Song Yet Sung Quotes

It's God's world. He washes you clean. He makes you whole. He puts rain in your garden and sunshine in your heart. "Clarence ~ James McBride

One story sums up their magical quality. On June 30th 1968, at the height of Apple optimism, Paul McCartney and Derek Taylor were driving back to London from Saltaire, Yorkshire, where they had been recording the Black Dyke Mills Band on a song of Paul's called 'Thingummybob'. They were in Bedfordshire. Let's pick a village on the map and pay it a visit, said Beatle Paul. He found a village called Harrold, which they found quite hilarious, and turned off the A5. Harrold turned out to be a picture-perfect village, with a picture-perfect pub at its heart. The pub was closed, but when the villagers saw there was a Beatle at the door they opened it up. Soon the whole village was in the pub, listening to Paul McCartney on the pub piano playing the as-yet-unreleased 'Hey Jude'. Every Harrold resident danced and sang along, and the revelry went on until 3 a.m. It was beautiful, perfect, spontaneous and full of love. Harrold. You couldn't make it up. ~ Bob Stanley

Mark, believer, how sure and unchanging must be our acceptance, since it is in him! Take care that you never doubt your acceptance in Jesus. You cannot be accepted without Christ; but, when you have received his merit, you cannot be unaccepted. Notwithstanding all your doubts, and fears, and sins, Jehovah's gracious eye never looks upon you in anger; though he sees sin in you, in yourself, yet when he looks at you through Christ, he sees no sin. You are always accepted in Christ, are always blessed and dear to the Father's heart. Therefore lift up a song, and as you see the smoking incense of the merit of the Saviour coming up, this evening, before the sapphire throne, let the incense of your praise go up also. ~ Charles Haddon Spurgeon

MAINTAINING DOCTRINAL PURITY IS good, but it is not the whole picture for a New Testament church. The apostles wanted to do much more than simply "hold the fort," as the old gospel song says. They asked God to empower them to move out and impact an entire culture. In too many places where the Bible is being thumped and doctrine is being argued until three in the morning, the Spirit of that doctrine is missing. William Law, an English devotional writer of the early 1700s, wrote, "Read whatever chapter of Scripture you will, and be ever so delighted with it - yet it will leave you as poor, as empty and unchanged as it found you unless it has turned you wholly and solely to the Spirit of God, and brought you into full union with and dependence upon him."1 ~ Jim Cymbala

Why did you come back?"

It felt like a trick question. My hard-won hermitage - begun by me, secured by Jeremy - was no small thing. It was a chance to be someone else, and how many of those do you get?

And yet I'd left it behind.

I came back because I had to. Because there was nothing wrong in the world except that I was getting older in it. Because Sam and Grace had told me I should go if that was what I wanted.

What I wanted was:

I wanted.

Isabel -

I wanted to make something. At the beginning of all of this, I had just been a kid with a keyboard. It was less the game of it, and more those hours I spent falling from song to song.

"I want to make an album," I said. "I miss making music."

I could tell he approved of my answer. ~ Maggie Stiefvater

O guide my judgment and my taste,
Sweet Spirit, author of the book
Of wonders, told in language chaste
And plainness, not to be mistook.

O let me muse, and yet at sight
The page admire, the page believe;
"Let there be light, and there was light,
Let there be Paradise and Eve!"

Who his soul's rapture can refrain?
At Joseph's ever pleasing tale
Of marvels, the prodigious train,
To Sinai's hill from Goshen's vale.

The psalmist and proverbial seer,
And all the prophets sons of song,
Make all things precious, all things dear,
And bear the brilliant word along.

O take the book from off the shelf,
And con it meekly on thy knees;
Best panegyric on itself,
And self-avouch'd to teach and please.

Respect, adore it heart and mind.
How greatly sweet, how sweetly grand,
Who reads the most, is most refind'd,
And polish'd by the Master's hand. ~ Christopher Smart

I sang and sang, until I died. And Sarren gave me a new purpose, a new song. But the requiem isn't over yet. ~ Julie Kagawa

The sorrow for the dead is the only sorrow from which we refuse to be divorced. Every other wound we seek to heal - every other affliction to forget; but this wound we consider it a duty to keep open - this affliction we cherish and brood over in solitude. Where is the mother who would willingly forget the infant that perished like a blossom from her arms, though every recollection is a pang? Where is the child that would willingly forget the most tender of parents, though to remember be but to lament? Who, even in the hour of agony, would forget the friend over whom he mourns? Who, even when the tomb is closing upon the remains of her he most loved, when he feels his heart, as it were, crushed in the closing of its portal, would accept of consolation that must be bought by forgetfulness? No, the love which survives the tomb is one of the noblest attributes of the soul. If it has its woes, it has likewise its delights; and when the overwhelming burst of grief is calmed into the gentle tear of recollection, when the sudden anguish and the convulsive agony over the present ruins of all that we most loved are softened away in pensive meditation on all that it was in the days of its loveliness - who would root out such a sorrow from the heart? Though it may sometimes throw a passing cloud over the bright hour of gaiety, or spread a deeper sadness over the hour of gloom, yet who would exchange it even for the song of pleasure, or the burst of revelry? No, there is a voice from the ~ Washington Irving

It hadn't been so long ago, yet sometimes she felt that she'd been an altogether different person back then. ~ Nicholas Sparks

Desire"

I have certainly
no faith in miracles, yet I long
that when death comes to take me
from this great song
of a world, it permits me to return
to your door and knock
and knock
and call out: "If you need someone

to share your anguish, your simplest pain,
then let me be the one.
If not, let me again

embark, this time never
to return, in that final direction,
forever. ~ Faiz Ahmad Faiz

I don't care if it's a Cole Porter song, or George Gershwin, or Lennon/McCartney, or Elton John, or you know, whoever, Bob Dylan. Great songs are great songs, and they stand the test of time, and they can be interpreted and recorded with many points of view, but yet still retain the essence of what makes them good songs. ~ John Oates

Song

This is the love I bring,
Absolute and nothing:
A tree but with no roots,
A cloud heavy with fruit,
A wide stone stair
That leads nowhere
But to empty sky,
Ambiguous majesty.

This is the love I bear:
It is light as air,
Yet weighs like an earth;
It is water flowing,
Yet adamant as fire.
It is coming from going.
It is dying and growing.

A love so rare and hard
It cuts a diamond word
Upon the windowpane,
"Never, never again,
Never upon my breast,"
Having no time to bring,
Having no place to rest,
Absolute and nothing. ~ May Sarton

For me, I say no, but then I am old, and life, with his sunshine, his fair places, his song of birds, his music and his love, lie far behind. You others are young. Some have seen sorrow, but there are fair days yet in store. What say you? ~ Bram Stoker

And when you are foolish enough to identify yourself as a poet, your interlocutors will often ask: A PUBLISHED Poet? And when you tell them that you are, indeed, a published poet, they seem at least vaguely impressed. Why is that? Its not like they or anybody they know reads poetry journals. And yet there is something deeply right, I think, about this knee-jerk appeal to publicity. It's as if to say: Everybody can write a poem, but has your poetry, the distillation of your innermost being, been found authentic and intelligible by others? Can it circulate among persons, make of its readership, however small, a People in that sense? This accounts for the otherwise bafflingly persistent association of Poetry and fame - baffling since no poets are famous among the general population. To demand proof of fame is to demand proof that your songs made it back intact from the dream in the stable to the social world of the fire, that your song is at once utterly specific to you and exemplary for others. ~ Ben Lerner

Space is still filled with the noise of destruction and annihilation, the shouts of self-assurance and arrogance, the weeping of despair and helplessness. But round about the horizon the eternal realities stand silent in their age-old longing. There shines on them already the first mild light of the radiant fulfillment to come. From afar sound the first notes as of pipes and voices, not yet discernable as a song or melody. It is all far off still, and only just announced and foretold. But it is happening, today. ~ Alfred Delp

I have to believe he will do as he promised. Yet the truth is that I trust him because of the way he snared my fingers in his. That is the worst reason of all to trust, but my bitter heart will not stop singing its recklessly giddy song. ~ Kate Elliott

He laughs and switches lanes. "All right. So, favorite song?"
"Ever?"
He nods. I bite my lip and watch the just-budding trees flash by outside.
"I don't think I've found it yet."
His mouth twists with a smile I've never seen before. And I've seen every smile.
"That's the right answer. ~ Michelle Painchaud

For many of us the march from Selma to Montgomery was about protest and prayer. Legs are not lips and walking is not kneeling. And yet our legs uttered songs. Even without words, our march was worship. I felt my legs were praying. ~ Abraham Joshua Heschel

A Song for the End of the World"

On the day the world ends
A bee circles a clover,
A fisherman mends a glimmering net.
Happy porpoises jump in the sea,
By the rainspout young sparrows are playing
And the snake is gold-skinned as it always should be.

On the day the world ends
Women walk through the fields under their umbrellas,
A drunkard grows sleepy at the edge of a lawn,
Vegetable peddlers shout in the street
And a yellow-sailed boat comes nearer the island,
The voice of a violin lasts in the air
And leads into a starry night.

And those who expected lightning and thunder
Are disappointed.
And those who expected signs and archangels' trumps
Do not believe it is happening now.
As long as the sun and the moon are above,
As long as the bumblebee visits a rose,
As long as rosy infants are born
No one believes it is happening now.

Only a white-haired old man, who would be a prophet
Yet is not a prophet, for he's much too busy,
Repeats while he binds his tomatoes:
There will be no other end of the world,
There will be no other end of the world. ~ Czesław Miłosz

What I get out of karaoke is a little weirder than mere musical competence. It's a love ritual that keeps me coming back, craving more, because this is where the songs are. And the songs are full of stories. Every one we sing is charged up with memories of the past or dreams of the future. Every song reminds me of good times or bad times. Yet they all hold surprises. ~ Rob Sheffield

Remember that the fool in the eyes of the gods and the fool in the eyes of man are very different. One who is entirely ignorant of the modes of Art in its revolution or the moods of thought in its progress, of the pomp of the Latin line or the richer music of the vowelled Greeks, of Tuscan sculpture or Elizabethan song may yet be full of the very sweetest wisdom. The real fool, such as the gods mock or mar, is he who does not know himself. I was such a one too long. You have been such a one too long. Be so no more. Do not be afraid. The supreme vice is shallowness. Everything that is realised is right ~ Oscar Wilde

If you only do little clusters - three or four songs by one, and another, and then yet another - you lose the opportunity to think your way into the composer's mind, since, after all, most of these pieces are quite brief. ~ Dietrich Fischer-Dieskau

In a moment, when I throw myself down among the absinthe plants to bring their scent into my body, I shall know, appearances to the contrary, that I am fulfilling a truth which is the sun's and which will also be my death's. In a sense, it is indeed my life that I am staking here, a life that tastes of warm stone, that is full of the signs of the sea and the rising song of the crickets. The breeze is cool and the sky blue. I love this life with abandon and wish to speak of it boldly: it makes me proud of my human condition. Yet people have often told me: there's nothing to be proud of. Yes, there is: this sun, this sea, my heart leaping with youth, the salt taste of my body and this vast landscape in which tenderness and glory merge in blue and yellow. It is to conquer this that I need my strength and my resources. Everything here leaves me intact, I surrender nothing of myself, and don no mask: learning patiently and arduously how to live is enough for me, well worth all their arts of living. ~ Albert Camus

…A common little song has died
and left me here with a heart in pain
and sent me wandering lovelessly
to deposit my heart at every door:
with her who was never born yet died
and left to me a loveless heart:
and yet carries off my heart in pain:
to deposit my heart at every door. ~ Dino Campana

I didn't really feel any pressure when I've made records, I haven't as yet anyway. I feel when I'm making a record that I'm so excited about making new songs that when I'm doing demos of new songs, as soon as I make one that's really different I get really excited about the record, I don't care about the last record anymore. ~ Kelly Jones

When we talk it's not merely idle chatter
We discuss things that really don't matter
We talk of love and god and pain
To life's never-ending song
We add yet one more refrain
And as the pace gets more and more frantic
The words get more and more pedantic
We leave no sophistry unturned
As our rhetoric becomes more intense
Using our very large vocabularies
To disguise our very common sense.
The words get longer and the plot gets thinner
Another discourse to discuss at dinner
There is no feeling we can't analyze
Seizing each chance to intellectualize
Talking in the past and present tense
We're making a lot more noise
And a lot less sense. ~ Carrie Fisher

She who ever had remained in the depth of my being, in the twilight of gleams and of glimpses; she who never opened her veils in the morning light, will be my last gift to thee, my God, folded in my final song.

Words have wooed yet failed to win her; persuasion has stretched to her its eager arms in vain.

I have roamed from country to country keeping her in the core of my heart, and around her have risen and fallen the growth and decay of my life.

Over my thoughts and actions, my slumbers and dreams, she reigned yet dwelled alone and apart.

many a man knocked at my door and asked for her and turned away in despair.

There was none in the world who ever saw her face to face, and she remained in her loneliness waiting for thy recognition ~ Rabindranath Tagore

I usually write from my own experience, and that's definitely a true statement for me. I think having a song about desiring to live and wanting to get it right, which many of my songs do, often I have to clarify that I haven't figured it out yet. ~ Jon Foreman

Yet at the last Beren was slain by the Wolf that came from the gates of Angband, and he died in the arms of Tinúviel. But she chose mortality, and to die from the world, so that she might follow him; and it is sung that they met again beyond the Sundering Seas, and after a brief time walking alive once more in the green woods, together they passed, long ago, beyond the confines of this world. So it is that Lúthien Tinúviel alone of the Elf-kindred has died indeed and left the world, and they have lost her whom they most loved. ~ J.R.R. Tolkien

He could tell Fleming he was a musician but he could not communicate what the music said to him or said to the people he played it for. The music told itself, it made some obscure connection for which there were no words. The music was its own story, but a man could dip into the vast reservoir of folk and blues lines and phrases and images and construct his own story: though upon performing it and without it losing any relevance to his own life it now belonged to the audience as well. It was something he could not fathom. The old songs with juryrigged verses like bodies cobbled up out of bones from a thousand skeletons. Songs about death and lost love and rambling down the line because sometimes down the line was the only place left. Songs that treated the most desperate of loss with a dark sardonic humour. "I'm going where the climate suits my clothes", the song said, not saying the frustration and despair that created it, saying that in the sheer lonesomeness of the sound, in the old man's driving banjo. There was an eerie timelessness about it that said it could have been written a thousand years ago, or it could have been an unfinished song about events that had not yet played themselves out. ~ William Gay

You'll pass through highs and lows in life, and somehow, somewhere, you'll lose the urge to call him up everytime something good or bad happens. For every song that reminds you of him, you'll find five new ones that remind you of something better, something more important. You'll stop thinking that the break-up was somehow your fault. You'll finally see him for what he is, and yet you won't hate him. No, it will not be hate, but indifference that will replace love. ~ Jane Finn

Yet when it happens to me that the music moves me more than the subject of the song, I confess myself to commit a sin deserving punishment, and then I would prefer not to have heard the singer. ~ Augustine Of Hippo