Novel That Won Quotes

Introduction!" And yet when a novel goes back to print for a new hardcover edition, there ought to be something new in it to mark the occasion (something besides the minor changes as I fix the errors and internal contradictions and stylistic excesses that have bothered me ever since the novel first appeared). So be assured - the novel stands on its own, and if you skip this intro and go straight to the story, I not only won't stand in your way, I'll even agree with you! The novelet "Ender's Game ~ Orson Scott Card

IF you wish to be a writer then don't wait until you write the "great American novel" for they aren't written they are created. If you don't write at all you won't know how "great" that simple book can be. ~ Shiree McCarver

Literature...describes a descent. First, gods. Then demigods. Then epic became tragedy: failed kings, failed heroes. Then the gentry. Then the middle class and its mercantile dreams. Then it was about you--Gina, Gilda: social realism. Then it was about them: lowlife. Villains. The ironic age...Literature, for a while, can be about us...:about writers. But that won't last long. How do we burst clear of all this? And he asked them: Whither the novel? ... Supposing...that the progress of literature (downward) was forced in that direction by the progress of cosmology (upward--up, up). For human beings, the history of cosmology is the history of increasing humiliation. Always hysterically but less and less fiercely resisted, as one illusion after another fell away. ~ Martin Amis

When I'm really entrenched in my writing, I seem to go through mini-writer's block cycles that usually last a week or so. They make me moody. My husband has a routine to help me get through the blocks. He forces me to take a day off, and he insists on my relaxing and taking in other forms of art to recharge my creativity. It actually works really well, but whenever I'm that into my work, I won't take a day off willingly.

I do have a system for when I have a novel idea. I like to research a whole lot first and take notes by hand, and then I outline and figure out the plot based on the history and research. Next, I write everything I can as quickly as I can without worrying about grammar or even writing well. Then, I go back and read through and start fixing things. It's kind of like a process to create the framework then I can go back in and make other layers shine.

Making the rest of the layers, really known as the editing process, is where things get crazy. I don't have a system for it because it's kind of a journey of discovery. I'll know things are wrong, but I won't always know how to fix them. When I discover the solution, it might take the story to a place I never would have guessed.

That happened a lot for A White Room. In the beginning I only had the idea for the first half of the story and just the story of Emeline – none of the subplots or stories of the other characters were there yet. Not even John's story. It was just Emeline u ~ Stephanie Carroll

A seamlessly told and scrupulously detailed history of the Hartsoe clan of Haw County, North Carolina, Love and Lament is that rare novel that brings the gritty, rural past to vivid life. I could very nearly smell the moonshine (the moonshiners too!). Pass a few hours with Mary Bet Hartsoe and family. You won't regret it. ~ T. R. Pearson

In my mind what novels do best is that they immerse us deeply into our character's world - they truly transport us deep into these spaces - but the same way you know a Hollywood movie won't end after thirty minutes, you carry in yourself the implicit contract that the novel won't throw you out of itself 'til the very end. That bulk of pages is a form of consolation, of security. ~ Junot Diaz

Really, Beliefs have the power to create and the power to destroy ... Human beings have the awesome ability to take any experience of their lives and create a meaning that dis-empowers them or one that can literally save their lives ...
gone through many different phases of Destines and that's what made me to pen down ... hope it won't screw-up me again ...
Something beyond love ... ~ Atul Purohit

Literature interprets the world, but it's also shaped by that world, and we're living through one of the greatest economic and technological transformations since
well, since the early 18th century. The novel won't stay the same: it has always been exquisitely sensitive to newness, hence the name. It's about to renew itself again, into something cheaper, wilder, trashier, more democratic and more deliriously fertile than ever. ~ Lev Grossman

Some people won't dog-ear the pages. Others won't place the book facedown, pages splayed. Some won't dare make a mark in the margin. Get over it. Books exist to impart their worlds to you, not to be beautiful objects to save for some other day. We implore you to fold, crack, and scribble on your books whenever the desire takes you. Underline the good bits, exclaim "YES!" and "NO!" in the margins. Invite others to inscribe and date the frontispiece. Draw pictures, jot down phone numbers and Web addresses, make journal entries, draft letters to friends or world leaders. Scribble down ideas for a novel of your own, sketch bridges you want to build, dresses you want to design. Stick postcards and pressed flowers between the pages.

When next you open the book, you'll be able to find the bits that made you think, laugh, and cry the first time around. And you'll remember that you picked up that coffee stain in the cafe where you also picked up that handsome waiter. Favorite books should be naked, faded, torn, their pages spilling out. Love them like a friend, or at least a favorite toy. Let them wrinkle and age along with you. ~ Ella Berthoud & Susan Elderkin

The wildest ride in modern crime novel exoticum. A novel so steeped in milieu that it feels as if you've blasted to mars in the grip of a demon who won't let you go. Read this book, savor the language-it's the last-and the most compelling word in thrillers. ~ James Ellroy

I have tried to outline, but all that seems to guarantee is that the book will not much resemble the outline, so I long ago stopped. I never really know where a book is going, and each new book has it's own voice - and I have to be available to hear it. That's what can be frustrating between novels - the way I wrote any previous book won't work with this one. I'll make notes, do little sketches of characters or places, but every new book has to be discovered, and maps to the older books won't help much. ~ Daniel Woodrell

Very little comes easily to our poor, benighted species (the first creature, after all, to experiment with the novel evolutionary inventions of self-conscious philosophy and art). Even the most "obvious," "accurate," and "natural" style of thinking or drawing must be regulated by history and won by struggle. Solutions must therefore arise within a social context and record the complex interactions of mind and environment that define the possibility of human improvement. ~ Stephen Jay Gould

Paragraphs like this, in their infuriating insignificance, contribute to the unfocused incoherence of the novel: a form in which I revel in the most (if unfocused incoherence might be considered a "form" - I think it can - or an anti-form, if you won't), for it asks nothing from the author except a consistent failure to pull things together in a satisfying manner, and forces the reader to strain hard to comprehend the author's non-existent intentions, and justify their own heroic effort to stagger toward the end of the novel, even if only to write a scathing online review of the novel. I hope that makes no sense. ~ M.J. Nicholls

I'd love for readers to read what books are about so that if they are expecting happy endings in dark horror novels, they won't reach for the Vallium or something worse! ~ Carole Gill

A novel is not an allegory ... It is the sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel: you inhale the experience. So start breathing. ~ Azar Nafisi

Advice? Fail constantly. Because the word doesn't mean what you think it means, especially when you're an artist. I use the word artist to mean everything from songwriting to writing a novel to even writing video games. Anything that tells a story, which is almost any medium. Gotta take risks, you gotta go through multiple drafts which means you have to FAIL, a lot. So you won't always get the reaction you always want from every single person, so when you lose that fear of failure, when you stop even thinking of it as failure, and you push yourself farther, you'll take bigger risks, and eventually, after about six or seven hundred rejections, you'll find success. And you'll find a way of conveying what you really want to say, in the best manner. ~ Victor Giannini

Two-thousand-word scenes/chapters are potato chip length. That is, if you are about to go to bed and you're reading a terrific novel and the scenes/chapters come in around two-thousand-word bites, you'll tell yourself that you'll read just one more chapter. But if the narrative is really moving after you finish one of these bites, you won't be able to help yourself reading another. If the Story is extremely well told, you'll just keep eating the potato chip scenes all through the night. ~ Shawn Coyne

I'm not Dead-Eye Dan. I gave up chasin' bounties and don't plan on ever goin' back. I ain't a dime-novel hero, but I'm steady, I work hard, and I'll do my best to give you the life you deserve." Etta opened her mouth, but he shook his head at her, needing to get everything said at once. "I know I'm a good deal older than you, twelve years by my count, and most young ladies would probably wish for someone younger, less tarnished. I've seen a lot of ugliness in this life, Etta. I won't lie to you about that. I'm rather set in my ways and opinionated about how things oughta be done, but I'd like to think that God gave me some wisdom over the years, too. Wisdom that will help me be the husband and father I want to be, one who will lead his family in a way that honors the Lord." Dan ~ Karen Witemeyer

Q: Do you feel concerned that after all this work, people won't treat [Starship Titanic] with the gravity of, say, a movie or a book? That they won't treat it as an art form?

D.A.: I hope that's the case, yes. I get very worried about this idea of art. Having been an English literary graduate, I've been trying to avoid the idea of doing art ever since. I think the idea of art kills creativity. ... [I]f somebody wants to come along and say, "Oh, it's art," that's as may be. I don't really mind that much. But I think that's for other people to decide after the fact. It isn't what you should be aiming to do. There's nothing worse than sitting down to write a novel and saying, "Well, okay, I'm going to do something of high artistic worth." ... I think you get most of the most interesting work done in fields where people don't think they're doing art, but merely practicing a craft, and working as good craftsmen. ... I tend to get very suspicious of anything that thinks it's art while it's being created. ~ Douglas Adams

I won't leave you out here, if that's what you think. That's not how I roll. ~ Jason Medina

- And I won't deny your neighbors will take you more seriously if you tell them you've written a novel. (Of course if that's the main concern, just go and tell them. You don't have to write anything. Just lie a little. Don't worry - they won't beg to read the manuscript.) ~ Lawrence Block

You taste injustice, even if it's fictional, really taste it,it has a way of doing that. Sometimes, you can never put the shoe on the other foot. We can't go back in time and know what it was like to be a black person then. Even today, when things are supposed to be so much better, not one of you can understand what it's like to be black, to live with the knowledge of what happened to your ancestry and still face injustice. But that book makes us taste it and, reading it, we know how bitter that taste is and we know we don't like it. But that bitter wakes you up, and when you wake up, you open your mind to things in this world, you make yourself think. Then you'll decide you don't like the taste of injustice, not for you and not for anyone, and you'll understand that even though all the battles can't be won, that doesn't mean you won't fight. ~ Kristen Ashley

I can't promise you I won't ever screw up, but I can promise you that every single day I wake up, I will love you more then the day before. ~ T.K. Chapin

The novel is whatever novelists are doing at a given time. If we're not doing the big social novel fifteen years from now, it'll probably mean our sensibilities have changed in ways that make such work less compelling to us - we won't stop because the market dried up. The writer leads, he doesn't follow. The dynamic lives in the writer's mind, not in the size of the audience. And if the social novel lives, but only barely, surviving in the cracks and ruts of the culture, maybe it will be taken more seriously, as an endangered spectacle. A reduced context but a more intense one [...]

PS [...] If serious reading dwindles to near nothingness, it will probably mean that the thing we're talking about when we use the word 'identity' has reached an end.
– Don Delillo, in a letter to Jonathan Franzen ~ Don DeLillo

A novel is what you call something that won't sell if you call it poems or short stories. ~ Walker Percy

This is better than a romance novel." P.J. said with a wistful sigh.
"You read that stuff?" Cole demanded.
"Why the hell do you ask the question like that?" P.J. said, annoyance evident in her tone and expression.
"You just didn't seem the type," Cole mumbled.
She flipped him the bird, and Shea had to bite her lip to keep from laughing. P.J. was easily half Cole's size but she also looked like she had the confidence to take on the much larger man. She might even kick his ass. The idea intrigued Shea greatly.
"I'm tempted to shove one of my romance novels up your ass." P.J. said sharply. "But I love my books too much to desecrate them like that, I'll settle for my boot."
Cole held up his hands in surrender. "I won't say another word. Romance novels are great. I love romance novels. I think everyone should read them. ~ Maya Banks

Anyone and everyone taking a writing class knows that the secret of good writing is to cut it back, pare it down, winnow, chop, hack, prune, and trim, remove every superfluous word, compress, compress, compress...

Actually, when you think about it, not many novels in the Spare tradition are terribly cheerful. Jokes you can usually pluck out whole, by the roots, so if you're doing some heavy-duty prose-weeding, they're the first to go. And there's some stuff about the whole winnowing process I just don't get. Why does it always stop when the work in question has been reduced to sixty or seventy thousand words--entirely coincidentally, I'm sure, the minimum length for a publishable novel? I'm sure you could get it down to twenty or thirty if you tried hard enough. In fact, why stop at twenty or thirty? Why write at all? Why not just jot the plot and a couple of themes down on the back of an envelope and leave it at that? The truth is, there's nothing very utilitarian about fiction or its creation, and I suspect that people are desperate to make it sound manly, back-breaking labor because it's such a wussy thing to do in the first place. The obsession with austerity is an attempt to compensate, to make writing resemble a real job, like farming, or logging. (It's also why people who work in advertising put in twenty-hour days.) Go on, young writers--treat yourself to a joke, or an adverb! Spoil yourself! Readers won't mind! ~ Nick Hornby

Everyone is irrational some of the time and in particular everyone is susceptible to the availability error. I give a final striking example ... In 1969, Jerzy Kosinsky's novel Steps won the American National Book Award for fiction. Eight years later some joker had it retyped and sent the manuscript with no title and under a false name to fourteen major publishers and thirteen literary agents in the US, including ... the firm that had originally published it. Of the twenty-seven people to whom it was submitted, not one recognised that it had already been published. Moreover, all twenty-seven rejected it. All it lacked was Jerzy Kosinsky's name to create the halo effect: without the name, it was seen as an indifferent book. ~ Stuart Sutherland

Chief Johnson has full faith on us. Which means if I can complete this task and hunt down the murderer, not only does the chief won't feel any uncertainty on Anthony and I, but the spirits of the victims can move on. It sounds silly to believe that the undead is still around, but it is the truth. And since I have a good heart, I must use it. ~ Simi Sunny

It's the opening line of a football game returned for a touchdown. Or fumbled.

It's what orange juice is to breakfast, the first minutes of a blind date, a salesman's opening remarks.

It sets the tone, lights the stage, greases the skids for everything to follow.

It's the most important part of everything you'll ever write because if it doesn't work, whatever follows won't matter. It won't get read.

It's your opening paragraph. And enough can't be said about its importance.

Seduction. That's basically what leads are all about--enticing the reader across the threshold of your book, novel or article--because nothing happens until you get 'em inside.

And you literally have only seconds to do it because surveys show that eight out of ten people quit reading whatever it is they've started after the first fifty words. ~ Lionel Fisher

The best novel I wrote was one called 'Crusoe's Daughter,' which never won any prizes. But I was getting somewhere in that. I'm not sure I have in any of the others. ~ Jane Gardam

A novel is not an allegory ... it is a sensual experience of another world. If you don't enter that world, hold your breath with the characters and become involved in their destiny, you won't be able to empathize, and empathy is at the heart of the novel. This is how you read a novel; you inhale the experience. So start breathing. I just want you to remember this. That is all; class dismissed. ~ Azar Nafisi

Are you kidding me?' Shan asked, slightly drunk, slightly dramatic, and now sitting yoga style on the floor. 'You can't write an honest novel about race in this country. If you write about how people are really affected by race, it'll be too obvious. Black writers who do literary fiction in this country, all three of them, not the ten thousand who write those bullshit ghetto books with the bright covers, have two choices: they can do precious or they can do pretentious. When you do neither, nobody knows what to do with you. So if you're going to write about race, you have to make sure it's so lyrical and subtle that the reader who doesn't read between the lines won't even know it's about race ... ' p.335 ~ Chimamanda Ngozi Adichie

She is proof that there is nothing that cannot happen to someone. That the world doesn't need permission, that there is no novel evil it won't embrace. ~ Smith Henderson

Works of art are not so much finished as abandoned. Perhaps poems can be perfect. A short-short story might even be perfectible, as effective and enjoyable for one reader as the next. But novels and other book-length narratives are great rambling things that always contain some flaws. For works of any length, there comes a point when your continued tinkering won't improve the whole, but will just trade one set of problems for another. ~ Bruce Holland Rogers