rooms and fall to the floor as if praying to Allah.
Noiseless
Faces contorted in that silent scream that seems like laughter.

Why is there not a tissue-giver? A man who looks for tears,
Who makes the finest silk tissues and offers them for free?

It seems to me that around each corner, beneath each stone,
Are humans quietly looking for a place to cry on their own. ~ Lemn Sissay

He was tall and slim and had dark hair and young women found him fascinating.

This sort of thing happens often enough, even with boys as mortal as dirt. There's always one who learned how to brood early and often, and always girls who think they can heal him.

Eventually the girls learn better. Either the hurts are petty little things and they get tired of whining or the hurt's so deep and wide that they drown in it. The smart ones heave themselves back to shore and the slower ones wake up married with a husband who lies around and suffers in their direction. It's part of a dance as old as the jackalopes themselves. ~ Ursula Vernon

Jeb's eyes look like they might pop ... so do the veins in his neck. He makes a sound - somewhere between a cough and a moan - mesmerized by my rocking hips. He stands. "Would you get down? You're going to hurt yourself."
"No. Come up here with me." I raised my arms over my head and roll my pelvis seductively. "It's a wake-up dance for Skittles. You know, like the Native Americans used to do to bring down rain."
Jeb gawks. "I seriously doubt Native Americans moved like that." ~ A.G. Howard

Do you hear the snow against the windowpanes, Kitty? How nice and soft it sounds! Just as if some one was kissing the window all over outside. I wonder if the snow loves the trees and fields, that it kisses them so gently? And then it covers them up snug, you know, with a white quilt; and perhaps it says, 'Go to sleep, darlings, till the summer comes again.' And when they wake up in the summer, Kitty, they dress themselves all in green, and dance about - whenever the wind blows ... ~ Lewis Carroll

What makes you come alive? What keeps you going ? Is there hope in your heart still or has the weariness of the world attached itself to you like a limpet leaving you afraid and passionless? Do you wake up with a smile and stars in your eyes after restless, feverish soul-searching in the night? Do you dream, dream beyond what is possible and beyond the narrow confines of your jaded existence? How old do you feel? How much in love can you fall? How much step is there in your dance, o how many notes left in your song ? Have you decided to sit by and watch others dance or weep at the dying notes of your own swan song?

Shake your lethargy. Come alive to innocence once more. Believe past your own jaded cynicism. Pretend you are young once more. Jump up with a spring in your feet, fall breathlessly in love again. Let the colors of the world wash over your walls, brushing the greys away. Let the sunlight of hope flood through your doubting self, o let the music play.

Dance till you ache and drop, laugh till you cry. Sing till your lungs burst, and journey till the very road ends and dream by the moonless starless nights. Sleep with a secret smile on your lips, your body flush with the imprints of lips. Come alive, my dearest ...reclaim yourself from the living dead.

Life beckons ~ Srividya Srinivasan

You can be a rapper born and raised in go-go music, violence, drugs, crack, Reagonomics, and still, if you hear 'Wake Me Up Before You Go-Go,' you're going to find a way to hum along. Guilty pleasures? It don't matter. Sue me - I like the song. To dance to it is another matter. ~ Wale

Over the valley sunlight once shined,
Golden and warming over smiles divine,
Now comes the moonlight glowing with care,
Making soft grasses like silvery hairs,
All through the valley in slumber serine,
All little people dance happy in dreams,
Close your eyes now, let sleep come,
Just 'til tomorrow when we wake to the sun. ~ E.J. Norris

The Waking
I wake to sleep, and take my waking slow.
I feel my fate in what I cannot fear.
I learn by going where I have to go.
We think by feeling. What is there to know?
I hear my being dance from ear to ear.
I wake to sleep, and take my waking slow.
Of those so close beside me, which are you?
God bless the Ground! I shall walk softly there,
And learn by going where I have to go.
Light takes the Tree; but who can tell us how?
The lowly worm climbs up a winding stair;
I wake to sleep, and take my waking slow.
Great Nature has another thing to do
To you and me, so take the lively air,
And, lovely, learn by going where to go.
This shaking keeps me steady. I should know.
What falls away is always. And is near.
I wake to sleep, and take my waking slow.
I learn by going where I have to go. ~ Theodore Roethke

I have a weird graphic I made for myself once, and it's the "lineage tree" of everyone that has inspired me and more importantly given me the permission to be myself in my work. There's a slew of people from theater: Erwin Piscator, Chekhov, Mac Wellman, Stein; and then a whole lot of wonderful works that are called novels: everything from Tristram Shandy to Bouvard and Pecuchet, to Virginia Woolf's Three Guineas, and Finnegan's Wake and Invisible Man, and then contemporary writers I'm currently reading like Renee Gladman and Anakana Schofield. There are many more in my graphic also: there's Beckett's novels and Melancholy of Resistance, and there's Reznikoff and Dos Passos, there are contemporary poets I admire like Jena Osman, dance-writers like Michelle Ellsworth, and books I can't help read for fun like Muriel Spark. But there's Groucho Marx and Oscar Wilde. It's a huge question and the answers would likely change daily. But these I'm talking about here are in the pantheon. ~ Thalia Field

A lot of dear folks today are either in a state of cholera morbus or St. Vitus's dance [ the twitching nerve disorder chorea]. We need to get going for God. Faith in itself has no value unless it connects you with God. The Bible is constantly trying to wake us up: "Stir up the gift of God" (2 Tim. 1:6); "Break up your fallow ground" (Hos. 10:12); "Gird up the loins of your mind" (1 Peter 1:13). We need to take ourselves by the nape of the neck and make ourselves do what we know we ought to do, whether we feel like it or not.
Some ~ Vance Havner

Fairy folk a-listening Hear the seed sprout in the spring, And for music to their dance Hear the hedgerows wake from trance, Sap that trembles into buds Sending little rhythmic floods Of fairy sound in fairy ears. Thus all beauty that appears Has birth as sound to finer sense And lighter-clad intelligence. ~ George Eliot

Those times are the hardest. When you can see yourself confined to your bed because you have no strength or will to leave, and then you find yourself yelling at someone you love because they want to help but they can't. When you wake up in a gutter after trying to drink or smoke or dance away the ache, or the lack thereof. Those times when you are more demon than you are you. ~ Jenny Lawson

Clouds And Waves

Mother, the folk who live up in the clouds call out to me-
"We play from the time we wake till the day ends.
We play with the golden dawn, we play with the silver moon."
I ask, "But how am I to get up to you ?"
They answer, "Come to the edge of the earth, lift up your
hands to the sky, and you will be taken up into the clouds."
"My mother is waiting for me at home, "I say, "How can I leave
her and come?"
Then they smile and float away.
But I know a nicer game than that, mother.
I shall be the cloud and you the moon.
I shall cover you with both my hands, and our house-top will
be the blue sky.
The folk who live in the waves call out to me-
"We sing from morning till night; on and on we travel and know
not where we pass."
I ask, "But how am I to join you?"
They tell me, "Come to the edge of the shore and stand with
your eyes tight shut, and you will be carried out upon the waves."
I say, "My mother always wants me at home in the everything-
how can I leave her and go?"
They smile, dance and pass by.
But I know a better game than that.
I will be the waves and you will be a strange shore.
I shall roll on and on and on, and break upon your lap with
laughter.
And no one in the world will know where we both are. ~ Rabindranath Tagore

You cannot grow in the integrative dance of action and contemplation without a strong tolerance for ambiguity, an ability to allow, forgive, and contain a certain degree of anxiety, and a willingness to not know-and not even need to know. This ever widens and deepens your perspective. This is how you allow and encounter Mystery and move into the contemplative zone. ~ Richard Rohr

There is a mysterious dance that happens in the family between privilege and responsibility, between trust and accountability. One step forward of responsibility allows for a step forward of privilege. The weight of trust requires the counterweight of accountability. Cloistered parents allow space between themselves and their children for this dance to take place. We don't smother our kids. Neither do we abandon them. We dance together with them. ~ David Robinson

We're so distracted, we're missing out own lives. The parent who records his kid's dance recital or first steps or graduation is so busy trying to capture the moment--to create a thing that proves that they were there--they miss out on actually living and enjoying the moment.
I've done this before with my camera. I have jockeyed for position, bumping elbows with other parents so I could get into the best spot to look through the viewfinder of my SLR to capture the moment of my daughter's dance recital. Five-year-old Phoebe was so cute in her little sailor outfit, tapping away. And I got some great pictures. It's just that while I remember getting the pictures, I do not recall the moment. So much of the time we don't trust ourselves to experience our world without stuff. Things so often don't enhance our lives, but are barriers to fully living our lives. ~ Dave Bruno

There is a most profound and beautiful question associated with the observed coupling constant, e - the amplitude for a real electron to emit or absorb a real photon. It is a simple number that has been experimentally determined to be close to 0.08542455. (My physicist friends won't recognize this number, because they like to remember it as the inverse of its square: about 137.03597 with about an uncertainty of about 2 in the last decimal place. It has been a mystery ever since it was discovered more than fifty years ago, and all good theoretical physicists put this number up on their wall and worry about it.) Immediately you would like to know where this number for a coupling comes from: is it related to pi or perhaps to the base of natural logarithms? Nobody knows. It's one of the greatest damn mysteries of physics: a magic number that comes to us with no understanding by man. You might say the "hand of God" wrote that number, and "we don't know how He pushed his pencil." We know what kind of a dance to do experimentally to measure this number very accurately, but we don't know what kind of dance to do on the computer to make this number come out, without putting it in secretly! ~ Richard P. Feynman

I would say a great song [is where] you like everything in the song. The lyrics move you, the beat makes you want to dance and you feel invincible when you listen to that song. A good song I think you can listen to but you get tired of it really fast. ~ Aino Jawo

I wake up very early in the morning. I like to start in the dark, and I never work at night, because my brain is evaporated by 4 P.M. ~ Alice Sebold

Om-nipotent, Om-nipresent, Om-niscient, Om
all is wholly undivided, instructed the physicist, David Bohm
the enfolded and unfolded, that of formlessness and form
from the implicate unmanifest to the explicate manifest born
originating from an underlying nonphysical order
emerges physical reality with its illusory borders
the whole of existence exists in every wee part
all is here now - the cosmos' stern, bow, starboard and port
the invisible portion of existence is pure potentiality
awareness itself as a field of infinite possibility
physical reality a holographic illusion
science says so - that's its conclusion
the new science is within and is up to you
a simple experiment with loving prayer will do
following science honestly, one is led inward too
with zero biases, mind and reality are seen as not-two
who cares what proofs others are uttering
live it yourself or you know nothing
make a cloud square shape in a oneness experiment
repeat "thank you square cloud" with joyous, grateful intent
the results of this being easily duplicatable
shows that a unitive conscious universe is no fable
Native Americans have their time-tested rain dance
a prayer to the Great Spirit resulting in watered plants ~ Jarett Sabirsh

Tangling up in bed like this, naked and hard with a predator's mouth against his and a killer's hands all over his skin, was deliciously dangerous - if this was what it was like to dance with the devil, then Dom hoped the music never stopped playing. He ~ L.A. Witt

An apple could make you laugh: You are so charming. On our lunch, we find our way along the crowded boulevard. You stop abruptly and pluck two green apples from someone selling them on the street. You look at them and decide they are in love, these two apples. You make them whisper to one another. You make them dance: The kinds of dances they do are dainty. spontaneous. At the end of the dancing, the apples get marries in a little ceremony. After the two apples kiss, you and I laugh. It'll be okay going for the two apples, they will get on fine, anyone can tell. Together, we walk back to the office and hate each other for how easily we can laugh about this. ~ Joe Meno

I told him not to go to sea. I'm your mother, I said. The sea won't love you like I love you, she's cruel. But he said, Oh Mother, I need to see the world. I need to see the sun rise in the tropics, and watch the Northern Lights dance in the Arctic sky, and most of all I need to make my fortune and then, when it's made I will come back to you, and build you a house, and you will have servants, and we will dance, mother, oh how we will dance... ~ Neil Gaiman

He got into the tub and ran a little cold water. Then he lowered his thin, hairy body into the just-right warmth and stared at the interstices between the tiles. Sadness--he had experienced that emotion ten thousand times. As exhalation is to inhalation, he thought of it as the return from each thrust of happiness.

Lazily soaping himself, he gave examples.

When he was five and Irwin eight, their father had breezed into town with a snowstorm and come to see them where they lived with their grandparents in the small Connecticut city. Their father had been a vagabond salesman and was considered a bum by people who should know. But he had come into the closed, heated house with all the gimcrack and untouchable junk behind glass and he had smelled of cold air and had had snow in his curly black hair. He had raved about the world he lived in, while the old people, his father and mother, had clucked sadly in the shadows. And then he had wakened the boys in the night and forced them out into the yard to worship the swirling wet flakes, to dance around with their hands joined, shrieking at the snow-laden branches. Later, they had gone in to sleep with hearts slowly returning to bearable beatings. Great flowering things had opened and closed in Norman's head, and the resonance of the wild man's voice had squeezed a sweet, tart juice through his heart. But then he had wakened to a gray day with his father gone and the world walking gingerly over the somber crust of ~ Edward Lewis Wallant

It's about that applause I want to speak to you. I want you to remember that when you've done a little dance or a song or sketch, the applause which you get is not only because you yourself have done your best, but because each of those men is seeing in you someone he loves at home, and because of you is able to forget for a little while the unhappiness of not being in his home, and in some cases the great tragedy of not knowing what has happened to the children in his family. ~ Noel Streatfeild

I have my eye on everything that's of the moment. All the dances, I can do everything that they're currently doing but still keep it smooth. So, I really made it something you can dance to in the summer time but keep it comfortable. You're going to be fly but you don't have to sweat hard and at the same time the song is real sexy. ~ MC Hammer

You're holding a challenge in a fencing club?"

"Yes. Is there something wrong with that?" He pulled on his black pants and the heavy silk green shirt I loved for him to wear because the material seemed to caress hisskin.

No, it's just kind of an incongruous place to hold something so serious as a challenge, isn't it?"

He finished with his shoes, grabbed another towel, and shook it out for me. I made sure Pal still had his back to me, hurrying out of the pool to clasp the towel around me.

"It is no less incongruous than holding a challenge in a bar."

I smiled. "Yes, but my challenge to you wasn't serious. I hope you'll notice that I'm not freaking out about this at all. I haven't even asked you how good you are with asword."

"I noticed." His mouth burned on mine for a moment, his fire being shared between us as his tongue twined around mine in a fiery - albeit brief - dance. "You are learning to have faith in me as is proper between a mateand her wyvern."

"No, I am learning to ask around. Pal told me earlier today that Dmitri had picked swords and that you were pleased because you were some sort of master swordsman a few centuries ago. You'd better not have forgotten anything."

Pal peeked at me out of the corner of his eye, his grin not too obvious. Drake pinched my bare behind as punishment for my saucy tone. "I never forget. Istvan will drive you when you are ready. The challenge is not f ~ Katie MacAlister

The art and science of memory is about developing the capacity to quickly create images that link disparate ideas. Creativity is the ability to form similar connections between disparate images and to create something new and hurl it into the future so it becomes a poem, or a building, or a dance, or a novel. Creativity is, in a sense, future memory. ~ Joshua Foer

Karlheinz Stockhausen to journalist: "I heard the piece Aphex Twin of Richard James carefully: I think it would be very helpful if he listens to my work "Song of the Youth," which is electronic music, and a young boy's voice singing with himself. Because he would then immediately stop with all these post-African repetitions, and he would look for changing tempi and changing rhythms, and he would not allow to repeat any rhythm if it [was] varied to some extent and if it did not have a direction in its sequence of variations."

Aphex Twin to journalist: "I thought he should listen to a couple of tracks of mine: 'Didgeridoo,' then he'd stop making abstract, random patterns you can't dance to". ~ Karlheinz Stockhausen

Rasa has two primary meanings: 'feeling' and 'meaning'. As 'feeling' it is one of the traditional Javanese five senses - seeing, hearing, talking, smelling and feeling, and it includes within itself three aspects of "feeling" that our view of the 5 senses separates: taste of tongue, touch on the body, and emotional 'feeling' within the 'heart' like sadness and happiness. The taste of a banana is its rasa; a hunch is a rasa; a pain is a rasa; and so is the passion. As 'meaning', rasa is applied to words in a letter, in a poem, or even in common speech to indicate the between-the-lines type of indirection and allusive suggestion that is so important in Javanese communication and social intercourse. And it is given the same application to behavioral acts generally: to indicate the implicit import, the connotative 'feeling' of dance movements, polite gestures, and so forth. But int his second, semantic sense, it also means 'ultimate significance' - the deepest meaning at which one arrives by dint of mystical effort and whose clarification resolves all the ambiguities of mundane existence(...)
(The interpretation of cultures) ~ Geertz Clifford

I sat up and wiped my eyes, cursing the damned faeries and their eternal war. It seemed there was never enough time. Time to dance, or talk, or laugh, or even mourn the passing of a friend. Slipping off my corsage, I laid it on Ironhorse's cold metal shoulder, wanting him to have something natural and beautiful in this lifeless place.Goodbye, Ironhorse. ~ Julie Kagawa

Be like a branch of a tree; flex your body to face 'wind of sorrow'; flex little harder to dance in the 'wind of happiness'. ~ Santosh Kalwar

Directing a movie is a little bit like being back in student government and putting on the homecoming dance. You're like, 'You put up the streamers, and you hire the DJ, and you get the punch bowl.' Some people are just like, 'This dance sucks.' And you're like, 'No no, this dance is awesome!' You have to be really positive. ~ Mike Birbiglia

Sammy is Upoopia!" my baby shouted and clapped his hands, instantly bringing all the furniture in the room to life. Couches and chairs upended their occupants and began to dance around the room recklessly.
"Outstanding," Satan yelled as he tangoed with a chaise. "My great nephew is tremendous". ~ Robyn Peterman

Can the future hsitory of the world be so fragile that it will not allow two high school teachers to meet and fall in love? To marry, to dance to Beatles tunes like "I Want to Hold Your Hand," and live unremarkable lives? ~ Stephen King