Slow Learner Early Stories Quotes

But as we all know, rock 'n' roll will never die, and education too, as Henry Adams always sez, keeps going on forever. ~ Thomas Pynchon

Have you ever felt, in the course of reading a detective novel, a guilty thrill of relief at having a character murdered before he can step onto the page and burden you with his actual existence? Detective stories always have too many characters anyway. And characters mentioned early on but never sighted, just lingering offstage, take on an awful portentous quality. Better to have them gone. ~ Jonathan Lethem

I dug up some old John Buscema 'Conan' comics. Man, when Alfredo Alcala was inking, that was some of the most beautiful black and white comic art ever published. The stories are good, too, though early '70s comics based on Conan is a festival of sexist, racist stereotypes. ~ Ted Naifeh

The inhabitants of the other spots reason in like manner, of course, with the result that from early infancy the mind of the child is provided with blood-curdling stories about the Germans, the French, the Italians, Russians, etc. ~ Emma Goldman

We're [humans] running great risks of doing things that will not be good for us. The cost can be very high indeed if we reach the point where we can't adapt to our own increasingly rapid adaptations. We run the risk of early extinction. So this certainly isn't a triumphalist story, but it is trying to get at what, in the very long run, leads to the amazing creatures that we are. ~ Robert Neelly Bellah

You throw the kitchen sink at your early books. You put everything in there. It's like when you meet a new girlfriend or boyfriend, you tell them all your best stories. By the time you have been married for 10 years, they are crying, 'Shut up!' ~ Mark Billingham

The early Christians' opponents all accepted that Jesus existed, taught, had disciples, worked miracles, and was put to death on a Roman cross. As in our day, debate and disagreement centred largely not on the story but on the significance of Jesus. Today nearly all historians, whether Christians or not, accept that Jesus existed and that the gospels contain plenty of valuable evidence which has to be weighed and assessed critically. ~ Graham Stanton

My filmmaking style of remixing came out of necessity. When I was a film theory student at UC Berkeley in the early 1990s, there were no film production facilities. The only way I learned to tell stories on film was by re-cutting and splicing together celluloid of old movies, early animated films, home films, sound slug - anything I could get my hands on. ~ Elisa Kreisinger

I'm not the angry, rebellious child that I was. You can remain a child for a long time. I certainly did. I was a slow learner. ~ Patti Davis

I believe that if we are to survive as a planet, we must teach this next generation to handle their own conflicts assertively andnonviolently. If in their early years our children learn to listen to all sides of the story, use their heads and then their mouths, and come up with a plan and share, then, when they become our leaders, and some of them will, they will have the tools to handle global problems and conflict. ~ Barbara Coloroso

So I developed very early a massive inferiority complex, and I've told the story often about how that inspired me later in life to get involved in other things, because I couldn't out-do my brothers in sports, and it's a very competitive relationship. ~ George J. Mitchell

The thing that I took away as an early fan from Bob Dylan was the storytelling aspects. He can tell some wicked stories. ~ Ed Sheeran

We [psychonauts] are all going to go into the books as pioneers, because it's too early for us to be anything else. There's no map, no finished database, just anecdotes of the crazy, crazy stuff that goes on. That's why it's so important to try and share [our stories]. ~ Terence McKenna

The only ghosts, I believe, who creep into this world, are dead
young mothers, returned to see how their children fare. There is
no other inducement great enough to bring the departed back.
They glide into the acquainted room when day and night, their
jailers, are in the grip, and whisper, "How is it with you, my
child?" but always, lest a strange face should frighten him, they
whisper it so low that he may not hear. They bend over him to
see that he sleeps peacefully, and replace his sweet arm beneath
the coverlet, and they open the drawers to count how many little
vests he has. They love to do these things.

What is saddest about ghosts is that they may not know their
child. They expect him to be just as he was when they left him,
and they are easily bewildered, and search for him from room to
room, and hate the unknown boy he has become. Poor, passionate
souls, they may even do him an injury. These are the ghosts that
go wailing about old houses, and foolish wild stories are
invented to explain what is all so pathetic and simple. I know
of a man who, after wandering far, returned to his early home to
pass the evening of his days in it, and sometimes from his chair
by the fire he saw the door open softly and a woman's face
appear. She always looked at him very vindictively, and then
vanished. Strange things happened in this house. Windows were < ~ J.M. Barrie

I was standing amid floor-to-ceiling shelves of books in wonder and awe when my view of stories suddenly and forever changed. There were enormous piles of books lying in corners. Books covered the walls. Books even lined the staircases as you went up from one floor to the next. It was as if this used bookstore was not just a place for selling used books; it was like the infrastructure itself was made up of books. There were books to hold more books, stories built out of stories.

I was standing in Daedalus Books in Charlottesville, Virginia, and I had recently read Mortimer J. Adler's How to Read a Book. I was alive with the desire to read. But at that particular moment, my glee turned to horror. For whatever reason, the truth of the numbers suddenly hit me. The year before, I had read about thirty books. For me, that was a new record. But then I started counting. I was in my early twenties, and with any luck I'd live at least fifty more years. At that rate, I'd have about 1,500 books in me, give or take.

There were more books than that on the single wall I was staring at.

That's when I had a realization of my mortality. My desire outpaced reality. I simply didn't have the life to read what I wanted to read.

Suddenly my choices in that bookstore became a profound act of deciding. The Latin root of the word decide - cise or cide - is to "cut off' or "kill." The idea is that to choose anything means to kill off other options you m ~ Justin Whitmel Earley

One substitute for the disappearing Evil Empire (The Soviet Union) has been the threat of drug traffickers from Latin America. In early September 1989, a major government-media blitz was launched by the President. That month the AP wires carried more stories about drugs than about Latin America, Asia, the Middle East and Africa combined. If you looked at television, every news program had a big section on how drugs were destroying our society, becoming the greatest threat to our existence, etc. ~ Noam Chomsky

The theory I'm putting forward here is that storytelling is a genetic characteristic in the sense that early human hunters who were able to organize events into stories were more successful than hunters who weren't - and this success translated directly into reproductive success. In other words, hunters who were storytellers tended to be better represented in the gene pool than hunters who weren't, which (incidentally) accounts for the fact that storytelling isn't just found here and there among human cultures, it's found universally. ~ Daniel Quinn

I was so in love with books from as early as I remember that it seemed a natural step to want to create them. And so I just wanted to be a writer from a very young age. And I think that the lies were just a natural side effect of me wanting to tell stories and write them down. ~ Marie Rutkoski

it is worth asking what standards we can reasonably expect of the Bible, seeing that it is an ancient Near Eastern document and not a modern one. Are the early stories in the Old Testament to be judged on the basis of standards of modern historical inquiry and scientific precision, things that ancient peoples were not at all aware of? Is it not likely that God would have allowed his word to come to the ancient Israelites according to standards they understood, or are modern standards of truth and error so universal that we should expect premodern cultures to have made use of them? ~ Peter Enns

I never finished any of my early stories. They were all beginnings, an endless number of beginnings. ~ George R R Martin

Avoid generalizations. As a fiction writer, I distrust absolute truths, homilies, bromides, sound bites, and also shorthand advice of the sort I'm giving. I like specifics, the longhand version of a story in which it takes four hundred pages to answer a single question about a person's character. Literary writers, unless they are writing fairly tales, learn early never to have characters who are polar opposites, one "good," the other "evil." That's not believable. People are more than just good and evil. Intelligent readers will demand that you not reduce people to such simplistic terms, or resolve situations with "Good always conquers evil," "Might is always right," and so forth. And while such resolutions are common in murder mysteries and action stories, they are feeble in literary fiction, which is supposed to reflect subtle truths about the world. Better to be subtle rather than overbearing, subversive rather than didactic. ~ Amy Tan

Her father ... was all front to back in his transparency: what you saw was what there was, there was nothing clandestine in his character, and those few aspects that were disguised or hidden were that way because they were his closely kept emotions. When on those rare occasions he allowed his emotions to be seen, their appearance was all the more surprising. And more powerful. Which taught her early on a thing or two about the power of what's visible
it derives its mystery from what it hides. How many stories had she heard of people sensing ghosts behind the walls, hobgoblins in the woods? People living on the shores of lakes since time began have conjured creatures from those depths. If you believe a thing is something different from the evidence before you, if you believe something is hidden by the wall or in the woods or beneath the surface of the lake, then that belief gives power to the darkness and the depths
power to enchant; to terrify. ~ Marianne Wiggins

I wrote two million words of crap. Maybe I'm just a slow learner . ~ Charles Stross

I was born in England and went to school there. That's when I discovered my undying passion for history - not just for the Middle Ages, but all periods of history. My favorites are medieval, Elizabethan, and Georgian; however, I've written stories set in periods as early as ancient Rome, right up to the Victorian era. ~ Virginia Henley

Who wants to read about success? It is the early struggle which makes a good story. ~ Katherine Anne Porter

These three creation stories were shaped in the patriarchal, slave-holding world of early urban civilization in the eastern Mediterranean of the second and first millennia M.C.E. In the Babylonian story that urban world is still new and precarious. Another world, not under male/human control, stands as the earlier beginning, ruled by a huge theriomorphic Great Mother, who gestated all things, gods and cosmic beings, in the mingled waters of her womb. The story mandates her dethronement, and with it a demotion of the female from primal power to secondary consort.
Slavery is a central institution mandated by this story. ~ Rosemary Radford Ruether

Fairy tales are about trouble, about getting into and out of it, and trouble seems to be a necessary stage on the route to becoming. All the magic and glass mountains and pearls the size of houses and princesses beautiful as the day and talking birds and part-time serpents are distractions from the core of most of the stories, the struggle to survive against adversaries, to find your place in the world, and to come into your own.

Fairy tales are almost always the stories of the powerless, of youngest sons, abandoned children, orphans, of humans transformed into birds and beasts or otherwise enchanted away from their own lives and selves. Even princesses are chattels to be disowned by fathers, punished by step-mothers, or claimed by princes, though they often assert themselves in between and are rarely as passive as the cartoon versions. Fairy tales are children's stories not in wh they were made for but in their focus on the early stages of life, when others have power over you and you have power over no one.

In them, power is rarely the right tool for survival anyway. Rather the powerless thrive on alliances, often in the form of reciprocated acts of kindness -- from beehives that were not raided, birds that were not killed but set free or fed, old women who were saluted with respect. Kindness sewn among the meek is harvested in crisis...

In Hans Christian Andersen's retelling of the old Nordic tale that begins with a stepmother, "The Wild Sw ~ Rebecca Solnit

Matthew's story of the resurrection emphasizes typically Matthean themes, and so on. But this is like what you get when different artists paint portraits of the same person. This painting is certainly a Rembrandt; that is indubitably a Holbein. The touch of the individual artist is unmistakable. And yet the sitter is fully recognizable. The artists have not changed the color of her hair, the shape of his nose, the particular half smile. And when we ask why such stories, so different in many ways and yet so interestingly consistent in these and other features, could have come into existence so early, all the early Christians give the obvious answer: something like this is what happened, even though it was hard to describe at the time and remains mind-boggling thereafter. ~ N. T. Wright

You are a slow learner, Winston."
"How can I help it? How can I help but see what is in front of my eyes? Two and two are four."
"Sometimes, Winston. Sometimes they are five. Sometimes they are three. Sometimes they are all of them at once. You must try harder. It is not easy to become sane. ~ George Orwell

Probably the best way to describe my writing style is to refer you to "purple prose", which was a tag given to the early mass market magazine writers earning a half cent a word for their fiction. They had to use every adjective, verb and adverb in the English language to add word count to stories in order to feed and support families. ~ Tom Johnson

Why does Sea World have a seafood restaurant I'm halfway through my fish burger and I realize Oh man ... I could be eating a slow learner. ~ Lyndon B. Johnson

While they read these stories, moreover - and this is a comforting thought for those who believe that the best way for anyone to become a lover of real literature is to be exposed to it early and often - boys and girls are not only gratifying their love for a
stirring tale, they are making the acquaintance of the great story-tellers of the past, taking them into their lives as companions. This early contact gives children an experience which will keep their horizon in after life from being entirely circumscribed by the mediocre and ephemeral. If a boy has sailed the wine dark Aegean, or climbed a height whence he could watch Roland's last heroic stand in the Pass of Roncevaux, some gleam remains, and there is far less likelihood that his adult reading will be entirely commonplace. ~ Anne Thaxter Eaton

The idea of attention or contemplation, of looking carefully at something and holding it before the mind, may be conveyed early on in childhood. 'Look, listen, isn't that nice?' Also, 'Don't touch!' This is moral training as well as preparation for a pleasurable life. It need not depend on words, but can also be learnt from patterns of behaviour which should in any case back up the words. The far reaching idea of respect is included in such teaching. The, as it might seem, sophisticated concept of a work of art may be acquired easily. Children, if they are lucky, are invited to attend to pictures or objects, or listen quietly to music or stories or verses, and readily understand in what spirit they are to treat these apparently dissimilar things. They may also be encouraged to contemplate works of nature, which are unlike works of art, yet also like them in being 'beautiful. ~ Iris Murdoch

[My early stories] are the work of a living writer whom I know in a sense, but can never meet. ~ Elizabeth Bowen

Although the stories are very present in my book, and very present in my mind, what I was most interested in was the question of why it had attracted such a following in the 18th Century. It's less mysterious that it attracted a following in the Romantic period, and in the 19th Century, but the early 18th Century when the Rationalists fell in love with it ... that was mysterious. What I wanted to look at was the forms of enchantment. ~ Marina Warner

I want to choose you," Noam said softly. "Every day, again and again."
Dara kissed him, Noam's lips parting under the pressure of Dara's mouth and his hand lifting to Dara's cheek. And for that moment Noam let himself believe in the future they'd spun together, all its brightness and its flaws, something so magnificently mundane it almost felt unachievable: late mornings waking up together, Dara perched on the kitchen counter while Noam made dinner, trading work stories over tea in the early evening, Wolf curled up in bed between them while they slept. ~ Victoria Lee