Parisienne Quotes

... [T]he letters of the alphabet (two Cs, a large D; the combination of Y, S, and L) belong on an ophthalmologist's chart. For the Parisienne, luxury should never be spelled out. ~ Anne Berest

You think too much of your "toilette", Adele; but you may have a flower." I took a rose from a vase and fastened it in her sash. She sighed a sign of ineffable satisfaction, as if her cup of happiness were now full. I turned my face away to conceal a smile I could not suppress; there was something ludicrous as well as painful in the little Parisienne's earnest and innate devotion to matters of dress. ~ Charlotte Bronte

You can't go wrong mixing classic graphics in black and white. It's very Parisienne. ~ Brad Goreski

The Parisienne is not in fashion, she is fashion. ~ Arsene Houssaye

She was ready to be a fugitive with him for the rest of her life - 'Whither thou goest, I will go; thy people shall be my people' - and when a Parisienne is ready to leave Paris behind forever, that's something. ("I'm Dangerous Tonight") ~ Cornell Woolrich

... The influence of the Pre-Raphaelites was felt less through their paintings than through a book, The Poems of Tennyson, edited by Moxon and wonderfully illustrated by Rossetti and Millais. The influence on Maeterlinck stems less from the poems themselves than from the illustrations. The revival of illustrated books in the last two years of the century derives from this Tennyson, the books printed at William Morris' press, the albums of Walter Crane. These last two and the ravishing little books for children by Kate Greenaway were heralded by Huysmans as early as 1881.

Generally speaking, it is the English Aesthetic Movement rather than the Pre-Raphaelites which influenced the Symbolists, a new life-style rather than a school of painting. The Continent, passing through the Industrial Revolution some fifty years after England, found valuable advice on how to escape from materialism on the other side of the Channel. Everything that one heard about the refinements practised in Chelsea enchanted Frenchmen of taste: furniture by Godwin, open-air theatricals by Lady Archibald Campbell, the Peacock Room by Whistler, Liberty prints. As the pressure of morality was much less pronounced in France than in England, the ideal of Aestheticism was not a revolt but a retreat towards an exquisite world which left hearty good living to the readers of the magazine La Vie Parisienne ('Paris Life') and success to the readers of Zola. If one could not write a beautiful poem or paint a ~ Philippe Jullian